Posts Tagged ‘poetry’

Library Addition: Clark Ashton Smith’s The Dark Chateau

Monday, March 21st, 2022

I’m closing in on a complete Clark Ashton Smith collection in hardback. Here’s one of the pricier Smith Arkham Houses:

Smith, Clark Ashton. The Dark Chateau. Arkham House, 1951. First edition hardback, a Near Fine copy with slight crimping and a touch of wear at head, small embossed name at bottom of half-title page, moderate foxing to rear gutters, slight foxing to front gutters, and a thumbnail edge-like indention to the top of the first few pages, in a Near Fine- dust jacket with slight loss at points and age-darkening to white lettering on spine. Only 563 copies printed, one of the smaller Arkham House runs. Joshi, Schultz & Connors, Clark Ashton Smith: A Comprehensive Bibliography, I.13.a. Sidney-Fryer, Emperor of Dreams, page 27. Joshi, Sixty Years of Arkham House, 44. Derleth, Thirty Years of Arkham House, 44. Jaffrey, Horrors and Unpleasantries, 42. Nielsen, Arkham House Books, 46 (also ranked as the eighth scarcest Arkham House volume, and the ninth priciest). Bought from PBA Auctions for $406.25 plus shipping.

The only Smith Arkhams I now lack are:

  • Genius Loci and Other Tales
  • Spells and Philtres
  • The Abominations of Yondo
  • Library Addition: Joe R. Lansdale’s Apache Witch

    Wednesday, December 1st, 2021

    Another Lansdale limited edition:

    Lansdale, Joe R. Apache Witch. Independent Legions/The Last Bookstore, 2021. First edition hardback, #33 of 180 signed, numbered copies, a Fine copy in decorated boards, sans dust jacket, as issued. Poetry collection (Lansdale’s first). Bought directly from the publisher. I will have copies of this available in the next Lame Excuse Books catalog.

    Library Addition: Fritz Leiber’s Demons Of The Upper Air

    Tuesday, August 24th, 2021

    Another day, another chapbook:

    Leiber, Fritz. The Demons of the Upper Air. Roy A. Squires, 1969. First edition chapbook original, 143 of 275 copies number in Arabic numerals, a Fine copy in Fine wrappers, additional inscribed “To/Chris/from/Fritz,” in a Fine original printed envelope, and even the original stiff cardboard mailer from Squires! Poetry. Squires always did beautiful work. Chalker/Owings, page 588. Bought off eBay for $50.

    Library Addition: Thomas Ligotti’s Death Poems

    Saturday, August 21st, 2021

    This came in a while back, but I waited until after I listed the books in the just released Lame Excuse Books catalog before listing it here.

    Ligotti, Thomas. Death Poems. Bad Moon Books, 2013. First edition hardback thus, #50 of 300 signed, numbered copies, a Fine copy in a Fine dust jacket. There was an earlier edition of this from Dutro Press, but this edition is expanded with additional material. Bought off eBay for $75.

    Maybe I should have added those crazy small run Ligotti books I lack to the books wanted list…

    Library Additions: Five Lansdale Firsts

    Sunday, January 24th, 2021

    Still cataloging the books I bought last year, including this batch of Lansdale firsts, four of which are signed.

  • Lansdale, Joe R. Bleeding Shadows. Subterranean Press, 2013. First edition hardback, #78 of 250 signed, numbered copies, a Fine copy in a Fine dust jacket and Fine slipcase, with publisher’s bookmark laid in. Supplements a trade edition (which has a different dust jacket). Bought from an online dealer for $75.
  • Lansdale, Joe R. The Boar. Night Shade Books, 2009. First edition hardback thus, #7 of 150 signed, numbered copies, a Fine copy in a Fine dust jacket. Bought from an Internet book dealer for $30. Supplements the Subterranean Press first edition. Originally announced as a Mark V. Ziesing book under the title Git Back, Satan!.
  • Lansdale, Joe R., editor. Son of Retro Pulp Tales. Subterranean Press, 2009. First edition hardback, a Fine copy in a Fine dust jacket, signed by Joe and Keith Lansdale. Trade edition. I actually picked up a copy of the limited edition, only to realize that not only did I already have one, but for some reason I hadn’t added the trade edition to my library, even though I already had it in Lame Excuse Books stock. Bought from the publisher at the usual discount way back when.
  • Lansdale, Joe R. Wet Juju. Short Scary Tales (SST) Publications, 2020. First edition hardback, #101 of 550 signed, numbered hardbacks, a Fine copy in a Fine dust jacket, with SST tissue paper closure sticker laid in. Bought from the publisher at the usual discount, and out of print upon publication. Massive collection. I will have copies available in the next Lame Excuse Books catalog, but prepare for it to be pricey.

  • Perez, Malia A., editor (Joe R. Lansdale). Speculative Poets of Texas. The House of the Fighting Chupacabra Press, 2015. First edition trade paperback original (“First printing” stated), a Fine copy, new and unread. Includes poems from Peter Holland, Joe R. Lansdale, Juan Manuel Perez, Waide Aaron Riddle, and Rie Sheridan Rose. Bought from Amazon.
  • Library Additions: Three Signed Ray Bradbury Firsts

    Monday, August 17th, 2020

    The signed Ray Bradbury buying spree continues apace, all bought off eBay:

  • Bradbury, Ray. Forever and the Earth. Croissant & Company, 1984. First edition hardback, #20 of 300 signed, numbered copies, a Fine copy in a glassine dust wrapper, as issued. Script for a radio dramatization. Bought for $50.

  • Bradbury, Ray. A Chapbook for Burnt-Out Priests, Rabbis and Ministers. Cemetery Dance, 2001. First edition hardback, a PC copy of 350 signed and numbered copies, a Fine copy save a dime-sized spot of discoloration on front free endpaper (possibly a paper flaw), in a Fine dust jacket and a Fine slipcase. Mixture of prose and poetry. Supplements a trade copy. Bought for $29.99.
  • Bradbury, Ray. The Ray Bradbury Chronicles Volume 4. Byron Preiss Visual Publications, 1993. First edition hardback, #548 of 1,000 signed, numbered copies, a Fine copy in a Fine dust jacket. Bought for $35. I now lack only volumes 1, 3 and 5. Weist, Ray Bradbury: An Illustrated Life, page 183.
  • Library Addition: Signed First of Clark Ashton Smith’s The Star-Treader And Other Poems

    Saturday, December 28th, 2019

    An upgrade from my unsigned copy.

    Smith, Clark Ashton. The Star-Treader And Other Poems. A.M. Robinson, 1912. First edition hardback, a Near Fine- copy with crack to front hinge just starting at bottom, slight bumping at head and heel and page blocks dusty, in a Very Good dust jacket with faint soiling to front and rear, a 1/2″ x 1/8″ chip at rear heel join, shallow chipping at head. Inscribed twice by Smith (the first apparently with a fountain pen, the second with a ballpoint): “Clark Ashton Smith/Auburn, Cal/Nov. 27th, 1912” then “For Harry Rosenberry/with sincere compliments/of Clark Ashton Smith/Apr. 14th, 1961,” which was exactly four months before his death. Replaces an unsigned copy (now available through Lame Excuse Books). Not in Currey. Not in Bleiler’s Guide to Supernatural Horror. Bleiler Checklist (1978), page 181. Sidney-Fryer, Emperor of Dreams, page 128. Won off eBay for $333.

    Library Additions: Three Clark Ashton Smith Firsts, One Signed

    Tuesday, December 25th, 2018

    This was the only thing I won in that Waverly/Quinn auction of science fiction firsts, despite bidding on several other lots. It was a four book lot, the least of which (The Black Book of Clark Ashton Smith) I already had and which will go in the next Lame Excuse Books catalog.

  • Smith, Clark Ashton. Ebony and Crystal: Poems in Verse and Prose. Auburn Journal, 1922. First edition hardback, #522 of 525 signed, numbered copies, a Very Good copy with pronounced foxing to inside front and rear covers, cracked inner hinge and cloth pulled away from binding staples to rear (which, looking from the construction, I’m guessing is an endemic flaw for this book), slight bend at head and heel and slight wear at points, sans dust jacket, as issued. Currey, page 453. Not in Bleiler’s Guide to Supernatural Horror. Bleiler Checklist (1978), page 181. Sidney-Fryer, Emperor of Dreams, page 128-128.

  • Smith, Clark Ashton. Odes and Sonnets. The Book Club of San Francisco, 1918. First edition hardback, #70 of 300 copies, a Very Good copy with long, thin abrasion along outer front edge, pinhead black spot to spine, word “Clark” worn away from spine label, and two faint dime-sized splash marks to rear cover, sans dust jacket, as issued. Thin, oversized volume printed in three colors (red, green and black) on uncut sheets (so half the poems are rather difficult to read). Not in Currey. Not in Bleiler’s Guide to Supernatural Horror. Not in Bleiler’s Checklist (1978). Sidney-Fryer, Emperor of Dreams, page 127.

  • Smith, Clark Ashton. The Star-Treader and Other Poems. A.M. Robertson, 1912. First edition hardback original, a Near Fine+ copy with top front point bumped, a few traces of grubbiness to rear boards, and an Ex-Libris sticker inside front cover under flap, in a Very Good+ dusty jacket with slight loss at head and top points, a few spots of grubbiness hear and there, a crease to inside front flap at bottom, a thin line of abrasion at heel; quite a nice copy for a book more than 100 years old. Not in Currey. Not in Bleiler’s Guide to Supernatural Horror. Bleiler Checklist (1978), page 181. Sidney-Fryer, Emperor of Dreams, page 128.

  • All bought for $976 at auction, including buyer’s premium.

    Library Additions: Two Signed Ray Bradbury Firsts

    Thursday, December 20th, 2018

    Two more signed Bradbury firsts:

  • Bradbury, Ray. Dogs Think Every Day is Christmas. Gibbs/Smith, 1997. First edition hardback, a Fine copy in a Fine dust jacket, inscribed by Bradbury: “Marion! Chuck!/Enjoy! Love!/Ray Bradbury/Valentine’s /Day/1999!” Small trim size hardback containing the illustrated title poem and an introduction. I suspect this and the companion volume, With Cat For Comforter, were issued for the pet store trade. Replaces an unsigned copy. Bought off eBay for $36.

  • Bradbury, Ray. We’ll Always Have Paris. Morrow, 2009. First edition hardback, a Fine copy in a Fine dust jacket. Inscribed by Bradbury: “Russ,/Ray Bradbury.” Short story collection. Tiny story: At the most recent Half Price Books coupon sale, they had several signed early Bradbury firsts from the late Fred Duarte estate for sale, but the condition was too poor for me to buy any of them. Then they had a signed copy of this, which was unpriced. “How much for this one?” “Let me check.” Comes back a minute later. “$150.” “Pass.” Then I went online and found this copy for $25, including shipping…
  • “She sang beyond the genius of the sea”

    Tuesday, October 2nd, 2018

    Today is the 139th birthday of American poet Wallace Stevens. Along with T. S. Eliot, Stevens was one of the great modernist poets, and you might have read “The Emperor of Ice-Cream” (another great poem) in high school.

    Like most poetry, Stevens work is hit or miss for me, but when he’s on, he can knock you flat.

    Here’s one of his best, and one of the best opening lines of poetry ever.

    The Idea of Order at Key West

    By Wallace Stevens

    She sang beyond the genius of the sea.
    The water never formed to mind or voice,
    Like a body wholly body, fluttering
    Its empty sleeves; and yet its mimic motion
    Made constant cry, caused constantly a cry,
    That was not ours although we understood,
    Inhuman, of the veritable ocean.

    The sea was not a mask. No more was she.
    The song and water were not medleyed sound
    Even if what she sang was what she heard,
    Since what she sang was uttered word by word.
    It may be that in all her phrases stirred
    The grinding water and the gasping wind;
    But it was she and not the sea we heard.

    For she was the maker of the song she sang.
    The ever-hooded, tragic-gestured sea
    Was merely a place by which she walked to sing.
    Whose spirit is this? we said, because we knew
    It was the spirit that we sought and knew
    That we should ask this often as she sang.

    If it was only the dark voice of the sea
    That rose, or even colored by many waves;
    If it was only the outer voice of sky
    And cloud, of the sunken coral water-walled,
    However clear, it would have been deep air,
    The heaving speech of air, a summer sound
    Repeated in a summer without end
    And sound alone. But it was more than that,
    More even than her voice, and ours, among
    The meaningless plungings of water and the wind,
    Theatrical distances, bronze shadows heaped
    On high horizons, mountainous atmospheres
    Of sky and sea.

    It was her voice that made
    The sky acutest at its vanishing.
    She measured to the hour its solitude.
    She was the single artificer of the world
    In which she sang. And when she sang, the sea,
    Whatever self it had, became the self
    That was her song, for she was the maker. Then we,
    As we beheld her striding there alone,
    Knew that there never was a world for her
    Except the one she sang and, singing, made.

    Ramon Fernandez, tell me, if you know,
    Why, when the singing ended and we turned
    Toward the town, tell why the glassy lights,
    The lights in the fishing boats at anchor there,
    As the night descended, tilting in the air,
    Mastered the night and portioned out the sea,
    Fixing emblazoned zones and fiery poles,
    Arranging, deepening, enchanting night.

    Oh! Blessed rage for order, pale Ramon,
    The maker’s rage to order words of the sea,
    Words of the fragrant portals, dimly-starred,
    And of ourselves and of our origins,
    In ghostlier demarcations, keener sounds.