On Sunday, July 9, I bought a number of books formerly owned by the late Fred Duarte, an Austin area fan who helped out with Armadillocon, the San Antonio Worldcons, etc., and who had amassed a fair number of hypermodern science fiction firsts signed or inscribed to him. Most of what Fred had I already had myself, but I found a few things to pick up.
Here’s the first and most expensive item.
Bradbury, Ray. The Silver Locusts. Rupert Hart Davis, 1951. First UK edition and first hardback edition thus (includes almost all of The Martian Chronicles, dropping “Usher II” and adding “The Fire Balloons”), a Near Fine copy with dust soiling to top edge and a quarter-sized sticker for Foyle’s Bookstore (Charing Cross, London) affixed to bottom inside front cover, in a Very Good dust jacket with a 1/4″ chip at head, a 1″ tear and associated 1/4″ chip to top front cover, shallow chipping at points, foxing to white back cover and along flap edges, and general wear. Inscribed: “Fred!/Ray Bradbury/5/29/1992.” Weist, Jerry. Bradbury: An Illustrated Life, page 51 (where he notes that the cover is by Roy Sanford). Currey, page 56. Reginald, 01765. Tuck (Volume I), pages 62-63. Bought for approximately $320.
I had just about all of George’s non-media tie-in books, most inscribed to me at various conventions over the years, but for some reason this slipped through my grasp until now:
Effinger, George Alec. Death in Florence. Doubleday, 1978. First edition hardback, a Fine copy in a Fine dust jacket. Inscribed: “To Stuart,/George Alec Effinger”. Bought for $35 off the Internet.
And as for George’s media tie-in books, well, watch this space…
Here’s a omnibus “roll up” post for every book I bought during the first half of 2016. I’m a bit late getting this up, and I have a huge wave of books I bought July 10 I need to catalog…
Adams, Douglas and John Lloyd. The Deeper Meaning of Liff. Pan Books, 1990. First edition hardback, a Fine copy in a Near Fine, price-clipped dust jacket. Bought for £5 from Cold Tonnage Books.
Aldiss, Brian. The Creten Teat. House of Stratus, 2002. First hardback edition (according to Aldiss’ site, the trade paperback version preceded), a Fine copy in a Fine dust jacket. I have heard, second-hand, that House of Stratus went into receivership about the time this came out, and that very few hardback copies actually made it out into the world. Bought off Amazon for $9.94.
Allston, Aaron. Star Wars: The New Jedi Order: Enemy Lines II: Rebel Stand. Del Rey, 2002. First edition paperback original, a Fine copy, signed and dated by Allston.
Aylett, Steve. The Inflatable Volunteer. Phoenix House, 1999. First edition hardback, a Fine copy in a Fine dust jacket, with a publicity postcard signed by Aylett laid in. Bought for £5 from Cold Tonnage Books.
Aylett, Steve. Toxicology. Gollancz, 2002. First edition hardback, a Fine copy in a Fine dust jacket, with a postcard laid in. Bought for £5 from Cold Tonnage Books.
Bear, Greg. Halo: Cryptum. Tor, 2010. Book One of the Forerunner Saga. Bought at Half Price Books for $3.
Bradbury, Ray. The Autumn People. Paperback original, VG with a small sticker pull on front cover, spine crease, rubbing, stamps on insider covers, and general wear. Comic adaptations of Bradbury stories. Bought for $1.99 from Half Price Books.
Bradbury, Ray. A Christmas Wish 1988 (If Only We Had Taller Been). Privately printed, 1988. First edition Christmas broadsheet, a Fine copy. Inscribed by Bradbury: “For Rev. Gerald Watt, C.R./With fond good wishes/for/1989/Ray Bradbury.” Bought for $28 off eBay.
Bradbury, Ray. A Christmas Wish 1989 (The Bread of Beggars, The Wine of Christ). Privately printed, 1989. First edition Christmas broadsheet, a Fine copy. Inscribed by Bradbury: “For Rev. Watt. Thanks for Asking!/Love!/Ray/Bradbury/ 5/6/90.” Bought for $29 off eBay.
Bradbury, Ray. Christmas Greetings 2008 (Imagine that you have been dead). Privately printed, 2008. First edition Christmas broadsheet, a Fine- copy with slight corner bumping. Signed by Bradbury. Bought for $25 off eBay.
Bradbury, Ray. Let’s All Kill Constance. William Morrow, 2003. First edition hardback, a Fine copy in a Fine dust jacket. Signed and dated by Bradbury. Bought off eBay for $19.95, which is $4 off cover price.
Bradbury, Ray. Quicker Than The Eye. Avon, 1996. First edition hardback, a Fine copy in a Fine- dust jacket with a tiny bit of fading to spine. Short story collection. Bought off eBay for $17.57.
Bradbury, Ray. Yestermorrow. Joshua Odell Editions/Capra Press, 1991. First edition hardback (“First Edition” stated and numberline ending in 1), a Fine copy in a Fine- dust jacket with a tiny bit of dust jacket crimping at head and heel. Inscribed by Bradbury: “Matthew!/Ray Bradbury/ 4/30/94”. Bought off eBay for $20, which is 5¢ over list price.
(Bradbury, Ray) Weist, Jerry. Bradbury: An Illustrated Life. William Morrow, 2002. First edition hardback (precedes the Donald M. Grant limited edition by two years), a Fine-/Fine- copy with very slight bumping at head and heel. Inscribed by Bradbury: “To all the/Grand Tubers/Ray Bradbury.” Oversized illustrated history of Bradbury’s work. Bought for $27.10 off eBay.
Blish, James. A Dusk of Idols and Other Stories. Severn House, 1996. First edition hardback, a Fine copy in a Fine dust jacket. Bought for £5 from Cold Tonnage Books.
Brown, Dan. The Da Vinci Code. Doubleday, 2003. First edition hardback (price of $24.95 on flap, “First Edition” and “10 9 8 7 6 5 4 3 2 1” numberline on copyright page), a near Fine copy with owner blindstamp on front free endpaper, in a Fine- dust jacket with a small crease to bottom corner of front flap. Bought for $2 from the “Nostalgia Bargain” section of a Half Price Books.
Buckell, Tobias. Xenowealth. Self published via Kickstarter, 2016. Hardback first edition, signed by the author. Short story collection. See here for more details.
Buckell, Tobias. Xenowealth. Self published via Kickstarter, 2016. Trade paperback edition, signed by the author.
Butler, Samuel. Erewhon or Over the Range. Trübner & Co., 1872. First edition hardback, a rebound copy in modern full leather (at least according to the auction description, but “modern” is a relative term; the new binding is worn enough that it appears to be at least 50 years old), original covers bound in rear of textblock, with heavy rubbing on joints and corners, hinges starting, minor scattered foxing on preliminary and terminal leaves, pages characteristically brittle, overall a Very Good rebind copy. Published anonymously, Erehwon (“nowhere” spelled backwards) is satire in the mode of Gullivers Travels, and one of the most important 19th century Utopian/Dystopian novels. Bleiler Checklist (1978), page 36. Bleiler Checklist (1948), page 68. Bleiler, SF: The Early Years, page 113. Reginald (Volume I), page 84. Barron, Anatomy of Wonder 4, 1-19. Magill, Survey of Science Fiction Literature Volume Two, page 729. Bought for $75 (including buyer’s premium) from Heritage Auctions.
And here’s a picture of the original boards bound into the back:
Carr, Terry. Fandom Harvest. Laissez Faire Productions AB, 1986. First edition hardback, a Fine copy in decorated boards, sans dust jacket, as issued. According to Chalker/Owings (1991), page 538, only 250 hardbacks were done. Bought for £5 from Cold Tonnage Books.
Constantine, Storm. The Monstrous Regiment. Orbit, 1989. Trade paperback original, a Fine- copy with a touch of edgewear at head and heel, signed by Constantine. Bought for £5 from Cold Tonnage Books.
Ellison, Harlan. Edgeworks 2: Spider Kiss/Stalking the Nightmare. White Wolf, 1996. First edition hardback omnibus thus, a Fine copy in a Fine dust jacket. Bought for £5 from Cold Tonnage Books. When the Edgeworks series first came out, I didn’t pick them up because I already had all the individual works they contained. But at £5 it’s worth picking up for title variant completeness…
Farmer, Philip Jose. The Other in the Mirror. Subterranean Press, 2009. First edition hardback, with a signed (but unnumbered) limitation page, a Fine copy in a Fine dust jacket and Fine slipcase. Omnibus edition of three novels (Fire in the Night, Jesus on Mars, and Night of Light), the first two of which were only published as paperback originals. Original price for the signed/numbered edition was $125. This supplements my trade edition, and all editions are now out of print from the publisher. Bought off eBay for $24.95 plus shipping.
Franklin, Jay (AKA John Franklin Carter). The Rat Race. Fantasy Publishing Co. Inc., 1950. First edition hardback, one of 1,200 hardback copies (per Chalker/Owings), a Fine- copy in the second state (gray boards, red titling, per Kemp) binding, with slight bend at head and heel in a Near Fine+ second state (per Kemp) dust jacket that’s slightly misaligned (about 1/4″ more on rear than front flap), slight wear at extremities, and some indentations along rear spine gutter. Chalker/Owings, The Science-Fantasy Publishers (1991), page 171. Kemp, The Anthem Series, page 79. Bought for $19 (including dealer discount), plus a $5 show credit coupon, at the Austin Book and Paper Show.
Gaiman, Neil. Fragile Things. Headline Review, 2006. Short story collection. This UK edition precedes the US edition by a week.
Greenberg, Martin. Journey to Infinity. Gnome Press, 1951. First edition hardback, a Fine- copy with a tiny bit of bend at head in a Fine- second state (30 titles) dust jacket with a few small traces of wear, and a few pinhead spots on the front cover, otherwise extremely bright and attractive. Chalker/Owings (1991), pages 198-199. Kemp, 204. Bought for $25 with buyer premium.
Greenberg, Martin. All About the Future. Gnome Press, 1954. First edition hardback, a Fine- copy with slight dust soiling to page block edges and one small indention to very bottom of from board, in a near Fine- dust jacket with a 1″ closed triangular tear at bottom front along spine, a semi-closed 1/8″ tear at head, and shallow chipping at points. Chalker/Owings (1991), page 202. Kemp, 204. Note that Kemp calls for black boards with red lettering; my copy is gray boards with a reddish cloth spine with silver lettering, and Chalker/Owings doesn’t report on the binding state at all, which would theoretically make this a previously unrecorded binding variant. However, Gnome Press variant collector Steve Carper believe that this is in fact the primary binding state, and that Kemp got it wrong and the black boards/red lettering state is the variant. Bought for $20 with buyer premium.
(Hitchcock, Alfred) Paul Condon and Jim Sangster. The Complete Hitchcock. First edition trade paperback original, a Fine copy. Bought for £5 from Cold Tonnage Books.
Knight, Damon, editor (Leon Stover, Gene Wolfe, R. A. Lafferty, etc.). Orbit 9. Putnam, 1971. First edition hardback, a Near Fine copy with a touch of edgewear at points in a Near Fine- dust jacket with slight edgewear and very slight darkening to white rear jacket. Inscribed by contributor Leon Stover: “For Robert & Virgina Heinlein/with thanks for/9 June 1984/Leon Stover.” Stover would not only later publish a critical book on Heinlein from Twayne, but was working on the official authorized biography of Heinlein before the latter’s death, a project cancelled after a falling out with Virginia Heinlein. Bought for $6.50 from Houston bookstore Kaboom Books.
Lansdale, Joe R. (Pete Von Sholly, illustrator). Christmas Monkeys. PS Publishing, 2015. First edition hardback, one of 300 copies, a Fine copy in a Fine dust jacket and decorated boards, with bookmark signed by the author and artist laid in (as issued). Illustrated children’s book (for certain values of “children”).
Le Guin, Ursula K. The Unreal and the Real: Selected Stories of Ursula K. Leguin: Volume Two: Outer Space, Inner Lands. Small Beer Press, 2012.
(Lovecraft, H.P.) Eddy, Muriel, and C.M. Eddy, Jr. The Gentlemen from Angell Street: Memories of H. P. Lovecraft. First edition trade paperback original thus, containing additional material not in the 1961 edition, a Fine copy. Bought for £5 from Cold Tonnage Books.
Martin, George R. R., editor. Wild Cards VI: Ace in the Hole. Bantam, 1990. First edition paperback original, a Fine copy.
Martin, George R. R. and Melinda Snodgrass, editors. Lowball: A Wild Cards Novel. Tor, 2014.
McCarthy, Cormac. The Sunset Limited: A Novel in Dramatic Form. Dramatists Play Service, 2006. Play chapbook original, possibly a first printing (I’m not sure how you tell printings for Dramatists Play Service), a Near Fine+ copy with a bit of curl.
(Moore, Alan) Parkin, Lance. Magic Words: The Extraordinary Life of Alan Moore. Aurum, 2013. First edition hardback, a Fine copy in decorated boards with a purple band across the front cover, sans dust jacket, as issued. Non-fiction biography.
Newman, Kim. Moriarty: The Hound of the D’Urbervilles. Titan Books, 2011. Fine, signed by Newman. Bought for £5 from Cold Tonnage Books.
Niven, Larry. Protector. Ballantine Books, 1973. First edition (“First printing: September 1973,” as per Currey) paperback original, a Near Fine- copy with small number stamp at heel, one slight spine crease, and a tiny bit of spine lean.
Novik, Naomi. The Blood of Tyrants. Del Rey, 2013.
Pohl, Frederik. The Far Shore of Time. Tor, 1999. First edition hardback, a Fine copy in a Fine dust jacket. Signed by Pohl. Bought for $10 off Ebay.
Pohl, Frederik and C.M. Kornbluth. Wolfsbane. Ballantine Books, 1959. PBO first edition (as per Currey), Fine- with a touch of wear and 1/16″ tear at heel front cover join.
Pohl, Frederik and Jack Williamson. The Singers of Time. Doubleday Foundation, 1991. First edition hardback, a Fine copy in a Fine- dust jacket with small wrinkle to top inner flap tip. Signed by Pohl. Bought off eBay for $4.00 plus shipping.
Simmons, Dan. The Fifth Heart. Subterranean Press, 2015 (actually 2016). First signed limited edition, #189 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket and a Fine slipcase. Remember when Simmons’ Carrion Comfort was notably taller than just about every book published that year? This is slightly taller, which seems to increasingly be the form factor of choice for limited editions.
Swanwick, Michael, with Marianne Porter. Fallen Leaves. Dragonstairs Press, 2016. First edition hardback, number 17 of 20 signed, numbered copies (the only edition), a Fine copy, sans dust jacket, as issued, with spine label affixed.
Swanwick, Michael. 5 Seasons. Dragonstairs Press, 2016. First edition chapbook original, #69 of 100 signed, numbered copies, a Fine copy. Five one page stories about the seasons.
Tymn, Marshall B. American Fantasy and Science Fiction: Toward a Bibliography of Works Published in the United States, 1949—1973. Fax Collector’s Editions, 1979. Paperback original, a Very Good+ copy with spine creasing and wear along the spine. Though Tymn authored or co-authored a number of important reference works, this, an attempt to update Bleiler’s Checklist with modern works, limited only to those published in hardback, is generally not numbered among them, as it was largely superseded by Currey and Reginald the same year of publication. Chalker/Owings (1991), page 178, are not kind: “Alas, it’s useless, one of the most worthless pieces of bibliography in the past 20 years or so.” There was a hardback, but Chalker/Ownings says it was just attaching a premade casing to the paperback. Not in Keith L. Justice’s Science Fiction, Fantasy and Horror Reference. Bought for £5 from Cold Tonnage Books.
Vance, Jack. Cugal’s Saga. Timescape, 1983. First edition, a Fine copy in a Fine dust jacket. Third book in the Dying Earth series (or fourth, if you count Michael Shea’s A Quest for Simbilis). Hewett, A71. Preceded the Underwood/Miller limited edition by six months.
Vance, Jack. The Houses of Iszm Underwood/Miller, 1983. First hardback edition, one of 482 trade copies, a Fine copy in a Fine dust jacket. Hewett, A12h.
Wake, Paul, Steve Andrews and Ariel (yes, just “Ariel,” no last name; I can only assume it’s edited by the mermaid from that Disney movie). Waterstone’s Guide to Science Fiction, Fantasy and Horror. Waterstone Guides, 1998. First edition trade paperback original, a Fine copy. There are some good contributors in here (like John Clute), but the author entries are distributed somewhat randomly. Waterstone’s is a UK bookstore chain, and I imagine these are pretty common on the other side of the pond. Here? Not so much. Bought for £5 from Cold Tonnage Books.
Wandrei, Donald. Don’t Dream: The Collected Horror and Fantasy Fiction of Donald Wandrei. Fedogan & Breamer, 1997. Bought for $12.50 at Half Price Books with a 50% off coupon (cover price is $29).
Bradbury, Ray. Quicker Than The Eye. Avon, 1996. First edition hardback, a Fine copy in a Fine- dust jacket with a tiny bit of fading to spine. Short story collection. Bought off eBay for $17.57.
For your Sunday dose of Shoegaze, here’s The Fauns’ “Road Meets the Sky,” accompanied by the lightcycle race scene from Tron, a combination that, for some strange reason, works really well together…
Another signed Ray Bradbury first, one I’ve been patiently stalking for quite some time.
Bradbury, Ray. Death is a Lonely Business. Franklin Library, 1985. First edition hardback (precedes the Knopf trade edition, per the Locus database), a Fine copy in decorated leather boards, sans dust jacket, as issued. Signed by Bradbury. Mystery novel, the first of many, and his first new novel since The Halloween Tree. Bought for $34.95 off eBay.
Pohl, Frederik and Jack Williamson. The Singers of Time. Doubleday Foundation, 1991. First edition hardback, a Fine copy in a Fine- dust jacket with small wrinkle to top inner flap tip. Signed by Pohl. Bought off eBay for $4.00 plus shipping.
You could study Wrath of Khan as a portrait of different performing styles. Consider William Shatner and Leonard Nimoy, and a central paradox of their chemistry. Spock is the alien – a being who strives to rid himself of all emotion – but past a certain point, you notice how Nimoy is a much more natural performer, communicating so much with droll phrasing lilts and micro-gestures. Whereas the human Kirk is played by Shatner, one of Hollywood’s great experts in hyperbole. (Khan is Shatner at his most wide-eyed.) As a young actor, Nimoy learned the Method and idolized Brando; Shatner came up performing energetic Shakespeare. That doesn’t make one better nor one worse – the dissonance is the key – but it adds layers to their pairing. You associate Spock with explicit stiffness – he’s a freaking Vulcan – but Nimoy’s acting is maybe more “cinematic,” eye-focused, while Shatner is more “theatrical,” full-bodied.
Plus a lot about how director Nicholas Meyer sets up shots for maximum effect.
It’s a very interesting essay on the best Star Trek movie. Read the whole thing.
I’ve been so busy this snuck up on me, but Laffcon, the first R. A. Lafferty convention, is happening today at the Mercer County Library in Lawrenceville, NJ, starting at 10 AM EDT.
Certainly worth attending if you’re a Lafferty fan and in the area, and maybe something to think about planning to attend if they do it again net year.
