Posts Tagged ‘Hugo Award’

Library Addition: First Edition of Arthur C. Clarke’s Rendezvous With Rama

Thursday, January 16th, 2020

Back in November, I went out to Michael Moorcock’s house and bought five boxes of books from him. Some of those went out in December’s Lame Excuse Books catalog, and more were Moorcock first editions (naturally) that I’ll be cataloging a bit later. But here’s one of the most notable books by other authors I bought from him:

Clarke, Arthur C. Rendezvous With Rama. Gollancz, 1973. First edition hardback (no statement of printing, as per Currey), a Near Fine copy with bumped top front corner, small inked “W” on front free endpaper, tiny doggear to top of first 12 pages, in a Near Fine dust jacket with bumped top front corner, 3/8″ closed tear to rear bottom DJ near heel, pinhead nick to bottom front fold edge with associated scratch, slight edegwear at head and heel, and a touch of rubbing. Hugo and Nebula winner for Best Novel. Currey, page 115. Anatomy of Wonder 4, *4-109. Magill, Survey of Science Fiction Literature, pages 1759-1763 (“Rendezvous With Rama is one of those novels obviously destined to become instant classics.”). Reginald, Science Fiction and Fantasy Literature, page 106. One of Clarke’s most important novels. Replaces an Ex-Library first.

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Library Addition: Signed, Limited Edition of Michael Chabon’s The Yiddish Policeman’s Union

Wednesday, December 12th, 2018

Saw references to this (which might have preceded the trade edition) online, and finally found a copy cheap.

Chabon, Michael. The Yiddish Policeman’s Union. HarperCollins, 2007. First edition hardback, one of 1,000 copies signed by Chabon in a wooden slipcase, a Fine copy in a Fine dust jacket and slipcase, still in publisher’s shrinkwrap (I think it’s the publisher’s, which is why I haven’t removed it). Winner of the Hugo and Nebula Awards for Best Novel. Supplements a trade copy of the novel inscribed to me by Chabon right after he won the Nebula for it. Original list price was $150. Bought off eBay for $50.

Forgive the crappy scan, since it’s still in the shrinkwrap…

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Library Addition: First Hardback Edition of James Blish’s A Case of Conscience

Thursday, October 25th, 2018

Sometimes you take a chance that pays off:

Blish, James. A Case of Conscience. Faber and Faber Limited, 1959. First hardback edition (“First published mcmlix” on copyright page, as per Currey), a Very Good copy with spine lean and dust soiling along top, in a Very Good dust jacket with a 1″ closed tear along top front and moderate dust soiling to white rear cover, and slight rubbing and wear at points. All in all, better condition than I expected from a description of “Good”. Hugo winner for Best Novel. The first volume in the After Such Knowledge thematic trilogy. Currey (1979), page 40. Pringle, SF 100 26. Locke, A Spectrum of Fantasy, page 36. Locke, Science Fiction First Editions, pages 19-20. Barron, Anatomy of Wonder 4, 3-21 (referencing the Ballantine PBO). Magill, Survey of Science Fiction Literature, pages 303-307. Bought for £60.63 from an online UK book dealer know more for quantity than quality, which is why it was a risk, but just slightly better copies list for over a grand. Supplements a copy of the Walker first U.S. hardback edition.

This is the last “difficult” Hugo winner in hardback for the period I collect (through 2014), which means I only lack Harry Potter and the Goblet of Fire, first editions of which are hardly difficult to come by.

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Library Addition: Signed PBO of Fritz Leiber’s The Wanderer

Saturday, August 6th, 2016

Another purchase from Fred Duarte’s library. I already had the later hardback edition, but not a signed copy of this paperback original first.

Leiber, Fritz. The Wanderer. Ballantine Books, 1964. First edition paperback original, a Very Good+ copy with stamp to blurb page, a bot of rubbing, and touches of general wear. Signed by Leiber. Hugo Award winner. Currey, page 309. Burgess, Anatomy of Wonder 4, 4-259. Reginald, 08843.

Leiber Wanderer

IMG_0835

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Hugo Congrats

Sunday, September 1st, 2013

Congrats to Pat Cadigan, John DeNardo, and John Picacio on their Hugo wins!

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Library Additions: A Major Collection of Roger Zelazny Books

Monday, July 15th, 2013

Bob Pylant is a major Roger Zelazny collector in Austin to whom I had sold the odd item to (like the NESFA Press Collected Zelazny volumes) over the years. Unfortunately, he suffered a car accident and had to sell some of his collection. So I went over to his house on June 13, made an offer on some choice items, and we reached an agreement.

Which is how I spent $5,000 on Roger Zelazny books in a single day. (An amount that would go up to $5,400 when I won another item he had listed on eBay.) Several were upgrades of signed first edition hardbacks where I had either unsigned copies or Ex-Library copies.

Bibliography
For bibliographic details and first edition verification, I cite the following reference books:

  • Currey, L.W. Science Fiction and Fantasy Authors: A Bibliography of First Printings of Their Fiction. G. K. Hall, 1978.
  • Chalker, Jack & Owings, Mark. The Science Fantasy Publishers: A Critical and Bibliographic History. Mirage Press, 1991 (“Third Edition Revised and Enlarged”).
  • Kovacs, Christopher S. The Ides of Octember: A Pictorial Bibliography of Roger Zelazny. NESFA Press, 2010. (Note: Kovacs lists proofs, ARCs, etc. when known, so many hardback firsts are designated with the a “b” rather than an “a”.)
  • Levack, Daniel J. Amber Dreams: A Roger Zelazny Bibliography. Underwood/Miller, 1983.

    • The Zelazny Books

  • Zelazny, Roger. And the Darkness is Harsh. Pretentious Press, 1994. First edition chapbook, one of only 85 copies (of which 70 were given away for free) signed by Zelazny, with photo of the young Zelazny pasted in at front, and one sheet chapbook catalog laid in, a Fine copy. Contains the title story, “Mr. Fuller’s Revolt,” and the poem “Diet,” all taken from his high school literary magazine, where they were published when he was 16. Virtually impossible to find these days. Kovacs, VIII-1-a.

  • Zelazny, Roger and Fred Saberhagen. The Black Throne. Baen Books/SFBC, 1990 (stated; Kovacs says it actually came out in 1991). First edition hardback (book club, and the only hardback) a Fine copy in a Fine dust jacket, inscribed by Zelazny: “For Scott,/Best, ever/Roger Zelazny/ 11/30/91”. Supplements my unsigned copy. Kovacs, I-1-c.

  • Zelazny, Roger, and Robert Sheckley. Bring Me the Head of Prince Charming. Bantam Spectra, 1991. Uncorrected proof (trade paperback format) of the first edition, a Fine copy with slight bumping at head, with signature plate by Zelazny affixed to blurb page. Kovacs, I-14-a.

  • Zelazny, Roger, and Robert Sheckley. Bring Me the Head of Prince Charming. Bantam Spectra, 1991. First edition trade paperback original (simultaneous with the hardback), a Fine- copy with slight bumping at head, inscribed by Zelazny: “To Shirley,/Roger Zelazny.” Supplements my signed hardback copy. Kovacs, I-14-c.

  • Zelazny, Roger. The Changing Land. Del Rey, 1981. Uncorrected Proof of the paperback original first edition, a Near Fine- copy with what appears to be glue staining to the front cover (possibly from a publicity department sticker or attached sheet), and pinpoint spots of other staining, but otherwise square and unread. Supplements my signed, read paperback, and my signed/limited Underwood/Miller edition. Levack, 4a (for the PBO), Kovacs I-6-a (for the proof). See also the manuscript section below.

  • Zelazny, Roger. Creatures of Light and Darkness. Doubleday, 1969. First edition hardback, a Fine copy in a Fine- dust jacket with a tiny bit of age-darkening and dust staining, inscribed by Zelazny: “For Larry Woods/Roger Zelazny”. Levack, 8a. Kovacs, I-9-a. Currey, P. 570.

  • Zelazny, Roger. Damnation Alley. Doubleday, 1969. First edition hardback, a Fine copy in a Fine dust jacket. Inscribed by Zelazny: “All best-/Roger Zelazny/ 10/6/79”. Levack, 9a. Kovacs, I-10-b. Currey, P. 570. Naturally I’d pick this up just after I picked up a nice unsigned copy.

  • Zelazny, Roger. The Dream Master. Ace, 1966. First edition paperback original, a Near Fine- copy with “ZELAZNY DREAM MASTER” printed at heel, previous owner’s small ownership stamp on inner cover, two small pieces of tape at same spot, bookstore stamp at rear, and the usual age darkening to pages and foxing to inner covers, otherwise tight, square and apparently unread. Signed by Zelazny. This was in a picture frame, so I missed the stamps. Supplements my signed UK hardback first. Levack, 14a. Kovacs, I-18-a. Currey, P. 570.

  • Zelazny, Roger, and Robert Sheckley. A Farce to Be Reckoned With. Bantam, 1995. First edition trade paperback original, a Fine copy, new and unread. Not signed, alas. Third in the series that started with Bring Me the Head of Prince Charming. Kovacs, I-20-b.

  • Zelazny, Roger. For a Breath I Tarry. Underwood/Miller, 1980. First edition hardback, #65 of 200 signed, numbered hardback copies, a Fine copy in a Fine dust jacket, with publisher’s letter included. One of my favorite Zelazny novellas. Supplements my trade paperback copy. Levack, 16a. Kovacs, VI-3-a-i. Chalker/Owings, P. 432.

  • Zelazny, Roger. The Guns of Avalon. Doubleday, 1972. First edition hardback, a Fine copy in a Fine- dust jacket that is ever so slightly spine-faded, but much less than usual for this orange spine, and slight wrinkling. Signed Twice by Zelazny, once on title page and once on signature plate affixed sideways on FFE. The second Amber novel. Supplements my signed Ex-Library copy. Levack, 18a. Kovacs, I-22-a. Currey, P. 570.

  • Zelazny, Roger (& Kate Wilhelm). He Who Shapes b/w The Infinity Box. Tor, 1989. First separate edition and first edition thus, a paperback original, a Fine- copy, new and unread. Signed by Zelazny. Kovacs, VI-5-a.

  • Zelazny, Roger (& Samuel R. Delany). Home is the Hangman b/w We, In Some Strange Power’s Employ, Move On a Rigorous Line. Tor, 1990. First separate edition and first edition thus, a paperback original, a Fine copy, new and unread. Signed by Zelazny and inscribed by Delany: “Samuel R. Delany/N.Y.C./’91”. The Delany story is also something of a Zelazny pastiche, with a disguised Zelazny (“his last name was Z-something unpronounceable”) as one of the main characters. Kovacs, VI-8-a.

  • Zelazny, Roger. The Last Defender of Camelot. Underwood/Miller, 1980. First edition hardback, #5 of only 35 numbered hardbacks with a signed bookplate pasted onto the copyright page, a Fine- copy with wear at edges. Just the story (making it different from the next item), and far and away Zelazny’s scarcest hardback (even more so than Nine Princes in Amber). This is the one I bought for $400 off eBay. Levack, 23b. Kovacs, VIII-4-b (also II-132-d). Chalker/Owings, P. 432. See also the manuscript section below.

  • Zelazny, Roger. The Last Defender of Camelot. Pocket Books, 1980. Uncorrected proof of the paperback first edition, a Fine copy. Levack, 24a (for paperback edition). Kovacs, V-15-a (for proof).

  • Zelazny, Roger. The Last Defender of Camelot. Underwood/Miller, 1981. First limited (and non-book club) hardback edition, #6 of 333 signed, numbered copies, a Fine copy in decorated boards, sans dust jacket, as issued. Short story collection. Includes stories not in the Pocket Books or SFBC editions. Supplements my signed SFBC edition. Levack, 24c. Kovacs, V-16-a-i. Chalker/Owings, P. 433.

  • Zelazny, Roger (as editor). Nebula Award Stories Three. Doubleday, 1968. First edition hardback, a Fine copy in a Fine-, completely unfaded white dust jacket with extremely minor wrinkling at head, with small Zelazny signature plate affixed to bottom inner flap of dust jacket. Nigh on impossible to find with the dust jacket this bright, much less signed. And most of the stories are pretty good as well!

  • Zelazny, Roger, and Alfred Bester. Psychoshop. Vintage, 1998. Uncorrected proof of the trade paperback first edition, a Fine copy. Kovacs, V-36-a.

  • Zelazny, Roger. Today We Choose Faces Signet, 1974. First edition paperback original (and trickier than usual to identify; it says “First Printing, April, 1973” at the bottom, but “FIRST PRINTING/SECOND PRINTING/”etc. through “TENTH PRINTING” above it), a Fine- copy with a touch of edgewear. Signed by Zelazny. Supplements a signed copy of the UK hardback first. Levack, 35a. Kovacs, I-41-a. Currey, P. 571.

  • Zelazny, Roger. To Die in Italbar. Doubleday, 1973. First edition hardback, a Near Fine+ copy with foxing along gutters and in a large rectangle on FFE where I presume the signed bookplate of the exact same size and shape now affixed to the title page once resided, in a Near Fine+ dust jacket with slight dust staining to rear white cover, and a bit of wear at points. Sequel to Isle of the Dead, and one of my least favorite Zelazny novels (which is why I waited until I had pretty much everything else to pick it up). Levack, 37a. Kovacs, I-42-a. Currey, P. 571.

  • Zelazny, Roger and Neil Randall. Roger Zelazny’s Visual Guide to Castle Amber. Avon/SFBC, 1988. First edition hardback (book club; the only hardback edition), a Fine copy in a Fine dust jacket, signed by Zelazny. What the title says. Lots of illustrations and maps. Kovacs, X-14-b.

  • Zelazny, Roger. This Immortal. Ace, 1966. First edition paperback original, a Near Fine+ copy with small phantom creases to font and rear cover, a trace of edgewear along spine, and usual slight age darkening to pages and foxing of interior covers, otherwise square. Signed by Zelazny. Hugo Winner for Best Novel (tied with frank Herbert’s Dune), Nebula finalist. Levack, 34a. Kovacs, I-40-a. Currey, P. 571.

  • Zelazny, Roger. Wizard World. Baen, 1989. First edition paperback original thus, being an omnibus edition of Changeling and Madwand, a Fine copy, new and unread. Signed by Zelazny and cover artist David Mattingly. Kovacs, I-5-e-1

  • (Zelazny, Roger) Levack, Daniel J. Amber Dreams: A Roger Zelazny Bibliography. Underwood/Miller, 1983. First edition hardback, one of 200 signed hardbound copies, a Fine copy, sans dust jacket, as issued. Comparing the signed edition (left) to the unsigned edition (right), they seem printed in slightly different colors; the signed is more green, and the unsigned more yellow. The uniformity of tone in each makes me doubt either is the result of fading. Kovacs, XIII-1-a-1. Chalker/Owings, P. 435.

    • Zelazny Manuscripts/Etc.

    Note: Bob carefully inserted each page of manuscript or correspondence into clear page protectors with 2-ring binder tabs.

  • Zelazny, Roger. The Changing Land. 340 page typesetting copy of the original manuscript for the Del Rey edition, with Zelazny’s hand corrections and typesetting notes, as well as ancillary editorial material, original bill of sale, catalog description, and letter of provenance from L. W. Currey.
  • Zelazny, Roger. “The Last Defender of Camelot”. Roger Zelazny’s original story manuscript, 24 pages typed (many of which are typed on the back of sheets of scrap paper), with numerous hand corrections by Zelazny, along with a few pages of ancillary material. Each sheet is in a plastic sheet protector in a three-ring binder. Also in the binder is what appears to be a copy of the hand-corrected manuscript for “Stand Pat, Ruby Stone.”

  • Zelazny, Roger (adapted and illustrated by James Zimmerman). The Last Defender of Camelot. Zim Graphics, 1993. First edition of the graphic novel adaptation in cardstock covers, #5 of 25 copies signed on the cover by Roger Zelazny, and #5 of 200 copies signed by Zimmerman, a Fine copy. Something to drive Zelazny completists crazy! Kovacs, II-133-a and VI-10-a.

  • Zelazny, Roger. “Unicorn Variations”. Zelazny’s original story manuscript, 37 typed pages, with hand corrections by Zelazny and type-setting instructions undoubtedly added by the staff of Isaac Asimov’s Science Fiction Magazine, where the story appeared (the manuscripts for my own stories that appeared in Asimov’s came back marked up the same way). Each sheet in a plastic sheet protector in a three-ring binder, along with a few pages of ancillary material.

  • Roger Zelazny’s Professional Correspondence Archive. Two huge three-ring binders containing copies of all Zelazny’s outgoing letters, from about 1970 through 1981, plus the originals of incoming correspondence to him. Includes letters to him from Robert A. Heinlein, Thomas Disch, Lloyd Biggle, Jr., Marion Zimmer Bradley, George R. R. Martin, Fredric Pohl, Connie Willis, Pat Cadigan, Jack Dann, Lisa Goldstein, David Bischoff, John F. Carr, Ellen Kushner (rejecting a story!), Bruce McAllister, Victor Milan, Michael Stackpole, Reginald Bretnor, Phyllis Eisenstein, Thomas Canty (plus art proofs), Judy-Lynn Del Rey, Jim Baen, Byron Preiss, Jim Turner, David Hartwell, Jim Frenkel, Mike Ashley, George Scithers, Gerry de la Ree, Glenn Lord, Bob Frazier, (among many others), and a telegram from Philip K. Dick (with Zelazny’s scrawled notes from the ensuing telephone conversation). Plus other letters from agents, editors, academics, Hollywood functionaries, and random fans. Plus some SFWA Forums and convention program books Zelazny had material in. According to Bob, L. W. Currey got the archive as part of a purchase from the Zelazny estate. Since Bob had bought a number of expensive items from him in the past (some listed here), he said “Look, Bob, I don’t want to catalog all this. Let me sell it to you as a lot.” Which is how Bob got it.

    • Non-Zelazny Books

    Bob did have a few non-Zelazny books I picked up.

  • Banks, Iain. Against A Dark Background. Orbit, 1993. First edition hardback, a Fine copy in a Fine dust jacket. Signed by Banks. Replaces an unsigned copy.
  • Banks, Iain. Consider Phlebas. Macmillan, 1987. First edition hardback, a Fine copy in a Fine dust jacket. Signed by Banks. Replaces an unsigned copy.
  • Powers, Tim. The Anubis Gates. Mark V. Ziesing, 1989. First American hardback edition, a Fine copy in a Fine dust jacket. Already had inscribed firsts of the PBO, and the UK first hardback editions, as well as the copy of the original hand-written manuscript in the ultralimited edition of the Berlyne Power bibliography. I picked up this to complete my Mark V. Ziesing collection…
  • Vance, Jack. The Best of Jack Vance. Taplinger, 1978. First edition hardback, a Fine copy in a Near Fine, slightly dust soiled/age darkened dust jacket.

    • I also made two mistakes: Picking up a proof of Zelazny and Thomas T. Thomas’ The Mask of Loki (forgot I already had a signed proof) and a signed hardback first of Iain Banks’ Excession (already had one). Those will be offered in the next Lame Excuse Books catalog, which I’ll start working on right after I post this.

    Roger Zelazny Books I Still Lack

    Believe it or not, this doesn’t actually complete my Zelazny collection, as there are still a few odds and ends I don’t have, mainly in edited works and works about Zelazny. Some aren’t particularly hard to find, I just haven’t picked them up yet.

  • The Doors of His Face, The Lamps of His Mouth (Pulphouse hardback of just that story)
  • Home is the Hangman (SFBC, 1996)
  • Trumps of Doom (Underwood Miller, 1985)
  • (with Thomas T. Thomas) Flare (Baen, 1992, paperback original)
  • (as editor) The Williamson Effect (Tor, 1996)
  • (as editor) Wheel of Fortune (AvoNova, 1995, paperback original)
  • Greenberg, Martin H., editor. Lord of the Fantastic: Stories in Honor of Roger Zelazny (Avon Eos, 1998)
  • Lindskold, Jane. Roger Zelazny. Twayne, 1992.
  • Sanders, Joseph L. Roger Zelazny: A Primary and Secondary Bibliography (G. K. Hall, 1982)
  • Yoke, Karl B. Roger Zelazny: Starmont Reader’s Guide (Borgo Press (Library binding hardback), 1979)
  • Yoke, Karl B. Roger Zelazny and Andre Norton: Proponents of Individualism (State University of Ohio, 1979)

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    Pictures from the 2012 Chicago Worldcon: Sunday

    Sunday, September 16th, 2012

    Yes, more Worldcon photos. I’ve broken them up across multiple posts so the page didn’t load so slowly readers would think they were back in the Geocities era.

    Dantzel Cherry and her friends charge up their eye lasers.

    Legendary fan David Kyle, who attended the first Worldcon in New York City in 1939!

    How many legends can you spot in this photo? David Hartwell, Robert Silverberg, and Joe and Gay Haldeman all talk to David Kyle.

    Connie Willis, enjoying the first Worldcon where she wasn’t required to present an award since she was six years old.

    With Mary Robinette Kowal, who survived the ordeal of being a SFWA officer.

    Michael Cassutt, just minutes before he was tragically bored to death at the Robert A. Heinlein Society annual meeting.

    Adam-Troy Castro. “I said sell Greek bonds! SELL!”

    Steve Jackson, who was there with his Chaos Machine setup. “What’s that? I can’t hear you over the sound of all that money my Ogre Kickstarter made.”

    Not-so-secret master of Fandom Ben Yalow.

    John Picacio, in the last known photo of him before he won the freaking Hugo Award.

    James Patrick Kelly and Robert Silverberg.

    Saturday night I dined with Scott Bobo, Kurt Baty, Sarah Felix, Ed Scarborough, and Spike and Tom at Everest, a 7 course meal that took three and a half hours and cost $200. Sunday, before the Hugos? I ate at Chipolte with Dantzel and some of her friends.

    Remember, pictures of attractive women are your best blog-visit drivers!

    David Brin is the Belle of the Ball:

    Molly Nixon, ready for the Hugos.

    As is Mary Robinette Kowal.

    Jim Minz and Mike Resnick at the door of the Baen party.

    Scott Edelman and Robert Reed, in a diagonally framed shot to get both of them in.

    Jay Lake, embossed by rocketship.

    You go, I go, for podcasting Hugos:

    Neil Gaiman, after the Hugos.

    John Scalzi in Murder by Hugo (Neil’s, as it happens).

    Scott Edelman’s fashion approaches David Hartwell levels of taste.

    And now, for the full effect: With the shoes.

    A better picture of Sue Burke, with 85% less “about to be eaten by zombies” grimness.

    Texas Worldcon Chairman Bill Parker looking sharp.

    Jim Mann, proving that some moose ties kan be pretty nasti.

    Another crappy picture of Charlie Stross, this one wearing his “Christopher Priest yells at a cloud” inspired t-shirt.

    It’s not my fault! She kept changing her outfit!

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    Worldcon 2011 Photos for Saturday, August 20 (Part 2)

    Wednesday, August 24th, 2011

    Now that I’ve recovered a bit, here’s another set of Worldcon photos.


    You may have seen the previous photo sets, and asked “Lawrence, do you think you have enough pictures of Gail Carriger?” And the answer, of course is: No, I don’t. So here’s her Hugo-night outfit. Indeed, I was only able to capture three of the six outfits she wore there. One man can only do so much…


    Steven Gould, tipping his jaunty straw boater.


    This picture of the Klingon Party Room is one the flash just ruined, as it was actually dark with red and orange flame lighting, but at least it gives you a hint of the work that went into it.


    Scott Bobo carrying Brad Foster’s Hugo.


    A congoer dressed in a traditional Mexican vaquero outfit.


    Karen Anderson.


    Deanna Hoak and Gail Carriger flank some lucky bastard that isn’t me.

    I should have one more post of Worldcon photos, after which it will probably be time for Armadillocon photos…

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    2011 Hugo Award Winners

    Sunday, August 21st, 2011

    Hot from the Renovation home page, here’s the 2011 Hugo Award Winners:

    Best Novel (1813 ballots)
    Blackout/All Clear by Connie Willis (Ballantine Spectra)

    Best Novella (1467 ballots)
    The Lifecycle of Software Objects by Ted Chiang (Subterranean)

    Best Novelette (1469 ballots)
    “The Emperor of Mars” by Allen M. Steele (Asimov’s, June 2010)

    Best Short Story (1597 ballots)
    “For Want of a Nail” by Mary Robinette Kowal (Asimov’s, September 2010)

    Best Related Work (1220 ballots)
    Chicks Dig Time Lords: A Celebration of Doctor Who by the Women Who Love It, edited by Lynne M. Thomas and Tara O’Shea (Mad Norwegian)

    Best Graphic Story (1263 ballots)
    Girl Genius, Volume 10: Agatha Heterodyne and the Guardian Muse, written by Phil and Kaja Foglio; art by Phil Foglio; colors by Cheyenne Wright (Airship Entertainment)

    Best Dramatic Presentation, Long Form (1755 ballots)
    Inception, written and directed by Christopher Nolan (Warner)

    Best Dramatic Presentation, Short Form (1466 ballots)
    Doctor Who: “The Pandorica Opens/The Big Bang,” written by Steven Moffat; directed by Toby Haynes (BBC Wales)

    Best Editor, Short Form (983 ballots)
    Sheila Williams

    Best Editor, Long Form (898 ballots)
    Lou Anders

    Best Professional Artist (1304 ballots)
    Shaun Tan

    Best Semiprozine (1112 ballots)
    Clarkesworld, edited by Neil Clarke, Cheryl Morgan, Sean Wallace; podcast directed by Kate Baker

    Best Fanzine (870 ballots)
    The Drink Tank, edited by Christopher J Garcia and James Bacon

    Best Fan Writer (814 ballots)
    Claire Brialey

    Best Fan Artist (993 ballots)
    Brad W. Foster

    John W. Campbell Award for Best New Writer (1138 ballots)
    Lev Grossman

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    Hugo Voting Deadline Approaches

    Friday, July 30th, 2010

    If you haven’t already turned in your Hugo ballot, you might want to go ahead and do that before Midnight on July 31. PDT.

    (Hat tip: Missions Unknown.)

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