You may have noticed that Joel Hodgson and MST3K gang are having a new kickstarter for the next season (for values of “kickstarter” that include “not on the Kickstarter platform”). There are five days left and they are only 38% of the way to the first goal of $4.8 million, which will be six features and six shorts.
This one? Not so much. Despite announcing that Plan 9 from Outer Space will be among the riffed films.
Donor fatigue? The Biden Recession? Not doing enough promotion? Not enough boost from a non-Kickstarter platform? Disgruntlement over how long it took people to get their promised rewards from the last campaign?
I think it may be some combination of all the above.
Maybe the usual Turkey Day festivities will kick it into higher gear. But if they don’t, this may be the first MST3K fundraising effort to fail.
Aquilone, James, editor. Kolchak: The Night Stalker: 50th Anniversary. Moonstone, 2022. First edition hardback graphic novel, the hardcover variant version (ISBN 978-1-946346-16-2), a Fine- copy with slight bumping to upper points, in decorated boards, sans dust jacket, as issued, with illustration card signed on the back by Aquilone laid in. Collection of stories (some graphic novel style some straight prose) based on the legendary Kolchak: The Night Stalker TV show. According to the Kickstarter page, there were 231 of this version backed.
Aquilone, James, editor. Kolchak: The Night Stalker: Satanic Panic ’88 + Two Other Uncanny Tales. Moonstone, 2022. First edition comic book, a Fine copy, signed by Aquilone. Bought from Kickstarter as an add-in to the above.
And here’s my review of the original The Night Stalker TV movie.
For a while, there was an “X, but it’s Y” trend on YouTube, where people would take something familiar and alter it in presumably amusing ways. (I think “every time they say bee it gets faster” is one of the better known examples of the trope.)
The Skinner-Chalmers “Steamed Hams” scene from The Simpsons has been the source of a lot of these videos. Most of them don’t do anything for me, but for some reason, “Steamed Hams, but it’s the French New Wave” tickled my fancy.
I was looking through a bookseller list of signed books when I saw Stephen J. Cannell’s name. “Huh, the Rockford Files guy! I wonder what signed firsts from Stephen J. Cannell are available?”
Turns out a lot, some of which are available quite cheaply. (Hypermodern mystery firsts are doing much worse, on average, than hypermodern SF/F/H firsts right now.) This was available online as one of the cheapest signed firsts, and it turns out it’s the only one of his books (he did a whole series of Shane Scully mysteries) that had its own entry on Wikipedia, and the plot sounds interesting, so I picked it.
Cannell, Stephen J. White Sister. St. Martin’s Press, 2006. First edition hardback, a Fine copy in a Fine dust jacket, signed and dated (“9/12/06”) by Cannell. Bought off the Internet for $5.
I think I posted a live version of this song, but not this album version. And as a bonus, this version features footage from the Domo Kun stop motion animated show, of meme fame.
Norm Macdonald, who has died at 61, was a comedic genius whose irreverence and inimitable delivery made millions of people laugh harder than almost anyone else could make them do—whether he was taking shots at mainstream figures (O. J. Simpson, the Clintons), constructing elaborate setups for impossibly simple punchlines (depressed moths, massacres in Vietnam), or saving dull affairs by subverting expectations (celebrity roasts and awards events, big and small). A private man who kept his nine-year battle with cancer out of the public eye, Macdonald occasionally showed flashes of a deep seriousness, expressing frustration with an increasingly intolerant popular culture and offering genuine insights in interviews and in an uproarious pseudo-memoir. But in the final analysis, he was a pure aesthete of jokes and one of the funniest people around.
Born and raised in Canada, Macdonald began his comedy career in the late 1980s. He was a frequent guest of late-night shows throughout the 1990s, with his appearances on Conan O’Brien in particular being the stuff of legend. His apogee of fame probably came between 1994 and 1998, when he hosted Saturday Night Live’s “Weekend Update” segment—typically a stepping stone to a late-night show of one’s own—only to be fired by NBC executive Don Ohlmeyer for joking too much about O. J. Simpson, Ohlmeyer’s personal friend. Immediately afterward, Macdonald went on David Letterman, who asked how he had reacted to getting canned. “I said, ‘Oh, that’s not good,’” said Macdonald. “And I said, ‘Why is that, now? And [Ohlmeyer] goes, ‘Well, you’re not funny.’ And I said, ‘Holy Lord, that’s even worse news!’”
When I go looking for random YouTube comedy videos, Macdonald and Bill Burr are the two comedians watch most often.
There’s no shortage of great Macdonald clips out there:
Here's another clip of how great Norm Macdonald was at taking the most awkward comedy and making it so funny you couldn't help but laugh.
Norm is doing a bit about Steve Irwin (Crocodile Hunter) dying… 10 days after it happened. pic.twitter.com/bSP83bqQrg
When this book originally came out at $600, I went “I want that…but not at that price point.” Now Charnel House has used the last 100 sheet sets of the original printing to come out with this 10th Anniversary Edition at a price I could afford:
Ellison, Harlan. The Glass Teat & The Other Glass Teat. Charnel House, 2011. First hardback edition, #182 of 250 signed, numbered copies, a Fine copy in decorated boards, sans dust jacket, as issue, with a CD of Harlan reading “Welcome to the Gulag,” the introduction written for this edition laid in. All Ellison’s TV essays and reviews written for The Los Angeles Free Press. Not having a copy of the original binding, I can’t tell you how this 10th Anniversary edition binding differs from the original. Bought from the publisher at a discount.
I will have a single copy of this available in the next Lame Excuse Books catalog (currently in progress).
I blame Michael Swanwick for this one, who noted “articles about him claimed that he wrote a story a day and never published any.” So when I saw a signed copy of this pop up in the list of items for sale from that big collection on eBay mentioned in previous posts, I picked it up.
Skelton, Red. The Great Lazarus. Skelton Publications, 1986. First edition hardback (stated), a Fine copy in a Fine dust jacket, signed by Skelton. Swanwick says it may qualify as magic realism. Bought off eBay for $24.50.
If you’re under a certain age, Red Skelton’s name probably means nothing to you. Even more so than Jerry Lewis, his style of comedy went so far out of fashion in the 1970s that he’s little remembered now, despite having a variety show that lasted 20 years on prime time television. Skelton was once so important that he was considered a mime equal to Marcel Marceau (with which he did a series of shows) and talk show host Mike Douglas (another name largely lost in time) once had an entire week of shows where Skelton was the only guest. These days, all the things he excelled in (broad comedy, clowning and mime) are deeply out of fashion.
All of these are Half Price Books finds (mostly in Houston) unless otherwise noted, including a fair amount of signed work and non-fiction.
Adams, Douglas. Dirk Gently’s Holistic Detective Agency. Simon & Schuster, 1987. First edition hardback (simultaneous with the UK Heinemann edition), a Fine copy in a Fine dust jacket. Bought for $9.99.
Barksdale, Dante, with Grace Kearney. Growing Up Barksdale: A True Baltimore Story. No publisher listed, printed 2020. Trade paperback POD reprint, a Fine copy. Autobiography by a former Baltimore gang member who’s family’s story provided some of the grist for David Simon’s The Wire. A Christmas gift from Dwight.
(Ellison, Harlan) Ellen Weil and Gary K. Wolfe. Harlan Ellison: The Edge of Forever. Ohio State University Press, 2002. First edition trade paperback original, a Fine- copy with bottom outer edges slightly bumped. Bought for $12.49.
Gaiman, Neil. The View from the Cheap Seats. William Morrow, 2016. First edition hardback, a Fine copy in a Fine dust jacket, signed by Gaiman. Collection of non-fiction (essays, interview, etc.).
King, Stephen. Lisey’s Story. Scribner, 2006. First edition hardback, a Fine copy in a Fine dust jacket. Bought at Goodwill for $3.99. I generally don’t pick up King’s new trade editions because I know they will show up used cheap. And I generally can’t afford the signed limited editions unless they’re coming out from a publisher I’m already a regular customer of and can pick them up at a (usually slight) discount pre-publication. But $3.99 for a perfect copy falls into “good enough” territory.
McCarthy, Cormac. All the Pretty Horses. Knopf, 1992. First edition hardback, an Ex-Library copy with all the usual flaws, otherwise Very Good. A true first of his first Pulitzer winner and first book of the Border trilogy. Bought for $6.99.
Stephenson, Neal. Seveneves. HarperCollins, 2015. First edition hardback, special signed edition with gold “Signed First Edition” sticker on the cover and “THIS SIGNED EDITION OF/seveneves/by/Neal Stephenson/[signature]/HAS BEEN SPECIALLY BOUND/BY THE PUBLISHER” signature page bound in before the half-title page, a Fine copy in a Fine dust jacket. Bought for $9.99.
Sterling, Bruce. Schismatrix Plus. Ace, 1996. First edition trade paperback original, Near Fine- with slight spine crease, slight sun fading to spine, and edgewear, signed by Sterling. Contains the novel plus the Shaper/Mechanist stories from Crystal Express. I never bothered to pick this up when it came out because I already had first editions of both, but picking up variant titles is classic late-phase book collecting behavior. Bought for $7.49.
(Tolkien, J. R. R.) Day, David. An Encyclopedia of Tolkien: The History and Mythology That inspired Tolkien’s World. Canterbury Classics, 2019. First edition hardback, a Fine copy bound in embossed leather, sans dust jacket, as issued. Tolkien reference work by an author who has done a lot of other Tolkien reference works. A very attractive book, with gilded edges and full-color illustrated endpapers, from a publisher that mostly seems to do leatherbound prestige reprints. Bought for $12.49.
