I also pick up science fiction-related reference works, especially when I see them cheap.
(Ballard, J. G.) Baxter, John. The Inner Man: the life of J. G. Ballard. Weidenfield & Nicolson, 2011. First edition hardback, a Fine copy in a Fine dust jacket. Critical biography.
(Gilliam, Terry) McCabe, Bob. Terry Gilliam, The Brothers Grimm, and other cautionary tales of Hollywood. First edition hardback, a Fine- copy with what appears to be “delamination” of otherwise shiny area at base of the spine, in decorated boards, sans dust jacket, as issued. Book on the making of the Terry Gilliam film The Brothers Grimm.
Lovecraft, H.P. (S.T. Joshi and David E. Schultz, editors. O Fortunate Floridian: H.P. Lovecraft’s Letters to R. H. Barlow. University of Tampa Press, 2007. First edition hardback (stated), a Fine copy in a Fine dust jacket, new and unread.
Barlow was an interesting fellow in his own right. He was studying ancient Mexican writings at Mexico City College (at the same time William S. Burroughs was there) when he committed suicide in January of 1951.
(Moskowitz, Sam) The Sam Moskowitz Collection of Science Fiction b/w Comic Books and Comic Art. Southbys, 1999. First edition oversized trade paperback original, Fine. Auction catalog for the Sam Moskowitz’s science fiction collection held June 29, 1999 (plus a collection of rare comics sold the next day).
Stephenson, Neal. In the Beginning was the Command Line. Avon Books, 1999. First edition trade paperback original, a Fine copy. Long essay on the history of computing the Internet, and cyber culture.
Airplane!, The Exorcist, The Empire Strikes Back and The Pink Panther are all great films, arguably among the top 100 ever made. I believe it was K. W. Jeter who said that the student version of THX 1138 was much better than the theatrical release, so I’ve always been curious to see that. Strangely enough, I’m also curious about Saturday Night Fever, despite my loathing of disco, as many critics (the late Gene Siskel among them) consider it one of the great films of the 1970s, and National Review‘s John Derbyshire says it’s one of the best films about blue collar American life ever made. I also remember Dwight being impressed with Malcolm X, despite not having seen Malcolm I–IX.
Of course, a lot of these are notable only for being early examples of the form rather than gripping cinema, such as Newark Athlete:
Or A Trip Down Market Street:
Let There Be Light is John Huston’s pioneering documentary on the treatment of Post Traumatic Stress Disorder following World War II:
And Our Lady of the Sphere is sort of like Terry Gilliam’s work on Monty Python, but not as interesting:
Then again, it was made in San Francisco in 1969, so there’s nothing about it that can’t be explained by the phrase “Dude, I was so high…”
If you haven’t heard, Terry Gilliam is making a NASCAR-themed short film that will premiere on Halloween and then be available free online. Sounds like a ghost story/Sleepy Hollow sort of thing.
A few random observations:
I’ll watch it.
While I’m firmly in the “I’m not watching a bunch of guys turn left for two hours” camp, I have no particular antipathy to the sport.
I’m still amused by this Fark headline: “New Dale Earnhardt documentary to be in theaters next year. Don’t mean to spoil it for you, but it goes left turn, left turn, left turn, right turn, death”
Maybe Gilliam is a big NASCAR fan, though I dare say you would be hard-pressed to glean it from his films.
I’m glad he’s getting work.
I have a sinking suspicion that we’re going to see a lot more movies made this way: As promotional loss-leaders for products. (“The Googleing: An M. Night Shyamalan Film”)