This is one of those things I just didn’t think of picking up earlier:
Rice, Jeff (Richard Matheson). The Night Strangler. First edition paperback original, a Fine- copy with slight glue wrinkling near top of spine and slight spine fading, otherwise new and unread, signed by Richard Matheson. Novel by Jeff Rice based on Matheson’s screenplay for The Night Strangler, the sequel to The Night Stalker and the second TV movie starring Darren McGavin as reporter Carl Kolchak. Bought off eBay for $42. Copies that are both nice and signed by Matheson are uncommon.
Back on Halloween in 1992, the BBC played a trick on its viewers by broadcasting a program called Ghostwatch. It was an early example of what we would call “Reality TV,” and like the overwhelming majority of Reality TV shows, it was fake.
It was supposedly a BBC camera crew staking out a home where poltergeist was said to be active. In fact, it was a scripted event where viewers intentionally caught glimpses of the malevolent ghost “Pipes” in the background while he was ignored by the cast, with planted on-air callers to the studio adding to the story, and during the course of the broadcast things got progressively weirder.
Like Orson Welles’ War of the Worlds broadcast, there were disclaimers that it was fiction, but the form in which in which it was presented (with real-world TV personalities like Red Dwarf‘s Craig Charles and presenter Michael Parkinson) convinced viewers they were watching the real thing.
Five days after the programme’s transmission, an 18-year-old boy with learning difficulties, Martin Denham, hanged himself, having fallen into what his stepfather described as a trance. He had become obsessed with Ghostwatch and was convinced that there were ghosts in the water pipes of his Nottingham home.
In November 1993, a year after the programme’s one-off airing, two doctors from a child psychiatry unit in Coventry, Dawn Simons and Walter Silveira, submitted an article to the British Medical Journal (BMJ) recording the first cases of post-traumatic stress disorder caused by a television programme. Two ten-year-old boys had been referred to them. One was admitted to an inpatients unit for eight weeks; he would bang his head in an attempt to free himself from thoughts of Ghostwatch and its evil spirit, “Pipes”.
Consultants from Edinburgh came forward with four more children with similar symptoms. Martin Denham’s parents launched an inquiry into their son’s death. In 2002, his mother condemned the BFI’s DVD release of Ghostwatch, saying the programme had killed her son.
The show’s producers, Ruth Baumgarten and Richard Broke, were hauled on to BBC One’s consumer watchdog show Biteback to defend themselves.
Here’s a retrospective video on it:
And here’s writer Stephen Volk on creating it:
Today, of course, fake paranormal reality TV shows have proliferated so far and wide that you can rank over 60 of them and see them parodied on South Park:
That’s the unsold pilot for a 1959 Nero Wolfe TV show, with Shatner as Goodwin and Kurt Kasznar (probably known best, most unfairly, for a role in Land of the Giants) as Wolfe.
I could definitely see myself watching this on METV…
I came across these interviews of Mike Nelson and Kevin Murphy from Mystery Science Theater 3000. These were evidently an extra on Merlin’s Shop of Mystical Wonders from Volume 5 of the Rhino boxed sets (and presumably on the Shout! Factory reissue). Talks about the early days of the show and some of the films too awful for them to riff.
As a guy who only owns Moving Pictures, I’m not the right person to talk about the passing of Rush drummer Neil Peart. So instead, here’s every Rush reference in Mystery Science Theater 3000:
(Dwight already posted all the Archer references, though I think that video is missing an incarnation or two Krieger’s van.)
Things have been far too quiet on the MST3K front lately. It has been over a year since Mystery Science Theater 3000 season 12 hit Netflix, and since then, we’ve heard nary a peep about production on new episodes. Sure, series creator Joel Hodgson has been busy with the live tour and various other efforts, but you would think that after a year, and with Thanksgiving looming (an all important date on the MST3K calendar) Netflix would get the ball rolling again. You would be wrong. It’s time to find another home for the Satellite of Love.
Hodgson sends out regular email updates to an MST3K mailing list, and today’s email blast brought the news fans have dreaded. Mystery Science Theater 3000 season 13 isn’t happening. At least not on Netflix.
“As some of you might have guessed, we won’t be making new seasons of the show for Netflix,” Hodgson wrote. “However, I want you to know that we’ve had a wonderful time working with the Netflix team, and will always be grateful to them. After all, they gave us the opportunity to spend the past few years aboard the Satellite of Love, and made it possible for new generations to discover the joys of riffing cheesy movies with your friends.”
This is sad news, but not unexpected, since rumors had been flying that another deal was not forthcoming from Netflix for months.
Hopefully they’ll be able to land on their feet and find another channel or service willing to continue the show. (Disney? It’s pretty family friendly and relatively inoffensive…)
Before the Kolchak: The Night Stalker TV show came the original TV movie The Night Stalker, which first introduced dogged yet deeply-irritating reporter Carl Kolchak, brilliantly and unforgettably played by Darrin McGavin. Our grizzled, disheveled hero starts listening to his own notes on a tape recorder, about a very strange murder case. We see a Vegas girl get killed by an incredibly powerful man, then cut to an autopsy performed by a pre-M*A*S*H Larry Linville (who would go on to play a Police Captain of The Week Who’s Annoyed With Kolchak’s Shenanigans in the TV series), who discovers that a body has been completely drained of blood. So three minutes in, any viewer is going to figure a vampire is stalking Las Vegas. (And it was obviously filmed in Vegas; everyone looks believably hot and sweaty.) It takes the Vegas police a whole lot longer to figure things out.
Enter our intrepid seersucker-clad hero.
Kolchak is pretty much fully formed the moment he walks into the news office, a smart, cynical, sarcastic reporter with authority issues. You quickly see how he would get on just about anyone’s nerves. (Later he recites all the cities he’s been fired from newspapers in. “Wasn’t it twice in Boston?” his much too young and pretty girlfriend (played by the recently deceased Carol Lynley) asks, to which he holds up three fingers.) He doesn’t think much of being assigned the first murder, but when a second one shows up, also drained of blood, with no tracks leading to her final sandy resting place, he realizes something is up, and tenaciously goes digging into the story, despite staunch opposition from both the police chief (Claude Aikens) and his own editor Tony Vincenzo (Simon Oakland, in a role he’d reprise in The Night Strangler sequel and the TV show).
The plot moves along at a quick pace, police procedural fashion, as it quickly becomes apparent to Kolchak that an actual vampire is killing young women in Las Vegas. The “vampire police procedural” has been done plenty of times since, but this was pretty much the first media instance (though Leslie H. Whitten’s novel The Progeny of the Adder preceded by seven years), and even today, despite the obvious budgetary constraints of a TV movie, it has a compelling intensity to it that later examples have never duplicated.
But McGavin’s Kolchak is what holds the entire thing together. He was a great, underrated actor, and in the scene where the police finally break down and promise to follow his lead and give him the exclusive, he’s so wonderfully, unbearably smug that you know exactly why he keeps getting fired. The movie has a panoply of solid TV character actors, tight direction, and plenty of tension when (inevitably) Kolchak tracks the vampire back to his lair…
There are a few extras on the Blu-Ray, including with producer Dan Curtis and director John Llewellyn Moxey, who said it was much easier to get a TV movie made in the early 70s. You had an idea (comedy, drama, horror, whatever), and if someone at the network liked it, you got a greenlight to do it. He said that now there are too many people involved in the process to get anything approved anymore. Wikipedia says that it was made for $450,000 and earned “a 33.2 rating and 48 share,” which is absolutely unheard of for a TV movie in today’s media landscape.
You may never have heard of Thurl Ravenscroft, but you’re almost certainly heard him many, many times in your life. He was Tony the Tiger, the voice behind “You’re a Mean One, Mr. Grinch” and about a hundred Disney characters.
Since the Joel era already did Cave Dwellers, does that make ATOR the first movie they’re riffed twice? Edited to add: People on Facebook are telling me that Cave Dwellers is actually the second Ator movie, not the first.
Jonah should go on Conan, promise to show a clip from them riffing Atlantic Rim…and then it be a clip of them riffing the wheelchair falling scene from Mac and Me…
