Archive for the ‘Movies’ Category

Joel Hodgson Launches Another MST3K Kickstarter

Thursday, April 8th, 2021

MST3K creator Joel Hodgson has launched another MST3K Kickstarter to help fund the show that was dropped by Netflix after two seasons. Their minimum goal is $2 million for three more episodes (which I think they’re going to breeze past today), with stretch goals out to $5.5 million for 12 episodes (plus 12 short films).

Plus something called “The Gizmoplex,” which he describes as “an online theater for live screenings & special events!”

1. Live Premieres & Events: Each month for our first year, The Gizmoplex will host at least* one live event, where you can join me, our cast and writers, and some special surprise guests. Each live event will be like a night at the theater, and will have a lot of fun surprises. Our live events could include new sketches, trailers (done “MST3K style”), live Q&A panel discussions, interviews, contests… even the return of the MST3K “viewer mail” segment.

2. The MST3K Watch Club: To make it easier to watch MST3K with your friends, The Gizmoplex will also be the official home of the MST3K Watch Club! Each month, you’ll get on-demand access to a new selection of episodes, and the ability to host your own live screenings for up to 10 people! Anyone with a Gizmoplex Pass can join for free, and if you want to invite someone who doesn’t, they can get a “Day Pass” for just $0.99!

And, if we reach our stretch goals, the Gizmoplex Pass will get even more valuable!

3. Gizmoplex Apps: If we raise $3.3 million, we’ll be able to develop apps that bring The Gizmoplex to mobile devices and TVs! Right now, the plan is to include apps for six of the most popular platforms: iOS, Android, AppleTV, AndroidTV, FireTV and Roku. Like Crow says: we’re gonna conquer cyberspace, man!

Also: “I really want The Gizmoplex to feel like something new: less like another Netflix with nothing but MST, and more like a charming, off the radar, suburban cineplex that plays movies for 99 cents, long after their first run.”

Though not stated, the ad campaign suggests they’re keeping the Season 11 and 12 cast, and Jonah Ray appears in the Kickstarter video.

There’s also some interesting discussion of the economics behind the show and Kickstarter:

1. Without a network supporting us, we need to fund everything ourselves. During our first Kickstarter, we estimated that, once production was up and running, we’d be able to produce new episodes for about $250K each. In the end, though, the budget for each new episode ended up being closer to $350K. For the last two seasons, we were able to cover the difference through our deal with Netflix… but this time, we’re on our own. We’ve got a lot of ways we can keep the budget lower, but, you know… it’s still going to cost something. And when you think about it, $350K for 90 minutes of television is still one of the best deals in show business.

2. We still can’t spend everything we raise on Kickstarter to make the show.

Campaign Fees: Between Kickstarter and the credit card processor, we pay about 8% of your pledge in fees. There’s also a fee for CrowdOx, the platform we’ll use to manage all of your surveys and rewards after the campaign ends.

Making Rewards: We reserve about 20% of your pledge in order to design, produce, print, sort and pack all of your rewards. And that’s not even including shipping, which we’re not collecting until after our Kickstarter campaign ends!

Dedicated Support: During our first Kickstarter, we underestimated the amount of work involved in providing customer support and creating detailed backer updates, so we had to depend on volunteers to do a lot of it. This time, we want to make sure we’re prepared, so we budgeted about 4% of each pledge for that.

Building & Running The Gizmoplex: We really want The Gizmoplex to be great, but getting it started will take some work – and keeping it running also means we’ll have some monthly fees to cover. We also need some budget to support all of the special live events we’re planning to host. So, we’re using about 3% of your pledge for that.

When you put it all together, we have to spend about 35% of what we raise just to cover Kickstarter expenses, and to keep all the promises we’re making to you.

He thinks that if they do 12 episodes, per episode cost will be down to just under $300K.

You may remember that MST3K already had the biggest Kickstarter in history up to that time. It’s since been surpassed by several smart watches and board games, among other things.

Despite the caveat that “this might not be a good time for some people to offer financial support to a robot puppet show dedicated to cheesy movies,” I expect them to blow the doors off the totals of their last Kickstarter.

Naturally I’ve already pledged.

Update: Just ticked over the first goal of $2 million.

Movie Review: Kong: Skull Island

Friday, April 2nd, 2021

Kong: Skull Island
Directed by Jordan Vogt-Roberts
Written By Dan Gilroy, Max Borenstein, Derek Connolly and John Gatins
Starring Samuel L. Jackson, John Goodman, Tom Hiddleston, John C. Riley, Brie Larson

With Godzilla vs. Kong upon us, I finally watched Kong: Skull Island. Even though I’m a Godzilla partisan, overall I think it’s the best executed of the Monsterverse films. (I’m seeing Godzilla vs. Kong this weekend.)

In 1973, with the Vietnam War winding down, LANDSAT has discovered Skull Island in the South Pacific, previously hidden because it’s perpetually ringed by storms. An Air Cav force, lead by Samuel L. Jackson in the Samuel L. Jackson role, escort a group of ostensible scientists to the island, including John Goodman (head of barely-funded Monarch, secretly looking for monsters), Tom Hiddleston (an ex-SAS pathfinder/tracker mercenary) and Brie Larson (a photographer). Soon they run into Kong, who crashes their helicopters a lot quicker than the Viet Cong. Jackson immediately goes full Ahab while another group runs for their life and right into John C. Riley, playing the American version of Sir Basil St. Exposition as a stranded WWII American flyer, along with the silent but friendly native tribe. Riley quickly explains to them that not only is Kong king, but he’s the good king, saving people from the monstrous subterranean “Skullcrawlers,” which look like giant tatzelwurms with vaguely possum-ish snouts.

The plot unfolds more or less the way you would expect.

This seems the best of the monsterverse movies because it has the best cast, and director Jordan Vogt-Roberts (who’s primarily worked in TV) seems to have come closest to realizing his vision for it. It quickly and efficiently gets the ensemble to the island with a minimum of character exposition accompanied by a great classic rock soundtrack that runs the gamut of CCR, Jefferson Airplane and Black Sabbath. Jackson, Goodman and Riley all turn in their usual solid work in roles that might seem trite with less stellar performers (see: everyone who’s not Brian Cranston in the previous Monsterverse films). Larson is less annoying than her Marvel role. The support cast of mostly redshirts also do good work. Only Hiddleston comes across as Johnny Onenote And His Pet Stoic Gaze, but the script doesn’t give him much to do.

The special effects work on Kong is extremely solid (which you would expect from Industrial Light & Magic), even if not as expressive as the Andy Serkis version from Peter Jackson’s remake. The Skullcrawlers are appropriately menacing. But it’s the Huey flight sequences where the effects really shine. It’s obvious from the shot composition that Vogt-Roberts watched Apocalypse Now a whole bunch of times…

By jettisoning the “Kong takes Manhattan” plot from the previous versions, and dialing the Beauty and the Beast bits down to a bare whisper, Legendary Films has created a swift-moving kaiju film that even casual fans of the genre should enjoy.

He’s Not Dead…

Friday, March 5th, 2021

…it’s only that his metabolism has gotten more selective.

Tony Hendra, Spinal Tap manager Iain Faith in This Is Spinal Tap, dead at age 79.

(Hat tip: Dwight.)

Library Additions: Six Joe Lansdale Items

Friday, November 20th, 2020

A combination of new books that came in and filling in some collection gaps.

  • Lansdale, Joe R. Deadman’s Road. Subterranean Press, 2010. First edition hardback, #18 of 200 copies, a Fine copy in a Fine dust jacket and Fine slipcase. Supplements a signed trade copy. Bought off an Internet book dealer for $50.40.
  • Lansdale, Joe R. For A Few Stories More. Subterranean Press, 2002. First edition hardback, #550 of 1,000 copies, a Fine copy in a Fine dust jacket. Supplements the Lettered edition, but weirdly I never picked up this trade edition until now. Bought from Kasey Lansdale.
  • Lansdale, Joe R. The Magic Wagon. BookVoice Publishing, 2018. First edition thus, #408 of 500 signed, numbered hardback copies, a Fine copy in a Fine dust jacket. This edition includes a rare western story by Joe, “Man With two Lives,” not in any other edition, a new introduction by Joe, and a new afterword by Keith Lansdale. Supplements a signed copy of the Doubleday first edition. Bought from Kasey Lansdale. Now I need to pick up that Crossroad Press limited edition.
  • Lansdale, Joe R. Waltz of Shadows. Subterranean Press, 1999. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. Although the limitation calls for a 1/1000 signature page, it’s not in this copy, though it still has the FIRST EDITION/SEPTEMBER 1999 statement, making this a previously unrecorded variant (not in the 2002 Chalker/Owings CD). Bought from Kasey Lansdale.
  • Lansdale, Joe R. and Keith Lansdale. Big Lizard. Short Scary Tales (SST) Publications, 2020. First edition hardback, #101 of 1,500 signed, numbered copies, a Fine copy in a Fine dust jacket, new and unread. A botched supernatural ceremony gives the protagonist ” the power to transform into a big lizard who can run fast, has incredible strength, and a large tail.” Looks like fun. Full color illustrated endpapers and signature page.
  • Lansdale, Joe R. Joe R. Lansdale’s Christmas With The Dead. Write-On Movies, 2012. Presumed first edition (?) DVD, a new copy, inscribed to me by Joe R. Lansdale and signed by Kasey Lansdale. I don’t usually record DVDs I buy here, but they’re not usually signed. Bought from Kasey Lansdale.

  • I will have copies of Big Lizard, The Magic Wagon and Waltz of Shadows in the next Lame Excuse Books catalog, currently in progress. Drop me a line if you want to receive a copy in email.

    Lego Star Wars Holiday Special Debuts Today

    Tuesday, November 17th, 2020

    The Lego remake of the Star Wars Holiday Special evidently premiered today on Disney+.

    Looks less a remake than a complete comic re-imagining.

    I don’t have Disney+ (or any other streaming service), so I can’t tell you how good it is.

    But it can’t help but improve on the original

    The Bizarre Story Behind Space Mutiny

    Friday, October 9th, 2020

    A perennial Mystery Science Theater 3000 favorite, Space Mutiny is a grade Z science fiction film feature bad acting, a bad script, bad direction, ludicrous sets, thoroughly incompetent continuity, and special effects licensed from the original Battlestar Galactica TV series.

    Here the people behind The Bad Movie Bible (which I may need to pick up) take a look at the story behind the film:

    I didn’t realize that ostensible director David Winters was also the choreographer for The Star Wars Holiday Special. While that’s an awful lot of evil to pack into one career, any teenage boy whose parents had The Movie Channel in the 1980s are certainly willing to forgive a lot of sins for producing late night “classic” Young Lady Chatterly. (In the “non-evil” department, he was also a Jet in West Side Story.)

    The MST3K episode of Space Mutiny is available as part of Mystery Science Theater 3000, Vol. 4. BLAST HARDCHEESE says you should pick up a copy…

    Halloween Horrors: The Apprehension Engine

    Tuesday, October 6th, 2020

    Suppose you wanted to do the soundtrack for a horror film: What would you use to score it? Synthesizer? Computer?

    Or how about commissioning a custom instrument to make eerie, unnerving sound?

    Behold The Apprehension Engine!

    The Witch is one of the films Mark Korven has scored, and I just noticed that it seems to have gotten pretty cheap as of late…

    Halloween Horrors: The Abominable Dr. Phibes

    Thursday, October 1st, 2020

    I just picked up The Vincent Price Collection from Shout Factory on Blu-Ray and had a chance to watch The Abominable Dr. Phibes for the first time, a movie that’s now just shy of a half a century old.

    It’s less a straight horror film that a black comedy Grand Guignol take on a Jacobean revenge drama, in which organist/inventor/theologian Phibes (Vincent Price, wearing disguises to hide his horrible disfigurement and speaking through mechanical aids) and (never explained) beautiful female assistant Vulnavia (Virginia North) venture from their elaborate Art Deco lair (complete with a raising and lowering organ for Phibes to play, along with an animatronic jazz band) to carry out a series of revenge murders based on Biblical plagues on a team of doctors lead by Dr. Vesalius (old pro Joseph Cotton), who Phibe feels botched his late wife’s surgery. Victims are dispatched by bats (who actually look quite adorable), rats, a particularly nasty mechanical frog mask, and (in the case of British comic actor legend Terry Thomas) having their blood drained.

    Police, as usual, are always one step behind the fiendishly clever Phibes.

    The film it most reminds me of is near-contemporary Suspiria, in that both are completely nutso, color-drenched horror films of hallucinatory intensity. The art direction by Bernard Reeves is so striking, and so integral to the success of the film, that it’s quite surprising he never did another full-length film.

    I actually tracked Reeves down and asked why that was:

    Thank you for your enquiry, yes I am the same Bernard Reeves that Art Directed the film Abominable Dr. Phibes.

    I did very few films in my life, basically due to the fact I was Production Designer for TV commercials and travelled abroad a lot.

    These days he’s best know for his motorsports art.

    Phibe’s lair is so vivid that it does a great job of making you forget the usual American International Pictures cheapness in the rest of the film. Another fascinating aspect is that while it’s set in 1925, the design of both Phibe’s lair and of Dr. Vesalius’ house is less straight Art Deco than a version re-imagined through the prism of mod London, with bright colors, wall mirrors and anachronistic red plexiglass panels on Phibe’s organ.

    And you can easily imagine Diana Rigg modeling some of Vulnavia’s very sexy fashions in The Avengers.

    Speaking of which, Director Robert Fuest (who directed several post-Rigg episodes of same) keeps things moving along at a steady clip, so it never drags over its 94 minutes. It’s not really scary, but it does hold your attention throughout. It’s not as good as Suspiria, manly because nothing matches the crazy intensity of latter film’s first murder, and because we root for Jessica Harper’s protagonist in a way we can’t for Price’s twisted antihero.

    Some have talked about The Abominable Dr. Phibes as an example of camp, and while aspects lend themselves to that, distance and the sheer vivid weirdness of the film has given it the feel of an intense fever dream.

    Still worth a look.

    Dune Trailer Checklist

    Thursday, September 10th, 2020

    The trailer for Denis Villeneuve’s Dune just dropped:

    Let’s do a checklist of encouraging signs that they’re going to actually follow the book:

    1. Gom Jabber: Check
    2. Litany Against Fear: Check
    3. Omnithopter: Check
    4. Holtzman shield: Check
    5. Sardauker: Check
    6. Baron Harkonnen: Check (albeit very briefly)
    7. Still-suits: Check
    8. Spice-eyes: Check
    9. Sandworm: Check

    And it even a has a cover of Pink Floyd’s “Eclipse,” a nod to Jodorowsky’s planned but never-filmed version of Dune, which was to include music by Pink Floyd and Magma.

    Only things missing: No Spacer Guild, and no Feyd-Rautha, which makes sense, since they’re only adapting the first half of the novel.

    This one is still scheduled for December 18.

    Mood: Cautious optimism.

    Ennio Morricone, RIP

    Monday, July 6th, 2020

    Legendary film score composer Ennio Morricone has died at age 91. The Good, The Bad, and the Ugly, John Carpenter’s The Thing and The Hateful Eight all had scores by him, among the 500+(!) he composed.

    Here’s probably my favorite piece by him, from his soundtrack to Once Upon A Time In The West: