Posts Tagged ‘Books’
Wednesday, January 4th, 2023
This is the first wave of books I bought in the Metroplex. Most of the books I bought were at various Half Price Books stores, but a couple of these came from Recycled Books in Denton.
Adams, Richard. Watership Down. Macmillian, 1972. First American edition hardback, a Very Good copy with name marked out in black marker on front free endpaper, spine slightly worn, and slight staining at top edge, in a Very Good- dust jacket with one pinhead puncture to spine in “w,” small closed punctures along rear bottom spine join, a few pinhead dots of black staining to rear cover, shallow chipping at head, and age darkening to spine; slightly rough, but the page block is nice and square, and the UK first generally lists for well over a grand. Pringle, Modern Fantasy 51. Moorcock, Epic Pooh, pages [12-13-ish; the pages are unnumbered] (Mike is not a fan). Bought for $9.99.
Anderson, Poul and Gordon R. Dickson. Star Prince Charlie. Putnam’s, 1975. First edition hardback (no statement of printing on copyright page, as per Currey), a Fine copy in a Fine first state (slash between names on spine barely visible) dust jacket. Currey, page 13.
Anthony, Patricia. Gods Fires. Ace Books, 1997. First edition hardback, a Fine copy in a Fine dust jacket, inscribed by Anthony: “Hey-/Remember all those Wednesday nights over/on Walhat Hill, Jane?/Now we/only run/into each/other at cons. I miss/you sometimes! Email/me.” Then she’s altered her printed name to read “www.Patricia-Anthony.com”. Anthony died in 2013 and that domain is no longer active. Possibly an associational copy. Replaces an unsigned copy.
Chabon, Michael, editor. McSweeney’s Enchanted Chamber of Astonishing Stories. Vintage Books, 2004. First edition trade paperback original, a Fine copy. Anthology with stories by Stephen King, Peter Straub, Margaret Atwood, etc. Companion to McSweeny’s/Chabon’s Thrilling Tales volume, which I also have. Bought for $7 from Recycled Books.
Dozois, Gardner, editor. The Very Best of the Best. St. Martins, 2019. First edition hardback, a Fine- copy with slight bends at head and heel in a Fine- dust jacket with slight curl at head and heel. A best of best of collection.
Tags:Books, Fantasy, Gardner Dozois, Gordon Dickson, Half Price Books, Michael Chabon, Patricia Anthony, Poul Anderson, Richard Adams, Science Fiction
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Thursday, December 29th, 2022
In the Metroplex, I found a set of six Borderlands Little Books at Half Price Books for $120. I bought that, incorporated three I didn’t have into my own library, and am listing the other three (including their Ligotti volume, which is worth more than $120 all on its own these days) through Lame Excuse Books.
Malerman, Josh. A Little Red Book of Requests. Borderlands Press, 2019. First edition hardback, #290 of 500 signed copies, a Fine copy, sans dust jacket, as issued. This came out the year after the Bird Box movie, so I imagine it disappeared very quickly.
Nolan, William F. A Little Gray Book of Shadows. Borderlands Press, 2018. First edition hardback, #290 of 500 signed copies, a Fine copy, sans dust jacket, as issued.
Waggoner, Tim. A Little Aqua Book of Marine Tales. Borderlands Press, 2018. First edition hardback, #290 of 500 signed copies, a Fine copy, sans dust jacket, as issued.
I have enough of these now that I’m thinking I should try to pick up a full set. Of the really “difficult” ones, I think I only lack the Gaiman volume.
Tags:Books, Borderlands Press, Half Price Books, Horror, Josh Malerman, small press publishers, Tim Waggoner, William F. Nolan
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Wednesday, December 28th, 2022
Following on from yesterday’s Cormac McCarty acquisitions, here are two mainstream award-winners I acquired on the Metroplex trip. Such books are not a focus of my collecting, but I do spot-check the general fiction section and pick them up as targets of opportunity.
Frazier, Charles. Cold Mountain. Atlantic Monthly Press, 1997. First edition hardback, a Fine copy in a Fine- Mylar-protected dust jacket with faint 1/4″ scratch with John Berendt blurb sticker on it (as issued), in a Fine- after-market slipcase with one small bump to bottom rear corner. National Book Award winning Civil War novel that was the basis of the acclaimed 2003 movie of the same name. Bought from Half-Price Books for $30. I see these particular aftermarket slipcases sold on eBay, where they list for $85.
Tartt, Donna. The Goldfinch. Little, brown and Company, 2013. First edition hardback, a Fine copy in a Near Fine- dust jacket with a few small abrasions to front cover (unfortunately, the uncoated dust jacket seems designed to degrade) and slight bumping at heel. Pulitzer Prize winner for fiction. Bought for $14.99.
Tags:Books, Charles Frazier, Donna Tartt, National Book Award, Pulitzer Prize
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Tuesday, December 27th, 2022
Four different Cormac McCarthy books, two or three firsts and one or two first thus, bought from three different sources:
McCarthy, Cormac. Blood Meridian. Folio Society, 2022. First edition thus, an illustrated prestige reprint edition, a Fine copy in decorated boards, sans dust jacket, as issued, in Fine slipcase, with packed-by sip laid in. His celebrated ultra-violent western. While I was in the Dallas area, I saw two firsts of Blood Meridian at two different Half Price Books stores: one was $3,500, and the other was $4,000. So I may not be able to track down an affordable first of that any time soon. Bought from the Folio Society at cover price.
McCarthy, Cormac. Cities of the Plain. Knopf, 1998. First edition hardback, a Fine copy in a Fine dust jacket. The third book in the Border trilogy. Bought for $9.99
McCarthy, Cormac. The Passenger and Stella Maris. Knopf, 2022. Each is a stated first edition (though there was an earlier solo release of The Passenger with a different dust jacket; without a copy of that in hand I can’t tell if the two are otherwise identical, so either first edition thus or first edition in a second state dust jacket), each a Fine copy in a Fine dust jacket and a fine decorated slipcase. Stella Maris is “a tightly controlled coda, told entirely in dialogue” to The Passenger. Bought from Amazon for $45.45 for the pair.
Tags:Books, Cormac McCarthy, Folio Society, Horror, Western
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Monday, December 26th, 2022
This is the second Heritage Auctions lot I won this year, after the Clark Ashton Smith lot. And like that lot, these were from the Gary Munson Collection.
Warren Buffet once gave collecting advice to be willing to stretch yourself for desirable items, which is great advice…if you’re worth $110 billion. But I did stretch myself a tiny bit for this one, because I noticed something the auction house hadn’t.
Bloch, Robert. Midnight Pleasures. Doubleday, 1987. First edition hardback, a Fine copy in a Fine dust jacket, inscribed by Bloch: “Yours Truly, Robert Bloch!” Short story collection.
Bloch, Robert. The Opener of the Way. Arkham House, 1945. First edition hardback, a Near Fine+ copy with slight bumping at head and heel, slight wear in letters of spine, bookstore sticker to bottom of inner front cover, and a few touches of wear to boards, in a Near Fine- dust jacket with abrasion rub down right front fold edge, slight wear at head, slight loss at points, and slight dust soiling to rear cover, with auction sticker laid in, inscribed by Bloch: “To Charles R./Tanner with best wishes,/Robert Bloch, 1948.” What the people doing the Heritage description didn’t note (and possibly didn’t know) was that Charles R. Tanner was a fellow contemporary pulp writer (both had work in Amazing Stories), most famously of “Tumithak of the Corridors,” which appeared in Isaac Asimov’s Before the Golden Age. Flanagan, Robert Bloch: A Bio-Bibliography, page 49. Joshi, Sixty Years of Arkham House 10. Currey, page 46. Derleth, Thirty Years of Arkham House 10. Jaffery, Horrors and Unpleasantries 10. Nielsen, Arkham House Books: A Collector’s Guide 10 (also #23 on the Most Valuable list). Locke, Spectrum of Fantasy, page 36. Bleiler, Guide to Supernatural Fiction, 209. Chalker/Owings, pages 22-23. Kemp, The Anthem Series, page 299-300. I’d been looking for a signed copy of this for quite a while. (In fact, about a decade ago I negotiated with John Pelan for the copy inscribed to him after he needed to pay for unexpected cat surgery, but we couldn’t agree on a price.) As a signed copy it was probably above market, but as an association copy it was cheap. (For an association copy signed to Robert Bloch, see this.)
Bloch, Robert. Out Of My Head. NESFA Press, 1986. First edition hardback, #371 of 800 hardback copies, a Fine copy in a Fine dust jacket, signed by Bloch. Chalker/Owings, page 303. Replaces an equally perfect unsigned copy in my collection.
Bloch, Robert. Psycho II. Whispers Press, 1982. First edition hardback, #516 of 750 signed, numbered copies, a Fine copy in a Fine dust jacket and a Fine slipcase. Supposedly very different than the movie of the same name. Supplements a trade edition. Chalker/Owings, page 476.
Bought for $630, including buyer’s premium.
Tags:Arkham House, Associational Copy, Books, Heritage Auctions, Horror, Robert Bloch, small press publishers
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Wednesday, December 21st, 2022
These three Bradbury (and one Matheson) firsts came in on three different orders. Three of these are from Gauntlet Press.
Bradbury, Ray. Dawn to Dusk: Cautionary Travels. Gauntlet, 2011. First edition hardback, #67 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket. Somehow missed this when it came out, maybe because I was dealing with one of my periodic bouts of unemployment. Bought for $76 off eBay.
Bradbury, Ray. Phoenix 451. Gauntlet Press, 2022. First edition hardback, one of 350 unsigned copies, a Fine copy in a Fine dust jacket. Huge 833-page collection. “We are proud to be publishing five versions of Fahrenheit-451 he wrote beginning in 1955.” Plus a whole lot more, including color plates, play texts, ancillary material, etc. Bought from the publisher. I will have copies of this available in the next Lame Excuse Books catalog, which I intend to mail out Friday.
Bradbury, Ray. The Parrot Who Met Papa b/w David Aronovitz’s The Parrot Who Met Papa (concluded). The Pretentious Press, 1991. First edition chapbook original, a Fine copy, signed by Bradbury, then subsequently inscribed “Tom! Nov. 6, 1994.” Just about all these Pretentious Press chapbooks are hard to find and pricey. Bought from an online dealer for $150.
Matheson, Richard. Purge Among Peanuts. Gauntlet Publications, 2001. First edition chapbook original, #20 of 500 signed, numbered copies, a Fine copy. Bought from the same dealer as The Parrot Who Met Papa for $22.50.
Tags:Books, Fantasy, Gauntlet Press, Horror, Ray Bradbury, Richard Matheson, Science Fiction, small press publishers
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Monday, December 19th, 2022
Two more deluxe slipcased editions of Robert E. Howard books, both bought from a private collector:
Howard, Robert E. The Ultimate Triumph: The Heroic Fantasy of Robert E Howard. Wandering Star, 1999. First edition hardback, #0507 of 1,500 slipcased copies, a Fine copy in a Fine dust jacket and a Fine slipcase, still in shrinkwrap, with limitation bookmark. Bought for $125.
Howard, Robert E. Robert E. Howard’s Conan of Cimmeria: Volume One (1932-1933). Wandering Star, 2002. First edition hardback, #89 of 100A [sic] numbered slipcased copies signed by artist Mark Schultz, with eight pages of black and white sketches after page 348, a Fine copy in a Fine dust jacket and a Fine slipcase, bought still in shrinkwrap (taken out to verify the state). Bought for $300 (which is all of $30 more than original cover price 20 years ago, and the trade edition typically lists for more).
Oddly enough, I found a trade edition of The Ultimate Triumph while book shopping in the Metroplex right before I bought these, so I guess that copy is now superfluous to my needs and will go in the next Lame Excuse Books catalog, which should be going out via email this Friday.
Tags:Books, Conan, Fantasy, Robert E. Howard, small press publishers, Wandering Star
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Thursday, December 15th, 2022
The most recent (last?) book by the late, great Greg Bear:
Bear, Greg. The Unfinished Land. Houghton Mifflin Harcourt, 2021. First edition hardback, a Fine copy in a Fine dust jacket, signed by Bear, with a thank you note and several laminated bookmarks from the seller laid in. Bought for $49.95 from an eBay seller.
I was unaware that Houghton Mifflin and Harcourt had merged.
My obituary for Bear can be found here.
Tags:Books, Fantasy, Greg Bear, Science Fiction
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Tuesday, December 13th, 2022
This is less a book than a weird art assemblage. Seeing this on Kickstarter, I figured that the overlapping Venn diagrams of crazy Stephen King fans and crazy Stanly Kubrick fans justified a purchase.
(King, Stephen and Stanley Kubrik) Oldham, Craig, editor. The Shining: A Visual and Cultural Haunting (Epiphany Edition). Rough Trade Books (via Kickstarter), 2022. First edition, printed pages and pamphlets loose in a decorated cardboard box, a Fine copy. It’s an elaborate production.
The loose sheets:
16 x typed replica sheets with All Work And No Play Makes Jack A Dull Boy as discovered by Wendy in the film.
120 x one-page pieces analysing, exploring, and extrapolating the films ideas, themes, influences, contexts and critiques.
10 x original typewriter art portraits made using the same model of Adler typewriter used by Jack Torrance.
Some examples:
Plus “Contributor Booklets” (which are more like brochures):
9 x 8-page cultural contributor essays from a range of celebrated artists, musicians, authors, architects and curators designed to evoke the film’s intertitle cards.
Original and exclusive piece from actor Dan Lloyd (Danny Torrance), an extraordinarily rare opportunity to share memories, stories and insights from this usually private person, as well as the coup of a rare interview with Shelley Duvall (conducted by Ryan Obermeyer) shedding light on her performance and experience of the film.
Artist Gavin Turk examines myths, mirrors and mazes and looks at the film through art, whilst fashion designer Margaret Howell takes us through her iconic maroon jacket worn by Jack in the closing act of the film.
Artist and musician Cosey Fanni Tutti on sound and the unfolding domestic violence within the film. Architecture expert and writer John Grindrod on the role of The Overlook Hotel itself and the impact of such spaces on our behaviour.
Producer and Record Label head James Lavelle (UNKLE) tells of his enduring inspiration and love for Kubrick and his art whilst author Jen Calleja looks into Shelley Duvall, folklore and fairytales.
And BFI Curator and Author Michael Blyth cross-examines the character of Wendy as she appears in both the film and the original Stephen King novel.
3 x 16 page reproduced texts including essays from H.P. Lovecraft, Sigmund Freud, and a short story which was a key influence for Kubrick when developing the film.
H.P. Lovecraft — Supernatural Horror in Literature An extract from the seminal yet largely overlooked essay that significantly influenced decisions not to explain the horrors which unfold at The Overlook.
Stephen Crane — The Blue Hotel First serialised in 1898, the American author’s story was highlighted by Kubrick in interviews as similar to events unfolding in The Shining and offers an insight into the director’s read of the film.
Sigmund Freud — The Uncanny Diane Johnson (co-writer of The Shining) cited Freud’s influential 1919 essay “The Uncanny” as a key text in Kubrick’s research. Freud explores many ideas that are woven through the film: retracing steps, recurring numbers and motifs, and the significance of the double. We will re-publish an extract from the essay.
with:
Oldham, Craig, editor. They Live: A Visual and Cultural Awakening. Rough Trade Books, 2018. First edition (stated) trade paperback original, a Fine copy. A critical companion to the 1988 John Carpenter film. Bought as an add-in with the above.
Bought for £65 plus shipping through Kickstarter. You can buy them through their respective Amazon links above.
Tags:Books, Horror, Kickstarter, Movies, Rough Trade Books, Stanley Kubrick, Stephen King
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Monday, December 12th, 2022
I bought this from a Facebook user who was selling off his collection.
Heinlein, Robert A. The Man Who Sold The Moon. Shasta Publishers, 1950. First edition hardback, one of 250 copies signed by Heinlein, a Very Good copy with spine slightly concave at top, slight bumping at head and heel, slight rub ear to lettering at head and heel, points slightly bumping, and traces of wear to boards, with the “FUTURE HISTORY/1951-2600 A.D.” sticker added to front free endpaper and inside back cover (as issued), in a Very Good- dust jacket with 1/8″ loss across heel, 1/8″ ship at head points and associated creasing, 3/4″ abrasion (possibly a sticker pull) near bottom of spine, not affecting any lettering, moderate creasing along spine and flap folds, slight age darkening to spine, very slight darkening to rear cover and tops of flaps, and usual blind side foxing. A fairly nice copy that I’ll probably ended up swapping the better dust jacket on my trade copy with. Bought from a private seller for $500. Chalker/Owings, page 398. Kemp, The Anthem Series, page 162. Locke, A Spectrum of Fantasy, page 109. Currey, page 233.
Tags:Books, Limited Editions, Robert A. Heinlein, Science Fiction, Shasta Publishers, signed, small press publishers
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