Archive for the ‘Science Fiction’ Category

Library Additions: Signed Moorcock Firsts Part 1

Monday, February 17th, 2020

Here’s the first part of the Moorcock titles I bought from Mike back in November.

  • Moorcock, Michael. The Brothel in Rosenstrasse. New English Library, 1982. First edition hardback, a Fine copy in a Near Fine+ dust jacket with slight spine fading and slight wear at top points. Inscribed to me by Moorcocok. Von Bek novel.
  • Moorcock, Michael. Byzantium Endures. Secker & Warburg, 1981. First edition hardback, a Fine- copy with bumps to top points in a Very Good+ price-clipped dust jacket with several delamination wrinkles across the spine. Inscribed to me by Moorcock. Colonel Pyat novel.
  • Moorcock, Michael. The City in the Autumn Stars. Grafton, 1986. First edition hardback, a Fine- copy with a tiny bump at head and top front corner blunted, in a Near Fine+ dust jacket with several invisible scratches to rear cover, trace of wear at points, and 1/4″ closed tear at bottom rear fold join. Inscribed to me by Moorcock.
  • Moorcock, Michael. The Dragon In the Sword. Ace, 1986. First edition hardback, a Near Fine+ copy with two pinhead spots to bottom page blocks, slight bend at head, and slight blunting to bottom points, in a Near Fine+ dust jacket with bumping to bottom front point and wrinkling at head and a trace of edgewear. Inscribed to me by Moorcock: “To Lawrence/All best —/Michael Moorcock.” Precedes the Grafton edition by a year.
  • Moorcock, Michael. Elric: La Saga. Editizione Oscar Draghiluglio, 2019. First edition hardback thus, an Italian omnibus edition of the first six Elric novels, a Fine copy, sans dust jacket, as issued. Inscribed to me by Moorcock: “To Lawrence/Prego!/Michael Moorcock.” A beautifully printed book, with decorated boards, full-color, full page plates by a variety of artists. A thrown-in by Mike, who had just received a big box of them. “See those behind you? Go ahead and take one if you want…”

  • Moorcock, Michael. Elric of Melniboné. Hutchison, 1972. First edition hardback, a Fine- copy with slight bumping at head and heel in a Near Fine- dust jacket with a 3/8″ chip at heel/front join, shallow chipping at head and heel, and touches of edgewear. Inscribed to me by Moorcock. Tanelorn Archives, page 17.

  • Moorcock, Michael. King of the City. Scribners (UK), 2000. First edition hardback, a Near Fine- copy with bumps to top points and a cluster of small gray stains on pageblock edges, and slight bumping at heel, in a Near Fine dust jacket with bumping to top points, slight bumping at heel, and slight edge wrinkling along bottom flaps. Inscribed to me by Moorcock: “To Lawrence,/All the best—/Michael Moorcock.” Sequel to Mother London.
  • Moorcock, Michael. The Laughter of Carthage. Secker & Warburg, 1984. First edition hardback, a Fine- copy with slight bend at head, in a Near Fine-, price-clipped dust jacket with two scratches to front cover and a long lamination wrinkle down the spine. Inscribed to me by Moorcock.
  • Moorcock, Michael. Legends From the End of Time. WH Allen, 1976. First UK edition hardback, a Fine- copy with top front point slightly blunted, in a Fine- dust jacket with slight bumping at head and top front point. Inscribed to me by Moorcock. The U.S. true first looks like ass, while this edition has a groovy Rodney Matthews cover that looks a lot like Roger Dean. Tanelorn Archives, page 24.

  • Moorcock, Michael. Letters from Hollywood. HAARP, 1986. First edition hardback, a Near Fine copy with bumping at head and heel and blunting of points, in a Very Good dust jacket with shallow chipping at heel and points, wrinkling along front join, trace of dampstaining to bottom rear flap, and touches of general wear. Inscribed twice by Moorcock: On front free endpaper: “To Howard —/The third of the/world’s finest cities —/Love/Mike/Aug 18th/NY.” On half-title page: “Michael Moorcock/To Lawrence.” Collection of letters to J.G. Ballard.

  • Moorcock, Michael. London Peculiar and Other nonfiction. PM Press, 2012. First edition trade paperback original, a Fine copy, new and unread, inscribed to me by Moorcock.
  • Moorcock, Michael. The Mystery of the Texas Twister with Argosy January/February 2004. First edition trade paperback original, both fine copies in a Fine paper slipcase with advertising insert intact and inserted. Inscribed to me by Moorcock. Attempt to revive the venerable Argosy magazine, which evidently only lasted three issues. Upon receiving it, Mike said “I thought it was a Mentos ad!”

  • Library Additions: Non-Moorcock Hardback Firsts

    Wednesday, January 22nd, 2020

    More books I bought from Michael Moorcock. These are the non-Moorcock hardbacks I bought off him (in addition to Rendezvous With Rama).

  • Brooke, Keith and Nick Gevers, editors. Infinity Plus One. PS Publishing, 2000. First edition hardback, a PC copy of 500 signed, numbered copies signed by the contributors (to which Moorcock has added “Michael Moorcock’s copy” to the limitation plate), a Fine copy in a Fine- dust jacket with a trace of wear at top points. Supplements another copy. Anthology series (partly original, partially reprints) that only had two volumes. Gevers would later take up co-editing duties for Postscripts.
  • Burroughs, William S. The Ticket That Exploded. Grove Press, 1967. First hardback edition (preceded by an Olympia Press paperback edition), a Very Good+ copy with bumping at head and heel, slight wear to boards at heel, and a race of dust soiling, in a Very Good- dust jacket with 1″ closed tear at top front, 1/8″ semiclosed tear at bottom front near point, slight bumping at points, slight dust soiling, and general wear (it had dark staining along the spine, but a damp cloth cleaned that up nicely); I suspect that the orange text on the dust jacket was originally red, but since it applies to the inner flap as well, and almost all the copies I see online are similarly affected, I’m assuming it’s more the chemical composition of the ink than sun-fading per se. Shoaf, Collecting William S. Burroughs in Print, 6a, which states that it has textual revisions from the Olympia Press edition.
  • Di Filippo, Paul. Joe’s Liver. Cambrian Publications, 2000. First edition hardback, of presentation copy of 300 signed/numbered hardback, a Fine copy in a Fine dust jacket. Inscribed by the author to the Moorcock’s: “To Michael/&/Linda —/America — It’s one/big laff/fest!” Replaces another copy.
  • Holdstock, Robert. Celtira. Simon & Schuster UK, 1998. First edition hardback, a Fine copy in a Fine dust jacket, with Moorcock’s ownership bookplate affixed to the inside front cover.
  • Holt, Tom. Flying Dutch. Orbit, 1991. First edition hardback, a Fine copy in a Fine dust jacket.
  • Moore, Alan. Voice of the Fire. Top Shelf Productions, 2003. First hardback edition (preceded by a Gollancz TPO), #68 of 500 signed, numbered copies, a Fine copy in a Fine- dust jacket with just a trace of edgewear. It seems that the only difference between this and the trade edition (currently unrecorded in the ISFDB) is the full-color signature plate page.
  • Robinson, Kim Stanley. Remaking History. Tor, 1991. First edition hardback, a Fine copy in a Fine dust jacket. Inscribed to Moorcock: “for Michael Moorcock/with great admiration/from a raw/2μg rain trance./KS Robinson/1993.” At least I think that’s what the last line before his signature says. (At the 1992 Armadillocon, Stan told the story of driving through west Texas, dropping acid, and writing all his really deep thoughts down in a notebook, only to read it the next day and find such pearls of wisdom as “Bugs are weird.”)

  • Wilson, Colin. The Angry Years: The Rise and Fall of the Angry Young Men. First edition hardback, a Fine copy in a Fine- dust jacket with slight bumping at head and a nailhead-sized nick near the heel. Non-fiction biography and criticism of the “angry young men” of literature in the 1950s and 60s. Laid in is a largely negative review of the book from Roger Lewis.
  • Wilson, Colin. Dreaming to Some Purpose. Century, 2004. First edition hardback, a Fine- copy, with uneven sunning to side and bottom page blocks, in a Fine dust jacket. Autobiography.
  • Library Addition: First Edition of Arthur C. Clarke’s Rendezvous With Rama

    Thursday, January 16th, 2020

    Back in November, I went out to Michael Moorcock’s house and bought five boxes of books from him. Some of those went out in December’s Lame Excuse Books catalog, and more were Moorcock first editions (naturally) that I’ll be cataloging a bit later. But here’s one of the most notable books by other authors I bought from him:

    Clarke, Arthur C. Rendezvous With Rama. Gollancz, 1973. First edition hardback (no statement of printing, as per Currey), a Near Fine copy with bumped top front corner, small inked “W” on front free endpaper, tiny doggear to top of first 12 pages, in a Near Fine dust jacket with bumped top front corner, 3/8″ closed tear to rear bottom DJ near heel, pinhead nick to bottom front fold edge with associated scratch, slight edegwear at head and heel, and a touch of rubbing. Hugo and Nebula winner for Best Novel. Currey, page 115. Anatomy of Wonder 4, *4-109. Magill, Survey of Science Fiction Literature, pages 1759-1763 (“Rendezvous With Rama is one of those novels obviously destined to become instant classics.”). Reginald, Science Fiction and Fantasy Literature, page 106. One of Clarke’s most important novels. Replaces an Ex-Library first.

    Mike Resnick, RIP

    Thursday, January 9th, 2020

    Science fiction writer and editor Mike Resnick died this morning a little after midnight according to a post by his daughter Laura Resnick, due to an aggressive lymphoma that followed on the heels of major surgery.

    Mike was a friend from way back in the pre-WWW days of the Delphi Wednesday Night Group in the late 1980s, where a bunch of science fiction people (Resnick, Pat Cadigan, Gardner Dozois, myself, Dwight and many others) hung out on a regular basis. I sold Mike one of my earliest stories, “Huddled Masses” for his Alternate Presidents anthology, as well as “Saul’s Diary” for Galaxy’s Edge, and Mike used “Crucifixion Variations” for World’s Science Fiction Story Collection II, my only story ever published in China.

    He got involved with science fandom early in life and never left. Mike was one of the last of a dying breed of science fiction’s writing machines, someone who early-on mastered the ability to crank out a prodigious amount of wordage every day. The Kirinyaga stories in the 1980s, set an orbital African primativist tribal “utopia,” was where he really started to make his mark, and he became a regular Hugo and Nebula winner back when that meant something. He edited dozens of anthologies, frequently buying work by new writers, and eventually founding Galaxy’s Edge. He raised prize-winning collies and collected books on Africa. When the Social Justice Warrior mob came for him and Barry Malzberg for the usual stupid reasons he told them to go pound sand.

    He was a jovial presence at conventions, and he will be missed.

    Library Addition: Signed First of Anthony Burgess’ A Clockwork Orange

    Monday, December 30th, 2019

    This was the most expensive book I bought this year:

    Burgess, Anthony. A Clockwork Orange. Heinemann, 1962. First edition hardback, an Ex-Library copy with interior pocket removed, rear inner flap previously taped to rear inside cover, with tape stains there and to rear free endpaper, in a Near Fine, first state (16s, flaps untrimmed) dust jacket, with tape stains to rear flap, with a crease across bottom of front flap and a few specks of dirt to front flap, otherwise a very well-protected example of the first state dust jacket; call it a Very Good/Near Fine Ex-Lib copy. Signed by Burgess. A keystone work, and basis of the Stanley Kubrick film. Signed firsts of famous books made into famous films are among the most desirable first editions across a wide range of collectors. This edition also includes the final chapter, where Alex “groweth up” and contemplates leaving behind his antisocial ways for marriage and a family, omitted from most subsequent editions. Pringle, SF 100 36. Locke, A Spectrum of Fantasy, page 48. Locke, Science Fiction First Editions, page 22. Anatomy of Wonder 4, 3-4 1. Magill, Survey of Science Fiction, pages 396-401. Bought off a noted UK SF dealer for £600, making it among the most expensive single volumes I’ve ever purchased, but I’ve never seen a signed copy in a first state dust jacket list for under a grand before.

    Library Additions: Three Subterranean Firsts

    Thursday, December 26th, 2019

    Bought from the publisher at various discounts:

  • Crowley, John. Reading Backwards: Essays & Reviews, 2005-2018. Subterranean Press, 2019. First edition hardback, #101 of 750 signed, numbered copies, a Fine copy in a Fine dust jacket.
  • Egan, Greg. The Best of Greg Egan. Subterranean Press, 2019. First edition hardback, #248 of 1,000 numbered copies, a Fine copy in a Fine dust jacket. Another giant career retrospective collection.
  • Resnick, Mike. Voyages: The Chronicles of Lucifer Jones, 1938-1941. Subterranean Press, 2017. First edition hardback, #128 of 1,000 signed, numbered copies, a Fine copy in a Fine dust jacket. Bought from the publisher during a 50% off sale.
  • I have copies of both the Crowley and the Egan available through Lame Excuse Books.

    Library Addition: Signed Edition of Neal Stephenson’s The Rise and Fall of D.O.D.O

    Monday, December 23rd, 2019

    Bought this at a Half Price Books coupon sale last month:

    Stephenson, Neal, and Nicole Galland. The Rise and Fall of D.O.D.O. HarperCollins, 2017. First edition hardback, one of an unknown number of copies with a special signature page signed by both authors bound in, a Fine copy in a Fine- dust jacket with wear at points and a “Signed Copy” sticker taped to heel (in addition to the gold “Signed First Edition” sticker that seems standard now). Same ISBN (978-0-06-240916-4) as the trade edition. Bought at Half Price Books during a coupon sale for $10.

    Library Additions: Two Hardback Graphic Novel Firsts

    Thursday, December 19th, 2019

    One of these I managed to miss when it came out, and the other I backed a Kickstarter for back in January.

  • (Dick, Philip K.) Paul de Coudray and Elizabeth Haidle. The Pipers. Mascot Press, 2019. First edition hardback, a Fine copy in decorated boards, sans dust jacket, as issued. Graphic novel adaptation of the Philip K. Dick story of the same name. Backed on Kickstarter for $24.

  • Krahulik, Mike, and Jerry Holkins. The Splendid Magic of Penny Arcade: The 11 1/2 Anniversary Edition. Del Rey, 2010. First edition hardback, a Fine copy in a Fine dust jacket. Retrospective “behind the scenes” collection of the gaming webcomic, which I somehow missed when it came out.
  • Trailer for Christopher Nolan’s Tenet

    Thursday, December 19th, 2019

    Sort of like “Inception meets The Matrix, but for time travel.”

    More than a bit of a Philip K. Dick vibe…

    Library Additions: Two Signed Robert Silverberg Firsts

    Monday, December 16th, 2019

    One old, one new:

  • Silverberg, Robert. In Another Country and Other Short Novels. Five Star, 2002. First edition hardback, a Fine copy in decorated boards, sans dust jacket, as issued. Signed by Silverberg. Contains “In Another Country,” “The Way to Spook City,” “They Hide, We Seek” and “This is the Road.” Five Star is a small press that seems to deal mostly with the library market, and I know that SF/F dealers who have tried to obtain their books have generally found their wholesale terms unreasonable. Bought for $24 off the Internet. I have an unsigned copy of this title for sale in my latest book catalog.

  • Silverberg, Robert, and Randall Garrett, as Robert Randall. The Dawning Light. Gnome Press, 1959. First edition hardback, a Fine copy with less than the usual age-darkening, in a Near Fine dust jacket with slight loss at front points and a trace of edgewear; a very attractive example of the dust jacket. Signed by Silverberg. Currey, page 436. Clareson, Robert Silverberg: a primary and secondary bibliography, A233. Chalker/Ownings, page 205. Kemp, page 272. Bought for $47.31 plus shipping (which was from overseas) from a fellow Biblio dealer.

  • If you wonder why I took a month-long break from blogging new library additions, it’s because I was busy working on a book catalog, since sent out via email. Drop me a line if you haven’t received a copy and want to.