Library Additions: Two David Wong Firsts

September 18th, 2021

Two David Wong firsts from that bulk book purchase:

  • Wong, David (pseudonym of Jason Pargin). This Book Is Full of Spiders. St. Martin’s Press, 2012. First edition hardback, a Fine- copy with slight bumping at head and heel and a Fine- dust jacket with slight wrinkling at heel, touches of edgewear and a couple of small stray abrasions. Sequel to John Dies At The End.

    Added the back cover scan just because there doesn’t seem to be one on the Internet.

  • Wong, David (pseudonym of Jason Pargin). What The Hell Did I Just Read. St. Martin’s Press, 2017. First edition hardback, a Fine copy in a Fine dust jacket. Another book in the series.
  • Library Addition: Gnome Press Anthology The Robot and the Man

    September 17th, 2021

    Another book from that bulk purchase I’m cataloging:

  • Greenberg, Martin. The Robot and the Man. Gnome Press, 1953. First edition hardback, a Very Good+ copy with top of spine very slight concave, edges of head and heel slightly soft, and a 2″ crack starting to bottom front inner hinge, in a Very Good dust jacket with shallow chipping at head and heel, some edgewear along front bottom and at top near fold, slight, faint spotting along rear fold edge, and a crease running down the entire front cover right next to the flap fold, as though the book were folded not quite on center and corrected much later, plus a few other touches of wear. Still, the white portions of the jacket are reasonably bright and the pages lack the horrific browning that plagues later Gnome titles. Reprint anthology of robot stories, including some from Henry Kuttner and C. L. Moore (not a Gallagher story), Lester del Rey (two stories), A. E. van Vogt, John D. MacDonald, and Bernard Wolfe. Chalker/Owings, page 200. Kemp, The Anthem Series, 225-26.

  • Library Addition: Three Signed Firsts

    September 15th, 2021

    Another one from the bulk purchase:

  • Fowler, Karen Joy. What I Didn’t See and Other Stories. Small Beer Press, 2010. First edition hardback, a Fine copy in a Fine- dust jacket with a tiny bit of wrinkling at top rear, signed by by Fowler. Short story collection.

  • Gaiman, Neil. The Ocean at the End of the Lane. William Morrow, 2013. First edition hardback, a Fine copy in a Fine dust jacket, signed by Gaiman.
  • Silverberg, Robert. The Secret Sharer. Underwood Miller, 1988. First edition hardback, #230 of 250 signed, numbered copies, a Fine copy in a Fine dust jacket and a Near Fine slipcase with some red spotting to rear.
  • Norm Macdonald, RIP

    September 14th, 2021

    The great comedian Norm Macdonald has died:

    Norm Macdonald, who has died at 61, was a comedic genius whose irreverence and inimitable delivery made millions of people laugh harder than almost anyone else could make them do—whether he was taking shots at mainstream figures (O. J. Simpson, the Clintons), constructing elaborate setups for impossibly simple punchlines (depressed moths, massacres in Vietnam), or saving dull affairs by subverting expectations (celebrity roasts and awards events, big and small). A private man who kept his nine-year battle with cancer out of the public eye, Macdonald occasionally showed flashes of a deep seriousness, expressing frustration with an increasingly intolerant popular culture and offering genuine insights in interviews and in an uproarious pseudo-memoir. But in the final analysis, he was a pure aesthete of jokes and one of the funniest people around.

    Born and raised in Canada, Macdonald began his comedy career in the late 1980s. He was a frequent guest of late-night shows throughout the 1990s, with his appearances on Conan O’Brien in particular being the stuff of legend. His apogee of fame probably came between 1994 and 1998, when he hosted Saturday Night Live’s “Weekend Update” segment—typically a stepping stone to a late-night show of one’s own—only to be fired by NBC executive Don Ohlmeyer for joking too much about O. J. Simpson, Ohlmeyer’s personal friend. Immediately afterward, Macdonald went on David Letterman, who asked how he had reacted to getting canned. “I said, ‘Oh, that’s not good,’” said Macdonald. “And I said, ‘Why is that, now? And [Ohlmeyer] goes, ‘Well, you’re not funny.’ And I said, ‘Holy Lord, that’s even worse news!’”

    When I go looking for random YouTube comedy videos, Macdonald and Bill Burr are the two comedians watch most often.

    There’s no shortage of great Macdonald clips out there:

    His standup routine on the last episode of Letterman:

    The “I’m not sure if you’re a history buff…” intro gets me every time.

    His sendoff to Conan O’Brien:

    Bob Dole offers a classy tribute:

    And Norm would have loved this tribute:

    Library Addition: FEL First of Asimov’s I, Robot

    September 13th, 2021

    First Edition Library was a publishing line that produced prestige facsimile reprints of famous first editions. They printed the book and dust jackets to match the look of the original first edition (save an additional information box on the copyright page and an “FEL” notice on the bottom rear dust jacket flap) on quality paper and bindings with a slipcase. Most of these were literary works: Steinbeck, etc. By they did some dozen science fiction works, including this one.

    Asimov, Isaac. I, Robot. Gnome Press (i.e., First Edition Library), 1950 (1978 copyright date, but actually printed sometime in the 1980s). Facsimile reprint of the Gnome Press first edition, first edition hardback thus, a Fine copy in a Fine dust jacket and a Fine slipcase, which includes the front and back just jacket cover art pasted on, with FEL cardstock information brochure laid in. An attractive production, and undoubtedly done on better paper stock than the Gnome Press original. Aiming for the same prestige reprint market as Easton Press, and indeed they were either part of or acquired by Easton. Obtained as part of the same private library purchase as the two signed Ellison books.

    I only picked this up because true jacketed firsts of I, Robot have zoomed up considerably beyond what I’m willing to pay right now. I don’t collect First Edition Library, but it’s somewhat annoying that no good, complete list of the science fiction volumes seems to exist online. So I compiled the following:

  • Isaac Asimov’s I, Robot
  • James Blish’s Earthman, Come Home
  • Ray Bradbury’s Golden Apples of the Sun
  • John W. Campbell’s Who Goes There?
  • Robert A. Heinlein’s Beyond This Horizon
  • C.L. Moore’s Shambleau and Others
  • Andre Norton’s Star Man’s Son
  • Lewis Padgett’s (Henry Kuttner & C.L. Moore)’s Tomorrow and Tomorrow and The Fairy Chessmen
  • Eric Frank Russell’s Dreadful Sanctuary
  • E.E. “Doc” Smith’s Gray Lensman
  • A. E. van Vogt’s The Weapon Makers
  • Kurt Vonnegut’s Player Piano (Note: This may have been issued as part of the literary line)
  • Jack Williamson’s The Legion of Space
  • I note that Edgar Rice Burroughs’ Tarzan of the Apes was done as part of their literary line.

    Library Addition: First of Theodore Sturgeon’s The Dreaming Jewels

    September 9th, 2021

    Another book from the same purchase as two Ellison books.

    Sturgeon, Theodore. The Dreaming Jewels. Greenberg, 1950. First edition hardback, a Near Fine copy with slight flatness to top of spine, a few touches of wear to boards, slight foxing to inside covers, FFE and RFE, and trace of light spotting at top page block, in a Very Good+ dust jacket with shallow chipping at head and heel, moderate light staining spots to white rear panel, and some 1/4″ closed tears at top and bottom fold joins and various other traces of surface wear, with Greenberg response postcard laid in. Currey, page 471. His first novel.

    Library Additions: Two Signed Harlan Ellison Firsts

    September 7th, 2021

    Both of these were bought from a customer who wanted to sell off his collection. Some of that was listed in the Lame Excuse Books catalog, and I’ll be listing the books I bought for my own collection here.

  • Ellison, Harlan. The Deadly Streets with Gentlemen Junkie. Edgeworks Abbey/Subterranean Press, 2013. First hardback editions of each, #216 of 250 signed, numbered sets, Fine copies in Fine dust jackets and a Fine slipcase. Two early Ellison collections, originally PBOs, appearing here for the first time in hardback. Richmond, Fingerprints in the Sky, pages 46 and 51. Supplements trade copies of each.

  • Ellison, Harlan. Li’l Harlan and his sidekick Carl the Comet in Danger Land. Edgeworks Abbey/Subterranean Press, 2013. First edition hardback chapbook, #WW of 52 signed, lettered copies, a Fine copy, sans dust jacket, as issued. Stories of Harlan paling around with Carl Sagan. I avoided buying this when it came out because it sorta looked super-cringy, but since I’m collecting everything else, and the hardback is rare, I added it to the stack. Richmond, Fingerprints in the Sky, page 121.

  • Other Ellison firsts I’m still looking for can be found here.

    Shoegazer Sunday: The 30th Anniversary of Slowdive’s Just For A Day

    September 5th, 2021

    On September 2, 1991, Creation Records released Slowdive’s debut album Just for a Day. This was the first Shoegaze album I had ever heard, and in many ways is still my favorite.

    1991, you may remember, was a banner year for music. Everything interesting got slapped with the “Alternative” label, but Slowdive was far from the Seattle sound of Nirvana and Pearl Jam dominating the airwaves. The first track I heard off it was “Catch the Breeze”:

    From it’s echoey, moody opening to it’s soaring wall of guitar ending I was hooked. But I truly loved closing track “Primal.”

    The first seventy-five seconds are the most beautiful music Slowdive ever created, while the rest builds to a melancholy crescendo of loss.

    Shoegaze is The Genre That Refuses To Die, and I think Just For A Day is a huge cornerstone.

    I hear Slowdive will be releasing a new album as soon as they can book a run at a vinyl pressing plant.

    Library Additions: Three NewCon Press Firsts

    September 3rd, 2021

    These three came in just before I sent out the book catalog.

  • Di Filippo, Paul. Worldshifter. NewCon Press, 2021. First edition hardback, #50 of just 60 signed, numbered copies, a Fine copy in a Fine dust jacket. “A high-octane tale of sweeping scope and and [sic] imagination packed into a breathless novella.”
  • Williams, Liz. Comet Weather. NewCon, 2020. First edition hardback, #69 of 100 signed, numbered copies, a Fine copy in a Fine dust jacket. “Practical Magic meets The Witches of Eastwick.” By the author of the Detective Inspector Chan novels, which I rather like.
  • Williams, Liz. A Glass of Shadow. NewCon Press, 2011. First edition trade paperback original, a Fine copy. Short story collection.
  • All three of these are still available through Lame Excuse Books.

    Library Addition: Michael Moorcock’s Into The Media Web

    September 2nd, 2021

    Here’s a fairly recent Moorcock rarity that had an insanely small print run.

    Moorcock, Michael (edited by John Davey). Into The Media Web: Selected short non-fiction, 1956-2006. Savoy Books, 2010. First edition hardback, a Fine- copy with slight bumping at head and heel in a Near Fine dust jacket with slight grubbiness, slight creasing at top front cover and a 1/8″ closed tear at top front fold, and slight bumping at heel. Inscribed by Moorcock to fellow writer (and New World contributor) John Baxter: “To John,/Some embarrassments/some bullshit and maybe/a little bit/of truth./All very/best, as/ever yours/Mike,” plus a signature dated “18th July ’10.” 300,000+ word, 717 page collection of non-fiction, including essays, reviews, etc. covering books, film, music, etc. (Here’s a post on the book’s design.) Reportedly had a hardback print run of less than 100 copies, though I haven’t nailed down exactly how many. Bought for £140 plus shipping.

    You may remember that I also ended up with John Baxter’s copy of George Locke’s Voyages Into Space.