I bid on this, along with a few other items, from Quinn’s Auction Gallery.
Aldiss, Brian W. Juniper. No publisher listed, 1985. First edition poster-sized broadsheet, #13 of 300 copies signed by Aldiss and designer Patrick Eddington, a Fine copy. Not in Reginald. Not in the Locus database. Not (yet) in ISFDB. (This edition predates the earliest listing for “Juniper” by a year.) Bought for $36 plus a hefty $30 in shipping at auction. (They originally tried to charge me $120 for shipping and I went “Homey don’t play that.”)
(The dark spots at the top are bookends I’m using to hold down the broadsheet for photographing.)
I’ve picked up several broadsheets over the years, but this one, at 30″ x 22 1/2″, is by far the largest.
The last book (but not the last item) left over from 2019:
Hughes, Matthew. What the Wind Brings. Pulp Literature Press, 2019. First edition hardback, a Fine copy in a Fine dust jacket. Slipstreamy historical novel of the Caribbean by the fantasy and science fiction writer. Bought for $40 plus shipping.
Lansdale, Joe R. Blood in the Gears. Short, Scary Tales Publications, 2019. First edition hardback, #101 of 550 signed, numbered copies, a Fine copy in a Fine dust jacket. Second in a four volume collection of all Lansdale’s short fiction, this one leaning toward dark suspense stories such as “Drive-In Date,” “The Steel Valentine,” “Incident On And off A Mountain Road,” etc. Bought from the publisher at a dealer discount. I still have copies available through Lame Excuse Books.
Trying to close out these purchases from last year:
(Lovecraft, H.P.) Joshi, S.T. (Don Webb, William F. Nolan, W. H. Pugmire, etc.) Black Wings VI. PS Publishing, 2017. First edition hardback, #138 of 300 numbered copies signed by all the contributors (including the recently deceased Pugmire), a Fine copy in a Fine dust jacket and Fine slipcase, new and unread. New tales of Lovecraftian horror. Bought from the publisher at a steep discount.
Still finishing cataloging books that came in last year after the big Moorcock buy:
Moore, C. L. Northwest of Earth. Gnome Press, 1954. First edition hardback, a Fine- copy with a trace of wear to bottom boards and slight bumping at head, in a Near Fine+ dust jacket with slight edgewear along spine joins, at head and at front points, barest trace of dust soiling to white back cover, a few other traces of wear, and, if you look very closely, the spine is just barely sun-faded, much less than commonly found. All the Northwest Smith and Jirel of Jory stories not found in Shambleau and Others. Currey, page 378, Chalker/Owings (1991), page 201 (“These unique stories belong in every SF library”). Kemp, The Anthem Series, page 231. Bought off a fellow Biblio dealer for $75.
Still more books I bought from Michael Moorcock, including art books and non-Moorcock paperbacks I bought off him. I think he received all these as review copies.
Garnett, David, editor. New Worlds 2. VGSF, 1992. First edition trade paperback original, a Fine copy. Inscribed to me by Moorcock, who wrote the afterword.
Hardy, David A. Hardyware: The Art of David A. Hardy. Paper Tiger, 2001. First edition hardback, a Fine copy in a Fine- dust jacket with a few invisible scratches, etc., with review materials laid in. Science fiction art, of the planet and spaceship variety. (Not the Austin writer.)
Kilworth, Garry. House of Tribes. Bantam Press (UK), 1995. Uncorrected proof, trade paperback format, of the hardback first edition, a Fine- copy with a bump at heel in a Near Fine dust jacket which is slight taller than the proof, hence the bend at the top. Fantasy about mice. Also has a personalized review letter from Bantam laid in upon which Mike written “Mouse shit.”
Tuttle, Lisa. The Somnambulist and the Psychic Thief. Jo Fletcher books, 2016. Uncorrected bound proof, trade paperback format, of the trade paperback first edition, a Fine- copy with edgewear. Jesperson and Lane book I.
Youll, Stephen. The Art of Stephen Youll: Paradox. Paper Tiger, 2001. First edition hardback, a Fine copy in a Fine- dust jacket with bumping at head, heel and top front corner, with review materials laid in. Science fiction art, lots of which you would recognize.
Finally, here’s the list of Moorcock omnibus editions I bought off Mike. I didn’t pick them when these originally came out due to both budgetary constraints and already possessing a great deal of the contents. But many of these volumes include material not in any other edition, and both the Millennium and White Wolf omnibus editions have gotten harder to find as of late.
Moorcock, Michael. Corum: The Prince With the Silver Hand. White Wolf, 1999. First U.S. hardback edition thus, being an omnibus edition of The Bull and The Spear, The Oak and the Ram, and The Sword and the Stallion, a Fine copy in a Fine dust jacket. Inscribed to me by Moorcock. “Michael Moorcock/To Lawrence/All best!” Previously published in an omnibus edition as The Swords Trilogy by Gregg Press (which I also have a signed first of). Contains Mike Mignola art not in the Millennium edition.
Moorcock, Michael. Count Brass. White Wolf, 2000. First U.S. hardback edition, a Fine copy in a Fine dust jacket. Inscribed to me by Moorcock: “To Lawrence/Very best.” Omnibus edition of Count Brass, The Champion of Garathorm and The Quest for Tanelorn. There were earlier UK hardback editions from Granada (as The Chronicles of Count Brass) and Millennium; the White Wolf edition contains new artwork by Walter Simonsen and a map by Jim Cawthorn not in any previous editions. Eternal Champion Volume 15. I think this was the last Moorcock book White Wolf did, and after 2000 they went back to concentrating strictly on gaming-related books.
Moorcock, Michael. The Dancers at the End of Time. White Wolfe, 1995. First White Wolf hardback, a Fine copy in a Near Fine dust jacket with three closed tears at heel, the largest 1/4″, and a trace of haze rubbing. Omnibus edition of An Alien Heat, The Hollow Lands, and The End of All Songs.
Moorcock, Michael. Earl Aubec and other stories. White Wolf, 1999. First edition hardback thus, a Fine- copy with page 25/26 creased at the very edge in a Fine- dust jacket with a touch of blind-side dye transfer at the outer edge crease. Inscribed to me by Moorcock: “To Lawrence/All very best/from/Michael Moorcock.” Short story collection. Reprint of the Millennium volume, but I can’t find a content listing for the Millennium volume anywhere online to see if the contents differ, though at least the introduction is new to this volume.
Moorcock, Michael. Elric: Song of the Black Sword. White Wolf, 1995. First edition hardback thus, reprinting the Millennium Elric of Melniboné omnibus, with a new introduction and new (and hideous) cover art, a Fine copy in a Fine dust jacket. Inscribe to me by Moorcock: “Michael Moorcock/To Lawrence/Very best!”
Moorcock, Michael. Elric: The Stealer of Souls. White Wolf, 1998. First edition hardback thus, a reprint of the Millennium Stormbringer omnibus volume, but with a new introduction, new art, and the new John Davey essay “Elric: A Reader’s Guide,” a Fine copy in a Fine dust jacket. Inscribed to me by Moorcock: “To Lawrence/All best/Michael Moorcock.”
Moorcock, Michael. The Eternal Champion. Millennium, 1992. First edition hardback thus, an omnibus edition containing The Eternal Champion, Phoenix in Obsidian, and The Dragon in the Sword, a Fine- copy in a Fine dust jacket, inscribed to my by Moorcock: “To Lawrence,/All best.” Yoshitaka Amano cover. Millennium Eternal Champion series Volume 2. Precedes the White Wolf edition by a couple of years.
Moorcock, Michael. Hawkmoon. White Wolfe, 1995. First White Wolf hardback, a Fine copy in a Fine- dust jacket with just a trace of bend at head and some blind-side black dye transfer to just the inner creases of the flap folds. Inscribed to me by Moorcock: “To Lawrence,/All very best,/Michael Moorcock.” There were two early editions, as The History of the Runestaff in the 1970s and a Millennium edition of the same name, but this edition contains material not in either of those, including a new Moorcock introduction and new art and maps by James Cawthorn.
Moorcock, Michael. Von Bek. Millennium, 1992. First edition hardback thus, an omnibus edition of The Warhound and the World’s Pain, The City in the Autumn Stars, and “The Pleasure Garden of Filipe Sagittarius,” a Fine copy in a Fine- dust jacket with a slight edge wrinkling at top front, and slight crimping at head and heel. Inscribed to me by Moorcock: “To Lawrence,/An v. last!” Tale of the Eternal Champion Vol. 1. No additional printings mentioned, but also no numberline as mentioned by a few online dealers. Looks like a first printing to me, and neither ISFDB nor the Locus database lists a second Millennium hardback printing.
I picked up SPC ECO’s Fifteen album, and if you like sort of steady-state, trancy shoegaze with beautiful female vocals sort of floating on top, I recommend it. Here’s “The Heart and Soul”:
I came across these interviews of Mike Nelson and Kevin Murphy from Mystery Science Theater 3000. These were evidently an extra on Merlin’s Shop of Mystical Wonders from Volume 5 of the Rhino boxed sets (and presumably on the Shout! Factory reissue). Talks about the early days of the show and some of the films too awful for them to riff.
I’d never heard Sara Rachele before I went looking for covers of “Fade Into You.” She’s good enough to provide a close approximation of Hope Sandoval’s voice. The arrangement is more sparse and lonely than the Mazzy Star original, accentuating the sad, twangy, “coming home from a honky tonk alone at 3 AM” vibe of the song.
