Archive for the ‘Music’ Category

In Which The “No Disco” Rule is Temporarily Lifted

Friday, January 27th, 2012

I doubt I’ll live this one down. Let’s just call this Guilty Pleasure Friday.

I read on Bill Crider’s Blog that ABBA was releasing their first new single in 18 years. Now keep in mind I’m firmly in the “anti-disco” faction. I lived through the 1970s, and disco was right up there with inflation and the Pittsburgh Steelers among things right-thinking suburban teenagers in Houston hated in the 1970s.

So ABBA was never going to be among my favorites. But despite all that, I still remember liking “Take a Chance on Me” when it came out, so I thought I’d give it a listen again.

Whoa.

The refrain is pure disco vapidness, the “sexy” winks are ridiculous, and the 1970s video production values are non-existent. But those first few seconds of high female acapella harmony still send shivers down my spine. Maybe it’s because such harmonies are so underutilized in pop music today, a point I’ve made before.

Say what you want about ABBA, but this was before the age of digital desuckification and autotune, and those girls could really sing.

Shoegazer Sunday: Mash’s “Bury”

Sunday, January 22nd, 2012

Here’s another obscure Japanese shoegazer band, Mash, with their song “Bury.”

I like the way it builds, though the outro crescendo could have been a bit shorter…

Shoegazer Sunday: Ringo Deathstarr’s “You Don’t Listen”

Sunday, January 15th, 2012

Here’s the earcatchingly-named Ringo Deathstarr (note the double r at the end of Deathstar; there’s evidently a New Jersey rapper that goes by the single r version of the name) with “You Don’t Listen.” The band hails from Austin, which has not been a hotbed for Shoegaze (though The Swells have been here a while). My friend Andrew said he enjoyed seeing them at Psych Fest.

And here’ the live version, not because it’s particularly good, but because it provides proof of the maxim that just about any Shoegazer band is improved by including a hot redhead.

Shoegazer Sunday: The Jesus And Mary Chain’s “Just Like Honey”

Sunday, January 8th, 2012

The first (and for a long time only) Jesus And Mary Chain song I’d heard was “Snakedriver” off The Crow soundtrack. It struck me as a sort of post-Beatles bit of psychedelic pop, and only later did I learn that they were considered a Shoegazer band. Here’s their song “Just Like Honey,” which has more echo and less distortion.

Happy Epiphany!

Friday, January 6th, 2012

Since today is Epiphany, here’s “The Epiphany” from the movie version of Sweeney Todd (which I haven’t seen):

What do you mean I’m doing it wrong?

Shoegazer Sunday: Pale Saints’ “Sight of You”

Sunday, January 1st, 2012

Pale Saints of Leeds were among the original UK Shoegaze wave of the late 1980s and early 1990s.

This is off their debut album The Comforts Of Madness. I could do without the noodly part at the very end…

As a Golden Retriver Owner, This Made Me Smile

Saturday, December 31st, 2011

At over three and a half million hits since December 22, I’m obviously not the only one.

Happy New Year, everyone!

A Winter’s Day in a Deep and Dark December

Friday, December 30th, 2011

Well, not so much. It’s 72° here in Austin right now. But this was running through my head, so I thought I would share.

Too bad it cuts off at the end. I prefer the guitar part on the studio version, but Art’s voice is quite lovely here.

Boxing Day: Nils Lofgren’s “No Mercy”

Monday, December 26th, 2011

For this year’s Boxing Day, here’s two live versions of Nils Lofgren’s “No Mercy,” one acoustic, one electric:

What do you mean I’m doing it wrong?

Shoegazer Sunday: Laboratory Noise’s “Things That Fall From The Sky”

Sunday, December 25th, 2011

Since the band themselves were kind enough to comment when I posted their previous song, I’m happy to give them more exposure for “Things That Fall From The Sky” (another one off their debut album When Sound Generates Light), especially since it’s rather good.

And there are few Shoegazer songs that don’t benefit from a pretty, whispy-voiced female lead singer, which Kerry Ramsay (if I have the name right) provides here. She sounds a bit like Slowdive’s Rachel Goswell (always a good thing), with maybe a touch of Alison Shaw from Cranes.