Archive for the ‘video’ Category

Shoegazer Sunday: Slowdive’s “The Slab” (and first impressions of Everything is Alive)

Sunday, September 10th, 2023

Here’s “The Slab,” the final track from Slowdive’s new Everything is Alive album. But I should warn you that this is a case where the song of the CD is much stronger than the compressed version on YouTube:

I finally got the CD in this week, and I think it’s a very strong album, more consistent than their previous self-titled album, but only time will tell is something as strong as “Slomo” or “No Longer Making Time” emerges as particular favorites. (And the later only really twigged for me when it became such a burner live.)

Shoegazer Sunday: Slowdive’s “Skin in the Game”

Sunday, August 20th, 2023

Here’s another song off Slowdive’s forthcoming Everything is Alive album, due out September 1st.

40 Years Ago Today: Genesis Releases “Mama”

Saturday, August 19th, 2023

Forty years ago today, August 19, 1983, Genesis released their self-titled album (their twelfth), and “Mama” was the first single released off that.

As a fairly new convert to classic Prog Rock Genesis at the time, I wasn’t a fan of Genesis’ move toward more mainstream pop, but “Mama” caught my attention, as it’s a pretty interesting song. And far from being an average pop song, it was weird and sinister.

And it has perhaps the most memorable laugh in any song, ever.

Peter Gabriel-era Genesis had a lot more overtly sinister songs (“The Waiting Room” comes to mind), but “Mama” was distinctly different from Genesis’ 1980s output, or indeed, just about anything else on mainstream radio in 1983. Between the sparse drum loop, the eerie high synthesizer wash, and Collins’ urgent, hungry vocals about a young man’s unrequited love for a prostitute, it still has power four decades on.

William Friedkin, RIP

Monday, August 7th, 2023

No director probably ever had three films back to back as good as William Friedkin (who just died at age 87) did in the 1970s. The French Connection, The Exorcist and Sorcerer are each truly great films that stand the test of time. The first two made a ton of money (justifiably). The third one didn’t, but has one of the greatest, tensest scenes of all time.

Friedkin let the success of those first two go to his heads, and then a string of flops (including Cruising, a film that, like The Last Temptation of Christ, alienated its only potential audience) put him out of favor in Hollywood.

He also directed a pretty swell episode of the 1980s Twilight Zone reboot.

He had a wealth of talent, I just wish we had more first rate films from him.

Shoegazer Sunday: hyperlilly’s “springs (the oracle)”

Sunday, June 11th, 2023

Hyperlilly evidently hale from Cologne, Germany. Not a fan of the video (static band shots + mild psych color filters), but the song reminds me of Auburn Lull crossed with a bit of M83.

Shoegazer Sunday: Kinoko Teikoku’s Musician

Sunday, June 4th, 2023

Been a while since we did some Japanese Shoegaze, so here’s Kinoko Teikoku’s “Musician”:

It sounds a bit like Asobi Seksu crossed with Lemon’s Chair. It takes about 30 seconds to get beyond the initial noisy buzz.

Kinoko Teikoku evidently means “Mushroom Empire,” and they “suspended activity” in 2019.

Wes Anderson’s Star Wars

Thursday, May 4th, 2023

I checked out of Star Wars after The Force Awakens was just “meh” and everyone told me the sequels were much worse and Disney proceeded to screw every single pooch. But here’s a Star Wars movie I would totally watch:

Consider this your May the 4th post.

Shoegazer Sunday: Ozean’s “Scenic”

Sunday, April 9th, 2023

Ozean’s “Scenic” was featured as part of a three song set quite a while back, but here it is on it’s own, accompanied by (mostly) quite beautiful AI-generated art.

Basically, AI generated art is now better than 95% of all self-published trade paperback art.

Shoegazer Sunday: Chromatics Cover of “Petals”

Sunday, March 26th, 2023

A few weeks ago, I heard a more modern song whose melodic structure really reminded me of Hole’s “Petals,” which meant it’s been running through my head a lot recently. And then I found out that The Chromatics had covered it for a movie soundtrack.

It’s not exactly Shoegaze, but I think it might qualify as Dreampop.

One problem though: It’s only half the song. Here’s the original:

Billy Corgan of Smashing Pumpkins fame wrote the music, but I think Courtney Love wrote the lyrics. Despite her well-documented personal problems, she was occasionally a very good lyricist, back in the day.

French New Wave Steamed Hams

Saturday, February 25th, 2023

For a while, there was an “X, but it’s Y” trend on YouTube, where people would take something familiar and alter it in presumably amusing ways. (I think “every time they say bee it gets faster” is one of the better known examples of the trope.)

The Skinner-Chalmers “Steamed Hams” scene from The Simpsons has been the source of a lot of these videos. Most of them don’t do anything for me, but for some reason, “Steamed Hams, but it’s the French New Wave” tickled my fancy.