Archive for the ‘Science Fiction’ Category

“You look like Freddy Kruger face-f*cked a topographical map of Utah”

Thursday, August 6th, 2015

And now I pretty much have to see Deadpool

Deadpool: The movie that touches you in totally inappropriate ways…”

Library Addition: Signed Harlan Ellison Cassette Tape Pack

Wednesday, August 5th, 2015

Sometimes you stumble across something not really on your collecting radar, but if it’s cheap enough, you go “What the hell?”

Ellison, Harlan. A Boy & His Dog & “Repent, Harlequin” said the Ticktockman. Warner Audio Publishing, no date (but 1985). Presumed first edition, a pair of cassette tapes of Ellison reading his two stories, a Fine- copy with small cracks to the clear cassette tape case plastic, in blister pack. Signed by Ellison on the back of the front cover insert. Bought for $2 off eBay.

Ellison Cassette Front

IMG_0413

IMG_0414

(Not having a cassette tape player it wouldn’t be a pain to hook up, I’m just assuming it still has Ellison’s stories on it, and it hasn’t been taped over with a copy of, say, Frampton Comes Alive…)

Of Top 25 Films on IMDB, Most Involve Crime

Tuesday, August 4th, 2015

Glancing through the top 25 films in the the IMDB Top 250 list, it occurred to me that most involved crime as the central subject, and a few more peripherally:

  1. The Shawshank Redemption (1994) (Yes: Central characters are mostly convicted felons in prison.)
  2. The Godfather (1972) (Yes, obviously.)
  3. The Godfather: Part II (1974) (Yes, ditto.)
  4. The Dark Knight (2008) (Yes. What is it Batman dedicated his life to fighting?)
  5. Pulp Fiction (1994) (Yes. Criminals and their associates drive all the action.)
  6. Schindler’s List (1993) (No. Genocide is sort of a separate topic from crime…)
  7. 12 Angry Men (1957) (Yes. Inside jury deliberations in a murder case.)
  8. The Good, the Bad and the Ugly (1966) (Yes. Three criminals drive the plot. Then again, crime tends to be a central feature in almost all Westerns…)
  9. The Lord of the Rings: The Return of the King (2003) (No. Lots of killing, but not crime-related per se.)
  10. Fight Club (1999) (Marginal. Protagonist runs a ring of illegal fight clubs, then an international revolutionary organization.))
  11. The Lord of the Rings: The Fellowship of the Ring (No. See above.)
  12. Star Wars: Episode V – The Empire Strikes Back (1980) (No. Despite the presence of a smuggler as a central character.)
  13. Forrest Gump (1994) (No.)
  14. Inception (2010) (Yes. Central plot involves a criminal gang carrying off a sort of reverse heist.)
  15. One Flew Over the Cuckoo’s Nest (1975) (Marginal. Protagonist is a criminal who gets himself transferred to the loony bin because he thinks it will be easier than doing time in the joint.)
  16. The Lord of the Rings: The Two Towers (2002) (No. See above.)
  17. Goodfellas (1990) (Yes. Obviously.)
  18. The Matrix (1999) (No. Though the protagonist starts out as a hacker in trouble with the authorities.)
  19. Star Wars (1977) (No. Though again, an illegal smuggler is a central figure.)
  20. Seven Samurai (1954) (Marginal. The entire plot is driven by a village’s desire to protect themselves from criminal marauders.)
  21. City of God (2002) (Yes. Features the rise of a ruthless crime lord as one of the central plots.)
  22. Se7en (1995) (Yes. Tracking a serial killer.)
  23. The Silence of the Lambs (1991) (Yes. Tracking a serial killer with the assistance of another.)
  24. The Usual Suspects (1995) (Yes. All about a gang of criminals and the machinations of a crime lord.)
  25. It’s a Wonderful Life (1946) (Marginal, given Potter’s opportunistic theft.)

That’s 15 of the top 25 films which involve crime as either a primary or secondary feature.

Surely crime dramas offer plenty of conflict, but so do war movies, but none of them (save the SF/F entries, and Schindler’s List) make the list, nor do any sports films. (Perpetual favorite Casablanca, which would qualify as a war film, comes in at 30, while Saving Private Ryan comes in at 31.)

Anyone care to speculate on why crime dominates the top of the list?

Amazing Book Find: Ballantine Hardback of Chad Oliver’s Shadows in the Sun

Monday, August 3rd, 2015

I’d been having a dry spell searching the local Half Price Books locations. I wasn’t find much terribly interesting in their stacks (a few signed paperbacks here and there), and I either had everything I wanted in their collectable shelves, or they were asking too much money for marginal works.

Saturday’s find made up for many, many years of dry spells, and is hands-down the best find I’ve ever made at Half Price Books:

Oliver, Chad. Shadows in the Sun. Ballantine Books, 1954. First edition hardback (Currey state A, tan cloth lettered in black, no priority), a Near Fine+ copy with slight bumping at head and heel and usual age-darkening to pages), in a Near Fine- dust jacket with a 1 1/2″ closed tear to rear dust jacket flap, slight spotting to top of white rear cover, and a few small rubs. Hall, Hal W., The Work of Chad Oliver: An Annotated Bibliography & Guide, A2. Currey (1979), page 397. Locke, Spectrum of Fantasy, page 169 (an ex-library copy; his description of the dust jacket matches (down to the H-91 code on the front flap), but his description of the book itself as “gray cloth in dark blue lettering” doesn’t match either this copy or the Currey B state (blue cloth lettered in black); Locke’s copy was possibly a library rebind or another binding variant). Barron, Anatomy of Wonder 4, 3-138. Bought for $3 from the Half Price Books in Cedar Park.

Since Google image search brings up no copies of the hardback dust jacket (only the paperback edition, which has a different cover, as they frequently did), I’ve done several scans of it.

Shadows in the Sun BBHB

Shadows Sun Back

Shadows Sun whole dj

Shadows Sun dj flaps

Shadows Sun Book

Chad Oliver was the Grand Old Man of Austin science fiction writers. In addition to writing important works of anthropological SF in the 1950s, he was Dean of the University of Texas’ anthropology school for a while, and was an all-around swell guy. I knew him, but he was really more of a mentor to my mentors (Howard Waldrop, Bruce Sterling, Lewis Shiner, etc.), and had stopped going to the Turkey City Writer’s workshop by the time I started attending. He died in 1993.

Ballantine Books was one of the first mainstream publishers to move into science fiction in the 1950s. They published a prestigious SF line that came out in two formats: A paperback edition for readers, and a hardback edition, scarcely larger than the paperbacks, primarily for the library market. The paperbacks had print runs in the hundreds of thousands, while I’ve heard 600 as a typical print run for the hardbacks. Among the most desirable titles are Fahrenheit 451 (including the asbestos-bound state, which is insanely expensive), Childhood’s End (which I have an Ex-Library of), Hal Clement’s Cycle of Fire, and Green Odyssey, Philip Jose Farmer’s first published book. I’ve seen multiple copies of all those (even the asbestos Fahrenheit 451) offered up for sale or auction, but never Shadows in the Sun (Heritage offered up a jacketless copy a few years back). I don’t think seen a jacketed copy for sale or auction anywhere in the last 20 years.

Hell, as far as I can tell, Texas A&M’s Cushing library, to which Chad donated his books and papers, doesn’t even have a copy of the hardback listed among the donated material.

A conservative estimate of value is probably $2,000…

Library Addition: Proof of George R. R. Martin’s Never-Published John W. Campbell Awards Volume 6

Monday, July 20th, 2015

Finally obtained a book I’ve been trying to get for over 20 years, ever since hearing about it while compiling Bruce Sterling’s bibliography for Nova Express in the early 1990s:

Martin, George R. R. The John W. Campbell Awards Volume 6. Bluejay Books, 1986. Uncorrected proof, trade paperback format, of the never-published hardback first edition, a Very Good- copy, being well-read with creasing along front and back spine joins, bottom of front spine join starting to split, a few spots of staining (including one to the edge of side/bottom page block), and general wear, with note on front cover stating “To/Shelia/Williams/Isaac/Asimov” and a note on the table of contents saying the Orson Scott Card story listed was going to be replaced with another Card story. Never produced because Bluejay Books went out of business in 1986. Copy on the back covers states the book was to be produced in both hardback and trade paperback formats.

The contents are as follows:

  • Page 1: “Preface” — George R. R. Martin
  • Page 9: “On John Campbell” — Jack Williamson
  • Page 17: “The Djinn Who Watches Over the Accursed” — Stephen R. Donaldson (Published in Word Tales, the book published for the 1985 World Fantasy Convention in Tucson.)
  • Page 41: “Angel Engines” — Bruce Sterling (Note: This story is present in the book, but is missing from the the (probably hastily typed) Table of Contents.) (Remains unpublished.)
  • Page 57: “The Necropolis at Fang Shang” — Bruce Sterling (Remains unpublished.)
  • Page 71: “Adrift Among the Ghosts” — Jack L. Chalker (Appeared as an original story in the Chalker collection Dance Band on the Titanic in 1988.)
  • Page 89: “The Red Hawk” — Elizabeth A. Lynn (Had previously appeared as a stand-alone Cheap Street chapbook in 1983.)
  • Page 123: “Unwyrm” — Orson Scott Card (Never published in this form, a novella that takes up half the book, but was evidently incorporated into Card’s 1987 novel Wyrms.)
  • Page 251: “The John W. Campbell Award Winners: 1973—1985” (No author listed, just a list of winners and nominees by year.)
  • Bought for $100 from an editor who was downsizing his library as part of moving.

    JWCA#6

    JWCA#6 Back Cover

    Library Addition: Signed First Edition of Jack Vance’s The Dragon Masters

    Wednesday, July 15th, 2015

    Picked up the hardback first edition of one of my favorite Jack Vance works.

    Vance, Jack. The Dragon Masters. Dennis Dobson, 1965. First hardback edition, a Fine- copy with usual page darkening, in a Fine, bright, unclipped dust jacket. Signed by Vance. Bought for $120 from L. W. Currey.

    Dragon Masters

    Library Addition: Michael Swanwick’s Meditations on Meditations on Oysters

    Tuesday, July 14th, 2015

    Another weird Swanwick chapbook from Dragonstairs:

    Swanwick, Michael, and Christophe Morley. Meditations on Meditations on Oysters (Swanwick) b/w Meditations on Oysters (Morley). Dragonstairs Press, 2015. First edition sewn chapbook with decorative beadcultured pearl*, #24 of 50 signed, numbered copies, a Fine copy. Swanwick’s observations on a 1917 free-form rumination on oysters.

    Swanwick Oysters

    Scan is extra wide to show the bead pearl…

    *Correction via Michael Swanwick.

    Library Addition: Ray Bradbury Signed Limited Edition

    Friday, July 10th, 2015

    Take a moment to pity the people who ran Hill House Publishers, as they had more good taste than business sense. They were publishing the right authors (they did several Gaiman limiteds), but usually at the wrong print runs and price points to make it a reliably profitable enterprise.

    Take this nifty Ray Brabdury production, for instance:

    Bradbury, Ray. The Cat’s Pajamas: Stories +5. Hill House Publishers, 2004. First limited edition and first edition thus (containing five stories not in the trade edition), #352 of 1,000 signed, numbered copies, a Fine copy in a Fine die-cut cloth slipcase with an extraction ribbon to pull out the book. Contains 5 stories not found in the William Morrow trade edition. Bought for $35 off eBay.

    Bradbury Cat's LTD

    Cat's Pajamas 2

    Given that it’s an attractive production by a legendary author, what’s the problem? Well, namely the fact that they did 1,000 copies at $150 a copy. The price point was simply too high for a limitation run that large. Also, the book wasn’t the true first, as the Morrow trade edition precedes. So no wonder Hill House (which is now out of business) had enough copies left over that someone would buy them at clearance and blow them out cheap on eBay…

    Library Additions: January 1 — June 30, 2015

    Monday, July 6th, 2015

    Time once again for the roundup of all library additions for the first half of the year. All books listed below are Fine first edition hardbacks in Fine dust jackets unless otherwise noted.

  • Asimov, Isaac. In Memory Yet Green: The Autobiography of Isaac Asimov, 1920—1954. Doubleday, 1979. First edition hardback, a Fine copy in a Fine- dust jacket with slight sun darkening to the very tops of inside flaps. Non-fiction. The first volume of Asimov’s massive two volume autobiography (I already had a first edition of the second volume, In Joy Still Felt).
  • Banks, Iain M. The Algebraist. Orbit, 2004. First edition hardback, a Fine copy in a Fine dust jacket, signed by Banks. Supplements an unsigned first.
  • Banks, Iain M. Player of Games. Macmillian (UK), 1988. First edition hardback, a Fine copy in a Fine dust jacket, signed by Banks. Supplements an unsigned first.
  • Barrett, Neal. Through Darkest America. Worldwide, 1988. First paperback edition, a Fine- copy with tiny bump to bottom front corner and slight age-darkening to paper, otherwise apparently unread. Inscribed by Barrett, Jr. to fellow Texas science fiction writer Lewis Shiner: “11/29/88//Unca Lew—/Having you here for/a while has made my/day, as ever—/(Signature)”. Lew confirmed that it was indeed inscribed to him, noting he must have sold it and because he was moving again and already had the hardback…

    Shiner Darkest

  • Barker, Clive. Tortured Souls: The Legend of Primordium. Subterranean Press, 2015.
  • Baxter, Stephen. Raft. Grafton, 1991. First edition hardback, a Fine copy in a Fine- dust jacket with a tiny bit of haze rubbing. Author’s first book. Bought for $50 off an Australian Internet dealer. Replaces an Ex-Library copy.

    Raft

  • Bova, Ben, editor. (Roger Zelazny) The Best of Omni Science Fiction. Omni Society, 1980. First edition hardback, a Fine- copy with slight wear in a Very Good dust jacket with shallow chipping at points, rubbing to rear cover, a 1/2″ closed tear, and general wear. Roger Zelazny’s personal contributor’s copy (for the story “Halfjack,” see below), with two signed typed letters from Omni editor Ben Bova laid in.
  • Blaylock, James p. Doughnuts. Airtight Seels Allied Productions (A.S.A.P.), 1994. First edition hardback, number 11 of 224 signed, numbered hardback copies, a Fine copy (save some waviness to the pages, which I take as a byproduct of the binding process), sans dust jacket with color illustration pasted onto the front board, as issued. In addition to the short story, this volume includes an Introduction by Lewis Shiner, an Appreciation by Lucius Shepard, an Afterward by Tim Powers, illustrations by Phil Parks, and tipped-in color photographs by Vicki Blaylock (and is signed by all of them). An elaborate production, much like all of A.S.A.P.’s hardback chapbooks. Chalker & Owings, Science Fantasy Publishers (2002), 1011. (Also Supplement Two, page 57.) Bought for $60 from a dealer off the Internet.

    Doughnuts

  • Bradbury, Ray. The Cat’s Pajamas. First edition hardback, a Fine copy in a Fine dust jacket. Signed by Bradbury. Short story collection. Bought off eBay for $21.50.
  • Bradbury, Ray. Christmas Greetings 2008. First edition broadsheet, 8 1/2″ x 11″ card-stock, a Fine- copy with extremely light bumping at right tips. Signed by Bradbury. One of the many yearly Christmas greetings Bradbury used to send out to friends. Bought for $25 off eBay.

    Bradbury Christmas 2008

  • Bradbury, Ray. A Memory of Murder. Dell, 1984. First edition paperback original, a Fine- copy with a tiny bit of edgewear, signed by Bradbury, with a review slip laid in. Collection of Bradbury’s early mystery stories. An unusual book, in that you wouldn’t think he would have a mass market paperback original (with no hardback edition) this late in his career. Not particularly common, and even less so signed. Bought off eBay for $25.

    Bradbury Memory Murder

  • Brunner, John. Tomorrow May be Even Worse. NESFA Press, 1978. First edition trade paperback, a Fine- copy with a tiny bit of bumping at points. Signed by Brunner. Small book of verse (one SF topic for every letter, arranged from A to Z), illustrated by fan artist ATom.

    Brunner Worse

  • Cahill, James, editor. Ten Tales. James Cahill Publishing, 1994. First edition hardback, one of only 26 unnumbered “Author Copies”, a Fine- copy (gilt letters on spine are showing small spots of what might be oxidation) in a Very Good only slipcase with spotting and uneven fading, sans dust jacket, as issued. Original anthology with the Zelazny story “The Salesman’s Tale.” There was also a 250 copy numbered edition. (Chalker and Owings Supplement Three calls for a 26 copy leatherbound edition; this copy is bound in cloth with a cloth slipcase.)
  • (Cave, Hugh B.) Thomas, Milt. Cave of a Thousand Tales: The Life and Times of Hugh B. Cave. Arkham House, 2004. Non-fiction biography. Bought for $14 off eBay.
  • Collins, Suzanne. Catching Fire. Scholastic Press, 2009. First edition hardback (number line ending in 1, “First edition, September 2009” stated), a Fine copy in a Fine- dust jacket with a tiny bit of crimping at very top edge. Second book in the Hunger Games series.
  • Derleth, August. Dwellers in Darkness. Arkham House, 1976. Octavo, cloth. irst edition hardback, a Fine copy in a Fine dust jacket. Bought from L. W. Currey for $17.50.
  • Dick, Philip K. (Frank T. Hollander, editor). Young Author’s Club: The Wartime Adolescent Writings of Philip K. Dick. Frank T. Hollander, 2014. First edition trade paperback original, #58 of 100 copies signed by the editor/publisher, a Fine copy. A 94 page chapbook containing Dick’s published writings from 1942 to 1944 in the Berkeley Daily Gazette newspaper, consisting of fiction and poems, some of which are fantasy. Includes bibliographic information and story notes. Something likely to drive Dick completists crazy.

    Dick Young Authors

  • Donaldson, Stephen R. One page typed signed letter to Roger Zelazny inviting him to a party. Part of a large collection of Roger Zelazny books, manuscripts and correspondence described here.
  • Doran, Niall, Alastastair Richardson, Joe Shemesh. Kinky Love: Mating of the Tasmanian Cave Spider. Bookend Trust, 2015. First edition hardback, one of an undetermined number of signed copies, a Fine copy, sans dust jacket in decorated boards, as issued. Non-fiction. (See the companion Neil Gaiman piece further down the page.)

    16Legs Kinky

  • Ellison, Harlan. The Top of the Mountain. Subterranean Press, 2014. Oversized collection of Ellison’s prize-winning stories.
  • Eisenstein, Phyllis. Born to Exile. Arkham House, 1978. First edition hardback, a Fine copy in a Fine dust jacket. Bought from L. W. Currey for $12.50.
  • Farmer, Philip Jose. The Grand Adventure. Berkley Books, 1984. First hardback edition, #264 of 325 signed, numbered hardbacks, a Fine- copy (tiny bit of wear to reflective inlay pattern to the cover), sans dust jacket in a Fine slipcase, as issued. The trade paperback precedes by a month. This limited edition is the only hardback edition. Bought for $39.99 off eBay, which is less than the original issue price of $50.
  • Farmer, Philip Jose. Riverworld and Other Stories. Berkeley, 1979. First edition paperback original, a Near Fine copy with one spine crease. Precedes the Gregg Press hardback.
  • Fitzpatrick, E. H. The Coming Conflict of Nations, or the Japanese American War. H.W. Rokker, 1909. First edition hardback, a Very Good copy in black cloth boards stamped in gold, stamping on spine dulled bit still present, a few spots of wear or discoloration, slight bends at head and heel, newspaper review clipping pasted in on inside front cover, resulting in considerable foxing to front free endpaper. Inscribed by the author on the front free endpaper: “Professor John Syphers/with the best wishes/of the author./Ernest Hugh Fitzpatrick/L.R.C.P., Ed./Pontiac, Illinois/March 5, 1910.” There’s also a long inscription by the recipient of the inscription on the other side of the front free endpaper. Bleiler, Checklist (1978), page 73. Bleiler, Science Fiction: The Early Years, page 247. Reginald, page 188. Possibly the first novel to predict a war between the United States and Japan. Bought off eBay for $10.50. Given that Currey has an unsigned copy that looks a bit worse at $350, I think it was a good buy…

    Conflict of Nations

    Fitzpatrick 1

    Fitzpatrick 2

  • Friedman, Kinky. A Case of Lone Star. Beech Tree Books, 1987. First edition hardback, a Fine copy in a Fine- dust jacket with slight haze rubbing. Inscribed by Friedman: “To Justa—/to one good/American from/another —/Your friend,/Kinky/Aug 13, 1987.” Bought at the 2015 Austin Book Show for (after discounts and show $5 credit) $10.

    Kinky sig

  • Gaiman, Neil, and Newman, Kim, compilers. Ghastly Beyond Belief. Aarow Books, 1985. First edition paperback original, a Near Fine- copy with slight spine-creasing and edgewear along spine. Compilation of book and movie blurbs. Almost bought this at the 1988 Worldcon, but passed thinking that as a paperback it would be easier to find later. Little did I know…
  • Gaiman, Neil, with Niall Doran, Craig Wellington and Jodee Taylah (artist). Sixteen Legs Production Art: A Visit to the Queen of the Dark. Bookend Trust, 2015. First edition hardback, one of an undetermined number (though probably just over 100 copies, given that there are just under 100 names (including my own) listed under Premium Supporters on page 43) of the Limited Deluxe Edition signed by the three authors and the artist, a Fine copy, sans dust jacket in decorated boards, as issued.

    16Legs QueenB 1

  • Gibson, William. Distrust That Particular Flavor. Non-fiction collection of essays. Bought for half price.
  • Goldstein, Lisa. Tourists. Simon and Schuster, 1989. Signed by Goldstein. Bought for $10.
  • Heinlein, Robert A. The Star Beast. Scribner’s, 1954. First edition hardback (with Scribner’s seal and letter A on copyright page, as per Currey), a Fine- copy with slight bend at head and heel, slight dust soiling at head, and a tiny faint green pinprick dot at heel, in a Very Good+ dust jacket with very shallow (1/32″) chipping at head and points, a 1/2″ closed tear at heel, and very slight dust soiling to rear cover. A very nice copy of this well-regarded Heinlein juvenile. Bought for $200 from Lloyd Currey. Currey (1979), page 234.

    Star Beast

  • Hind, Charles Lewis. The Enchanted Stone. Adam and Charles Black (London), 1896. First edition hardback, a Very Good copy with repaired hinges, slight spine fading, bookplate on insider front cover and uneven foxing on front and rear free endpaper. By the Book World Remembered, page 106, which describes it as a “Fantastic tale of a vast Chinese city under London.” Tietler, By the World Forgot, page 53, which notes that this UK first edition has an extra chapter not in the American edition. Bleiler, Checklist (1978), page 100. Reginald, page 253. A very odd sounding Wainscot (to use Clute’s term from The Encyclopedia of Fantasy) indeed. Bought off the Internet for $36 plus shipping from Canada.

    Enchanted Stone

  • Honan, William H. Visions of Infamy: The Untold Story of How Journalist Hector C. Bywater Devised the Plans That lead to Pearl Harbor. St. Martin’s Press, 1991. First edition hardback, a Fine copy in a Fine dust jacket. Fellow collector Chris Skillings sent this to me after reading about how I picked up E. H. Fitzpatrick’s The Coming Conflict of Nations, or the Japanese American War. Bywater sounds like he was a very interesting guy…
  • Howard, Robert E. The Dark Man and Others. Arkham House, 1963. First edition hardback, a Near Fine- copy with crimping at head and heel, previous owner’s bookplate on FFE, and a drop of dampstaining that affects the FFE and the first few pages, in a Very Good+ dust jacket with slight creasing at head and heel, slight wear along spine, slight dust staining to white rear cover. The second Arkham collection of Howard’s short stories, all but one from Weird Tales. Won off eBay for $60.

    Howard Dark Man

  • Hughes, Matthew. Of Whimsies & Noubles. PS Publishing, 2014. First edition hardback, #96 of 100 signed, numbered copies, a Fine copy in a Fine dust jacket.
  • Joyce, Graham. 25 Years in the Word Mines with Second Shift: More Tales from the Word Mines. PS Publishing, 2015. First edition hardback, #48 of 100 slipcased sets, a Fine copy in decorated boards (for both) and a Fine dust jacket (for 25 Years in a slipcase. Career retrospective for graham Joyce, who unfortunately died of cancer before it was published. Second Shift is signed by Ella Joyce, Owen King, and Kelly Braffet. I have one copy available though Lame Excuse Books, if you’re interested.
  • Lafferty, R. A. The Man With the Aura: Collected Short Fiction Part 2. Centipede Press, 2015. First edition hardback, #36 (matching the first volume) of 300 copies signed by introduction author Harlan Ellison, series editor John Pelan and designer Jacob McMurray, a Fine copy in a Fine dust jacket, still in shrink wrap.
  • Lafferty, R.A. Sinbad: The Thirteenth Voyage. Broken Mirrors Press, 1989. First edition trade paperback original, a Fine copy. Traded a signed Howard Waldrop book to cover artist Lissanne Lake for it.

    Sinbad

  • (Lafferty, R. A.) Feast of Laughter Issue 1. Kistic Press, 2014. First edition trade paperback original, a Fine copy. First volume in a new (and long overdue) series of non-fiction on Lafferty’s work. Bought from Amazon, because the publisher said it was cheaper that way than buying direct. (Indeed, it’s even available as a free download.) Oddly enough, Lissanne Lake did the cover for this as well…

    Feast of Laughter

  • (Lafferty, R. A.) Feast of Laughter Issue 2. Kistic Press, 2015. Another fine issue…
  • Lansdale, Joe R. Prisoner 489. Dark Regions Press, 2014 (i.e., 2015). First edition hardback, #278 of 400 signed, numbered copies, a Fine copy, sans dust jacket in decorated boards, as issued.
  • Leckie, Ann. Ancillary Justice. Gale/Thorndike Press, 2015. First hardback edition (a Large Print edition preceded by the trade paperback original and which, in turn, precedes the Subterranean Press signed/limited edition), a Fine copy in decorated boards, sans dust jacket, as issued. Hugo and Nebula winner for best novel.

    Ancillary justice LP

  • Leckie, Ann. Ancillary Justice. Subterranean Press, 2015. First signed/limited edition, and first non-Large print hardback, #170 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket.
  • Leiber, Fritz (edited by S. T. Joshi). Adept’s Gambit: The Original Version. Arcane Wisdom Press, 2014. First edition hardback, #322 of 500 numbered copies signed by Joshi, a Fine copy. Bought off eBay for $22.50.
  • (Lovecraft, H.P.) Joshi, S. T. H. P. Lovecraft: A Life. Necronomicon Press, 1996. First edition, one of only 250 signed hardbacks (the only hardback edition), a Fine copy in a Fine- dust jacket with a very tiny wrinkle at head. Widely considered to be the definitive Lovecraft biography until Joshi’s two volume expansion I Am Providence (which I also have) came out in 2010. The hardback of H. P. Lovecraft: A Life peaked around $500, but has since drifted down a bit. I bought this one from the publisher off eBay for $160.

    Lovecraft A Life

  • (Lovecraft, H. P.) Shreffler, Philip A. The Lovecraft Companion. Greenwood Press, 1977. First edition hardback, a Fine copy in a Fine dust jacket. One of the first broad critical companions to Lovecraft’s work, offering an in-depth summary of Lovecraft’s literary theory, plot summaries of all his stories, an encyclopedia of characters and monsters, and an in-depth look at Cthulhu Mythos monsters. An interesting high-level overview and “first cut” of Lovecraft criticism, from before S. T. Joshi turned it into a cottage industry, and pretty much all the topics covered here have been examined at much greater depth since. Currey (1979), page 332. Joshi, Lovecraft Bibliography, I-C-158. Tymn Schlobin Currey, 294. Bought off the Internet for $42.50. Scan shows surface wear to the dust jacket protector.

    Lovecraft Companion

  • (Lovecraft, H.P.) Books at Brown, 1991-1992, Volumes XXXVIII-XXIX. The Friends of the Library of Brown University, 1995. First edition academic journal, trade paperback format, a Near Fine copy with a slightly bent top outer corner. Features numerous essays on H. P. Lovecraft (the Providence native for which the Brown library contains considerable holdings), including work from S. T. Joshi, Peter Canon, Robert Price, etc.

    Books at Brown

  • (Lovecraft, H.P.) Pedersen, Nate, editor. The Starry Wisdom Library: A Catalogue of the Greatest Occult Book Auction of All Time. PS Publishing, 2014. Mock catalog of Lovecraftian tomes of forbidden knowledge.
  • (Lovecraft, H.P.) Schweitzer, Darrell. That Is Not Dead: Tales of the Cthulhu Mythos Through the Centuries. PS Publishing, 2015.
  • Lumley, Brian. Tales of the Primal Land. Subterranean Press, 2015. #117 of 250 signed, numbered copies.
  • Lumley, Brian. Tales of the Primal Land. Subterranean Press, 2015. Trade edition.
  • Martin, George R. R. Portraits of His Children. Dark Harvest, 1987. First edition hardback, #OO of 52 signed, lettered copies bound in white leather, a Fine copy in a Fine wooden “slipcrate” slipcase, sans dust jacket, as issued. Zealzny provides the introduction (“A Sketch of Their Father”) and a signature. I always thought the Dark Harvest slipcrates were attractive productions, and I’m happy to have one in my library. Supplements a trade edition. Chalker/Owings, page 119.

    IMG_0383

  • Martin, George R. R., editor. Wild Cards. Bantam Spectra/SFBC, 1987. First hardback edition (book club), preceded by the trade paperback original, a Fine copy in a Fine- dust jacket with edgewear at points. Shared world superhero anthology which includes the Zelazny story “The Sleeper.” Man, seems like every single edition of the early Wild Cards books had ugly covers…
  • Martin, George R. R., editor. Wild Cards. Bantam Spectra, 1987. Uncorrected page proofs (trade paperback format) of the hardback first edition, a Fine copy. Shared world superhero anthology which includes the Zelazny story “The Sleeper.”

    Wild Cards proof

  • McCammon, Robert R. The Border. Subterranean Press, 2015. Signed by McCammon.
  • Moody, Rick. Garden State. Pushcart Press, 1992. Presumed first edition hardback (no additional printings stated), a Fine copy in a Fine dust jacket. Author’s first book. Sent to me by Temporary Culture publisher Henry Wessells. Thanks, Henry!
  • Moorcock, Michael. The Whispering Swarm. Tor, 2014. First edition hardback, a Fine copy in a Fine dust jacket. Signed by Moorcock. Seems to be both a roman a clef of growing up in London, as well as a world shift fantasy.
  • Niven, Larry. A Hole In Space. Ballantine Books, 1974. First edition paperback original, a Near Fine copy with touches of general wear. Currey (1979), page 387.
  • Powers, Tim. Dinner at Deviants Palace. Chatto & Windus, 1986. First trade hardback, first UK hardback, and first non-book club hardback edition, a Fine copy in a Fine dust jacket. Berlyne, Powers: Secret Histories, A5c.1.
  • Powers, Tim. Nobody’s Home. Subterranean Press, 2014. First edition hardback, #277 of 474 signed numbered copies, a Fine copy in a Fine dust jacket and printed cloth slipcase. Supplements my copy of the trade edition, which precedes, as this slipcased edition was not shipped until 2015.
  • Simak, Clifford. City. Gnome Press, 1952. First edition hardback, a Near Fine- copy with slight spine lean and previous owner’s name and date on front free endpaper) in a Near Fine+ dust jacket with a few pinhead sized spots of discoloration on dust jacket flaps and along top flap edges, and extremely slight dust-staining to white rear panel; an exceptionally nice example of the dust jacket. One of Simak’s key works, and one of the more desirable Gnome Press titles. Chalker & Owings (1991), page 199. Currey (1979), page 446. Kemp, The Anthem Series, page 208. Won for $200 from Heritage Auctions.

    City

    Sladek, John. Mechasm. First edition paperback original under this title (published earlier in the UK as The Reproductive System) and first U.S. edition, a Very Good copy with a small, faint 1/4″ stamp at heel, edgewear, stamp on blurb page, and faint spine creasing. Inscribed by Sladek: “For Scott,/John Sladek”. Formerly Scott Cupp’s copy. Currey (1979), page 450. Bought for $5 at Half Price Books.

    Mechasm

    Sladek mechasm sig

  • Sloane, William. The Edge of Running Water. Farrar and Reinhart, 1939. First edition hardback, a Very Good+ copy with slight bumping at head and heel, foxing to gutters, darkening of endpapers and slight age darkening to pages, in a Good only dust jacket with a 1/2″ to 1/4″ loss at head, loss at points, long thin crease, 2″ closed tear, dust staining and wrinkling to rear panel, creasing and tear at bottom front edge, and additional shallow chipping at edges and general wear. Bleiler, Guide to Supernatural Fiction, 1482. Bleiler, Checklist of Science Fiction and Supernatural Fiction (1978), page 181. Crawford, Donahue and Grant, 333, page 56. Locke, A Spectrum of Fantasy I, page 200. Barron, Horror Literature, 3-181. Bought from Currey for $50.

    Edge of Running Water

  • Smith, Clark Ashton (Johnson, Raymond F. and Ardath Winterowd, editors). Shadows Seen and Unseen. HTH Art Studio, 2007. First edition hardback, a Fine copy in a Fine dust jacket over decorated boards, signed by the editors. Odd miscellanea of poems, facsimile manuscripts, drawings, paintings, and non-fiction about Smith from various sources. An oversized, 94 page hardback.

    Shadows Seen

    Smith, Edward E., Ph.D. Second Stage Lensmen. Fantasy Press, 1953. First edition hardback, Currey Binding A (blue cloth lettered in gold), first issue, #368 of 500 numbered copies signed by Smith, a Very Good+ copy with large square of discoloration to inside front cover due to a bookplate (now laid in; see below) and a few instances of light spotting to boards, in a Near Fine- dust jacket with a couple of closed 1/2″ tears, modest edgewear at head, heel and points, and slight soiling to the rear cover, but otherwise a nice intact and very bright example of the dust jacket. Inscribed by Smith (as the subscriber copies frequently were): “To Joseph R. Brady,/Three in a row – Hot Dog! [Tic Tac Tow Game]/With sincere appreciation/Of your continued interest—/Edward E. Smith, Ph.D.” (Though it seems a fulsome personal inscription, it’s quite similar to the one I have in my subscriber copy of Skylark Three to another subscriber.) Currey (1979), page 456. Chalker and Owings (1991), page 161. Kemp, The Anthem Series, page 41. Lucchetti, Doc: First Galactic Roamer, page 60. Won for $121.50 off eBay.

    2nd Stage Lensmen

    Second Stage Lensmen Signature

    Second Stage Lensmen Bookplate

  • Smith, James Robert and Stephen Mark Rainey, editors. Evermore. Arkham House, 2006. First edition hardback, a Fine copy in a Fine dust jacket. Edgar Allen Poe tribute anthology. Bought for $14 off eBay.
  • Stapledon, Olaf. Last and First Men. Methuen, 1930. First edition hardback, first state, as per Currey (2002), with 8-page publisher’s catalog at rear dated 630, a Very Good- copy with FFE excised and slight loss to paper at gutter, foxing to gutter, moderate spotting to outer page block edges, a small circular stamp reading “Dempsters Clenferrie” (possibly an Australian bookstore stamp) on half title page, and a few sports to first few pages, lacking the dust jacket. His acclaimed epic novel describing several million years of future human evolution.
  • Stapledon, Olaf. Odd John. Methuen, 1935. First edition hardback, first state binding (light blue binding lettered in dark blue) in Currey (2002) A2 issue (catalog at rear dated 835, no priority between issues 1 and 2), a Very Good- copy with lightened spots on spine, slight spine lean, modest wear at heel and points, and spots of foxing to first few pages, lacking the dust jacket. His celebrated novel of a mental superman.

    P1000946

  • Swanwick, Michael. Hunting the Phoenix. Dragonstairs Press, 2015. First edition hardback (“archival board wrappers covered with hand-dyed rice paper, with a stab binding ornamented with a single aventurine bead”), #6 of 30 signed, numbered copies, a Fine copy, sans dust jacket, as issued, new and unread. Sort of an in-progress illustrated sketchbook for a Swanwick novel, more impressionistic colored line art than narrative. If it’s not the strangest Swanwick item yet, it’s tied with the hardback state of Puck Aleshire’s Abecedary. Bought for $30 from the publisher.
  • Swanwick, Michael. Season’s Greetings. Dragonstairs Press, 2014. First edition chapbook original, #18 of 100 signed, numbered copies, a Fine copy. I should be able to pick up copies of this to sell through Lame Excuse Books later in the year.

    Swanwick X 2

  • Thorburn, Wayne. Red State: An Insider’s Story of How the GOP Came to Dominate Texas Politics. University of Texas Press, 2014. Non-fiction.
  • Updike, John. The Witches of Eastwick. Franklin Press, 1984. First edition hardback, a limited edition signed by Updike (which precedes the trade edition), a Fine copy in decorated leather boards, sans dust jacket, as issued. Pringle, Modern Fantasy 100 91. Bought off eBay for $19.99.

    P1000963

    P1000967

  • (Vance, Jack) Andre-Driussi, Michael. Handbook of Vance Space. Sirius Fiction, 2014. Non-fiction critical companion to the galactic setting shared by most of his science fiction.
  • Weinbaum, Stanley G. A Martian Odyssey and Others. Fantasy Press, 1949. First edition hardback (trade state), a Near Fine- copy with one small indention to top edge of front board, faint dust staining to top page block, and slight foxing to gutters, in a Very Good dust jacket with about 1/16th inch chipping loss at head, heel and points, a thin 1/4″ nick in the middle of the spine, one closed 1/4″ tear to top rear, and a tiny bit of dust soiling to rear cover. Actually a very presentable copy of a key small press collection of one of the most important pre-Golden Age SF writers, and a book I’ve wanted for quite a while. Currey (1979), page 511. Chalker/Owings (1991), page 159. Kemp, The Anthem Series, page 27. Bought for $34.66 off eBay.

    Martian Odyssey

    Wells, H. G. Select Conversations With an Uncle (Now Extinct). John Lane, 1895. First edition hardback (sixteen pages of ads inserted at back, as per Currey), a Very Good copy with wear to bottom boards, wear at head and heel, a thin 1″ white line (possibly white out or white paint) across top rear, and slight wear along font boards, otherwise fairly nice, with gilt scratched but otherwise complete at head. Includes Larry McMurtry’s ownership plate, which features the brand from his father’s ranch. Twelve conversations (all fictional) and two short stories. Currey, page 522. H. G. Wells: A Comprehensive Bibliography, 3. Bought at auction for $6, or $20 with buyer’s premium.

    P1000969

    P1000972

    P1000974

  • Westerfeld, Scott. The Manual of Aeronautics. Simon Pulse, 2012. Illustrated non-fiction guide to Westerfeld’s Steampunk Leviathan universe. Bought for $4.99 at Half Price Books.
  • Wolfe, Gene. The Land Across. PS Publishing, 2014. First limited edition hardback, #18 of 200 signed, numbered copies, a Fine copy in a Fine dust jacket.
  • Wolfe, Gene. Soldier of Sidon. Tor, 2006. Third Latro book.
  • Zelazny, Roger. “And Only I Escaped To Tell Thee.” Carbon copy of original typed manuscript. This and all the rest of the Zelazny books listed in this post were part of a large collection of Roger Zelazny books, manuscripts and correspondence described here.
  • Zelazny, Roger. Blood of Amber. Arbor House, 1986. Uncorrected proof (trade paperback format) of the hardback first edition, a Fine- copy with phantom crease the length of rear cover, with review slip (with sticker signed by Zelazny affixed to it) laid in. Kovacs, Ia.

    Blood of Amber proof

  • Zelazny, Roger. Bridge of Ashes. Gregg Press, 1979. First hardback edition, a Fine copy in a Fine dust jacket. Signed by Zelazny. Supplements an unsigned hardback. Levack, 2e. Kovacs, I3b.
  • Zelazny, Roger. “The Burning.” One page typewritten poem.
  • Zelazny, Roger. “A City Divided.” Original typed manuscript with numerous hand-corrections.
  • Zelazny, Roger. Archive material about various Amber novels from various people, most concerning The Courts of Chaos in one way or another, including a handwritten six page synopsis of The Courts of Chaos by Zelazny, followed by the typed version of the same synopsis, plus letters to (originals) and from (apparently file carbon copies) Zelazny on the subject.
  • Zelazny, Roger. “The Cyborg Connection.” Original typed manuscript with numerous hand-corrections, with a carbon copy of the second draft. This story would later be published as “Halfjack.”
  • Zelazny, Roger. Dilvish the Damned. Del Rey, no date (but probably 1981 or 82). Unbound long galleys (the very first proof state of the book production cycle, pages age darkened but otherwise Fine, unbound but gathered into signature sheets. Kovacs, I15a.
  • Zelazny, Roger. Doorways in the Sand. Harper & Row, 1976. First edition hardback, a Fine copy in a Fine dust jacket. Signed by Zelazny, with an additional signed note laid in “To David, This copy of Doorways in the Sand, being the chronicles of both Fred Cassidy and a Hugo and Nebula finalist.” Atypically, both the note and signature are printed rather than in Zelazny’s elegant cursive handwriting. While I wouldn’t swear it’s Zelazny’s handwriting, it’s not entirely dissimilar to other examples I have of it. Currey, page 570. Levack, 13a. Kovacs, I17b.
  • Zelazny, Roger. The Dream Master. Rupert Hart Davis, 1968. First edition hardback, a Fine copy in a Fine- dust jacket with a trace of dust staining along very top edge and at heel spine join, with sticker for Henry Morison Inc. (Zelazny’s literary agent) affixed to front free endpaper. Signed by Zelazny. Currey, page 570. Levack, 14b. Kovacs, I18b.
  • Zelazny, Roger. “Fire and/or Ice.” Original hand-corrected typescript, including one hand-written manuscript page.
  • Zelazny, Roger. Four for Tomorrow. Garland Press, 1975. First hardback edition under this title (issued in UK hardback as A Rose for Ecclesiastes), a Fine copy in a Fine aftermarket dust jacket Bob photo-produced from the Ace paperback edition that Garland used to print the plates from. With a a title page of the Ace paperback inscribed by Zelazny (“Many a good wish/to you/Roger Zelazny/ 7/6/84”) laid in. Replaces an unsigned ex-library copy. Currey, page 570. Levack, 17f. Kovacs, V11f.
  • Zelazny, Roger. Frost and Fire. William Morrow and Company, 1989. Uncorrected bound galleys (or so it says; actually a trade paperback format proof), a Fine copy, signed by Zelazny. Kovacs, V12a.

    Zelazny Frost and Fire Proof

  • Zelazny, Roger. “Garden of Blood.” Carbon copy typed story manuscript.
  • Zelazny, Roger. “The George Business.” Carbon copy typed story manuscript, with multiple signed letters from Dragon Tales editor Orson Scott Card accepting the story, apologizing for delayed payment, etc., along with a signed signature plate by Card.
  • Zelazny, Roger. “Go Starless Into That Night.” Carbon copy of original typed manuscript, with two acceptance letters from editor Jim Baen.
  • Zelazny, Roger. The Hand of Oberon. Doubleday, 1976. First edition hardback, a Fine copy in a Fine- dust jacket with one closed 1/4″ tear at bottom rear, with review slip laid in. Inscribed by Zelazny: “With all good wishes,/Roger Zelazny.” Currey, page 570. Levack, 19a. Kovacs, I23a.
  • Zelazny, Roger. Isle of the Dead. Rapp & Whiting, 1970. First hardback edition, a Fine copy in a Fine- dust jacket with a tiny bit of edgewear at extremities. Inscribed by Zelazny: “To Willi/Every kind of good/wish./Best,/ Roger Zelazny/ 3/27/82.” Supplements an unsigned copy. Currey, page 570. Levack, 21b. Kovacs, I25b.
  • Zelazny, Roger. Original ribbon-copy, hand-corrected first draft manuscript for Knight of Shadows, with two letters of authenticity from Zelazny, and the manuscript signed twice by him (on the first and last pages) in 1989. Although Zelazny was already a celebrated author at the time, he still displayed thrifty habits by typing out his manuscript on the back of whatever 8 1/2″ x 11″ scrap paper he had lying around, be it government forms, convention flyers, flyers for the Santa Fe Opera Company, and pages (presumably photocopies of works sent to Zelazny to critique or review) from other author’s manuscripts, including pages from Tom Deitz’s Fireshaper’s Doom and Jeffrey Carver’s From a Changeling Star.
  • Zelazny, Roger. Knight of Shadows. William Morrow and Company, 1989. Uncorrected bound galleys (or so it says; actually a trade paperback format proof), a Near Fine+ copy with slight fading to spine and small crease to bottom font corner, signed by Zelazny. Kovacs, I27a.

    Knight of Shadows proof

  • Zelazny, Roger. The Last Defender of Camelot. Underwood/Miler, 1980. First edition chapbook original, simultaneous with the extremely small hardback run (which I picked up in my previous Zelazny purchase), #265 of 275 signed, numbered copies, a Fine copy, in issued manila envelope. Levack, 23a. Kovacs, VIIIa. I now have something like eight different items with this title…

    Last Defender Chapbook

  • Zelazny, Roger. “The Last of the Wild Ones.” Carbon copy of original typed manuscript.
  • Zelazny, Roger. “LP Me Thee.” One page typewritten poem.
  • Zelazny, Roger. My Name is Legion. Faber & Faber, 1979. First hardback edition, a Fine copy in a Fine dust jacket. Signed by Zelazny. Levack, 27h. Kovacs, I32c.
  • Zelazny, Roger. A Night on the Lonesome October. Avon Books, 1993. Advanced uncorrected proof of the hardback first edition, a Fine copy. Signed by both Zelazny and cover artist Gahan Wilson. Kovacs, I33a.

    Lonesome October Proof

  • Zelazny, Roger. “Richard Lupoff’s Sword of the Demon.” Extremely short review/piece of non-fiction. Appeared in Starlog’s SF Yearbook Volume 1, edited by David Gerrold and compiled by David Truesdale.
  • Zelazny, Roger. Roadmarks. Del Rey, 1979. First edition hardback, a Fine copy in a Fine dust jacket, with review slip laid in. Signed by Zelazny. Levack, 31a. Kovacs, I37z.
  • Zelazny, Roger. Second draft photocopy of the manuscript for Sign of Chaos, showing the hand-corrections in the first draft, with further corrections by Zelazny in red, along with a four page style guide for spelling the names of the characters, etc. in the book.
  • Zelazny, Roger. Sign of Chaos. Arbor House, 1987. Proof (trade paperback format) of the hardback first edition, a Fine copy in a Fine proof state dust jacket (no copy or price on back cover, spine or flaps). Signed by Zelazny. Kovacs, I38a.
  • Zelazny, Roger. The Sign of the Unicorn. Doubleday, 1975. First edition hardback, a Fine copy in a Fine- dust jacket with a trace of dust soiling to white rear cover. Signed by Zelazny. Currey, page 571. Levack, 33a. Kovacs, I39a.
  • Zelazny, Roger. “Stand Pat, Ruby Stone.” Carbon copy story manuscript.
  • Zelazny, Roger. Today We Choose Faces. Millington, 1973. First hardback edition, a Fine copy in a Fine dust jacket. Signed by Zelazny. Currey, page 571. Levack, 37b. Kovacs, I42a.
  • Zelazny, Roger. Untitled poem, later published as “To Spin Is Miracle Cat.” One page typewritten poem.
  • Zelazny, Roger. Trumps of Doom. Arbor House, 1985. Proof (trade paperback format) of the hardback first edition, a Fine copy in a Fine proof dust jacket (no copy or price on back cover, spine or flaps). Signed by Zelazny. Kovacs, I43a.
  • Zelazny, Roger. Trumps of Doom. Underwood/Miller, 1985. First limited hardback edition, #316 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket in a Very Good+ suede slipcase that has some brown dampstaining discoloration along the spine. Kovacs, I43c.
  • Zelazny, Roger. Unicorn Variations. Timescape Books, 1983. Advanced uncorrected proof of the hardback first edition, a Fine copy, signed by Zelazny. Kovacs, V21a.

    Unicorn Variations Proof

  • Zelazny, Roger. “A Very Good Year.” Original hand-corrected typescript of the first draft, and a carbon-copy of the second draft.
  • Zelazny, Roger. Original hand-written first draft for story “Walpurgisnacht” on yellow lined legal paper, 5 pages long.
  • Zelazny, Roger. “The White Beasts.” Original hand-corrected typescript, plus carbon of corrected story.
  • Zelazny, Roger. Some 30 pages of correspondence between Zelazny and editor/packager Byron Preiss, most concerning The Illustrated Roger Zelazny, including copies of B&W sketches and a page of original colored pencil art by Gray Morrow for the project.
  • Zelazny, Roger, and Robert Sheckley. Several pages of correspondence between Zelazny (carbons) and Robert Sheckley (originals) concerning three stories for an anthology, plus a small autographed note to “Bob” from Zelazny.
  • Various other letters to Zelazny, some with replies.
  • Zelazny, Roger, editor. Warriors of Blood and Dream. AvoNova, 1995. First edition paperback original, a Near Fine+ copy with number “34” written across inside cover EAC code and foxing to inside covers. Anthology. Kovacs, IX7a.
  • Zelazny, Roger, editor. Wheel of Fortune. AvoNova, 1995. First edition paperback original, a Near Fine- copy with slight spine creasing and foxing to insider covers. Anthology. Kovacs, IX8a.
  • (Zelazny, Roger) Neil Randall. Combat Command in the World of Roger Zelazny’s Nine Princes in Amber: The Black Road War. Ace, 1988. First edition paperback original, a Fine- copy with just a trace of edgewear, otherwise new and unread. Sort of a strategic pick-your-own-path adventure. Kovacs, X8a. I had one of these about a decade ago that I sold on eBay for $25…
  • (Zelazny, Roger) Stephen, Christopher P. A Checklist of Roger Zelazny. Ultramarine, 1993. revised edition. Non-fiction chapbook, since superseded by the Kovacs bibliography. Kovacs, XXIII3b.

    Zelazny Checklist

  • Library Addition: Signed First Edition of E. E. “Doc” Smith’s Second Stage Lensmen

    Friday, July 3rd, 2015

    Picked up another signed Doc Smith novel at a pretty good price:

    Smith, Edward E., Ph.D. Second Stage Lensmen. Fantasy Press, 1953. First edition hardback, Currey Binding A (blue cloth lettered in gold), first issue, #368 of 500 numbered copies signed by Smith, a Very Good+ copy with large square of discoloration to inside front cover due to a bookplate (now laid in; see below) and a few instances of light spotting to boards, in a Near Fine- dust jacket with a couple of closed 1/2″ tears, modest edgewear at head, heel and points, and slight soiling to the rear cover, but otherwise a nice intact and very bright example of the dust jacket. Inscribed by Smith (as the subscriber copies frequently were): “To Joseph R. Brady,/Three in a row – Hot Dog! [Tic Tac Tow Game]/With sincere appreciation/Of your continued interest—/Edward E. Smith, Ph.D.” (Though it seems a fulsome, personal inscription, it’s quite similar to the one I have in my subscriber copy of Skylark Three to another subscriber.) Currey (1979), page 456. Chalker and Owings (1991), page 161. Kemp, The Anthem Series, page 41. Lucchetti, Doc: First Galactic Roamer, page 60. Won for $121.50 off eBay.

    2nd Stage Lensmen

    Second Stage Lensmen Signature

    And here’s the bookplate that was once attached and now is loose and laid in, which features Edd Cartier artwork:

    Second Stage Lensmen Bookplate

    I wonder if the Cartier bookplate was offered as a freebie or add-on by Fantasy Press…