Footage from the Halloween and Party Expo 2018

October 20th, 2018

I’ve been remiss in not putting up more Halloween posts this year, but I’ve been exceptionally busy.

So here’s some footage from the Halloween and Party Expo 2018, including truckloads of creepy clowns:

Library Addition: Philip Jose Farmer’s The Purple Book Inscribed to Robert Adams

October 18th, 2018

I picked up another Philip Jose Farmer paperback original associational copy:

Farmer, Philip Jose. The Purple Book. Tor, 1982. First edition paperback original, a Near Fine- copy that, while tight and square, shows numerous small spots of rubbing across the front and rear cover as well as slight age-darkening to pages. Inscribed to fellow SF/F author Robert Adams of Horseclans fame: “To Bob Adams/From/Philip Jose/Farmer.” Thematic collection, containing “The Oögenesis of Bird City,” “Riders of the Purple Wage,” “Spiders of the Purple Mage,” “The Making of Revelation, Part I”, and “The Long Wet Purple Dream of Rip van Winkle.” Bought for $10 off eBay.

Another Farmer PBO inscribed to an SF author in my library can be found here.

Halloween Horrors: Some Fake Cthulhus

October 4th, 2018

Amateur video faking technology is improving all the time, so enjoy some fake “hey, we put a digital Cthulhu behind some clouds” footage.

Library Additions: Two Centipede Press Books

October 3rd, 2018

I picked up two Centipede Press books, one off eBay and the other direct from the publisher:

  • Smith, Clark Ashton. In the Realms of Mystery and Wonder: Collected Prose Poems and Artwork of Clark Ashton Smith. Centipede Press, 2017. First edition hardback, #36 of 300 signed (by editor Scott Conners) and numbered copies, a Fine copy in a Fine dust jacket and a Fine slipcase. This actually sold out before I could pick it up, but I ended up buying this copy off eBay for $110.06, which is less than half the $225 offering price.

  • Wilson, Richard (John Pelan, editor). Masters of Science Fiction: Richard Wilson. Centipede Press, 2018. First edition hardback, #350 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket, new and unread, still in shrinkwrap. A hefty 700 page short story collection from the Nebula-winning author of “Mother Goddess of the World.” Bought from the publisher at the usual dealer discount, and I’ll have a copy available in the next Lame Excuse Books catalog.

  • “She sang beyond the genius of the sea”

    October 2nd, 2018

    Today is the 139th birthday of American poet Wallace Stevens. Along with T. S. Eliot, Stevens was one of the great modernist poets, and you might have read “The Emperor of Ice-Cream” (another great poem) in high school.

    Like most poetry, Stevens work is hit or miss for me, but when he’s on, he can knock you flat.

    Here’s one of his best, and one of the best opening lines of poetry ever.

    The Idea of Order at Key West

    By Wallace Stevens

    She sang beyond the genius of the sea.
    The water never formed to mind or voice,
    Like a body wholly body, fluttering
    Its empty sleeves; and yet its mimic motion
    Made constant cry, caused constantly a cry,
    That was not ours although we understood,
    Inhuman, of the veritable ocean.

    The sea was not a mask. No more was she.
    The song and water were not medleyed sound
    Even if what she sang was what she heard,
    Since what she sang was uttered word by word.
    It may be that in all her phrases stirred
    The grinding water and the gasping wind;
    But it was she and not the sea we heard.

    For she was the maker of the song she sang.
    The ever-hooded, tragic-gestured sea
    Was merely a place by which she walked to sing.
    Whose spirit is this? we said, because we knew
    It was the spirit that we sought and knew
    That we should ask this often as she sang.

    If it was only the dark voice of the sea
    That rose, or even colored by many waves;
    If it was only the outer voice of sky
    And cloud, of the sunken coral water-walled,
    However clear, it would have been deep air,
    The heaving speech of air, a summer sound
    Repeated in a summer without end
    And sound alone. But it was more than that,
    More even than her voice, and ours, among
    The meaningless plungings of water and the wind,
    Theatrical distances, bronze shadows heaped
    On high horizons, mountainous atmospheres
    Of sky and sea.

    It was her voice that made
    The sky acutest at its vanishing.
    She measured to the hour its solitude.
    She was the single artificer of the world
    In which she sang. And when she sang, the sea,
    Whatever self it had, became the self
    That was her song, for she was the maker. Then we,
    As we beheld her striding there alone,
    Knew that there never was a world for her
    Except the one she sang and, singing, made.

    Ramon Fernandez, tell me, if you know,
    Why, when the singing ended and we turned
    Toward the town, tell why the glassy lights,
    The lights in the fishing boats at anchor there,
    As the night descended, tilting in the air,
    Mastered the night and portioned out the sea,
    Fixing emblazoned zones and fiery poles,
    Arranging, deepening, enchanting night.

    Oh! Blessed rage for order, pale Ramon,
    The maker’s rage to order words of the sea,
    Words of the fragrant portals, dimly-starred,
    And of ourselves and of our origins,
    In ghostlier demarcations, keener sounds.

    Halloween Horrors: Threatening Toilets

    October 1st, 2018

    Welcome to The October Country!

    Would you believe there’s a Twitter feed dedicated to posting pictures of scary toilets?

    Library Additions: Two Jack Vance VIE “Extra” Volumes

    September 27th, 2018

    Sometimes you overpay for something because you couldn’t afford it when it came out, or to get the whole set.

    Both of these volumes were produced by the Vance Integral Edition project (VIE for short), and were produced separately from the 44 volume VIE set (which I also own). I thought the volumes too pricey for what you got when they were announced, but since I’m closing in on a complete Jack Vance hardback collection, and own a VIE, I paid a premium for each.

  • Vance, Jack. Coup de Grace and Other Stories. Vance Integral Edition, 2001. First edition hardback, a Fine copy, sans dust jacket, as issued, matching the appearance of the “Reader’s Edition” of the Vance Integral Edition. Short story collection done as a “preview” edition to generate interest in the VIE project. Offered at $75. Chalker & Owings (2002), page 946. Chalker & Owings list a print run of 1,000 copies, which seems too high given the relative scarcity of the title, though several were evidently distributed at the Frankfurt Book Fair. Bought off eBay for $102.50.
  • Vance, Jack. Strange She Hasn’t Written/Death of a Solitary Chess Player/The Man Who Walks Behind (AKA 14 bis). Vance Integral Edition, 2006. First edition hardback, a Fine copy, sans dust jacket, as issued, matching the appearance of the “Reader’s Edition” of the Vance Integral Edition. The original titles for three mystery novels originally published under the Ellery Queen pseudonym as (respectively) The Four Johns, A Room to Die In and The Madman Theory, with textual corrections based on evidence of Vance’s original manuscripts uncovered as part of the VIE text correction process. Evidently one of 400 copies printed. ISFDB gives an offering price of $63, [Edited to add: Though this issue of Cosmopolis says they were available to subscribers like myself for $45]. Bought off eBay for $122.50. Edited to add: This source says that there were only 100 copies of this volume printed, which accords much more with how rarely I’ve seen it offered…
  • Neither of these volumes comes to market nearly as often as the stated print runs would have you believe, so I was happy to snag these.

    I lack but one other VIE volume, the “science fiction preview” volume containing The Languages of Pao and The Dragon Masters, which I’ll have to put on the want list even though I already have first edition hardbacks of both… (Update: Now I have that as well.)

    Library Addition: Lettered “Slipcrate” State of Chet Williamson’s Dreamthorp

    September 23rd, 2018

    Here’s a book I picked up more for the state and the publisher than the author. Dark Harvest was a very active small press from the early 1980s into the early 1990s. They published primarily horror and science fiction, and did very well with it, but managed to kill themselves off by branching out into mystery.

    One of the things they did was do lettered states of some of their books in wooden slipcases, AKA “slipcrates.” I’ve always found them rather attractive, and keep an eye out for them when I see them at an affordable price.

    Williamson, Chet. Dreamthrop. Dark Harvest, 1989. First edition hardback, Letter G of 26 signed, lettered copies, a Fine copy in a Fine wooden slipcase. Horror novel. Chalker/Owings (1991), page 121. Chalker/Owings (2002), page 1045. Bought off eBay for $49.

    The only other Dark Harvest “slipcrate” edition I currently have is George R. R. Martin’s Portraits of His Children (acquired in one of my two big Zelazny purchases), though I do have a nearly complete trade edition run of the Dark Harvest books up to shortly before they started doing the mysteries.

    The Honest Trailer for Predator

    September 22nd, 2018

    Since the sequel/reboot/whatever is in theaters right now…

    Library Additions: Two Signed Ray Bradbury Items

    September 21st, 2018

    Two more signed Ray Bradbury items, both bought off eBay from different sellers:

  • Bradbury, Ray. They Have Not Seen The Stars. Stealth Press, 2002. First edition hardback, a Fine copy in a Fine dust jacket. Signed by Bradbury. Bradbury’s collected poetry. Bought off eBay for $40. Stealth Press was an interesting publishing experiment that probably lost it’s backers a ton of money…

  • (Bradbury, Ray) Kipen, David, Campbell Iriving and Erika Koss. Reader’s Guide: Ray Bradbury’s Fahrenheit 451. National Endowment for the Arts, 2006. Presumed first edition chapbook (no additional printings stated), a Fine- copy with a couple of specks of edgewear. Inscribed by Bradbury on the cover: “Carol!/Love!/Ray/B.” With a photograph of Bradbury signing books laid in. Non-fiction critical companion. Bought off eBay for $29.99.