Posts Tagged ‘signed’
Wednesday, September 23rd, 2015
When this cool novel/art assemblage was announced in 2007 at a price of $50 (I think it was listed at $65 on publication), I thought two things about it:
That’s cool, and I want one.
I don’t want to pay $50 (or $65) for it.
They were even offered at a slightly short discount for dealers, which is why I passed on it. When it came out in late 2008, neither I (nor anyone else) was buying much of anything, and I’m sure the lavish nature of the production helped contribute to Payseur & Schmidt’s demise.
Di Filippo, Paul (illustrated by Jim Woodrung). Cosmocopia. Payseur & Schmidt, 2008. First edition hardback, one of 500 copies with a band signed by Di Filippo and Jim Woodrung around the box, in a decorated cardboard box with a cardstock illustration and a Jigsaw puzzle, in the case as well as the book, sans dust jacket, as issued. Paul Di Filippo alerted me to the fact that Fantagraphics bookstore had copies on hand for Jim Woodrung’s signing there at $30 a pop and I managed to call and snag the last copy.
Tags:Books, First Edition, Jim Woodrung, Limited Editions, Paul Di Filippo, Payseur & Schmidt, Science Fiction, signed
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Monday, September 21st, 2015
You may be aware that I’m one of the few book collectors that has an inscribed associational copy of one of Greg Egan’s books (Axiomatic, inscribed to his editor David Pringle). These days, Egan doesn’t do signings, doesn’t attend conventions, and refuses to do signed limited editions of his work. However, before he instituted this policy, he did sign one limited edition toward the beginning of his career, and I recently picked that up:
Rusch, Kristine Kathryn, editor. Pulphouse: The Hardback Magazine: Issue Eight: Summer 1990. Hardback first edition, #50 of 250 numbered copies signed by all the contributors, a Fine copy, sans dust jacket, as issued, in a Fine slipcase. Signed by Greg Egan at the title page for his story “The Moral Virologist.” Also signed by George Alec Effinger, Jack McDevitt, Jonathan Lethem, etc. Chalker/Owings (1991), page 364. Supplements an unsigned copy (I have the entire 12 issue run in the regular edition.) Bought off eBay for $39.95.
His signature here is actually neater than the one on the inscribed Axiomatic.
I may not be the only Sf collector with two Greg Egan signatures, but there can’t be many…
Tags:Books, First Edition, Greg Egan, Science Fiction, signed
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Wednesday, September 2nd, 2015
More books from that Cold Tonnage 40% off order:
Brunner, John. Times Without Number. The Elmsfield Press, 1974. First hardback edition, a Fine copy in a Fine dust jacket. Signed and dated by Brunner in 1987, with his usual peace symbol. Currey (1979), page 24. Bought for £18.
Disch, Thomas and Charles Naylor. Neighboring Lives. Scribner’s, 1981, First edition hardback, a Fine- copy with slight bumping at head in a Near Fine- dust jacket with one 1/8″ by 1/4″ triangular chip at top front cover ner head and wear at points. Signed by both Disch and Naylor. Bought for £18.
(The scratches in this pic are surface wear on the dj protector.)
Joyce, Graham. The Limits of Enchantment. Gollancz, 2005. First edition hardback, a Fine copy in a Fine dust jacket. Signed by Joyce. Bought for £9.
Le Guin, Ursula K. From Elfland to Poughkeepsie. Pendragon Press, 1973. First edition paperback chapbook original, #49 of 100 signed, numbered copies, a Fine copy. Non-fiction. Currey (1979), page 306. Bought for £18.
Williamson, Jack. Manseed. Del Rey, 1982. First edition hardback, a Fine copy in a Fine dust jacket. Signed by Williamson. Bought for £9.
Tags:Books, First Edition, Graham Joyce, Jack Williamson, John Brunner, signed, Thomas M. Disch, Ursula K. Le Guin
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Thursday, August 13th, 2015
This is another book I bought in the Cold Tonnage 40% off sale.
Jones, Stephen and Newman, Kim. Horror: 100 Best Books. Xanadu Publications, Ltd., 1988. First edition hardback, #214 of 300 numbered copies signed by both the editors and almost every living one of the 100 (!) contributors, including Neil Gaiman, Clive Barker, Harlan Ellison, Basil Copper, Karl Edward Wagner, Jack Williamson, etc. etc etc. (though not by Stephen King), a Fine copy in decorated boards, sans dust jacket, as issued. Bought for £30 off Cold Tonnage, marked down from £50.
I tried to take pictures of the signatures on the endpapers, with varying results. Click to embiggen:
I already had the trade edition, but the limited’s binding is quite different from the trade edition, as the picture below illustrates:
(Ignore the grid lines, which are a scanner artifact.)
Tags:Books, Cold Tonnage, First Edition, Horror, Kim Newman, Limited Editions, signatures, signed
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Wednesday, July 15th, 2015
Picked up the hardback first edition of one of my favorite Jack Vance works.
Vance, Jack. The Dragon Masters. Dennis Dobson, 1965. First hardback edition, a Fine- copy with usual page darkening, in a Fine, bright, unclipped dust jacket. Signed by Vance. Bought for $120 from L. W. Currey.
Tags:Books, First Edition, Jack Vance, Science Fiction, signed
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Tuesday, July 14th, 2015
Another weird Swanwick chapbook from Dragonstairs:
Swanwick, Michael, and Christophe Morley. Meditations on Meditations on Oysters (Swanwick) b/w Meditations on Oysters (Morley). Dragonstairs Press, 2015. First edition sewn chapbook with decorative beadcultured pearl*, #24 of 50 signed, numbered copies, a Fine copy. Swanwick’s observations on a 1917 free-form rumination on oysters.
Scan is extra wide to show the bead pearl…
*Correction via Michael Swanwick.
Tags:Books, chapbooks, First Edition, Michael Swanwick, Science Fiction, signed
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Friday, July 10th, 2015
Take a moment to pity the people who ran Hill House Publishers, as they had more good taste than business sense. They were publishing the right authors (they did several Gaiman limiteds), but usually at the wrong print runs and price points to make it a reliably profitable enterprise.
Take this nifty Ray Brabdury production, for instance:
Bradbury, Ray. The Cat’s Pajamas: Stories +5. Hill House Publishers, 2004. First limited edition and first edition thus (containing five stories not in the trade edition), #352 of 1,000 signed, numbered copies, a Fine copy in a Fine die-cut cloth slipcase with an extraction ribbon to pull out the book. Contains 5 stories not found in the William Morrow trade edition. Bought for $35 off eBay.
Given that it’s an attractive production by a legendary author, what’s the problem? Well, namely the fact that they did 1,000 copies at $150 a copy. The price point was simply too high for a limitation run that large. Also, the book wasn’t the true first, as the Morrow trade edition precedes. So no wonder Hill House (which is now out of business) had enough copies left over that someone would buy them at clearance and blow them out cheap on eBay…
Tags:Books, Fantasy, First Edition, Hill House Publishers, Limited Editions, Ray Bradbury, Science Fiction, signed
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Friday, July 3rd, 2015
Picked up another signed Doc Smith novel at a pretty good price:
Smith, Edward E., Ph.D. Second Stage Lensmen. Fantasy Press, 1953. First edition hardback, Currey Binding A (blue cloth lettered in gold), first issue, #368 of 500 numbered copies signed by Smith, a Very Good+ copy with large square of discoloration to inside front cover due to a bookplate (now laid in; see below) and a few instances of light spotting to boards, in a Near Fine- dust jacket with a couple of closed 1/2″ tears, modest edgewear at head, heel and points, and slight soiling to the rear cover, but otherwise a nice intact and very bright example of the dust jacket. Inscribed by Smith (as the subscriber copies frequently were): “To Joseph R. Brady,/Three in a row – Hot Dog! [Tic Tac Tow Game]/With sincere appreciation/Of your continued interest—/Edward E. Smith, Ph.D.” (Though it seems a fulsome, personal inscription, it’s quite similar to the one I have in my subscriber copy of Skylark Three to another subscriber.) Currey (1979), page 456. Chalker and Owings (1991), page 161. Kemp, The Anthem Series, page 41. Lucchetti, Doc: First Galactic Roamer, page 60. Won for $121.50 off eBay.
And here’s the bookplate that was once attached and now is loose and laid in, which features Edd Cartier artwork:
I wonder if the Cartier bookplate was offered as a freebie or add-on by Fantasy Press…
Tags:Books, E. E. "Doc" Smith, Fantasy Press, First Edition, Science Fiction, signed
Posted in Books, Science Fiction | 1 Comment »
Thursday, July 2nd, 2015
This and another book I’ll list tomorrow are the last library additions for the first half of the year. I hope to have the giant compiled list of January 1 through June 30 library additions up on Monday.
Sladek, John. Mechasm. First edition paperback original under this title (published earlier in the UK as The Reproductive System) and first U.S. edition, a Very Good copy with a small, faint 1/4″ stamp at heel, edgewear, stamp on blurb page, and faint spine creasing. Inscribed by Sladek: “For Scott,/John Sladek”. Currey (1979), page 450. Bought for $5 at Half Price Books.
Tags:Books, First Edition, John Sladek, Science Fiction, signed
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Monday, June 29th, 2015
I recently bought another $6,000 worth of (mostly) Roger Zelazny manuscripts and first editions from Bob Pylant, and it has taken me a while to catalog all of it. (See a listing of my previous $5,400 purchase from Bob here.) As with my earlier purchase from him, Bob had meticulously placed every page of the manuscripts into a plastic page protectors (save the last few pages of Sign of Chaos (see below), where he ran out), and placed them all into binders, many of which included multiple stories and related archive material, including correspondence between Zelazny (generally carbon copies) and his editors (almost always originals). Below is a brief summary of each that doesn’t quite get down to the level of an actual archival description (there are only so many hours in the day). And since this is such a long post already, I’ve only included scans or pictures of books I thought there weren’t good copies of on the Internet (mostly the proofs).
Bibliography
For bibliographic details and first edition verification, I cite the following reference books:
Currey, L.W. Science Fiction and Fantasy Authors: A Bibliography of First Printings of Their Fiction. G. K. Hall, 1978.
Chalker, Jack & Owings, Mark. The Science Fantasy Publishers: A Critical and Bibliographic History. Mirage Press, 1991 (“Third Edition Revised and Enlarged”).
Kovacs, Christopher S. The Ides of Octember: A Pictorial Bibliography of Roger Zelazny. NESFA Press, 2010. (Note: Kovacs lists proofs, ARCs, etc. when known, so many hardback firsts are designated with the a “b” rather than an “a”.)
Levack, Daniel J. Amber Dreams: A Roger Zelazny Bibliography. Underwood/Miller, 1983.
Original Zelazny Book Manuscripts
Zelazny, Roger. Archive material about various Amber novels from various people, most concerning The Courts of Chaos in one way or another, including a handwritten six page synopsis of The Courts of Chaos by Zelazny, followed by the typed version of the same synopsis, plus letters to (originals) and from (apparently file carbon copies) Zelazny on the subject.
Zelazny, Roger. Dilvish the Damned. Del Rey, no date (but probably 1981 or 82). Unbound long galleys (the very first proof state of the book production cycle), pages age darkened but otherwise Fine, unbound but gathered into signature sheets. Kovacs, I15a.
Zelazny, Roger. Original ribbon-copy, hand-corrected first draft manuscript for Knight of Shadows, with two letters of authenticity from Zelazny, and the manuscript signed twice by him (on the first and last pages) in 1989. Although Zelazny was already a celebrated author at the time, he still displayed thrifty habits by typing out his manuscript on the back of whatever 8 1/2″ x 11″ scrap paper he had lying around, be it government forms, convention flyers, flyers for the Santa Fe Opera Company, and pages (presumably photocopies of works sent to Zelazny to critique or review) from other author’s manuscripts, including pages from Tom Deitz’s Fireshaper’s Doom and Jeffrey Carver’s From a Changeling Star.
Zelazny, Roger. Second draft photocopy of the manuscript for Sign of Chaos, showing the hand-corrections in the first draft, with further corrections by Zelazny in red, along with a four page style guide for spelling the names of the characters, etc. in the book.
Original Zelazny Short Story Manuscripts, etc.
Zelazny, Roger. “And Only I Escaped To Tell Thee.” Carbon copy of original typed manuscript.
Zelazny, Roger. “The Burning.” One page typewritten poem.
Zelazny, Roger. “A City Divided.” Original typed manuscript with numerous hand-corrections.
Zelazny, Roger. “The Cyborg Connection.” Original typed manuscript with numerous hand-corrections, with a carbon copy of the second draft. This story would later be published as “Halfjack.”
Zelazny, Roger. “Fire and/or Ice.” Original hand-corrected typescript, including one hand-written manuscript page.
Zelazny, Roger. “Richard Lupoff’s Sword of the Demon.” Extremely short review/piece of non-fiction. Appeared in Starlog’s SF Yearbook Volume 1, edited by David Gerrold and compiled by David Truesdale.
Zelazny, Roger. “Garden of Blood.” Carbon copy typed story manuscript.
Zelazny, Roger. “The George Business.” Carbon copy typed story manuscript, with multiple signed letters from Dragon Tales editor Orson Scott Card accepting the story, apologizing for delayed payment, etc., along with a signed signature plate by Card.
Zelazny, Roger. “Go Starless Into That Night.” Carbon copy of original typed manuscript, with two acceptance letters from editor Jim Baen.
Zelazny, Roger. “The Last of the Wild Ones.” Carbon copy of original typed manuscript.
Zelazny, Roger. “LP Me Thee.” One page typewritten poem.
Zelazny, Roger. “Stand Pat, Ruby Stone.” Carbon copy story manuscript.
Zelazny, Roger. Untitled poem, later published as “To Spin Is Miracle Cat.” One page typewritten poem.
Zelazny, Roger. “A Very Good Year.” Original hand-corrected typescript of the first draft, and a carbon-copy of the second draft.
Zelazny, Roger. Original hand-written first draft for story “Walpurgisnacht” on yellow lined legal paper, 5 pages long.
Zelazny, Roger. “The White Beasts.” Original hand-corrected typescript, plus carbon of corrected story.
Correspondence Archives
Donaldson, Stephen R. One page typed signed letter to Zelazny inviting him to a party.
Zelazny, Roger. Some 30 pages of correspondence between Zelazny and editor/packager Byron Preiss, most concerning The Illustrated Roger Zelazny, including copies of B&W sketches and a page of original colored pencil art by Gray Morrow for the project.
Zelazny, Roger, and Robert Sheckley. Several pages of correspondence between Zelazny (carbons) and Robert Sheckley (originals) concerning three stories for an anthology, plus a small autographed note to “Bob” from Zelazny.
Various other letters to Zelazny, some with replies.
Roger Zelazny Hardback First Editions
I had all but a couple of these, but all these copies are Fine/Fine and signed by Zelazny.
Zelazny, Roger. Bridge of Ashes. Gregg Press, 1979. First hardback edition, a Fine copy in a Fine dust jacket. Signed by Zelazny. Supplements an unsigned hardback. Levack, 2e. Kovacs, I3b.
Zelazny, Roger. Doorways in the Sand. Harper & Row, 1976. First edition hardback, a Fine copy in a Fine dust jacket. Signed by Zelazny, with an additional signed note laid in “To David, This copy of Doorways in the Sand, being the chronicles of both Fred Cassidy and a Hugo and Nebula finalist.” Atypically, both the note and signature are printed rather than in Zelazny’s elegant cursive handwriting. While I wouldn’t swear it’s Zelazny’s handwriting, it’s not entirely dissimilar to other examples I have of it. Currey, page 570. Levack, 13a. Kovacs, I17b.
Zelazny, Roger. The Dream Master. Rupert Hart Davis, 1968. First edition hardback, a Fine copy in a Fine- dust jacket with a trace of dust staining along very top edge and at heel spine join, with sticker for Henry Morison Inc. (Zelazny’s literary agent) affixed to front free endpaper. Signed by Zelazny. Currey, page 570. Levack, 14b. Kovacs, I18b.
Zelazny, Roger. Four for Tomorrow. Garland Press, 1975. First hardback edition under this title (issued in UK hardback as A Rose for Ecclesiastes), a Fine copy in a Fine aftermarket dust jacket Bob photo-produced from the Ace paperback edition that Garland used to print the plates from. With a title page of the Ace paperback inscribed by Zelazny (“Many a good wish/to you/Roger Zelazny/ 7/6/84”) laid in. Replaces an unsigned ex-library copy. Currey, page 570. Levack, 17f. Kovacs, V11f.
Zelazny, Roger. The Hand of Oberon. Doubleday, 1976. First edition hardback, a Fine copy in a Fine- dust jacket with one closed 1/4″ tear at bottom rear, with review slip laid in. Inscribed by Zelazny: “With all good wishes,/Roger Zelazny.” Currey, page 570. Levack, 19a. Kovacs, I23a.
Zelazny, Roger. Isle of the Dead. Rapp & Whiting, 1970. First hardback edition, a Fine copy in a Fine- dust jacket with a tiny bit of edgewear at extremities. Inscribed by Zelazny: “To Willi/Every kind of good/wish./Best,/ Roger Zelazny/ 3/27/82.” Supplements an unsigned copy. Currey, page 570. Levack, 21b. Kovacs, I25b.
Zelazny, Roger. My Name is Legion. Faber & Faber, 1979. First hardback edition, a Fine copy in a Fine dust jacket. Signed by Zelazny. Levack, 27h. Kovacs, I32c.
Zelazny, Roger. Roadmarks. Del Rey, 1979. First edition hardback, a Fine copy in a Fine dust jacket, with review slip laid in. Signed by Zelazny. Levack, 31a. Kovacs, I37z.
Zelazny, Roger. The Sign of the Unicorn. Doubleday, 1975. First edition hardback, a Fine copy in a Fine- dust jacket with a trace of dust soiling to white rear cover. Signed by Zelazny. Currey, page 571. Levack, 33a. Kovacs, I39a.
Zelazny, Roger. Today We Choose Faces. Millington, 1973. First hardback edition, a Fine copy in a Fine dust jacket. Signed by Zelazny. Currey, page 571. Levack, 37b. Kovacs, I42a.
Zelazny, Roger. Trumps of Doom. Underwood/Miller, 1985. First limited hardback edition, #316 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket in a Very Good+ suede slipcase that has some brown dampstaining discoloration along the spine. Kovacs, I43c.
Roger Zelazny Trade Paperback, Proofs, and Chapbooks
Zelazny, Roger. Blood of Amber. Arbor House, 1986. Uncorrected proof (trade paperback format) of the hardback first edition, a Fine- copy with phantom crease the length of rear cover, with review slip (with sticker signed by Zelazny affixed to it) laid in. Kovacs, Ia.
Zelazny, Roger. Frost and Fire. William Morrow and Company, 1989. Uncorrected bound galleys (or so it says; actually a trade paperback format proof), a Fine copy, signed by Zelazny. Kovacs, V12a.
Zelazny, Roger. Knight of Shadows. William Morrow and Company, 1989. Uncorrected bound galleys (or so it says; actually a trade paperback format proof), a Near Fine+ copy with slight fading to spine and small crease to bottom font corner, signed by Zelazny. Kovacs, I27a.
Zelazny, Roger. The Last Defender of Camelot. Underwood/Miller, 1980. First edition chapbook original, simultaneous with the extremely small hardback run (which I picked up in my previous Zelazny purchase from Bob), #265 of 275 signed, numbered copies, a Fine copy, in issued manila envelope. Levack, 23a. Kovacs, VIIIa. I now have something like eight different items with this title…
Zelazny, Roger. A Night on the Lonesome October. Avon Books, 1993. Advanced uncorrected proof of the hardback first edition, a Fine copy. Signed by both Zelazny and cover artist Gahan Wilson. Kovacs, I33a.
Zelazny, Roger. Sign of Chaos. Arbor House, 1987. Proof (trade paperback format) of the hardback first edition, a Fine copy in a Fine proof state dust jacket (no copy or price on back cover, spine or flaps). Signed by Zelazny. Kovacs, I38a.
Zelazny, Roger. Trumps of Doom. Arbor House, 1985. Proof (trade paperback format) of the hardback first edition, a Fine copy in a Fine proof dust jacket (no copy or price on back cover, spine or flaps). Signed by Zelazny. Kovacs, I43a.
Zelazny, Roger. Unicorn Variations. Timescape Books, 1983. Advanced uncorrected proof of the hardback first edition, a Fine copy, signed by Zelazny. Kovacs, V21a.
(Zelazny, Roger) Stephen, Christopher P. A Checklist of Roger Zelazny. Ultramarine, 1993. revised edition. Non-fiction chapbook, since superseded by the Kovacs bibliography. Kovacs, XXIII3b
Roger Zelazny Paperbacks
Zelazny, Roger, editor. Warriors of Blood and Dream. AvoNova, 1995. First edition paperback original, a Near Fine+ copy with number “34” written across inside cover EAC code and foxing to inside covers. Anthology. Kovacs, IX7a.
Zelazny, Roger, editor. Wheel of Fortune. AvoNova, 1995. First edition paperback original, a Near Fine- copy with slight spine creasing and foxing to insider covers. Anthology. Kovacs, IX8a.
(Zelazny, Roger) Neil Randall. Combat Command in the World of Roger Zelazny’s Nine Princes in Amber: The Black Road War. Ace, 1988. First edition paperback original, a Fine- copy with just a trace of edgewear, otherwise new and unread. Sort of a strategic pick-your-own-path adventure. Kovacs, X8a. I had one of these about a decade ago that I sold on eBay for $25…
First Editions By Other Authors (Some Related to Zelazny)
And here are books not by or about Zelazny, but some have contributions from Zelazny or some other connection to him.
Banks, Iain M. The Algebraist. Orbit, 2004. First edition hardback, a Fine copy in a Fine dust jacket, signed by Banks. Supplements an unsigned first.
Banks, Iain M. Player of Games. Macmillian (UK), 1988. First edition hardback, a Fine copy in a Fine dust jacket, signed by Banks. Supplements an unsigned first.
Bova, Ben, editor. (Roger Zelazny) The Best of Omni Science Fiction. Omni Society, 1980. First edition hardback, a Fine- copy with slight wear in a Very Good dust jacket with shallow chipping at points, rubbing to rear cover, a 1/2″ closed tear, and general wear. Roger Zelazny’s personal contributor’s copy (for the story “Halfjack” (see above)), with two signed typed letters from Omni editor Ben Bova laid in.
Cahill, James, editor. Ten Tales. James Cahill Publishing, 1994. First edition hardback, one of only 26 unnumbered “Author Copies”, a Fine- copy (gilt letters on spine are showing small spots of what might be oxidation) in a Very Good only slipcase with spotting and uneven fading, sans dust jacket, as issued. Original anthology with the Zelazny story “The Salesman’s Tale.” There was also a 250 copy numbered edition. (Chalker and Owings Supplement Three calls for a 26 copy leatherbound edition; this copy is bound in cloth with a cloth slipcase.)
Martin, George R. R. Portraits of His Children. Dark Harvest, 1987. First edition hardback, # OO of 52 signed, lettered copies bound in white leather, a Fine copy in a Fine wooden “slipcrate” slipcase, sans dust jacket, as issued. Zealzny provides the introduction (“A Sketch of Their Father”) and a signature. I always thought the Dark Harvest slipcrates were attractive productions, and I’m happy to have one in my library. Supplements a trade edition. Chalker/Owings, page 119.
Martin, George R. R., editor. Wild Cards. Bantam Spectra/SFBC, 1987. First hardback edition (book club), preceded by the paperback original, a Fine copy in a Fine- dust jacket with edgewear at points. Shared world superhero anthology which includes the Zelazny story “The Sleeper.” Man, seems like every single edition of the early Wild Cards books had ugly covers…
Martin, George R. R., editor. Wild Cards. Bantam Spectra, 1987. Uncorrected page proofs (trade paperback format) of the hardback first edition, a Fine copy. Shared world superhero anthology which includes the Zelazny story “The Sleeper.”
Powers, Tim. Dinner at Deviants Palace. Chatto & Windus, 1986. First trade hardback, first UK hardback, and first non-book club hardback edition, a Fine copy in a Fine dust jacket. Berlyne, Powers: Secret Histories, A5c.1.
Roger Zelazny Books I Still Lack
Still have a few stray “fill out” Zelazny titles I haven’t been able to track down yet:
The Doors of His Face, The Lamps of His Mouth (Pulphouse hardback of just that story)
(as editor) The Williamson Effect (Tor, 1996) (It’s not hard to find, I’m just looking for a perfect copy)
Greenberg, Martin H., editor. Lord of the Fantastic: Stories in Honor of Roger Zelazny (Avon Eos, 1998)
Lindskold, Jane. Roger Zelazny. Twayne, 1992.
Sanders, Joseph L. Roger Zelazny: A Primary and Secondary Bibliography (G. K. Hall, 1982)
Yoke, Karl B. Roger Zelazny: Starmont Reader’s Guide (Borgo Press (Library binding hardback), 1979)
Tags:Books, Fantasy, First Edition, George R. R. Martin, Iain M. Banks, manuscripts, Roger Zelazny, Science Fiction, signed, Tim Powers
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