Four more signed first editions:
Archive for the ‘Science Fiction’ Category
Library Additions: Signed Books By Simmons, Spiner, Wellman and Wolfe
Tuesday, December 21st, 2021Library Additions: Several Roger Zelazny Paperbacks, Most Signed
Monday, December 6th, 2021These were all more books from that final Bob Pylant Zelazny purchase in 2019. I checked the Zelazny paperbacks against the ones I already had and determined that, yes, indeed, there were volumes I wanted to add to my own library. Most are PBOs and almost all are signed. All of these supplement signed hardback firsts, etc.
Library Additions: Three Signed Ray Bradbury Firsts
Thursday, December 2nd, 2021Three more additions to my mad quest to collect signed firsts of every Ray Bradbury book.
(I think that’s a stray dog hair in the upper left…)
Library Addition: Signed First of Harlan Ellison’s Jokes Without Punchlines
Monday, November 22nd, 2021Here’s a verging-on-obscure Ellison item: A chapbook given out as a promotional item at a bookseller’s convention in 1995.
Ellison, Harlan. Jokes Without Punchlines. White Wolf, 1995. First edition perfect-bound chapbook original, a Fine copy, signed by Ellison on the rear cover. A promotional item for the 1995 American Booksellers Association Show in Chicago, released on June 3, 1995, to promote White Wolf’s Edgeworks line of Ellison hardback reprints. They were supposed to reprint all of Ellison’s books in a uniform edition, but only put out four volumes before they pissed off Ellison so badly that he refused to work with them any more. (Sound familiar?) The introduction in which he talks about how much he hates Chicago has apparently never been reprinted. Fingerprints on the Sky, XIII, page 121. Bought off eBay for $40.
Library Additions: Swanwick and Howard Chapbooks
Wednesday, November 3rd, 2021Two chapbooks:
Halloween Horrors: Omega Mart Commercials
Tuesday, October 26th, 2021Meow Wolf is a weirdo art collective underwritten by George R. R. Martin. The have an interactive art show called Omega Mart going on now in Las Vegas. Part of it is these not-quite-right supermarket commercials:
Library Addition: First Edition of J. G. Ballard’s Crash
Thursday, October 21st, 2021Unless you count the withdrawn American edition of The Atrocity Exhibition (which is not the true first, as the Cape (which I have) precedes), the true first of J. G. Ballard’s Crash is (along with The Drowned World) among Ballard’s most expensive and difficult first editions. I’d been looking for an affordable copy of Crash for a while, and I finally found one:
Ballard, J. G. Crash. Jonathan Cape, 1973. First edition hardback, an Ex-Library copy with all the usual flaws, including stamps to pages and page block edges, in a dust jacket that, while intact, has been glued to the book, with a long, thin library sticker across the front, spine, back and rear flap, and a large square library affixed to rear, plus some glue wrinkling; call it a Good/Good Ex-Lib copy. Goodard and Pringle, J. G. Ballard: The First Twenty Years 101. Currey, page 23. Bought off an Australian bookseller for $68 plus shipping.
Library Addition: Signed, Limited Edition of Joe R. Lansdale’s The Sky Done Ripped
Thursday, October 14th, 2021I think this ends this current run of Lansdale library additions. This one came from another publisher having a 50% off sale rather than a private collector.
Lansdale, Joe R. The Sky Done Ripped. Subterranean Press, 2019. First edition hardback, #324 of 350 signed, numbered copies, a Fine copy in a Fine dust jacket and a Fine slipcase. Third book in the Ned the Seal trilogy. This edition features a collection of sketches at the back not in the trade edition. Supplements a signed copy of the trade edition. Bought for $47.50.
Library Addition: The Gonzo Tapes (Lansdale, Waldrop, Barrett)
Monday, October 11th, 2021Another private collector Lansdale purchase:
Lansdale, Joe R., Howard Waldrop and Neal Barrett, Jr. The Gonzo Tapes. Scorpio Inc., no date (Howard says he recorded his October 7, 1992; since they were first sold at Armadillocon, and that year’s Armadillocon started just two days later, I’m guessing it was released at the 1993 Armadillocon). First edition cassette tape package, containing three cassettes with two stories each being read by authors Joe R. Lansdale (“Steppin’ Out, Summer 1968” and “By Bizarre Hands”), Howard Waldrop (“French Scenes” and “The Passing of the Western”) and Neal Barrett, Jr. (“Winter on the Belle Forche” and “Class of ’61”), along with a single trifold sheet attached to the inside of the front case lid with adhesive to the back, a Fine copy. Bought from that same private collector for $10.
Neal Barrett’s wife Ruth was the driving force behind this project. According to Howard, these all sold out at the Armadillocon they were released at, but I know copies were easy to find for many years after. Now, however, you don’t see them much anymore, and there’s precious little information about this on the Internet…
Halloween Horror Movie Review: Lifeforce
Friday, October 1st, 2021Lifeforce
Directed by Tobe Hooper
Written by Dan O’Bannon and Don Jakoby, based on Colin Wilson’s The Space Vampires
Starring Steve Railsback, Mathilda May, Peter Firth, Frank Finlay, Patrick Stewart
I avoided Lifeforce when it came out because the reviews were considerably less than positive, it was a Golan-Globus production (two names that did not spell quality), and the whole thing had a whiff of cheesiness about it. But with Halloween approaching, we thought it was time to give it a try.
I actually enjoyed it a bit more than I expected, despite the fact that it steals generously from just about every successful 1979-1984 science fiction/fantasy/horror film, from Alien (O’Bannon) to Poltergeist (Hooper) to Dawn of the Dead to The Hunger to The Keep, plus a big helping of Quartermass and the Pit.
A multinational expedition is sent to Hailey’s Comet, where they discover a huge, 100+ mile long derelict spaceship. Exploration reveals dead giant bat-like creatures…and three naked, perfect human beings in suspended animation inside crystalline coffins. Naturally they take them on board.
You can guess how well that works out for them.
Soon the female (Mathilda May) is wandering around London naked, sucking the lifeforce (via swirly blue beams) out of people, who in turn become lifeforce vampires themselves. And the race is on to track her down, lead by the captain and sole mission survivor (Steve Railsback) who has a deep psychic bond with her, along with an SAS colonel (Peter Firth). And they soon find out that their quarry can switch bodies…
Despite it’s reputation, Lifeforce has a lot going for it. Hooper keeps things moving along at a steady clip, the disparate elements mostly make sense together, the John Dykstra special effects are generally more than passable, and the movie (budgeted at a then-pretty-hefty $25 million) avoids the usual Golan-Globus cheapness. There’s an excellent cast of British character actors (including a post-Equus Firth and a pre-Star Trek Patrick Stewart) in supporting roles. Plus it hales from The 1980s Golden Age of Mainstream Female Movie Nudity, and a 20-year old Mathilda May is very easy on the eyes.
Also, it may be the first use of “body hoping psychic vampire” idea, which I didn’t encounter until Stephen Gallagher’s Valley of Lights (1987). I assume that (and many other elements) are taken directly from the Colin Wilson novel, which I own but haven’t read yet.
Not everything makes sense, but usually the movie moves quickly enough that you don’t have time to think about it. The “London goes crazy” scenes are good, but probably go on too long, and look more like an attack of zombies than vampires. The special effects for the “real form” of the vampires seen near the climax looks pretty cheesy. Oh, and you get possibly Patient Zero of the now ubiquitous “glowing blue space beam” trope.
Here’s the (R-rated) trailer:
It isn’t so great that you should pay $80 bucks for the Shout Factory Blu-ray of it. But if you’re looking for a gory-but-not-really-scary science fiction horror action film for the Halloween season, you could certainly do a lot worse.