How about some unsettling doorbell footage for the Halloween season? Some of it is of home invaders, and others that have ill intent, but some of it just seems to be of weird or deranged people whose motives are unclear.
Davidson, Avram. Dragons in the Trees: A Visit to British Honduras (Belize). Or All The Seas With Oysters Publishing, 2023 (i.e. 2024). First edition trade paperback original (this is a Print-on-Demand book fulfilled through Amazon; I ordered it the same day it was announced on the Avram Davidson Universe newsletter on April 23, and the printing code at the back states “Made in the USA/Coppell, TX/23 April 2024”), a Fine copy. Non-fiction. “This unique travel journal, born from Davidson’s travels between December 1965 and January 1966, showcases his unparalleled imagination and erudite commentary. Known primarily for his fantastical fiction, Davidson proves to be a masterful travel writer, capturing the essence of his experiences with vivid prose and introspective reflections.” Note: Despite the “First edition paperback published 2023” line on the copyright page, the people at the Avram Davidson Universe confirmed that this POD edition is indeed the true first.
The book is available through Amazon at the above link, and if you haven’t picked them up already, you may also want to get Davidson’s AD 100: Volume I and AD 100: Volume II as well.
Another in Borderland Press’ series of classic writer volumes.
Howard, Robert E. (Edited by P. Gardner Goldsmith) A Little Bronze Book of Weird Tales. Borderlands Press, 2024. First edition hardback, #463 of 500 signed, numbered copies, a Fine copy, sans dust jacket, as issued.
I will have a small number of these available in the next Lame Excuse Books catalog.
Here’s another Heritage Auctions lot I placed lowball bid on and won. There were three books, one of which will be in the next Lame Excuse Books catalog. Both of these were on my Books Wanted List.
Kuttner, Henry, with C. L. Moore (as Lewis Padgett). Gnome Press, 1951. First edition hardback, a Near Fine copy with previous owner’s name on FFE and slight bend at head, in a Near Fine-, price-clipped dust jacket with slight wear and shallow loss at heel, slight wear at head, and slight rubbing along folds. Currey, page 293. Chalker/Owings, page 198 (“One of the scarcest Gnomes”). Kemp, The Anthem Series, pages 200-201 (though he calls for gray boards lettered in “dark blue,” and the lettering here is clearly black; this calls for dark gray lettered in black, but honestly it looks more like a dark beige to me, so I’ve added a scan below). Locke, A Spectrum of Fantasy page 171 (under Padgett).
This scans lighter than it actually is, so I’ve adjusted the brightness down a smidge to closely match the color I’m seeing with my eye.
Leiber, Fritz. Two Sought Adventure. Gnome Press, 1957. First edition, first state binding (black boards, labeled in red, as per Currey A), a Fine copy (albeit with the age-darkening of the pages characteristic of Gnome Press books of this era) in a Fine dust jacket. The first Fafhrd and Gray Mouser book, and one that completes my hardback first Fafhrd and Gray Mouser collection (along with the six volume Gregg Press set and the Rupert Hart-Davis The Swords of Lankhmar). Currey, page 309. Chalker/Owings, 203. Kemp, The Anthem Series, pages 256-258 (“highly recommended”). Locke, A Spectrum of Fantasy page 238.
I paid less than $50 each for these with buyer’s premium.
These are the last books from that private collector sale.
Haldeman, Joe. Worlds Enough and Time. Morrow, 1992. First edition hardback, a Fine copy in a Fine dust jacket, signed by Haldeman. Third book in the Worlds trilogy.
Selznick, Brian. The Invention of Hugo Cabret. Scholastic Press, 2007. First edition hardback, a Fine copy in a Fine dust jacket. Illustrated young adult novel. Winner of the 2008 Caldecott Medal and basis of the 2011 film Hugo, which I also enjoyed.
Merritt, A (and Hannes Bok). The Black Wheel. New Collector’s Group, 1947. First edition hardback, in a first (Currey A) binding, #571 of 1,000 copies, a Near Fine- copy with slight bumping at head and heel, abrasions to title on front cover, inner hinge before title page just starting at top, with copyright correction pasted to copyright page. Novel started by Merritt and finished by Bok, who also illustrates the book. Currey, page 364. Chalker/Owings (2002), pages 608-9. Chalker/Owings (1991), page 308. Kemp, The Anthem Series, pages 384-385.
Merritt, A (and Hannes Bok). The Black Wheel. New Collector’s Group, 1947. First edition hardback, in a second state (Currey B) binding, a Very Good+ copy with BB-sized indention to front board (extending to front free endpaper), bumping at head, heel and points, large former owner plate for Robert C. Culp affixed to inside front cover, and foxing to interior gutters, and no number on copyright page, in a Near Fine FFF dust jacket (see Chalker/Owings for details, though they note the yellow jacket had “no illustrations,” which is clearly incorrect) with bumping at head, and a faint, dime-sized damp-staining drop and slight creasing to rear panel. Novel started by Merritt and finished by Bok, who also illustrates the book and the post-publication jacket. Currey, page 364. Chalker/Owings (2002), pages 608-9. Chalker/Owings (1991), page 308. Kemp, The Anthem Series, pages 384-385.
(Sime, Sydney H.) Skeeters, Paul W. (introduction by Ray Bradbury). Sidney H. Sime: Master of Fantasy. Ward Ritchie Press, 1978. First edition hardback, #178 of 200 copies signed by Skeeters and Bradbury, a Fine copy, sans dust jacket, as issued. Art book featuring Sime’s illustration work. This was a pleasant surprise, as I thought it was just a trade hardback lacking the dust jacket, but it’s actually the limited edition signed by Ray Bradbury, which alone is worth just shy of what I paid for the entire lot. Chalker/Owings, page 1072 (not a listing for the book, but a description of the post-publication dust jacket for the limited edition that George Locke printed up). Supplements a copy of the unsigned trade paperback edition.
Two collections of Harlan Ellison essays bought directly from the Ellison website.
Ellison, Harlan. FOE: Friends of Ellison. Edgeworks Abbey, 2019. First edition (stated) trade paperback original (these are Print on Demand books; the POD barcode page states “10 February 2019,” making it possible that these were run off as part of the initial batch run off for the Ellison website sales), a Fine copy. Collection of non-fiction essays, introductions and appreciations of other writers (Jack Vance, Richard Matheson, Philip Jose Farmer, Robert Silverberg, etc.). Bought for $20 (half-off the $40 list price) from the Harlan Ellison Books website.
Ellison, Harlan. Why do you call me Ishmael when you know my name is Bernie?. Edgeworks Abbey, 2019. First edition (stated) trade paperback original (these are Print on Demand books; the POD barcode page states “16 June 2019”), a Fine copy. Collection of non-fiction essays on various topics, including one on Lafferty. Bought for $20 (half-off the $40 list price) from the Harlan Ellison Books website. This now shows up as out of print there.
Paperbacks are the final batch of books I picked up in the Metroplex. I generally don’t picked up unsigned paperbacks these days, but so many of these were perfect or near perfect examples at very attractive prices. All these are from Half Price Books.
Brackett, Leigh. The Ginger Star. Ballantine Books, 1974. First edition paperback original, a Fine- copy with slight wear at heel, edges and points, otherwise a tight, square copy. Currey, page 52. Bought for $2.
Brackett, Leigh. The Hounds of Skaith. Ballantine Books, 1974. First edition paperback original, a Near Fine+ copy with slight bumping to bottom corner and a trace of edgewear, otherwise a tight, square copy. Currey, page 52. Bought for $2.
Brunner, John. The Productions of Time. Signet, 1967. First paperback original, a Fine- copy with slight darkening to pages and a trace of edgewear to points. 1967 Nebula nominee for Best Novella. De Bolt, The Happening Worlds of John Brunner page 203. Currey, page 72 (he says the text was “badly edited” without Brunner’s approval). Bought for $2.99.
Davidson, Avram. Rogue Dragon. Ace, 1965. First edition paperback original (no statement of printing and 40¢ cover price, as per Currey), a Fine- copy with just a trace of edgewear at top outer point, but tight and square with bright white portions of cover. Currey, page 131. Replaces a slightly less attractive copy. Bought from Half Price Books for $5.
Davidson, Avram. Rogue Dragon. Ace, 1965. First edition paperback original (no statement of printing and 40¢ cover price, as per Currey), a Fine- copy with a tiny crease across the Ace logo at head, otherwise tight and square. Currey, page 131. Replaces a slightly less attractive copy. Bought for $3.
Harrison, Harry. The Man From P.I.G.. Avon/Camelot Original, 1968. First edition paperback original, a Near Fine copy with one spine crease and usual mild age-darkening of pages. Currey, page 225. Bought for $1.99.
The final two items from the private seller culling his collection. Both of these were $5 each.
McCutheon, Marc. The Online Price Guide to Science Fiction, Fantasy & Horror. McCutheon, 2000. First edition trade paperback original (essentially just side-stapled 8 1/2″ x 11″ sheets), a Fine- copy with slight bend at top front corners. An odd self-published volume claiming to list online prices realized for a wide variety of SF/F/H books, and while the authors hit most of the biggest names, the selection is otherwise somewhat random and haphazard. Has some tidbits for things that are potentially useful, but fails to provide a lot of title-specific first edition point information (like the various dj states of Stephen King’s Salem’s Lot). I can see this being slightly useful for a real newbie the year it was published, but is of extremely dubious utility now. An oddity I bought cheap just because I had never heard of it and there was almost no information about it on the internet.
Wells, Stuart W., III. The Science Fiction Heroic Fantasy Author index. Purple Unicorn books, 1978. First edition trade paperback original (simultaneous with a hardback edition), a Very Good+ copy with 1/2″ tear at bottom of front spine-join, with light soiling along spine. A reference listing of genre books that was (like Marshall B. Tymn’s American Fantasy and Science Fiction: Toward a Bibliography of Works Published in the United States, 1949—1973) born obsolete, already superseded by far more comprehensive reference works published the same year. What was in the water that everyone rushed their SF/F/H bibliographical works into print in the 1978-1980 timeframe? You had Currey’s indispensable Science Fiction and Fantasy Authors: A Bibliography of First Printings of Their Fiction, you had the Firebell update of Bleiler’s Checklist, you Locke’s Spectrum of Fantasy, the first edition of Nichol’s Science Fiction Encyclopedia, the first two volume’s of Tuck’s own SF Encyclopedia, Tymn etc.’s Fantasy Literature, Miller’s Jack Vance bibliography Fantasms and even the Magill’s Survey of Science Fiction set. Extend it just a little into the early 80s and you get Bleiler’s Guide to Supernatural Fiction and the Levack bibliographies. And all this was just before the advent of desktop publishing.
Many of the must-have homeowner amenities considered an essential feature are no longer to be found on modern homes. No longer are buildings including such once-essential features as coal cellars, lightning rods, fallout shelters or murder tunnels.
And remember: A murder tunnel is completely different than a corpse hatch.
