It’s always hard to find appropriate darkgaze stuff for the Halloween season, but I think Ceremony’s “It’s too Late” has a nicely Gothy tinge to it:
Shoegazer Sunday: Ceremony’s “It’s Too Late”
October 3rd, 2021Halloween Horror Movie Review: Lifeforce
October 1st, 2021Lifeforce
Directed by Tobe Hooper
Written by Dan O’Bannon and Don Jakoby, based on Colin Wilson’s The Space Vampires
Starring Steve Railsback, Mathilda May, Peter Firth, Frank Finlay, Patrick Stewart
I avoided Lifeforce when it came out because the reviews were considerably less than positive, it was a Golan-Globus production (two names that did not spell quality), and the whole thing had a whiff of cheesiness about it. But with Halloween approaching, we thought it was time to give it a try.
I actually enjoyed it a bit more than I expected, despite the fact that it steals generously from just about every successful 1979-1984 science fiction/fantasy/horror film, from Alien (O’Bannon) to Poltergeist (Hooper) to Dawn of the Dead to The Hunger to The Keep, plus a big helping of Quartermass and the Pit.
A multinational expedition is sent to Hailey’s Comet, where they discover a huge, 100+ mile long derelict spaceship. Exploration reveals dead giant bat-like creatures…and three naked, perfect human beings in suspended animation inside crystalline coffins. Naturally they take them on board.
You can guess how well that works out for them.
Soon the female (Mathilda May) is wandering around London naked, sucking the lifeforce (via swirly blue beams) out of people, who in turn become lifeforce vampires themselves. And the race is on to track her down, lead by the captain and sole mission survivor (Steve Railsback) who has a deep psychic bond with her, along with an SAS colonel (Peter Firth). And they soon find out that their quarry can switch bodies…
Despite it’s reputation, Lifeforce has a lot going for it. Hooper keeps things moving along at a steady clip, the disparate elements mostly make sense together, the John Dykstra special effects are generally more than passable, and the movie (budgeted at a then-pretty-hefty $25 million) avoids the usual Golan-Globus cheapness. There’s an excellent cast of British character actors (including a post-Equus Firth and a pre-Star Trek Patrick Stewart) in supporting roles. Plus it hales from The 1980s Golden Age of Mainstream Female Movie Nudity, and a 20-year old Mathilda May is very easy on the eyes.
Also, it may be the first use of “body hoping psychic vampire” idea, which I didn’t encounter until Stephen Gallagher’s Valley of Lights (1987). I assume that (and many other elements) are taken directly from the Colin Wilson novel, which I own but haven’t read yet.
Not everything makes sense, but usually the movie moves quickly enough that you don’t have time to think about it. The “London goes crazy” scenes are good, but probably go on too long, and look more like an attack of zombies than vampires. The special effects for the “real form” of the vampires seen near the climax looks pretty cheesy. Oh, and you get possibly Patient Zero of the now ubiquitous “glowing blue space beam” trope.
Here’s the (R-rated) trailer:
It isn’t so great that you should pay $80 bucks for the Shout Factory Blu-ray of it. But if you’re looking for a gory-but-not-really-scary science fiction horror action film for the Halloween season, you could certainly do a lot worse.
Library Addition: Lettered Edition of Joe R. Lansdale’s The Bottoms
September 30th, 2021Still another Lansdale lettered edition bought from that same private collector:
Lansdale, Joe R. The Bottoms. Subterranean Press, 2000. First edition hardback, letter R of 26 signed, lettered copies, a Fine leatherbound copy in a Fine dust jacket and Fine traycase with full color illustration mounted inside front lid. The Subterranean edition was the true first edition, preceding the Mysterious Press edition by several months. Edgar Award winner for Best Novel. Bought for $300 from a private collector, which is just twice list price for the regular numbered edition.
The plastic illustration protector shows both glare and the shadow of my hands holding the iPhone to get the photo. (Also some glare off the dust jacket protector on the book itself.)
Library Addition: Lettered Edition of Joe R. Lansdale’s The Long Ones
September 29th, 2021Another lettered copy purchased from that private collector:
Lansdale, Joe R. The Long Ones. Necro Publications, 1999. First edition hardback, letter R of 26 signed, leatherbound lettered copies, a Fine copy in a Fine traycase, sans dust jacket, as issued. In addition to the leather binding and traycase, this edition features an inserted (not attached) printed ribbon with title and author, a color frontispiece illustration, and several inserted black and white illustrations not in the ordinary numbered edition. Bought from a private collector for $300.
Library Addition: Lettered Edition of Joe R. Lansdale’s Blood Dance
September 28th, 2021Another purchase from that same private collector as the two previous Lansdale lettered editions:
Lansdale, Joe R. Blood Dance. Subterranean Press, 2000. First edition hardback, letter R of 18 signed, lettered copies, a Fine copy in a beautiful full-cloth binding and a Fine traycase with an additional Mark A. Nelson illustration mounted on the inside front cover, sans dust jacket, as issued. The Lost Lansdale Volume Three. Bought for $250 off a private collector.
Note: The bottom right of the illustration looks strange due to reflections off the protective plastic covering over the illustration.
Library Addition: Lettered Edition of Joe R. Lansdale’s Texas Night Riders
September 27th, 2021More from that private collector purchase:
Lansdale, Joe R. (originally writing as Ray Slater). Texas Night Riders. Subterranean Press, 1997. First edition hardback thus and first U.S. hardback edition (preceded by the PBO and the Chivers large print hardback), copy P of 26 signed and lettered copies, a Fine copy bound in quarter-leather, in a Fine- patterned slipcase with slight rubbing to corners, sans dust jacket, as issued. This was early in Subterranean’s history, and they were still using the 4 x 3 acrostic spine logo. Bought for $220.
Shoegazer Sunday: Slowdive’s “Blue Skied An’ Clear”
September 26th, 2021Wednesday was the Autumn Equinox, and I was surprised by a crisp, clear morning here in Austin that was actually cool, meaning we were getting Fall on the first day of Fall, and that’s something that never happens.
Given the cloudless sky, I thought this was appropriate:
Pygmalion is probably my least favorite Slowdive album, with it’s sparse, minimalist, almost ambient feel, but “Blue Skied An’ Clear” is one of the standouts.
Library Addition: Lettered Edition of Joe R. Lansdale’s Waltz of Shadows
September 23rd, 2021Here’s the first of several Lansdale items I obtained from a fellow collector who was selling off his collection:
Lansdale, Joe R. Waltz of Shadows. Subterranean Press, 1999. First edition hardback, letter R of 52 signed, lettered copies, a Fine copy in a Fine dust jacket and a Fine- traycase with a few small, shallow, random indentations. The Lost Lansdale Volume One. Chalker/Owings (2002), page 855. Unnoted by Chalker/Owings (or my proof copy of The World Lansdalian), this edition is bound in a very attractive, deep purple cloth rather than the light blue of the trade edition. Bought for $190 ($5 less than cover).
Library Addition: Lettered Edition of Joe R. Lansdale’s The Nightrunners
September 22nd, 2021Here’s a book I’ve wanted for quite a while, and finally pulled the trigger on:
Lansdale, Joe R. The Nightrunners. Dark Harvest, 1987. First edition hardback, letter X of 26 signed, lettered copies, a Fine copy in white leather and a wooden slipcase (AKA “slipcrate”), sans dust jacket, as issued. (Note: The wooden slipcase has three small notches at the back, but given the uniform staining, they were there when the book left the publisher.) Lansdale’s landmark splatterpunk novel, featuring two very bad boys and The God of the Razor. Chalker/Owings, page 120 (Jack was not a fan of the novel). Bought off a fellow Biblio dealer for $315.
The scan doesn’t do justice to the silver highlighting on the lettering. It’s a very attractive book.
Note that this is the third Dark Harvest “slipcrate” edition I’ve added to my library, along with George R. R. Martin’s Portraits of His Children and Chet Williamson’s Dreamthorpe.
I would sort of like to pick up all the other Dark Harvest “slipcrate” lettered editions, but not at the prices people are currently asking for them.
Note: I’ve recently picked up a lot of Lansdale lettered editions, so watch this space…
Library Additions: Three Asimov Titles
September 21st, 2021Outside of eBay, I rarely win things at auction these days, as almost everything seems to go for more than I’m willing to bid. But here’s an exception on: Three items from the same Asimov-heavy auction that I picked up at bargain prices.