Posts Tagged ‘Books’
Thursday, March 19th, 2020
Trying to close out these purchases from last year:
(Lovecraft, H.P.) Joshi, S.T. (Don Webb, William F. Nolan, W. H. Pugmire, etc.) Black Wings VI. PS Publishing, 2017. First edition hardback, #138 of 300 numbered copies signed by all the contributors (including the recently deceased Pugmire), a Fine copy in a Fine dust jacket and Fine slipcase, new and unread. New tales of Lovecraftian horror. Bought from the publisher at a steep discount.
Tags:Books, Don Webb, H. P. Lovecraft, Horror, Limited Editions, S. T. Joshi, William F. Nolan
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Wednesday, March 18th, 2020
Still finishing cataloging books that came in last year after the big Moorcock buy:
Moore, C. L. Northwest of Earth. Gnome Press, 1954. First edition hardback, a Fine- copy with a trace of wear to bottom boards and slight bumping at head, in a Near Fine+ dust jacket with slight edgewear along spine joins, at head and at front points, barest trace of dust soiling to white back cover, a few other traces of wear, and, if you look very closely, the spine is just barely sun-faded, much less than commonly found. All the Northwest Smith and Jirel of Jory stories not found in Shambleau and Others. Currey, page 378, Chalker/Owings (1991), page 201 (“These unique stories belong in every SF library”). Kemp, The Anthem Series, page 231. Bought off a fellow Biblio dealer for $75.
Tags:Books, C. L. Moore, Fantasy, Gnome Press, Science Fiction
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Tuesday, March 17th, 2020
Still more books I bought from Michael Moorcock, including art books and non-Moorcock paperbacks I bought off him. I think he received all these as review copies.
Garnett, David, editor. New Worlds 2. VGSF, 1992. First edition trade paperback original, a Fine copy. Inscribed to me by Moorcock, who wrote the afterword.
Hardy, David A. Hardyware: The Art of David A. Hardy. Paper Tiger, 2001. First edition hardback, a Fine copy in a Fine- dust jacket with a few invisible scratches, etc., with review materials laid in. Science fiction art, of the planet and spaceship variety. (Not the Austin writer.)
Kilworth, Garry. House of Tribes. Bantam Press (UK), 1995. Uncorrected proof, trade paperback format, of the hardback first edition, a Fine- copy with a bump at heel in a Near Fine dust jacket which is slight taller than the proof, hence the bend at the top. Fantasy about mice. Also has a personalized review letter from Bantam laid in upon which Mike written “Mouse shit.”
Tuttle, Lisa. The Somnambulist and the Psychic Thief. Jo Fletcher books, 2016. Uncorrected bound proof, trade paperback format, of the trade paperback first edition, a Fine- copy with edgewear. Jesperson and Lane book I.
Youll, Stephen. The Art of Stephen Youll: Paradox. Paper Tiger, 2001. First edition hardback, a Fine copy in a Fine- dust jacket with bumping at head, heel and top front corner, with review materials laid in. Science fiction art, lots of which you would recognize.
Tags:art, Books, David Garnett, Fantasy, Garry Kilworth, Lisa Tuttle, Michael Moorcock, reference works, Science Fiction, Stephen Youll
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Monday, March 16th, 2020
Finally, here’s the list of Moorcock omnibus editions I bought off Mike. I didn’t pick them when these originally came out due to both budgetary constraints and already possessing a great deal of the contents. But many of these volumes include material not in any other edition, and both the Millennium and White Wolf omnibus editions have gotten harder to find as of late.
Moorcock, Michael. Corum: The Prince With the Silver Hand. White Wolf, 1999. First U.S. hardback edition thus, being an omnibus edition of The Bull and The Spear, The Oak and the Ram, and The Sword and the Stallion, a Fine copy in a Fine dust jacket. Inscribed to me by Moorcock. “Michael Moorcock/To Lawrence/All best!” Previously published in an omnibus edition as The Swords Trilogy by Gregg Press (which I also have a signed first of). Contains Mike Mignola art not in the Millennium edition.
Moorcock, Michael. Count Brass. White Wolf, 2000. First U.S. hardback edition, a Fine copy in a Fine dust jacket. Inscribed to me by Moorcock: “To Lawrence/Very best.” Omnibus edition of Count Brass, The Champion of Garathorm and The Quest for Tanelorn. There were earlier UK hardback editions from Granada (as The Chronicles of Count Brass) and Millennium; the White Wolf edition contains new artwork by Walter Simonsen and a map by Jim Cawthorn not in any previous editions. Eternal Champion Volume 15. I think this was the last Moorcock book White Wolf did, and after 2000 they went back to concentrating strictly on gaming-related books.
Moorcock, Michael. The Dancers at the End of Time. White Wolfe, 1995. First White Wolf hardback, a Fine copy in a Near Fine dust jacket with three closed tears at heel, the largest 1/4″, and a trace of haze rubbing. Omnibus edition of An Alien Heat, The Hollow Lands, and The End of All Songs.
Moorcock, Michael. Earl Aubec and other stories. White Wolf, 1999. First edition hardback thus, a Fine- copy with page 25/26 creased at the very edge in a Fine- dust jacket with a touch of blind-side dye transfer at the outer edge crease. Inscribed to me by Moorcock: “To Lawrence/All very best/from/Michael Moorcock.” Short story collection. Reprint of the Millennium volume, but I can’t find a content listing for the Millennium volume anywhere online to see if the contents differ, though at least the introduction is new to this volume.
Moorcock, Michael. Elric: Song of the Black Sword. White Wolf, 1995. First edition hardback thus, reprinting the Millennium Elric of Melniboné omnibus, with a new introduction and new (and hideous) cover art, a Fine copy in a Fine dust jacket. Inscribe to me by Moorcock: “Michael Moorcock/To Lawrence/Very best!”
Moorcock, Michael. Elric: The Stealer of Souls. White Wolf, 1998. First edition hardback thus, a reprint of the Millennium Stormbringer omnibus volume, but with a new introduction, new art, and the new John Davey essay “Elric: A Reader’s Guide,” a Fine copy in a Fine dust jacket. Inscribed to me by Moorcock: “To Lawrence/All best/Michael Moorcock.”
Moorcock, Michael. The Eternal Champion. Millennium, 1992. First edition hardback thus, an omnibus edition containing The Eternal Champion, Phoenix in Obsidian, and The Dragon in the Sword, a Fine- copy in a Fine dust jacket, inscribed to my by Moorcock: “To Lawrence,/All best.” Yoshitaka Amano cover. Millennium Eternal Champion series Volume 2. Precedes the White Wolf edition by a couple of years.
Moorcock, Michael. Hawkmoon. White Wolfe, 1995. First White Wolf hardback, a Fine copy in a Fine- dust jacket with just a trace of bend at head and some blind-side black dye transfer to just the inner creases of the flap folds. Inscribed to me by Moorcock: “To Lawrence,/All very best,/Michael Moorcock.” There were two early editions, as The History of the Runestaff in the 1970s and a Millennium edition of the same name, but this edition contains material not in either of those, including a new Moorcock introduction and new art and maps by James Cawthorn.
Moorcock, Michael. Von Bek. Millennium, 1992. First edition hardback thus, an omnibus edition of The Warhound and the World’s Pain, The City in the Autumn Stars, and “The Pleasure Garden of Filipe Sagittarius,” a Fine copy in a Fine- dust jacket with a slight edge wrinkling at top front, and slight crimping at head and heel. Inscribed to me by Moorcock: “To Lawrence,/An v. last!” Tale of the Eternal Champion Vol. 1. No additional printings mentioned, but also no numberline as mentioned by a few online dealers. Looks like a first printing to me, and neither ISFDB nor the Locus database lists a second Millennium hardback printing.
Tags:Books, Fantasy, Michael Moorcock, Millennium (publisher), signatures, White Wolf
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Tuesday, February 18th, 2020
Save the first book (not signed), all of these are books I bought off Mike back in November.
Moorcock, Michael (as Bill Barclay). Printer’s Devil. Compact, 1966. First edition paperback original, a Very Good- copy with spine creasing, rear cover bunching near spine, a nickel-sized blotch of discoloration, pages age-darkened, and slight curl and top front corner. The only book in this post I didn’t buy from Mike. Bought off eBay for £14.50 plus shipping. Tanelorn Archives, page 27. Currey, page 371.
Moorcock, Michael. The Revenge of the Rose. Grafton, 1991. First edition hardback, a Fine copy in a Fine dust jacket. Inscribed to me by Moorcock. Elric novel.
Moorcock, Michael. Sojan. Savoy Books, 1977. First edition trade paperback original, a Near Fine+ copy with a bump at head, slight crease at top of back cover, and touches of edgewear, plus slight age-darkening of pages. Inscribed to me by Moorcock: “To Lawrence,/All very best/yours,/Michael Moorcock.” Includes a fantasy novel Moorcock published in his own Tarzan fanzine in his teens, plus very early Moorcock short stories (most of which have not appeared anywhere else), plus considerable additional material on Elric, Jerry Cornelius, etc. Tanelorn Archives, page 31. Currey, page 372.
Moorcock, Michael. The Vengeance of Rome. Jonathan Cape, 2006. First edition hardback, a Fine copy in a Fine dust jacket. Inscribed to me by Moorcock. Colonel Pyat novel.
Moorcock, Michael, editor. Before Armageddon. W.H. Allen, 1975. First edition hardback, a Fine copy in a Fine dust jacket (though there is now a small hole on the title page where Mike’s fountain pen slipped). Inscribed to me by Moorcock. Reprint anthology of pre-World War I future war stories, including “The Battle of Dorking.” Tanelorn Archives, page 7. Currey, page 374.
Moorcock, Michael, and Langdon Jones, editors. The Nature of the Catastrophe. Hutchison, 1971. First edition hardback, a Near Fine copy with a few small white spots on black cloth, and slight bumping at head, in a Fine- dust jacket with a trace of blindside spotting (I also not that the laminated portion of the dust jacket appears slightly uniformly darkened throughout, save about 1/8″ at the far edge of each flap that’s not laminated, and that portion is bright, undarkened white; both copies I’ve seen so affected, leading me to believe that this is an artifact of the lamination process used by the publisher on the dust jacket, making it likely that all copies are so affected). Inscribed to me by Moorcock: “To Lawrence,/Avguard [?} the heart,/Mike Moorcock.” Anthology of Jerry Cornelius stories by Moorcock and divers hands, including Brian Aldiss, M. John Harrison, Norman Spinrad and James Sallis. Tanelorn Archives, page 25. Currey, page 375.
Tags:Books, Fantasy, Michael Moorcock, Science Fiction
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Monday, February 17th, 2020
Here’s the first part of the Moorcock titles I bought from Mike back in November.
Moorcock, Michael. The Brothel in Rosenstrasse. New English Library, 1982. First edition hardback, a Fine copy in a Near Fine+ dust jacket with slight spine fading and slight wear at top points. Inscribed to me by Moorcocok. Von Bek novel.
Moorcock, Michael. Byzantium Endures. Secker & Warburg, 1981. First edition hardback, a Fine- copy with bumps to top points in a Very Good+ price-clipped dust jacket with several delamination wrinkles across the spine. Inscribed to me by Moorcock. Colonel Pyat novel.
Moorcock, Michael. The City in the Autumn Stars. Grafton, 1986. First edition hardback, a Fine- copy with a tiny bump at head and top front corner blunted, in a Near Fine+ dust jacket with several invisible scratches to rear cover, trace of wear at points, and 1/4″ closed tear at bottom rear fold join. Inscribed to me by Moorcock.
Moorcock, Michael. The Dragon In the Sword. Ace, 1986. First edition hardback, a Near Fine+ copy with two pinhead spots to bottom page blocks, slight bend at head, and slight blunting to bottom points, in a Near Fine+ dust jacket with bumping to bottom front point and wrinkling at head and a trace of edgewear. Inscribed to me by Moorcock: “To Lawrence/All best —/Michael Moorcock.” Precedes the Grafton edition by a year.
Moorcock, Michael. Elric: La Saga. Editizione Oscar Draghiluglio, 2019. First edition hardback thus, an Italian omnibus edition of the first six Elric novels, a Fine copy, sans dust jacket, as issued. Inscribed to me by Moorcock: “To Lawrence/Prego!/Michael Moorcock.” A beautifully printed book, with decorated boards, full-color, full page plates by a variety of artists. A thrown-in by Mike, who had just received a big box of them. “See those behind you? Go ahead and take one if you want…”
Moorcock, Michael. Elric of Melniboné. Hutchison, 1972. First edition hardback, a Fine- copy with slight bumping at head and heel in a Near Fine- dust jacket with a 3/8″ chip at heel/front join, shallow chipping at head and heel, and touches of edgewear. Inscribed to me by Moorcock. Tanelorn Archives, page 17.
Moorcock, Michael. King of the City. Scribners (UK), 2000. First edition hardback, a Near Fine- copy with bumps to top points and a cluster of small gray stains on pageblock edges, and slight bumping at heel, in a Near Fine dust jacket with bumping to top points, slight bumping at heel, and slight edge wrinkling along bottom flaps. Inscribed to me by Moorcock: “To Lawrence,/All the best—/Michael Moorcock.” Sequel to Mother London.
Moorcock, Michael. The Laughter of Carthage. Secker & Warburg, 1984. First edition hardback, a Fine- copy with slight bend at head, in a Near Fine-, price-clipped dust jacket with two scratches to front cover and a long lamination wrinkle down the spine. Inscribed to me by Moorcock.
Moorcock, Michael. Legends From the End of Time. WH Allen, 1976. First UK edition hardback, a Fine- copy with top front point slightly blunted, in a Fine- dust jacket with slight bumping at head and top front point. Inscribed to me by Moorcock. The U.S. true first looks like ass, while this edition has a groovy Rodney Matthews cover that looks a lot like Roger Dean. Tanelorn Archives, page 24.
Moorcock, Michael. Letters from Hollywood. HAARP, 1986. First edition hardback, a Near Fine copy with bumping at head and heel and blunting of points, in a Very Good dust jacket with shallow chipping at heel and points, wrinkling along front join, trace of dampstaining to bottom rear flap, and touches of general wear. Inscribed twice by Moorcock: On front free endpaper: “To Howard —/The third of the/world’s finest cities —/Love/Mike/Aug 18th/NY.” On half-title page: “Michael Moorcock/To Lawrence.” Collection of letters to J.G. Ballard.
Moorcock, Michael. London Peculiar and Other nonfiction. PM Press, 2012. First edition trade paperback original, a Fine copy, new and unread, inscribed to me by Moorcock.
Moorcock, Michael. The Mystery of the Texas Twister with Argosy January/February 2004. First edition trade paperback original, both fine copies in a Fine paper slipcase with advertising insert intact and inserted. Inscribed to me by Moorcock. Attempt to revive the venerable Argosy magazine, which evidently only lasted three issues. Upon receiving it, Mike said “I thought it was a Mentos ad!”
Tags:Books, Fantasy, Michael Moorcock, Science Fiction, signatures
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Tuesday, December 31st, 2019
Slightly out of the ordinary for what I usually collect:
Penzler, Otto. Mysterious Obsession: Memoirs of a Compulsive Collector. The Mysterious Bookshop, 2019. First edition hardback, #219 of 250 signed, numbered copies, a Fine copy in a Fine dust jacket. Non-fiction. The story of how Penzler assembled his famed collection of mystery first editions. This edition sold out before publication. I have precisely one copy available through Lame Excuse Books. Bought directly through Mysterious Bookshop at a slight discount off the $50 cover price.
Tags:Book Collecting, Books, Mystery, Otto Penzler, reference works, small press publishers
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Monday, December 30th, 2019
This was the most expensive book I bought this year:
Burgess, Anthony. A Clockwork Orange. Heinemann, 1962. First edition hardback, an Ex-Library copy with interior pocket removed, rear inner flap previously taped to rear inside cover, with tape stains there and to rear free endpaper, in a Near Fine, first state (16s, flaps untrimmed) dust jacket, with tape stains to rear flap, with a crease across bottom of front flap and a few specks of dirt to front flap, otherwise a very well-protected example of the first state dust jacket; call it a Very Good/Near Fine Ex-Lib copy. Signed by Burgess. A keystone work, and basis of the Stanley Kubrick film. Signed firsts of famous books made into famous films are among the most desirable first editions across a wide range of collectors. This edition also includes the final chapter, where Alex “groweth up” and contemplates leaving behind his antisocial ways for marriage and a family, omitted from most subsequent editions. Pringle, SF 100 36. Locke, A Spectrum of Fantasy, page 48. Locke, Science Fiction First Editions, page 22. Anatomy of Wonder 4, 3-4 1. Magill, Survey of Science Fiction, pages 396-401. Bought off a noted UK SF dealer for £600, making it among the most expensive single volumes I’ve ever purchased, but I’ve never seen a signed copy in a first state dust jacket list for under a grand before.
Tags:Anthony Burgess, Books, Movies, Science Fiction, signatures, Stanley Kubrick
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Sunday, December 29th, 2019
Two more signed Michael Swanwick Dragonstairs Press first edition chapbooks:
Swanwick, Michael. Is There Something About You Irish?. Dragonstairs Press, 2019. First edition chapbook original, #50 of 60 signed, numbered copies, a Fine- copy (with slight phantom crease at top front), new and unread. Short essays on various Irish aspects of Swanwick’s life, done for the Dublin Worldcon.
Swanwick, Michael. Northern Lights. Dragonstairs Press, 2019. First edition chapbook original, #4 of 120 signed, numbered copies, a Fine copy, new and unread. Three short stories about supernatural Scandinavian creatures.
Note: White lines are in the original, and not a scanner artifact. (Good thing, too, since it’s a brand new scanner!)
I still have copies of both these available through Lame Excuse Books.
Tags:Books, chapbooks, Dragonstairs Press, Fantasy, Michael Swanwick
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Saturday, December 28th, 2019
An upgrade from my unsigned copy.
Smith, Clark Ashton. The Star-Treader And Other Poems. A.M. Robinson, 1912. First edition hardback, a Near Fine- copy with crack to front hinge just starting at bottom, slight bumping at head and heel and page blocks dusty, in a Very Good dust jacket with faint soiling to front and rear, a 1/2″ x 1/8″ chip at rear heel join, shallow chipping at head. Inscribed twice by Smith (the first apparently with a fountain pen, the second with a ballpoint): “Clark Ashton Smith/Auburn, Cal/Nov. 27th, 1912” then “For Harry Rosenberry/with sincere compliments/of Clark Ashton Smith/Apr. 14th, 1961,” which was exactly four months before his death. Replaces an unsigned copy (now available through Lame Excuse Books). Not in Currey. Not in Bleiler’s Guide to Supernatural Horror. Bleiler Checklist (1978), page 181. Sidney-Fryer, Emperor of Dreams, page 128. Won off eBay for $333.
Tags:Books, Clark Ashton Smith, Horror, poetry, signatures
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