Posts Tagged ‘Kim Stanley Robinson’

Library Additions: Robinson, Straub, Watts, Walton Firsts

Wednesday, June 19th, 2024

Four more books from that estate purchase.

  • Robinson, Kim Stanley Robinson. Aurora. Orbit, 2015. First edition hardback, a Fine copy in a Fine- dust jacket with just a trace of wear at points. Generation ship novel.

  • Straub, Peter. A Dark Matter. Doubleday, 2010. First edition hardback, a Fine-/Fine copy with slight bend at head and heel. Stoker Award winner.

  • Walton, Jo. Or What You Will. Tor, 2020. First edition hardback, a Fine copy in a Fine dust jacket. A fictional character plots an escape from his writer’s mind. For some reason, there do not seem to be a lot of copies out there in the wild for so recent a book.

  • Watts, Peter. Echopraxia. Tor, 2014. First edition hardback, a Fine- copy in a Near Fine dust jacket with a long, very thin scratch to front cover, and slight bend at head and heel. Sequel to Blindsight. Supplements both a first of Blindsight and the Centipede Press signed/limiteds of both Blindsight and Echopraxia.

  • Library Additions: Five Half Price Books Finds

    Saturday, December 30th, 2023

    All of these were Half Price Books finds, all firsts, and all but the Sagan and Wong came from Austin stores. The Sagan and Wong came from Dallas Metroplex area stores, but I pulled them into this post because they go in bookcases I’m reorganizing.

  • Gaiman, Neil. Norse Mythology. W. W. Norton, 2017. First edition hardback, a Fine copy in a Fine dust jacket. Bought for $12.99.

  • Robinson, Kim. New York 2040. Orbit, 2017. First edition hardback, a Fine- copy in a Fine- dust jacket with slight bumping at head and a trace of edgewear. Bought for $9.99.

  • Sagan, Carl. Contact. Simon and Schuster, 1985. First edition hardback, a Fine- copy with slight bumping at head, slight dust soiling to outer page block, and slight bunting of points, in a Fine- dust jacket with slight bumping at head, slight wear at points, and a trace of staining to blind side. Sagan’s only novel, and the basis of the 1997 film. Bought for $8.49.

  • Smith, Clark Ashton (Scott Connors and Ron Hilger, editors). The Miscellaneous Writings of Clark Ashton Smith. Night Sahde Books, 2011. First edition hardback, a Fine copy in a Fine dust jacket. I already had the five volume collected fantasies, but somehow never picked this one up, perhaps because Night Shade was so horrible at fulfillment. Bought for $14.99.

  • Wong, David (pseudonym of Jason Pargin). Futuristic Violence and Fancy Suits. St. Martin’s, 2015. First edition hardback, a Fine copy in a Fine- dust jacket with one tiny wrinkle at heel and a trace of wear at top points. Bought for $13.49.

  • Unusually for Half Price Books, three of these titles had aftermarket labels over the UPC code that needed a fair amount of Bestine and elbow grease to remove…

    Library Additions: Complete Run of Pulphouse Short Story Paperbacks

    Thursday, December 14th, 2023

    When Pulphouse first unveiled the short story paperback, I remember thinking “That’s stupid.” For all they bragged about “buying a single story for $1.95,” you could buy an entire issue of Asimov’s (with 5-10 times as much content) for $2.50. And, indeed, they were not swift sellers. Though a few of these (the Wolfe, the Lansdales, etc.) became slightly collectable over the years. (And a few of the companion Short Story hardbacks even more so.)

    But I bough these from that same collector culling his collection for $1 each.

    Almost all of these are paperback originals thus (though some of these have previously shown up as the title stories in collections, like Bloch’s Yours Truly, Jack the Rapper or Zelazny’s The Doors of His Face, The Lamps of His Mouth), though exceptions (like Blaylock’s Paper Dragons) are noted. Some of the early ones (“Loser’s Night,” “Xolotl”) are the first publication anywhere, but most of the stories have appeared somewhere previously. Unlike most Library Addition entries, these will be listed by series order rather than alphabetical by author.

    All of these are Fine copies unless otherwise noted.

  • “Author, J.Q.” Issue Zero. Pulphouse, 1991. Issue #0, a binding dummy for the entire run of the series, with bank pages. Would never have bought this on it’s own, but since I was buying the entire thing I got this too. This one has a tiny bit of edgewear on rear spine join.
  • Anderson, Poul. Loser’s Night. Pulphouse, 1991. Issue #1.

  • Brunner, John. A Case of Painters Ear. Pulphouse, 1991. Issue #2.
  • Sheckley, Robert. Xolotl. Pulphouse, 1991. Issue #3.

  • Boston, Bruce. All the Clocks are Melting. Pulphouse, 1991. Issue #4.
  • Antieau, Kim. Blossoms. Pulphouse, 1991. Issue #5.

  • Friesner, Esther M. Ecce Hominid. Pulphouse, 1991. Issue #6.
  • Duchamp, L. Timmel. A Case of Mistaken Activity. Pulphouse, 1991. Issue #7.

  • Bryant, Edward. The Cutter. Pulphouse, 1991. Issue #8.
  • Wilhelm, Kate The Girl Who Fell Into the Sky. Pulphouse, 1991. Issue #9.

  • Bloch, Robert. Yours Truly, Jack The Ripper. Pulphouse, 1991. Issue #10. Not to be confused with the short story collection of the same name.
  • Lansdale, Joe R. The Steel Valentine. Pulphouse, 1991. Issue #11. Isajanko, The World Lansdalean C01.a.i. Supplements another copy and a Short Story Hardback version.

  • Bishop, Michael. The Quickening. Pulphouse, 1991. Issue #12.
  • Zelazny, Roger. The Doors of His Face, The Lamps of His Mouth. Pulphouse, 1991. Issue #13. Not to be confused with the short story collection of the same name. I needed this for my Zelazny collection.

  • Haldeman, Joe. More Than The Sum of His Parts. Pulphouse, 1991. Issue #14.
  • Clemence, Bruce No Way Street. Pulphouse, 1991. Issue #15. Guy had this, and a story in Synergy 3, and that was it…

  • Yarbro, Chelsea Quinn. The Spider Glass. Pulphouse, 1991. Issue #16.
  • de Lint, Charles. Uncle Dobbin’s Parrot Fair. Pulphouse, 1991. Issue #17. One of the harder titles to find.

  • Williams, Walter Jon. Dinosaurs. Pulphouse, 1991. Issue #18.
  • Charnes, Suzy McKee. Listening to Brahms. Pulphouse, 1991. Issue #19.

  • Robinson, Kim Stanley. Black Air. Pulphouse, 1991. Issue #20.
  • Etchison, Dennis. The Dark Country. Pulphouse, 1991. Issue #21. Not to be confused with the short story collection of the same name.

  • Aldiss, Brian W. Journey to the Goat Star. Pulphouse, 1991. Issue #22. Tiny bit of rubbing along spine.
  • Brin, David. Piecework. Pulphouse, 1991. Issue #23.

  • Caraker, Mary. I Remember, I Remember. Pulphouse, 1991. Issue #24.
  • Schow, David J. Sedalia. Pulphouse, 1991. Issue #25.

  • Stableford, Brian. Slumming in Voodooland. Pulphouse, 1991. Issue #26.
  • Yolan, Jane. The Sword and the Stone. Pulphouse, 1991. Issue #27.

  • Fowler, Karen Joy. The War of the Roses. Pulphouse, 1991. Issue #28.
  • Morlan, A.R. The Cat With The Tulip Face. Pulphouse, 1991. Issue #29.

  • Shiner, Lewis. Twilight Time. Pulphouse, 1991. Issue #30.
  • Wagner, Karl Edward. Where the Summer Ends. Pulphouse, 1991. Issue #31.

  • Lee, Tanith. Into Gold. Pulphouse, 1991. Issue #32.Tiny rub on spine.
  • Willis, Connie. Daisy, in the Sun. Pulphouse, 1991. Issue #33. Tiny rub on spine.

  • Bell, M. Shayne. Inuit. Pulphouse, 1991. Issue #34.
  • Wilson, F. Paul. The Shade of Lo Man Gong. Pulphouse, 1991. Issue #35.

  • Wilson, F. Paul. Buckets. Pulphouse, 1991. Issue #36.
  • Martin, George R. R. The Pear-Shaped Man. Pulphouse, 1991. Issue #37.

  • Butler, Octavia. The Evening and the Morning and the Night. Pulphouse, 1991. Issue #38. Holy moley, the prices on this online are crazy. The prices for the signed hardback I can at least sort of understand, since Butler died young, but the prices for unsigned copies like this are still crazy. I had no idea.
  • Dozois, Gardner. The Peacemaker. Pulphouse, 1991. Issue #39. Supplements a copy of the Short Story Hardback edition.

  • Wolfe, Gene. The Hero as Werewolf. Pulphouse, 1991. Issue #40. This is one I did actually need, and I still need the hardback version. Also, this is the last one from 1991. Pulphouse put out 40 of these in 1991. This is called “channel stuffing.” I wasn’t dealing books at the time, but I’m pretty sure SF/F/H dealers were not thrilled at this tsunami of small press books of dubious sales-worthiness.
  • Oates, Joyce Carol. The Bingo Master. Pulphouse, 1992. Issue #41.

  • Effinger, George. Schrodinger’s Kitten. Pulphouse, 1992. Issue #42. Supplements the hardback version.
  • Bear, Greg. Sisters. Pulphouse, 1992. Issue #43.

  • Holder, Nancy. The Ghosts of Tivoli. Pulphouse, 1992. Issue #44.
  • Brin, David. Dr. Pak’s Preschoool. Pulphouse, 1992. Issue #45. Supplements a copy of the Cheap Street edition (which precedes).

  • Lansdale, Joe R. Tight Little Stitches in a Dead Man’s Back. Pulphouse, 1992. Issue #46. Isajanko, The World Lansdalean C03.a.i. Supplements a copy of the Short Story hardback version.
  • Somtow, S. P. Fiddling for Waterbuffaloes. Pulphouse, 1992. Issue #47.

  • Murphy, Pat. Rachel in Love. Pulphouse, 1992. Issue #48.
  • Card, Orson Scott. Unaccompanied Sonata. Pulphouse, 1992. Issue #49.

  • Le Guin, Ursula K. Nine Lives. Pulphouse, 1992. Issue #50.
  • Bloch, Robert. The Skull of the Marquis de Sade. Pulphouse, 1992. Issue #51.

  • de Lint, Charles. Merlin Dreams in the Mondream Wood. Pulphouse, 1992. Issue #52.
  • Kress, Nancy. The Price of Oranges. Pulphouse, 1992. Issue #53.

  • Busby, F.M. If This Is Winnetka, You Must be Judy. Pulphouse, 1992. Issue #54.
  • Cadigan, Pat. My Brother’s Keeper. Pulphouse, 1992. Issue #55.

  • Bryant, Edward. The Thermals of August. Pulphouse, 1992. Issue #56.
  • Blaylock, James P. Paper Dragons. Pulphouse, 1992. Issue #57. A few small rubs along spine. Supplements a copy of the Axolotl Press hardback (which precedes).

  • Resnick, Mike. Kirinyaga. Pulphouse, 1992. Issue #58. Kelleghan, Mike Resnick: An Annotated Bibliography and Guide to His Work A39.
  • Sloca, Sue Ellen. Candles on the Pond. Pulphouse, 1992. Issue #59. As far as I can tell, this is her only publication anywhere.

  • Wu, William F. Shaunessy Fong. Pulphouse, 1992. Issue #60. Has some slight rubbing along front near spine. Last in the Short Story Paperbacks series.

  • Reference: Jack Chalker and Mark Owings, The Science-Fantasy Publishers: A Critical and Bibliographic History, 2002, page 719 (numbers 1 through 10), page 721 (numbers 11-20), pages 722 (numbers 21-30). This is what Chalker had to say about the Short Story paperback line:

    In January, 1991, Pulphouse continued its expansion with the Short Story Paperbacks and the selected Short Story Hardbacks, although we’re still only half- convinced that these are in any sense legitimate books. What they were, though, was what seemed to be a quick way to make money, and if people bought them, fine. They brought the whole operation as of the start of 1991 at a whopping 80+ titles a year. It should be noted that the paperbacks series was supposed to be originals and reprints, but became, after the initial ones, primarily reprints, a move that, while understandable, seemed to us to take away the one good reason why most people might buy them.

    Money held by SF/F/H collectors is a finite commodity, and Pulphouse in the early 1990s seemed to treat it as a limitless resource. If you’re publishing books by Lansdale, Zelazny, Wagner, De Lint, etc., that’s a license to print a little money. But Antieau, Clemence, Caraker? Not so much. Why they thought collectors were going to shell out money for such items is a mystery.

    The entire set bought for $61.

    Library Addition: Kim Stanley Robinson’s Stan’s Kitchen

    Friday, May 8th, 2020

    When I saw they only did 600 copies of this, I thought “I better pick some up.”

    Robinson, Kim Stanley. Stan’s Kitchen. NESFA Press, 2020. First edition hardback, #171 of 600 signed, numbered copies, a Fine copy in a Fine dust jacket. Short story collection.

    I’ll have copies of this available in the next Lame Excuse Books catalog.

    Library Additions: Non-Moorcock Hardback Firsts

    Wednesday, January 22nd, 2020

    More books I bought from Michael Moorcock. These are the non-Moorcock hardbacks I bought off him (in addition to Rendezvous With Rama).

  • Brooke, Keith and Nick Gevers, editors. Infinity Plus One. PS Publishing, 2000. First edition hardback, a PC copy of 500 signed, numbered copies signed by the contributors (to which Moorcock has added “Michael Moorcock’s copy” to the limitation plate), a Fine copy in a Fine- dust jacket with a trace of wear at top points. Supplements another copy. Anthology series (partly original, partially reprints) that only had two volumes. Gevers would later take up co-editing duties for Postscripts.
  • Burroughs, William S. The Ticket That Exploded. Grove Press, 1967. First hardback edition (preceded by an Olympia Press paperback edition), a Very Good+ copy with bumping at head and heel, slight wear to boards at heel, and a race of dust soiling, in a Very Good- dust jacket with 1″ closed tear at top front, 1/8″ semiclosed tear at bottom front near point, slight bumping at points, slight dust soiling, and general wear (it had dark staining along the spine, but a damp cloth cleaned that up nicely); I suspect that the orange text on the dust jacket was originally red, but since it applies to the inner flap as well, and almost all the copies I see online are similarly affected, I’m assuming it’s more the chemical composition of the ink than sun-fading per se. Shoaf, Collecting William S. Burroughs in Print, 6a, which states that it has textual revisions from the Olympia Press edition.
  • Di Filippo, Paul. Joe’s Liver. Cambrian Publications, 2000. First edition hardback, of presentation copy of 300 signed/numbered hardback, a Fine copy in a Fine dust jacket. Inscribed by the author to the Moorcock’s: “To Michael/&/Linda —/America — It’s one/big laff/fest!” Replaces another copy.
  • Holdstock, Robert. Celtira. Simon & Schuster UK, 1998. First edition hardback, a Fine copy in a Fine dust jacket, with Moorcock’s ownership bookplate affixed to the inside front cover.
  • Holt, Tom. Flying Dutch. Orbit, 1991. First edition hardback, a Fine copy in a Fine dust jacket.
  • Moore, Alan. Voice of the Fire. Top Shelf Productions, 2003. First hardback edition (preceded by a Gollancz TPO), #68 of 500 signed, numbered copies, a Fine copy in a Fine- dust jacket with just a trace of edgewear. It seems that the only difference between this and the trade edition (currently unrecorded in the ISFDB) is the full-color signature plate page.
  • Robinson, Kim Stanley. Remaking History. Tor, 1991. First edition hardback, a Fine copy in a Fine dust jacket. Inscribed to Moorcock: “for Michael Moorcock/with great admiration/from a raw/2μg rain trance./KS Robinson/1993.” At least I think that’s what the last line before his signature says. (At the 1992 Armadillocon, Stan told the story of driving through west Texas, dropping acid, and writing all his really deep thoughts down in a notebook, only to read it the next day and find such pearls of wisdom as “Bugs are weird.”)

  • Wilson, Colin. The Angry Years: The Rise and Fall of the Angry Young Men. First edition hardback, a Fine copy in a Fine- dust jacket with slight bumping at head and a nailhead-sized nick near the heel. Non-fiction biography and criticism of the “angry young men” of literature in the 1950s and 60s. Laid in is a largely negative review of the book from Roger Lewis.
  • Wilson, Colin. Dreaming to Some Purpose. Century, 2004. First edition hardback, a Fine- copy, with uneven sunning to side and bottom page blocks, in a Fine dust jacket. Autobiography.
  • Photos from Worldcon Part 1 (The 2014 London Worldcon, That Is)

    Tuesday, August 18th, 2015

    So this year’s Worldcon is this week, and you’re posting photos from last year’s Worldcon?

    Yep.

    And didn’t you already post some of these photos?

    Yep.

    So why do it again?

    Last year at Worldcon, I uploaded these photos in a big bunch to Facebook, then linked to the Facebook photos from this blog. However, Facebook, evidently hating the idea that people outside their walled garden of changing preferences and sunglasses spam might see said photos, keeps changing their URLs, thus breaking links to them. So the photos themselves disappeared from the old post. These I’m uploading directly to my blog.

    Also, I didn’t blog all the images I meant to, so there will be some new ones in Part 2.

    So without further adieu…

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    Leigh Kennedy, who I had lunch and dinner with, along with Nick Austin, the Monday before the con. We have loads of common friends, but knew them at different times, so there was a lot of trading stories…

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    In profile.

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    Cory Doctorow, exhibiting his unique sense of style…

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    …and with an actual top to his head.

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    John J. Miller of Wild Cards fame, with Gail Gerstner-Miller.

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    Kim Newman, in his usual natty, multilayered attire. Wear this in Texas in August and you’re asking for heatstroke.

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    Jonathan Strahan and David Hartwell.

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    Pat Murphy, all scarfed-up.

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    Lavie Tidhar, who used to do reviews for me back in the Nova Express days.

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    Ian Watson and Lavie Tidhar, signing books at the PS Publishing table in the dealer’s room. I asked Watson what the genesis of the Watson-Aldiss feud was. “I’ve gotten to the age when I’m not sure I remember it properly anymore…”

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    Connie Willis.

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    Liz Hand.

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    And looking slightly less crazed.

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    Ellen Datlow and Liz Hand fan themselves and look down upon the peasantry.

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    Elle Datlow solo.

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    Guest of honor John Clute.

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    Adam Roberts.

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    Geoff Ryman peers at me suspiciously.

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    Gary K. Wolfe.

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    Andy Duncan.

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    Didn’t get all the names, but this is something like 75% of the Israeli SF publishing industry.

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    Kim Stanley Robinson.

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    John Gibbons.

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    Michael Swanwick, Geoff Ryman, and Ellen Datlow.

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    Michael Swanwick and Gordon Van Gelder, looking way too befuddled for the first day of the con.

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    Lisa Tuttle, who I had lunch with, joined by…

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    …George R. R. Martin.

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    George R. R. Martin and the Spanish George R. R. Martin.

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    Michael Swanwick and George R. R. Martin, enjoying fine dining in an atmosphere of unpretentious ambiance.

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    Parris McBride Martin.

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    Alastair Reynolds.

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    Pat Cadigan.

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    Pat Cadigan in green.

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    Pat Cadigan with fan-drawn cyberpunk.

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    Finally, Pat Cadigan with her spiffy Doc Martin boots.

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    The elusive Richard Calder.

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    Michael Swanwick showing off his outfit. “This shirt is bespoke! Bespoke, I tell you!”

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    Finally, Michael Swanwick showing off the t-shirt for MidAmericon II, the 2016 Kansas City Worldcon he’s Guest of Honor at. (Pat Cadigan is Toastmistress.)

    Photo Gallery: Writers at the 2014 London Worldcon Part 1

    Monday, September 8th, 2014

    Leigh Kennedy, who I had lunch and dinner with the Monday before the con. We have loads of common friends, but knew them at different times, so there was a lot of trading stories…

    In profile.

    Cory Doctorow, exhibiting his unique sense of style…

    …and with an actual top to his head.

    John J. Miller of Wild Cards fame, with Gail Gerstner-Miller.

    Kim Newman, in his usual natty, multilayered attire.

    Jonathan Strahan and David Hartwell.

    Pat Murphy, all scarfed-up.

    With scarf and shoes.

    Lavie Tidhar, who used to do reviews for me back in the Nova Express days.

    Ian Watson and Lavie Tidhar, signing books at the PS Publishing table in the dealer’s room. I asked Watson what the genesis of the Watson-Aldiss feud was. “I’ve gotten to the age when I’m not sure I remember it properly anymore…”

    Connie Willis.

    Liz Hand.

    And looking slightly less crazed.

    Ellen Datlow and Liz Hand fan themselves and look down upon the peasantry.

    Elle Datlow solo.

    Guest of honor John Clute.

    Adam Roberts.

    Geoff Ryman peers at me suspiciously.

    Gary K. Wolfe.

    Andy Duncan.

    Didn’t get all the names, but this is something like 75% of the Israeli SF publishing industry.

    Kim Stanley Robinson.

    John Gibbons.

    Michael Swanwick, Geoff Ryman, and Ellen Datlow.

    Michael Swanwick and Gordon Van Gelder, looking way too befuddled for the first day of the con.

    Lisa Tuttle, who I had lunch with, joined by…

    …George R. R. Martin.

    George R. R. Martin and the Spanish George R. R. Martin.

    Michael Swanwick and George R. R. Martin, enjoying fine dining in an atmosphere of unpretentious ambiance.

    Parris McBride Martin.

    Alastair Reynolds.

    Pat Cadigan.

    Pat Cadigan in green.

    Pat Cadigan with fan-drawn cyberpunk.

    Finally, Pat Cadigan with her spiffy Doc Martin boots.

    The elusive Richard Calder.

    Michael Swanwick showing off his outfit. “This shirt is bespoke! Bespoke, I tell you!”

    Finally, Michael Swanwick showing off the t-shirt for MidAmericon II, the 2016 Kansas City Worldcon he’s Guest of Honor at. (Pat Cadigan is Toastmistress.)

    Books Bought in Denton December 20, 2013: A through J

    Friday, December 27th, 2013

    And here’s the second set of books, following yesterday’s list of exceptional volumes from the same trip. All are first edition hardbacks, Fine copies in Fine dust jackets, unless otherwise noted.

  • Asimov, Isaac, edited by Stanley Asimov. Yours, Isaac Asimov. Doubleday, 1995. First edition hardback, a Near Fine copy with one tiny black remainder mark I missed, otherwise apparently new and unread, in a Fine dust jacket. Non-fiction collection of Asimov’s letters.
  • Ballard, J. G. Myths of the Near Future. Jonathan Cape, 1982.
  • Beyer, William Gray. Minions of the Moon. Gnome Press, 1950. First edition hardback, a Very Good+ copy with small spotting to front and rear boards and wear at top and bottom boards, in a Near Fine+ dust jacket with wear along spine and front panel join and slight edgewear elsewhere; a really nice example of the Edd Cartier dust jacket. The eighth Gnome Press book. Chalker/Ownings (1991), page 198. Kemp, The Anthem Series, page 197. Trying to collect the entire Gnome Press run as well…

    Minions Moon

  • Blaylock, James P. with Kim Stanley Robinson. Two Views of a Cave Painting b/w Escape From Kathmandu. Axolotl Press, 1986. First edition hardback, #43 of 300 signed, numbered hardback copies, a Fine copy in a Fine dust jacket.
  • Bleiler, Richard. Supernatural Fiction Writers. Charles Scribner’s Sons/Thomson/Gale, 2003. First edition hardbacks of the Second Edition (stated inside, not on the cover), a two volume set, Fine- copies with slight dust soiling at heel in decorated boards with slight haze rubbing, sans dust jacket, as issued. Non-fiction reference work. Bought for $40, including dealer discount, which I though was a pretty good price, since non-Ex-Library copies list in the multiple hundreds. Note that the first edition was edited by the late E. F. Bleiler, while this second edition is edited by his son (who I’ve sold many a book to over the years…)
  • Bradley, Marion Zimmer. The Sword of Aldonis. Gregg Press, 1977. First hardback edition, Fine- with a trace of wear at tips, sans dust jacket, as issued. Darkover novel. Currey (1978), page 61.
  • Bradley, Marion Zimmer. The Heritage of Hastur. Gregg Press, 1977. First hardback edition, Fine- with a trace of wear at tips, sans dust jacket, as issued. Darkover novel. Currey (1978), page 62. Bought more as part of my long-term goal of collecting all the Gregg Press first editions…
  • Budrys, Algis. Cerberus. Pulphouse, 1989. First edition hardback, #53 of 100 signed, numbered copies, a Fine copy in a Fine dust jacket. Part of the “Pulphouse Convention Series.” Fourth book Pulphouse did, and the first one that wasn’t an issue of their namesake hardback magazine.

    Budrys Cerberus

  • Di Filippo, Paul. More Plumage From Pegasus. PS Publishing, 2013. Short humorous fictional vignettes from F&SF.
  • Photos from the 2013 San Antonio Worldcon

    Monday, December 9th, 2013

    I knew that dealing books at Worldcon would eat up a lot of time, but I had no idea just how much time it would take me to not only get all the books back on the shelf, but to catch up on everything I set aside while getting ready for, then recovering from, Worldcon.

    Which explains why I’m just now putting up the pictures I took there. Here are the handful of pictures I took at Worldcon that came out decent.

    Clotheshorse that she is, the lovely and talented Gail Carriger kicks off our review with the first of three outfits I managed to photograph.

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    A second.

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    And a third.

    And here’s the same outfit she insisted I snap with her own camera. “You’ve got to include the shoes!”

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    Stina Leicht, sitting next to me at the Rayguns Over Texas event at the San Antonio Library.

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    Scott Cupp and Josh Rountree at the same event. The other photos I took there came out crappy.

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    Bookseller and con chair Mike Walsh.

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    Lou Antonelli channels Flavor-Flav.

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    Howard Waldrop and Eileen Gunn, just before Howard went three rounds with a concrete step.

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    And here’s Howard just after that bout.

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    Andrew Porter, now free of the terrible burden of publishing a semi-prozine.

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    Pat Murphy, back again.

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    Ex-NASA employee Al Jackson.

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    Ex-Austinite Maureen McHugh.

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    Kim Stanley Robinson, back from whatever frozen locale he’s visiting this time. Possibly Iapetus.

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    Gardner Dozois at full rant.

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    Gardner Dozois at full rest. The two modes are deceptively similar.

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    In 2012, Pat Cadigan asked me to take down one of her pictures. So this year I made sure that this picture with Robert Silverberg was 100% flattering.

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    I think this is a very good picture of Dwight Brown.

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    Rich Simental, who spent much of the con in his room working on a completely different con.

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    Ben Yalow. Or possibly one of those hundreds of Ben Yalow impersonators you hear so much about.

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    Max Merriwell, in a very clever diusguise.

    David Kyle

    David Kyle, who I think has passed the late Forrest J. Ackerman for Most Worldcons Attended.

    I’m sorry that I didn’t get pictures of Alastair Reynolds, David Brin, Jack McDevitt, Joe and Joy Haldeman, and Lois McMaster Bujold (among others I missed), who were all kind enough to come by the Lame Excuse Books booth.