Remember The Apprehension Engine used for creating horror movie soundtracks featured last year?
Meet the Mega Marvin:
It does look less ergonomically friendly for playing for long periods of time…
Remember The Apprehension Engine used for creating horror movie soundtracks featured last year?
Meet the Mega Marvin:
It does look less ergonomically friendly for playing for long periods of time…
I think this ends this current run of Lansdale library additions. This one came from another publisher having a 50% off sale rather than a private collector.
Lansdale, Joe R. The Sky Done Ripped. Subterranean Press, 2019. First edition hardback, #324 of 350 signed, numbered copies, a Fine copy in a Fine dust jacket and a Fine slipcase. Third book in the Ned the Seal trilogy. This edition features a collection of sketches at the back not in the trade edition. Supplements a signed copy of the trade edition. Bought for $47.50.
Another book for my complete Lansdale collection from that same private collector:
Lansdale, Joe. R. Tight Little Stitches In A Dead Man’s Back. Pulphouse, 1992. First edition hardback chapbook, #70 of 100 signed, numbered copies, a Fine copy, sans dust jacket, as issued. Short story hardback issue #28. Story originally appeared in John Maclay’s Nukes anthology in 1986. This is the first separate edition. Bought from a private collector for $75 (which is considerably more than I paid for The Steel Valentine).
I may have mentioned that I avoided the Pulphouse short story hardback line when it first came out, as I had a hard time thinking of them as real books rather than gimmicks, and didn’t expect them to hold their value. Now, after I’ve collected everything else by the author, I’ve been picking them up. Most can still be had cheap, but not this one.
Three Joe R. Lansdale chapbooks purchased from that same private collector:
In the menagerie of paranormal/imaginary creatures, Shadow People are just that: shadow-like or completely black beings in the shape of people. Some say they’re evil spirits or aliens, others tricks of the imagination, fatigued brains or sleep paralysis nightmares. I mentioned this to a friend, and he said “Oh yeah, I’ve seen those!”
Hell, there’s an entire archive of people to have claimed to see them. Some seem benign or helpful. Others? Not so much. Some seem to wear hats. Then again, people now claim to see Slendarman and Chupacabras, so it hardly proves anything.
There are lots of “shadow people” videos on YouTube and most are painfully fake, obvious superimposition shots, etc. Want an unconvincing compilation video? Of course you do!
Here’s another one, with a couple of repeats, though these seem least slightly less embarrassing than most:
(The guy with the super-haunted house in the last video has his own video channel There’s also a Facebook page debunking it. )
Nothing says “science to benefit humanity” quite like tricking people into thinking that “Shadow People” are in the room with them.
Researchers scanned the brains of 12 people with neurological disorders, who had reported experiencing a ghostly presence.
They found that all of these patients had some kind of damage in the parts of the brain associated with self-awareness, movement and the body’s position in space.
In further tests, the scientists turned to 48 healthy volunteers, who had not previously experienced the paranormal, and devised an experiment to alter the neural signals in these regions of the brain.
They blindfolded the participants, and asked them to manipulate a robot with their hands. As they did this, another robot traced these exact movements on the volunteers’ backs.
When the movements at the front and back of the volunteer’s body took place at exactly the same time, they reported nothing strange.
But when there was a delay between the timing of the movements, one third of the participants reported feeling that there was a ghostly presence in the room, and some reported feeling up to four apparitions were there.
Two of the participants found the sensation so strange, they asked for the experiments to stop.
The researchers say that these strange interactions with the robot are temporarily changing brain function in the regions associated with self-awareness and perception of the body’s position.
The team believes when people sense a ghostly presence, the brain is getting confused: it’s miscalculating the body’s position and identifying it as belonging to someone else.
There are multiple shadow people movies on IMDB, all of which get ratings that range from mediocre to horrible (and the best seems to be a romantic drama that has nothing to do with horror or the supernatural).
Also, here’s a list of possible explanations for shadow people.
(For more creepy paranormal entities, see the post on Black Eyed Kids.)
Pleasant dreams…
Lifeforce
Directed by Tobe Hooper
Written by Dan O’Bannon and Don Jakoby, based on Colin Wilson’s The Space Vampires
Starring Steve Railsback, Mathilda May, Peter Firth, Frank Finlay, Patrick Stewart
I avoided Lifeforce when it came out because the reviews were considerably less than positive, it was a Golan-Globus production (two names that did not spell quality), and the whole thing had a whiff of cheesiness about it. But with Halloween approaching, we thought it was time to give it a try.
I actually enjoyed it a bit more than I expected, despite the fact that it steals generously from just about every successful 1979-1984 science fiction/fantasy/horror film, from Alien (O’Bannon) to Poltergeist (Hooper) to Dawn of the Dead to The Hunger to The Keep, plus a big helping of Quartermass and the Pit.
A multinational expedition is sent to Hailey’s Comet, where they discover a huge, 100+ mile long derelict spaceship. Exploration reveals dead giant bat-like creatures…and three naked, perfect human beings in suspended animation inside crystalline coffins. Naturally they take them on board.
You can guess how well that works out for them.
Soon the female (Mathilda May) is wandering around London naked, sucking the lifeforce (via swirly blue beams) out of people, who in turn become lifeforce vampires themselves. And the race is on to track her down, lead by the captain and sole mission survivor (Steve Railsback) who has a deep psychic bond with her, along with an SAS colonel (Peter Firth). And they soon find out that their quarry can switch bodies…
Despite it’s reputation, Lifeforce has a lot going for it. Hooper keeps things moving along at a steady clip, the disparate elements mostly make sense together, the John Dykstra special effects are generally more than passable, and the movie (budgeted at a then-pretty-hefty $25 million) avoids the usual Golan-Globus cheapness. There’s an excellent cast of British character actors (including a post-Equus Firth and a pre-Star Trek Patrick Stewart) in supporting roles. Plus it hales from The 1980s Golden Age of Mainstream Female Movie Nudity, and a 20-year old Mathilda May is very easy on the eyes.
Also, it may be the first use of “body hoping psychic vampire” idea, which I didn’t encounter until Stephen Gallagher’s Valley of Lights (1987). I assume that (and many other elements) are taken directly from the Colin Wilson novel, which I own but haven’t read yet.
Not everything makes sense, but usually the movie moves quickly enough that you don’t have time to think about it. The “London goes crazy” scenes are good, but probably go on too long, and look more like an attack of zombies than vampires. The special effects for the “real form” of the vampires seen near the climax looks pretty cheesy. Oh, and you get possibly Patient Zero of the now ubiquitous “glowing blue space beam” trope.
Here’s the (R-rated) trailer:
It isn’t so great that you should pay $80 bucks for the Shout Factory Blu-ray of it. But if you’re looking for a gory-but-not-really-scary science fiction horror action film for the Halloween season, you could certainly do a lot worse.
Still another Lansdale lettered edition bought from that same private collector:
Lansdale, Joe R. The Bottoms. Subterranean Press, 2000. First edition hardback, letter R of 26 signed, lettered copies, a Fine leatherbound copy in a Fine dust jacket and Fine traycase with full color illustration mounted inside front lid. The Subterranean edition was the true first edition, preceding the Mysterious Press edition by several months. Edgar Award winner for Best Novel. Bought for $300 from a private collector, which is just twice list price for the regular numbered edition.
The plastic illustration protector shows both glare and the shadow of my hands holding the iPhone to get the photo. (Also some glare off the dust jacket protector on the book itself.)
Another lettered copy purchased from that private collector:
Lansdale, Joe R. The Long Ones. Necro Publications, 1999. First edition hardback, letter R of 26 signed, leatherbound lettered copies, a Fine copy in a Fine traycase, sans dust jacket, as issued. In addition to the leather binding and traycase, this edition features an inserted (not attached) printed ribbon with title and author, a color frontispiece illustration, and several inserted black and white illustrations not in the ordinary numbered edition. Bought from a private collector for $300.
Another purchase from that same private collector as the two previous Lansdale lettered editions:
Lansdale, Joe R. Blood Dance. Subterranean Press, 2000. First edition hardback, letter R of 18 signed, lettered copies, a Fine copy in a beautiful full-cloth binding and a Fine traycase with an additional Mark A. Nelson illustration mounted on the inside front cover, sans dust jacket, as issued. The Lost Lansdale Volume Three. Bought for $250 off a private collector.
Note: The bottom right of the illustration looks strange due to reflections off the protective plastic covering over the illustration.