The Criterion Collection has put up 23 of Akira Kurosawa’s films up for streaming free this weekend in celebration of Kurosawa’s March 23 birthday.
They’ve also put up some extras from the Criterion discs. Of science fictional interest: George Lucas on Hidden Fortress.
No, really. I wouldn’t call myself a Jerry Lewis fan (his brand of humor had already gone out of fashion by the time I was born), but he did do an excellent job in The King of Comedy (which is, I can assure you, not the film you want to watch while you’re depressed). Anyway, there’s a lot of interesting stuff in here, even if you take his claim of banging Marilyn Monroe with a grain of salt. I was unaware he had written a highly-praised book on directing, or taught directing classes attended by Stephen Spielberg and George Lucas. He also seems to be a remarkably astute businessman, since he made the studios promise to give all the rights to his movies back after 30 years.
Anyway, it’s an interesting piece, even if you’re not particularly a Jerry Lewis fan.
The National Film Registry has announced this year’s selection of 25 important films worthy of preservation, and there are a lot of gems on the list:
Airplane!, The Exorcist, The Empire Strikes Back and The Pink Panther are all great films, arguably among the top 100 ever made. I believe it was K. W. Jeter who said that the student version of THX 1138 was much better than the theatrical release, so I’ve always been curious to see that. Strangely enough, I’m also curious about Saturday Night Fever, despite my loathing of disco, as many critics (the late Gene Siskel among them) consider it one of the great films of the 1970s, and National Review‘s John Derbyshire says it’s one of the best films about blue collar American life ever made. I also remember Dwight being impressed with Malcolm X, despite not having seen Malcolm I–IX.
Of course, a lot of these are notable only for being early examples of the form rather than gripping cinema, such as Newark Athlete:
Or A Trip Down Market Street:
Let There Be Light is John Huston’s pioneering documentary on the treatment of Post Traumatic Stress Disorder following World War II:
And Our Lady of the Sphere is sort of like Terry Gilliam’s work on Monty Python, but not as interesting:
Then again, it was made in San Francisco in 1969, so there’s nothing about it that can’t be explained by the phrase “Dude, I was so high…”
Darth Vader robs a bank on Long island.
Now we know the real reason George Lucas banned David Prowse from Star Wars conventions…