As I may have mentioned before, I don’t tend to play horror video games, despite reading horror, because I don’t care for some tropes of the genre that appear in almost every game (path dependency and jump scares being two), but I do enjoy watching Daz Games play them, since he freaks out enjoyably at some scenes.
This time around he’s playing Still Wakes The Deep, a horror game set on a Scottish oil rig in the North Sea that manages to dredge up something horrifically eldritch. Though the path dependency is there, the game has two big things going for it: Superb voice acting for well-realized characters and a really detailed, immersive setting of a working oil rig that provides a lot of other dangers in addition to the monster.
His animatronic collection may or may not have been more expensive than my book collection to acquire, but I’m pretty sure it’s significantly more expensive to store…
Time for a walk through of this year’s Transworld Halloween trade show. These are always a lot of fun.
Bigger-than-life animatronic figures seem to be a continuing theme (and Sam’s has had one or two such for sale the last few years), including a number of oversized werewolves, and my neighborhood has several Gashadokuro this year. There was also a number of high quality giant spiders on display.
Time for some real-life horror. How about disturbing mining disasters?
As difficult and dangerous as working in an underground mine is now, it was a lot worse in the 19th century. At the Snaefell zinc mine on the Isle of Man, a government inspector had passed the mine’s ventilation just two days before some 36 miners descended into the mine on May 9, 1897. 19 would never return, overcome by carbon monoxide.
Much closer to the present day, the Val Reef’s gold mine in South Africa is one of the deepest in the world. On May 10, 1995, an underground locomotive used to haul gold and other things raced out of control and plunged into an elevator shaft hauling 104 miners up to the surface after their shift, The elevator plunged more than 1,500 feet to the bottom of the shaft…where the recirculating pumps pulled in and redistributed a fine mist of the slain miner’s blood all over the mine.
Well now he has a video of him in an off-grid tower in the woods, where he plays a horror video game about a vanlife guy in an off-grid tower in the woods.
Three more very cheap purchases from that storage locker sale:
Anderson, Poul. The Last Viking Book 3: The Sign of the Raven. Zebra Books, 1980. First edition paperback original (no other date or printing, as per ISFDB), a Near Fine- copy with one spine crease, one crease along front spine join, small bend to top front corner, and mild edgewear. Bought for 50¢.
Hurston, Zora Neale. Their Eyes Were Watching God. Harper Perennial, 2006. Trade paperback reprint, a Very Good copy with writing to heel and general wear. Just a reading copy of a book I’ve long heard good things about. Lots of academic essays at the back I think I’ll feel free to skip. Bought for 50¢.
Frances Leonard and Ramona Cearley, editors. Conversations With Texas Writers. University of Texas Press, 2005. First edition trade paperback original (simultaneous with the hardback edition), a Near Fine copy with phantom crease to rear cover and slight wear to tips. Interviews with and essays on Texas writers, including Joe R. Lansdale, Bruce Sterling and Robert E. Howard. Bought for 50¢.
Three used books, two of which were bought extremely cheaply.
Asimov, Isaac. Foundation’s Edge. Doubleday, 1982. First edition hardback (“First Edition” stated and gutter code of M36 on page 365), a Very Good copy with bumping at head and heel, slight creasing to spine, a few tiny nicks to bottom boards, in a Very Good dust jacket with several tackhead-sized abrasion spots to bottom front panel, bumping at head and heel, and shallow loss of points. Hugo Award winner. Replaces a Book Club edition bought and read before I started collecting first editions, and supplements a copy of the Whispers Press signed/limited edition. Usually this would not qualify as a sufficiently attractive to pick up, but it was literally $1 at a garage sale from a storage unit.
King, Stephen. Storm of the Century. Book-of-the-Month Club, 1999. First hardback edition, being a trade paperback original, a Fine-/Fine- copy with slight bumping at head and heel and just a trace of wear at dj points. The BOMC is the first hardback, but I’m not sure there are any points to determine first vs. later printings. Collings, Horror Plum’d: An International Stephen King Bibliography and Guide, A64.b. Bought for $1.
Ruff, Matt. Lovecraft Country. Harper, 2016. First edition hardback, a Near Fine+ copy with bump at heel, sans dust jacket, as issued. Basis of the HBO TV series. Bought for $13.49 from Half Price Books.
Doyle, Arthur Conan (Mark W. Whitback, editor). A Little Orange Book of Odd Orchestrations Borderlands Books, 2024. First edition hardback, #463 of 500 copies signed by the editor, a Fine copy, sans dust jacket, as issued. Fantastic stories, several of which are covered in Bleiler’s Supernatural Fiction, pages 159-161, and Bleiler’s Science Fiction: The Early Years, pages 203-209. Part of their “Past Masters of Horror and Fantasy” series, focusing on late 19th/early 20th century writers.
Somtow, S. P. (AKA Somtow Sucharitkul). Valentine. Gollancz, 1992. First edition hardback, a Fine copy in a Fine dust jacket, with a signed bookplate laid in. Second book in the Vampire Junction trilogy (and I already had a first of Vampire Junction, also with signed bookplate laid in). The Gollancz edition precedes the U.S. edition by about six months.
