These four books were offered as The John Crowley Conway Miscellany set on Kickstarter. Each has a different trim size.
The four books together can be laid out to form a single image. Because the books are too large to fit on my scanner, I have copied the image from the Kickstarter page.
I will have a small number of sets of these (with the signature plate) in the next Lame Excuse Books catalog.
Four more items for the Lansdale collection, three by Joe R. Hisownself, one an anthology he’s in.
You may have noticed that Joel Hodgson and MST3K gang are having a new kickstarter for the next season (for values of “kickstarter” that include “not on the Kickstarter platform”). There are five days left and they are only 38% of the way to the first goal of $4.8 million, which will be six features and six shorts.
The last two Kickstarters they had blew past their goals.
This one? Not so much. Despite announcing that Plan 9 from Outer Space will be among the riffed films.
Donor fatigue? The Biden Recession? Not doing enough promotion? Not enough boost from a non-Kickstarter platform? Disgruntlement over how long it took people to get their promised rewards from the last campaign?
I think it may be some combination of all the above.
Maybe the usual Turkey Day festivities will kick it into higher gear. But if they don’t, this may be the first MST3K fundraising effort to fail.
Another Kickstarter item that came in:
With:
Bought together for $54, including shipping.
Here’s a Kickstarter project that was a long time in coming that finally shipped earlier this year.
Each volume contains a reprint of one of H.P. Lovecraft’s most interesting letters, presented alongside related archival material such as contemporary short stories, art, maps, etc., as well as original art and new scholarship.
Each volume is also packaged with a set of exclusive extras—replicas of related contemporary materials such as photos, maps, ticket stubs, postcards, news clippings, and diary pages. The Collector’s set packages all of these extras in a custom box which nests in the slipcase alongside the three books. Each Limited Edition Collector’s set is supplied with a Certificate of Ownership signed by editors Andrew Leman and Sean Branney of the H.P. Lovecraft Historical Society, and a collectible enamel pin.
This is just the loose extras; there are additional extras for each volume, in their individual envelopes in the Ephemera traycase.
with
It’s an impressive assemblage, and one legions of Lovecraft fans will be kicking themselves over not picking up in years to come.
Total price for both with shipping was $203.50.
These two items came from a Kickstarter.
And here’s my review of the original The Night Stalker TV movie.
This is less a book than a weird art assemblage. Seeing this on Kickstarter, I figured that the overlapping Venn diagrams of crazy Stephen King fans and crazy Stanly Kubrick fans justified a purchase.
The loose sheets:
16 x typed replica sheets with All Work And No Play Makes Jack A Dull Boy as discovered by Wendy in the film. 120 x one-page pieces analysing, exploring, and extrapolating the films ideas, themes, influences, contexts and critiques. 10 x original typewriter art portraits made using the same model of Adler typewriter used by Jack Torrance.
Some examples:
Plus “Contributor Booklets” (which are more like brochures):
9 x 8-page cultural contributor essays from a range of celebrated artists, musicians, authors, architects and curators designed to evoke the film’s intertitle cards.
Original and exclusive piece from actor Dan Lloyd (Danny Torrance), an extraordinarily rare opportunity to share memories, stories and insights from this usually private person, as well as the coup of a rare interview with Shelley Duvall (conducted by Ryan Obermeyer) shedding light on her performance and experience of the film.
Artist Gavin Turk examines myths, mirrors and mazes and looks at the film through art, whilst fashion designer Margaret Howell takes us through her iconic maroon jacket worn by Jack in the closing act of the film.
Artist and musician Cosey Fanni Tutti on sound and the unfolding domestic violence within the film. Architecture expert and writer John Grindrod on the role of The Overlook Hotel itself and the impact of such spaces on our behaviour.
Producer and Record Label head James Lavelle (UNKLE) tells of his enduring inspiration and love for Kubrick and his art whilst author Jen Calleja looks into Shelley Duvall, folklore and fairytales.
And BFI Curator and Author Michael Blyth cross-examines the character of Wendy as she appears in both the film and the original Stephen King novel.
3 x 16 page reproduced texts including essays from H.P. Lovecraft, Sigmund Freud, and a short story which was a key influence for Kubrick when developing the film.
H.P. Lovecraft — Supernatural Horror in Literature An extract from the seminal yet largely overlooked essay that significantly influenced decisions not to explain the horrors which unfold at The Overlook.
Stephen Crane — The Blue Hotel First serialised in 1898, the American author’s story was highlighted by Kubrick in interviews as similar to events unfolding in The Shining and offers an insight into the director’s read of the film.
Sigmund Freud — The Uncanny Diane Johnson (co-writer of The Shining) cited Freud’s influential 1919 essay “The Uncanny” as a key text in Kubrick’s research. Freud explores many ideas that are woven through the film: retracing steps, recurring numbers and motifs, and the significance of the double. We will re-publish an extract from the essay.
with:
Bought for £65 plus shipping through Kickstarter. You can buy them through their respective Amazon links above.
Every now and then, one of my friends will point out a Kickstarter for something in the “Isn’t this silly?” vein, I’ll look at it, and then go “I am totally backing this!” This is one of those times.
MST3K creator Joel Hodgson has launched another MST3K Kickstarter to help fund the show that was dropped by Netflix after two seasons. Their minimum goal is $2 million for three more episodes (which I think they’re going to breeze past today), with stretch goals out to $5.5 million for 12 episodes (plus 12 short films).
Plus something called “The Gizmoplex,” which he describes as “an online theater for live screenings & special events!”
1. Live Premieres & Events: Each month for our first year, The Gizmoplex will host at least* one live event, where you can join me, our cast and writers, and some special surprise guests. Each live event will be like a night at the theater, and will have a lot of fun surprises. Our live events could include new sketches, trailers (done “MST3K style”), live Q&A panel discussions, interviews, contests… even the return of the MST3K “viewer mail” segment.
2. The MST3K Watch Club: To make it easier to watch MST3K with your friends, The Gizmoplex will also be the official home of the MST3K Watch Club! Each month, you’ll get on-demand access to a new selection of episodes, and the ability to host your own live screenings for up to 10 people! Anyone with a Gizmoplex Pass can join for free, and if you want to invite someone who doesn’t, they can get a “Day Pass” for just $0.99!
And, if we reach our stretch goals, the Gizmoplex Pass will get even more valuable!
3. Gizmoplex Apps: If we raise $3.3 million, we’ll be able to develop apps that bring The Gizmoplex to mobile devices and TVs! Right now, the plan is to include apps for six of the most popular platforms: iOS, Android, AppleTV, AndroidTV, FireTV and Roku. Like Crow says: we’re gonna conquer cyberspace, man!
Also: “I really want The Gizmoplex to feel like something new: less like another Netflix with nothing but MST, and more like a charming, off the radar, suburban cineplex that plays movies for 99 cents, long after their first run.”
Though not stated, the ad campaign suggests they’re keeping the Season 11 and 12 cast, and Jonah Ray appears in the Kickstarter video.
There’s also some interesting discussion of the economics behind the show and Kickstarter:
1. Without a network supporting us, we need to fund everything ourselves. During our first Kickstarter, we estimated that, once production was up and running, we’d be able to produce new episodes for about $250K each. In the end, though, the budget for each new episode ended up being closer to $350K. For the last two seasons, we were able to cover the difference through our deal with Netflix… but this time, we’re on our own. We’ve got a lot of ways we can keep the budget lower, but, you know… it’s still going to cost something. And when you think about it, $350K for 90 minutes of television is still one of the best deals in show business.
2. We still can’t spend everything we raise on Kickstarter to make the show.
Campaign Fees: Between Kickstarter and the credit card processor, we pay about 8% of your pledge in fees. There’s also a fee for CrowdOx, the platform we’ll use to manage all of your surveys and rewards after the campaign ends.
Making Rewards: We reserve about 20% of your pledge in order to design, produce, print, sort and pack all of your rewards. And that’s not even including shipping, which we’re not collecting until after our Kickstarter campaign ends!
Dedicated Support: During our first Kickstarter, we underestimated the amount of work involved in providing customer support and creating detailed backer updates, so we had to depend on volunteers to do a lot of it. This time, we want to make sure we’re prepared, so we budgeted about 4% of each pledge for that.
Building & Running The Gizmoplex: We really want The Gizmoplex to be great, but getting it started will take some work – and keeping it running also means we’ll have some monthly fees to cover. We also need some budget to support all of the special live events we’re planning to host. So, we’re using about 3% of your pledge for that.
When you put it all together, we have to spend about 35% of what we raise just to cover Kickstarter expenses, and to keep all the promises we’re making to you.
He thinks that if they do 12 episodes, per episode cost will be down to just under $300K.
You may remember that MST3K already had the biggest Kickstarter in history up to that time. It’s since been surpassed by several smart watches and board games, among other things.
Despite the caveat that “this might not be a good time for some people to offer financial support to a robot puppet show dedicated to cheesy movies,” I expect them to blow the doors off the totals of their last Kickstarter.
Naturally I’ve already pledged.
Update: Just ticked over the first goal of $2 million.
One of these I managed to miss when it came out, and the other I backed a Kickstarter for back in January.
