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After Action Report on Heritage Auction’s Sale of the Jerry Weist Collection

Monday, September 19th, 2011

Every year or two, Heritage Auctions in Dallas conducts a big auction of a major science fiction book collection. In 2007, it was the Ventura Collection.

The Ventura Collection auction was very successful, and since it occurred right before the advent of The Great Recession, many of the prices achieved in that auction have not since been equaled. (It may also be the first auction catalog Heritage mass-mailed to prospective SF collectors; I had not received any before then.)

In 2008, it was The Robert and Diane Yaspan collection, which included a vast array of SF firsts as well as several SF manuscripts and a few select non-SF firsts, such as many firsts by mystery writer Earle Stanley Gardener.

Later in 2008 was the auction of The Frank Collection, which was mainly SF art, but included a number of notable SF first editions as well.

The just completed auction of the Jerry Weist collection was of the same caliber. There was some original art and pulp magazines in the collection, but the bulk of it was collectible SF/F/H first editions. The auction realized more than $1 million (though a significant fraction of that was for the artworks).

I’m going to talk about some of the more interesting items sold, and how the prices realized compared to comparable copies of the same firsts in previous years. I’ll also mention when I have a copy of the first edition discussed in my own library.

A few general observations:

  • Unlike previous Heritage SF Auctions, there were very few multi-volume lots of less desirable titles. I think Heritage will be selling those books individually on their weekly Internet book auctions.
  • Weist, like myself, settled for less than perfect copies of many difficult titles, including some worn, corner-clipped, or ex-library copies. (By contrast, the vast majority of the Ventura collection were pristine copies.)
  • The Weist collection was very strong in Golden Age and pre-Golden Age authors, but very weak in Hypermodern SF.
  • It was strong in Ray Cummings and Edgar Rice Burroughs (neither of which I collect), Isaac Asimov, John W. Campbell, Arthur C. Clarke, Philip K. Dick, Robert A. Heinlein, William Hope Hodgson (many if not all of the firsts published in his lifetime), Robert E. Howard, Curt Siodmak (more about which anon), Clark Ashton Smith, and Olaf Stapledon.

  • Conversely, assuming the volumes presented in the auction do constitute the cream of the crop and nothing has been held back, it was weak in Jack Vance, Stephen King, Avram Davidson, R. A. Lafferty, Gene Wolfe and (save the two Fahrenheit 451s) Ray Bradbury.
  • I’ve tried to do some trending for various titles here, but there’s a lot of volatility at the high of the market. A book that normally goes for $100-200 might hit $2,000 for a signed copy at auction If two deep-pocketed collectors each need it to complete their collection.

    • Holy Grails

    To me, far and away the most interesting and desirable item was one of only five copies of Stanley G. Weinbaum’s Dawn of Flame to have the unsigned introduction by Amazing editor Ray Palmer. Weinbaum’s widow evidently objected to the introduction, which is why only five copies were so produced. Even the 245 copy Currey B state (with Lawrence Keating’s introduction replacing Palmer’s) is rare enough, and the book is widely considered the first true SF small press book. I don’t believe I’d seen a copy of the Palmer state for sale before, but I think one was sold when the Sam Moskowitz collection was auctioned off (they didn’t send me a catalog). Moreover, this particular copy once belonged to legendary collector and fan Forrest J. Ackerman, and was inscribed by him to Weist. Counting the buyer’s premium (a little shy of 20%, and which I’m going to include for all the other prices listed here), it went for $9,560.00; it wouldn’t have surprised me to see it go for twice that much.

    There were some other SF collecting “holy grails” sold there:

  • One of 50 copies of the signed, presentation hardback state of Ray Bradbury’s Fahrenheit 451, which went for $8,365.00. This represents an increase over the $5,377 a copy fetched in the Yaspan auction.
  • One of 200 asbestos bound copies of Fahrenheit 451 graded Very Good, went for $5,975.00. This represents something of a decline; a Fine copy went $15,535 in the Ventura Collection auction, a Very Good copy in the Yaspan collection went for $8,962, and a Near Fine copy in the Frank auction went for $9,560.
  • To me one of the most surprising outcomes was seeing a signed copy of Philip K. Dick’s Confessions of a Crap Artist go for $5,078.75, since there’s at least one signed copy from the 90 copies originally signed by Dick available online for $1,500. (And I think there were two copies for well under $5,000 when the auction commenced…) I have one of the unsigned firsts, which goes for considerably less.
  • Speaking of Dick, a copy of Do Androids Dream of Electric Sheep? went for $6,572.50, despite tape stains on the jacket folds. I thought the $9,560 fetched by a Near Fine copy in the Ventura auction was outrageous at the time, but the value seems to have held up. (I have an ex-library copy myself, and even Ex-Lib copies list online for two to four grand.)
  • One of only 75 sets of E. E. “Doc” Smith’s History of Civilization, the six volume signed, leatherbound Fantasy Press set (in box, but without lid) went for $5,377.50. A set with the lid went for $5,676.25 in the Yaspan auction.

    • Other Notable Books

    From Holy Grails we move on to books that are merely Really Freaking Expensive. There are usually a few copies of these bumping around on Bookfinder.com, albeit with a comma in the price.

  • A signed copy of Isaac Asimov’s Foundation and Empire ($1,912) went for more than a signed (via bookplate) I, Robot ($1,553.50), probably due to some mild water damage to the latter. A Fine but price-clipped copy of I, Robot went for $2,270 in the Ventura auction, while another imperfect copy went for $1,434 in the Yaspan auction. I, Robot has become by far the hardest to find among the Gnome Press Asimovs.
  • A signed, Near Fine copy of Alfred Bester’s The Demolished Man went for $872.35. I have a Fine copy, but not signed.
  • A merely Very Good copy of Bester’s Tiger! Tiger! (the hardback first of The Stars My Destination) went for $1,015.75, which is probably about market. A Fine copy in the Ventura auction went for $1,792.
  • The late Jack Chalker’s inscribed copy of Hal Clement’s Cycle of Fire went for $1,015.75. The title is harder to find than most of Ballantine Books SF hardbacks of the fifties.
  • Bob Weinberg’s inscribed ex-library copy of Philip Jose Farmer’s Green Odyssey went for a relatively modest $334.60. Like Cycle of Fire, this is one of the most difficult Ballantine Books hardbacks to find, especially for non-ex-library copies. Despite that, a Very Good signed copy failed to sell in the Yaspan auction, while a restored ExLib copy went for $448.13 in the Ventura auction.
  • A Fine, signed copy of the Gollancz (first hardback) edition of William Gibson’s Neuromancer, probably the essential novel of Hypermodern Science Fiction, went for $1,553.50. This is one of the few items for which you can see a clear, unambiguous decline across auctions, as a similarly Fine, signed copy went for $2,695 in the Ventura auction, while a similarly Fine, signed copy went for $2,151 in the Yaspan auction. I have a signed Fine- copy.
  • A copy of Robert A. Heinlein’s Podkayne of Mars went for $985.88. I don’t think it’s quite as good as the copy I just picked up last month for $235.
  • A Very Good+ copy of Heinlein’s Starship Troopers went for $2,270.50. A Fine copy fetched $4,780 in the Ventura auction. I have a very nice Ex-Library copy.
  • A Near Fine copy of Frank Herbert’s Dune went for $4,780. A Fine- copy (a rating I thought was a bit generous, given the rubbing along the dj spine) in the Ventura auction went for $10,755. I have a very worn Ex-Library copy.
  • An inscribed, Near Fine copy of Daniel Keyes’ Flowers for Algernon went for $2,390. A similar copy (though with a tipped-in signature rather than an inscription) went for $1,434. My copy is a bit less fine, and unsigned.
  • A copy of H.P. Lovecraft’s The Outsider and Others (the first Arkham House book and a cornerstone for both SF and horror collections) went for a healthy $3,883.75.
  • Another rare Lovecraft item, an exceptionally nice copy of the Visionary Publishing edition of The Shadow Over Innsmouth, went for a hefty $7,170.00. That’s toward the high end for an unsigned copy (since it was published in Lovecraft’s lifetime, signed copies do exist, and can be had for less than the price of a new Lexus), but there’s a dizzying number of variant states, and I’m not sure which are considered the more desirable among high-end Lovecraft collectors.
  • A Very Good+ copy of Walter M. Miller’s A Canticle for Leibowitz went for $2,031.50, mainly because it has the rare orange promotional band. I have an Ex-Library copy.
  • An inscribed, conservatively graded Very Good copy of the Gollancz (first hardback) edition of Larry Niven’s Ringworld went for $2,390.00. In the Ventura auction, a Fine signed copy went for $5,206.25, while in the Yaspan auction, the better of two copies (not signed) went for $1,792. I have an unusually clean Ex-Lib Gollancz Ringworld, which might pass for Fine save an excised front free endpaper. (Did you know there was an unused dust jacket state for the Gollancz Ringworld? Lord knows how this guy (who I believe also owns this amazing Jack Vance collection) got a copy of it…)
  • A price-clipped copy of Connie Willis’ Doomsday Book went for $507.88. One of the more interesting outliers at the Ventura collection was a Fine signed copy going for an eye-popping $1,912. I have a Fine copy Connie inscribed to me after she attended Turkey City I picked up when it came out at cover price.

    • One of the most puzzling results of the auction was a signed first of Curt Siomdak’s Skyport was initially reported going for a stunning $8,611.17. That’s only about $8,500 more than it’s worth. But now when you go to the auction page for the item itself, it shows a far saner $101.58. I’m assuming there was some sort of glitch.

    Slightly less puzzling was a signed, Near Fine copy of L. Sprague de Camp’s The Wheels of If (which has one of Hannes Bok’s most famous dust jacket illustrations) went for $717, which is a good bit more than it usually goes for; Lloyd Currey has a comparable-to-better signed copy online right now for $150. Before this I had the impression de Camp was out of fashion among collectors (and thus I have been able to pick up a number of signed copies of his work pretty cheap). I suspect this is an outlier.

    Although I bid on several items, I only won one: an Ex-Library first of the UK David Bruce & Watson (first hardback) edition of Richard Matheson’s The Shrinking Man for $95.60. Fine copies go for over a grand.

    Related Topics

    Other science fiction book collecting topics (and glimpses into my own bibliomania) you might find of interest:

  • A description of my own library of science fiction first editions
  • My Books Wanted List
  • Lame Excuse Books, my own side SF/F/H book business, where a discerning collector may find several books of potential interest.
  • Other book related posts (including new acquisitions to my library)

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    Posted in Books, Fantasy, Science Fiction | 8 Comments »

    My Updated Books Wanted List

    Thursday, August 11th, 2011

    I may have mentioned that I have a large library. I started out collecting first edition hardbacks of “hypermodern” (which in my case meant “post-Neuromancer“) science fiction (with some fantasy and horror works and authors thrown in for good measure), and once I had collected everything I wanted there, I started going after every important post-World War II SF work, toward which I’m making significant progress. Hence this list of books I’m still looking for.

    By and large, I don’t buy later printings, copies without dust jackets, copies with price-clipped dust jackets (unless all copies of the true first edition were released that way), copies with facsimile dust jackets, or overly crummy copies. Most of the books I buy are in Fine/Fine condition, but that relaxes a bit the older (and pricier) books become. I have picked up Ex-Library copies in dust jacket when the better copies of the true first can’t be found under a grand. I also only buy first state bindings and dust jackets, unless there’s no priority, or the true first state is insanely rare (such as with Stanley G. Weinbaum’s Dawn of Flame).

    With that in mind, I compiled a list of first editions on my want list, so here’s a significant portion of that list (omitting things available relatively cheap, or hideously expensive), listed alphabetically by author. I also put down all the Manly Wade Wellman and Jack Vance books I was looking for, since I have so many I was having a hard time keeping track of what I had and what I was still missing.

  • Douglas Adams’ The Hitchhiker’s Guide to the Galaxy (Arthur Baker)
  • Isaac Asimov’s I, Robot (Gnome Press)
  • J. G. Ballard’s Crash (Cape)
  • J. G. Ballard’s The Drowned World (Gollancz)

  • Alfred Bester’s Tiger! Tiger! (Sidgwick & Jackson)
  • James Blish’s A Case of Conscience (Faber & Faber)
  • Robert Bloch’s The Opener of the Way (Arkham)
  • Philip K. Dick’s Dr. Bloodmoney (Gregg Press)
  • Philip K. Dick’s Counter-Clock World (White Lion)
  • Philip K. Dick’s Flow My Tears, The Policeman Said (Doubleday)
  • Philip K. Dick’s A Handful of Darkness (Rich & Cowan, 1st state in blue boards stamped in silver, in first state dj (no mention of World of Chance))
  • Philip K. Dick’s The World Jones Made (Sidgwick & Jackson)
  • Philip K. Dick’s World of Chance (Rich and Cowan)
  • Harlan Ellison’s The Fantasies of Harlan Ellison (Gregg Press)
  • Robert A. Heinlein’s Between Planets (Scribner’s, unclipped $2.50 dj)
  • Robert A. Heinlein’s Beyond This Horizon (Fantasy Press)
  • Robert A. Heinlein’s The Door Into Summer (Doubleday)
  • Robert A. Heinlein’s Farmer in the Sky (Scribner’s)
  • Robert A. Heinlein’s Glory Road (Putnam)
  • Robert A. Heinlein’s Methuselah’s Children (Gnome, 1st state binding, 1st state dj)
  • Robert A. Heinlein’s The Puppet Masters (Doubleday)
  • Robert A. Heinlein’s Red Planet (Scribner’s)
  • Robert A. Heinlein’s Rocket Ship Galileo (Scribner’s, unclipped $2.00 dj)
  • Robert A. Heinlein’s The Star Beast (Scribner’s, unclipped $2.50 dj)
  • Robert A. Heinlein’s The Unpleasant Profession of Jonathan Hoag (Gnome)
  • Robert A. Heinlein’s Waldo & Magic Inc. (Doubleday)
  • Robert E. Howard’s The Coming of Conan (Gnome Press)
  • Robert E. Howard’s The Dark Man (Arkham House)
  • Robert E. Howard’s Skull-Face and Others (Arkham House)
  • R. A. Lafferty’s Horns on Their Head (Pendragon Press HB)
  • R. A. Lafferty’s Funnyfingers & Cabrito (Pendragon Press HB)
  • Joe R. Lansdale (as Ray Slater)’s Texas Night Riders (Chivers)
  • Fritz Leiber’s Two Sought Adventure (Gnome)
  • Fritz Leiber’s The Secret Songs (Rupert Hart-Davis)
  • H. P. Lovecraft’s The Outsider and Others (Arkham House)
  • Richard Matheson’s Born of Man and Woman (Chamberline Press)
  • Richard Matheson’s The Shrinking Man (David Bruce and Watson)
  • Chad Oliver’s Another Kind (Ballantine HB)
  • Chad Oliver’s Shadows in the Sun (Ballantine HB)
  • Mervyn Peake’s Titus Groan (Eyre & Spottiswoode)
  • Mervyn Peake’s Gormenghast (Eyre & Spottiswoode)
  • Mervyn Peake’s Titus Alone (Eyre & Spottiswoode)
  • Jack Vance’s Araminta Station (Underwood Miller)
  • Jack Vance’s The Deadly Isles (Bobbs-Merrill)
  • Jack Vance’s The Dragon Masters (Dennis Dobson)
  • Jack Vance’s Ecce and Old Earth (Underwood Miller)
  • Jack Vance’s Four Men Called John (Gollancz)
  • Jack Vance’s The Houses of Iszm (Underwood Miller)
  • Jack Vance’s The House on Lily Street (Underwood Miller)
  • Jack Vance’s The Eyes of the Overworld (Gregg Press)
  • Jack Vance’s The Last Castle (Underwood Miller)
  • Jack Vance’s The Many Worlds of Magnus Ridolph (Dennis Dobson)
  • Jack Vance’s Monsters in Orbit (Dennis Dobson)
  • Jack Vance’s Seventeen Virgins/A Bagful of Dreams (Underwood Miller HB)
  • Jack Vance’s Showboat World (Underwood Miller)
  • Jack Vance’s Son of the Tree (Underwood Miller)
  • Jack Vance’s Strange Notions/The Dark Ocean (Underwood Miller)
  • Jack Vance’s To Live Forever (Ballantine Books HB)

  • Jack Vance’s Vandals of the Void (Winston)
  • Jack Vance (as Alan Wade)’s Take My Face (Mystery House)
  • Jack Vance (as Peter Held)’s Isle of Peril (Mystery House)
  • Stanley G. Weinbaum’s A Martian Odyssey and Others (Fantasy Press)
  • Manly Wade Wellman’s Carolina Pirate (Washburn)
  • Manly Wade Wellman’s Clash on the Catabwa (Washburn)
  • Manly Wade Wellman’s The Ghost Battalion (Washburn)
  • Manly Wade Wellman’s Gray Riders (Aladdin)
  • Manly Wade Wellman’s Haunts of Drowning Creek (Holiday House)
  • Manly Wade Wellman’s Jamestown Adventure (Washburn)
  • Manly Wade Wellman’s Mystery at Bear Paw Gap (Washburn)
  • Manly Wade Wellman’s Napoleon of the West (Washburn)
  • Manly Wade Wellman’s The South Fork Rangers (Washburn)
  • Manly Wade Wellman’s The Specter of Bear Paw Gap (Washburn)
  • Gene Wolfe’s The Grave Secret (Portentous Press chapbook)
  • Gene Wolfe’s The Old Woman Whose Rolling Pin Was the Sun (Cheap Street chapbook)
  • Roger Zelazny’s Damnation Alley (Putnam)

    • If you have nice copies any of the above, and if you’re willing to sell it to me considerably cheaper than can be found on Bookfinder.com, drop me an email at lawrenceperson@gmail.com and I’ll consider it.

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    Posted in Books, Fantasy, Horror, Science Fiction | 3 Comments »

    Lawrence Person’s Library: Reference Books (Part 2: Oversized Books)

    Tuesday, June 21st, 2011

    And here’s the second part of my series on my reference library. The last installment dealt with the books I reach for most often. The reference works listed in this post share only size, being too big for most of my other shelves, which is why they’re filed here. Some of these (the Nevins, the first two Bleilers) get a lot of use, while others almost never get taken down (things that have been superseded by both the Internet and the two Clute encyclopedias).

    (Click to embiggen.)

    I’m not going to do a full run-down of publication dates, etc. for everything, but here’s a general overview of what’s here:

  • Harris-Fain, Darren, editor. British Fantasy and Science-Fiction Writers before World War I (Gale Dictionary of Literary Biography Volume 178). Eclectic selection, but a very solid work for the writers (about half the volume) who aren’t well-covered in other references.
  • Bleiler, Everett F. Science Fiction: The Early Years and Science Fiction: The Gernsback Years. Kent State University Press, 1990/1998. Absolutely essential for anyone with an interest in the early years of the field.
  • Bleiler, Everett F. Science Fiction Writers. First and second editions. Superseded by the two Clute Encyclopedias.
  • Smith, Curtis S., et. al. (editor) Twentieth Century Science Fiction Writers. Ditto.
  • Vinson, James and D.L. Kirkpatrick, editors. Twentieth Century Western Writers. It was cheap. Like, $2 at a library sale cheap…
  • Tuck, Doanld H. The Encyclopedia of Science Fiction and Fantasy. Two volumes. Another book set superseded by the two Clute Encyclopedias.
  • Nevins, Jess. The Encyclopedia of Fantastic Victoriana. MonkeyBrain Books, 2005. Extremely useful work, but not quite worth the $2,000 some people are asking for online…
  • Bell, Joseph. Les Bibliotheques Howard Phillips Lovecraft (Volumes 1-8). Soft Books, 1984-1987. Weird, eight volume, stapled paper-wrappers collection of various H. P. Lovecraft-related bibliographic tidbits. Huge overlap with the Joshi bibliography and the catalog of the Grill-Berkin collection (both of which I have), but some odd and interesting information for the Lovecraft fanatic (of which there are many). I will probably do a separate post on my collection of Lovecraft reference works sometime in the indeterminate future…
  • Sidney-Fryer, Donald. Emperor of Dreams: A Clark Ashton Smith Bibliography. Donald M. Grant, 1979. If this isn’t the most irritatingly organized single-author bibliography of all time, it’s not for want of trying…
  • Grant, Donald M. Talbot Mundy: Messenger of Destiny. Donald M. Grant, 1983. Just picked this up, so it’s still in the shrinkwrap…
  • Day, Bradford M. Materials Toward a Bibliography of the Works of Talbot Mundy. Science-Fiction & Fantasy Publications, 1955. My copy was beat to hell when I got it, and it was regarded as not entirely accurate even when it was produced. A historical curiosity only.
  • Pringle, David. St. James Guide to Horror, Ghost and Gothic Writers. St. James Press, 1998. A lot less superseded than the SF & Fantasy works, but unless it’s something quite modern, I’ll generally reach for Bleiler’s The Guide to Supernatural Fiction instead.
  • Hall, Hal. Science Fiction Book Review Index, 1974-1979. Gale, 1981. If you need it (and you know who you are), you need it.
  • Spignesi,Stephen J. Shape Under the Sheet: The Complete Stephen King Encyclopedia. Popular Culture Ink., 1991. A mixture of the really useful and the completely worthless.
  • Wiater, Stanley, Christopher Golden and Hank Wagner. The Stephen King Universe: A Guide to the Worlds of Stephen King. Cemetery Dance, 2001. Signed, slipcased edition. I don’t have too many King reference works, but I’ve got these two. (Plus Hank use to do a lot of reviews for me back in the Nova Express days.)
  • Hawk, Pat. Hawk’s Science Fiction, Fantasy & Horror Series & Sequels. Hawk’s Enterprises, 2001. Not perfect, but nothing else really covers so much information for this particular area.
  • Stableford, Brian. The Dictionary of Science Fiction Places. Simon & Schuster, 1999. A solid work, but I almost never find myself consulting it.
  • Turner, George R. (Bruce Gillespie, editor) SF Commentary 76: The Unrelenting Gaze: George Turner Non-Fiction: A Selection. A hefty selection of commentary, reviews, etc. from the dean of Australian SF writers. The full text is available online.
  • Wright, H. Stephen. Philip K. Dick: A Secondary Bibliography, 1960-1983. Just what it says. Bound pages. Not a particularly common work. Like Lovecraft, I plan on doing a future post on my Philip K. Dick reference works.
  • Shoaf, Eric C. Collecting William S. Burroughs in Print: A Checklist. Ratishna Books, 2000. Bought this off eBay back around 2001, and was initially disappointed that it was just bound pages, but this is actually a really solid bibliography. For example, there’s an in-depth history of the Grove Press publication of Naked Lunch.
  • Bradbury, Ray. Futuria Fantasia. Graham, 2007. Hardback reproduction of four issues of an early fanzine Bradbury published. I’m guessing the green ink is designed to matched the original look of the fanzine, but man, it’s really hard on the eyes…
  • Collins, Paul, editor. The MUP Encyclopaedia of Australian Science Fiction & Fantasy. Melbourne University Publishing, 1998. Felt compelled to pick this up after I published a very scathing John Clute review of it in Nova Express.
  • Science Fiction Bibliography, Volume 1, Number 1 (and only). Science Fiction Syndicate, 1935. A curiosity, being the first published science fiction bibliography on record (and published here in Austin, no less). Mainly reviews fanzine and magazines you’ve never heard of, condemning some as complete worthless. No author listed, but it was apparently a D. R. Welch, the first used SF book dealer in Austin. Picked up for $35 back when Currey was asking $100 for it. Mainly useful as something to pull out for guests and go “Look! The first published SF bibliography!” and watch them nod indulgently.

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    Posted in Austin, Books, Fantasy, Horror, Science Fiction | 2 Comments »

    Lawrence Person’s Library: Reference Books (Part 1)

    Tuesday, June 14th, 2011

    I haven’t posted much the last week because I’ve been busy doing this and that, and one of the things I’ve been busy with is a long-overdue cleanup of my office, including doing something about those Nova Express review copies cluttering it up. Now that I’ve finally finished moving books around, and gotten a new camera (a Kodak Slice) to replace the one that died, I thought I would put up some long-overdue pictures of the books in my office, starting with the reference shelf right next to my computer, which contains the reference works I tend to reach for most often.

    (Click to embiggen.)

    Going left to right (left being the side closest to the computer, and thus the books I reach for most often) are:

  • Currey, L.W. Science Fiction and Fantasy Authors: A Bibliography of First Printings of Their Fiction. G. K. Hall, 1978. The bible of the field, and absolutely essential for any serious collector of science fiction first editions. Only goes up to 1978. For dates after 1983, you can use The Locus Online Database. Currey also sells a slightly updated CD-ROM version, which still only goes up to 1978. (Now if only someone would compile a book that covers 1979-1983…)
  • Chalker, Jack & Owings, Mark. The Science Fantasy Publishers: A Critical and Bibliographic History. Mirage Press, 1991 (“Third Edition Revised and Enlarged”). If you’re a serious SF collector, you need this. The problem is, you can’t trust it. No other reference work offers the wealth and scope of knowledge of SF small press publishers that this one does. There’s a lot of good information in here. The print edition shown above had major errors and omissions, and a very odd organizational structure, not to mention several sneers and the constant sound of ax-grinding for SF figures the authors disagree with; the CD-ROM version is more accurate, but no longer up to date as both Chalker and Owings have died. What this book is best for is the chatty, informative histories of the various publishing houses listed here. (If nothing else, I can unstintingly recommend this book for anyone thinking of starting up their own small press, as it provides numerous examples of what not to do.) It’s also quite useful for uncovering titles and publishers you might not have known existed before. In summary: A valuable tool for those who possess enough experience in the field to know which parts to take with a grain of salt.
  • Clute, John, & Nichols, Peter. The Encyclopedia of Science Fiction. St. Martins, 1993 (first U.S. edition, offset from the same plates as the Orbit (UK) first). An absolutely essential general reference work.
  • Clute, John, & Grant, John. The Encyclopedia of Fantasy. St. Martins, 1997 (first U.S. edition). Slightly more scattershot than the above, but still an essential guide.
  • Reginald, Robert. Science Fiction and Fantasy Literature: Indexes to the Literature, Science Fiction and Fantasy Literature:Contemporary Science Fiction Authors, and Science Fiction and Fantasy Literature: 1975 to 1991. Gale Research, 1980, 1981, 1992. Not the first reference work I reach for, but contains a lot of information that has slipped through the cracks of other works.
  • Levack, Daniel. Amber Dreams: A Roger Zelazny Bibliography. Underwood Miller, 1983. The first of the single-author bibliographies.
  • Levack, Daniel. PKD: A Philip K. Dick Bibliography. Underwood Miller, 1981. I have a copy of the trade paperback edition for sale over on the Lame Excuse Books page.
  • Hewett, Jerry. The Work of Jack Vance: An Annotated Bibliography & Guide. Borgo Press/Underwood Miller, 1994. I know Jerry pretty well, and not only has he signed my copy, he crossed out “Borgo” and wrote in “Bozo” on the title page. I think he had some problems dealing with them…
  • Bleiler, Everett F. The Checklist of Science-Fiction and Supernatural Fiction. Firebell, 1978. Slightly updated edition of Bleiler’s classic Checklist of Fantastic Fiction (which I have on another shelf), and an absolutely essential reference work for older SF/F/H books.
  • Joshi, S. T. Sixty Years of Arkham House. Arkham House, 1999. Not 100% accurate, but essential none the less.
  • Bleiler, Everett. The Guide to Supernatural Fiction. Kent State University Press, 1993. Very good, and very solid, as a general reference work, but not really concerned with first edition points.
  • Locke, George. Spectrum of Fantasy I-III. Ferret Fantasy, 1980-2002. Perhaps the only SF dealer as knowledgeable as Currey. These are Locke’s descriptions of his own personal library of fantastic fiction. Quite enjoyable works, and George is a nice guy.

    • One guideline I’d offer aspiring SF/F/H book collectors is: Don’t skimp on the reference works. Some of these books can be expensive, but all it takes is one real find (or one expensive dud avoided) for a good reference work to pay for itself.

    More pictures of my reference library when I have the time…

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    Posted in Books, Fantasy, Horror, Science Fiction | 6 Comments »

    Library Additions: January 16—May 24, 2011

    Tuesday, May 24th, 2011

    Time for another roundup on my serious mental illness the latest acquisitions for my professional science fiction library since the last time I listed them. All these are first edition hardbacks in Fine condition, with Fine dust jackets, unless otherwise listed.

    Books that I have available for sale through Lame Excuse Books are marked LEB (though a few of those titles won’t appear on the stock page until after I send out my next book catalog).

    I’ve included scans of a few of the more uncommon titles.

  • Bacagalupi, Paolo. The Alchemist. Subterranean Press, 2011. LEB
  • Banks, Ian M. The Spheres. Novacon, 2010. Chapbook, Fine, with Novacon 40 program book.

  • Bear, Elizabeth. The White City (with Twilight chapbook). Subterranean Press, 2011, one of 200 signed, numbered copies, with chapbook, a Fine copy in a Fine dust jacket.
  • Blaylock, James P. The Affair of the Chalk Cliffs. Subterranean Press, 2011. One of 1,500 signed copies, a Fine copy in a Fine dust jacket. LEB
  • Brackett, Leigh. Lorelei of the Red Mist: Planetary Romances. Haffner Press, 2007.
  • Brackett, Leigh. Martian Quest: The Early Brackett. Haffner Press, 2002.
  • Buckell, Tobias S. The Executioness. Subterranean Press, 2011. First edition hardback, one of 300 signed and numbered copies, a Fine copy in a Fine dust jacket. LEB
  • Cady, Jack. Rules of ’48. Night Shade Books, 2008. Trade paperback original.
  • Dick, Philip K. Clans of the Alphane Moon. Gregg Press, 1979. Fine, sans dust jacket, as issued. Replaced an Ex-Library copy.
  • Dick, Philip K. The Complete Stories of Philip K. Dick Volume 1: The King of the Elves. Subterranean Press, 2011. LEB
  • Eshbach, Lloyd Arthur. Over My Shoulder: Reflections on a Science Fiction Era. Oswald Train, 1983. Non-fiction.
  • Grant, Donald M. Talbot Mundy: Messenger of Destiny. Donald M. Grant, 1983. Non-fiction.
  • Heinlein, Robert A. Assignment in Eternity. Fantasy Press, 1953. See here for full details.
  • Howard, Robert E. The Horror Stories of Robert E. Howard Subterranean Press, 2011. One of 750 copied signed and numbered by the artist, a Fine copy in a Fine dust jacket, in slipcase. LEB
  • King, Stephen. Little Sisters of Eluria. Donald M. Grant, 2009. First edition hardback, one of 4000 artist’s copies signed by Michael Whelan, a Fine copy in a Fine dust jacket and slipcase.
  • Kuttner, Henry. Terror in the House: The Early Kuttner, Volume One. Haffner Press, 2010. LEB
  • Kuttner, Henry, and C. L. Moore. Detour to Otherness. Haffner Press, 2010.
  • Lake, Jay. The Baby Killers PS Publishing, 2010. First edition hardback, a Fine copy in decorated boards, sans dust jacket, as issued. LEB
  • Lansdale, Joe R. Christmas with the Dead PS Publishing, 2010. First edition hardback, one of 300 copies signed and numbered by Lansdale, a Fine copy in decorated boards, sans dust jacket, as issued. LEB
  • Lansdale, Joe R. Christmas with the Dead PS Publishing, 2010. First edition hardback, a Fine copy in decorated boards, sans dust jacket, as issued. Trade edition. Signed by Lansdale. LEB
  • Lansdale, Joe R. Devil Red. Knopf, 2011. Inscribed, with promotional postcard laid in.
  • Lansdale, Joe R. Dread Island. IDW, 2010. First edition hardback, one of 500 copies with signed square bound in, a Fine copy in a Fine dust jacket.
  • Lansdale, Joe R. Hyenas. Subterranean Press, 2011. One of 400 signed, numbered copies. LEB
  • Lansdale, Joe R. Hyenas. Subterranean Press, 2011. Trade edition. Signed by Lansdale.
  • Lansdale, Joe R. The Magic Wagon. Chivers Press, 1988. First British Edition. Fine in decorated boards, sans dust jacket, as issued. Signed by Lansdale.
  • Leicht, Stina. Of Blood and Honey. Night Shade Books, 2011. First edition trade paperback original, Fine. Inscribed by the author. LEB
  • Moorcock, Michael. The Vanishing Tower. Archival Press, 1981. A Fine copy, sans dust jacket, in slipcase, as issued.
  • Moore, Ward. Cloud by Day. Heinemann, 1956. First edition hardback, a near Fine copy with non-authorial gift inscription, in a Near Fine dust jacket with faint spots of foxing to inner flaps and a bit of edgewear and crinkling at head.

  • Morris, Mark, editor. Cinema Futura. PS Publishing, 2010. Non-fiction.
  • Powers, Richard. The Gold Bug Variations. William Morrow, 1991.
  • Robinson, Kim Stanley. The Best of Kim Stanley Robinson. Night Shade Books, 2010. LEB
  • Rucker, Rudy. Jim and the Flims. Night Shade Books, 2011.
  • Shea, Michael. The Autopsy and Other Tales. Centipede Press, 2009. One of 500 copies signed by Shea, Fine, sans dj, as issued.
  • Sheckley, Robert E. Immortality Delivered. Avalon Books, 1958. A Fine copy in a Near Fine dust jacket with moderate spine-fading.

  • Stephenson, Neal. Zodiac: The Eco Thriller. Subterranean Press, 2011. First hardback edition, one of 500 copies signed by Stephenson, a Fine copy in a Fine dust jacket, new and unread, in slipcase. LEB
  • Straub, Peter. Sides. Cemetery Dance, 2007. Signed by Straub. Non-fiction.
  • Swanwick, Micheal. Dancing With Bears. Night Shade Books, 2011. LEB
  • Totten, Michael. The Road to Fatima Gate. Encounter Books, 2011. Signed by the author. Non-fiction.
  • Vance, Jack. Dangerous Ways. Subterranean Press, 2011. Omnibus edition.
  • Vance, Jack. Trullion: Alastor 2262 with Marune:Alastor 993 with Wyst: Alastor 1716. Underwood/Miller, 1984. First hardback editions, Fine copies in Fine dust jackets, in slipcase (though these are the unsigned editions, the slipcase appear to be the one they issued for the signed edition).
  • Williamson, Jack. The Collected Stories of Jack Williamson Volume 4: Spider island. Haffner Press, 2002.
  • Williamson, Jack. The Collected Stories of Jack Williamson Volume 7: With Folded Hands and Searching Mind. Haffner Press, 2010.
  • Zelazny, Roger. Blood of Amber. Underwood-Miller, 1986. First edition hardback, one of 500 signed/numbered copies, a Fine copy in a Fine dust jacket, in a Fine slipcase.

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    In Which I Disappoint a Google Searcher

    Thursday, April 21st, 2011

    One of the things the WordPress stats package shows you is which Google search terms people use to reach your site. It is my suspicion that whoever was searching for “pictures of a person’s dick” was most likely bitterly disappointed at these scans of my Philip K. Dick first editions…

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    Posted in Books, Science Fiction | No Comments »

    The Lame Excuse Books Catalog for March 2011

    Thursday, March 31st, 2011

    Greetings, and welcome to the latest installment of Lawrence Puts The Latest Book Catalog Up as a Whopping Big Block of Text Without Any Formatting. All these are available for sale. (Check out the Lame Excuse Books page for my previous stock and payment details.)

    Hardbacks

    LP1872. Anderson, Poul. The Collected Short Works of Poul Anderson Volume 3: The Saturn Game. NESFA Press, 2010. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. Bob Eggleton cover. I still have one copy of Volume 2 around if you need one. $26.

    LP1247. Attanasio, A. A. Radix. William Morrow and Company, 1981. First edition hardback, an Ex-Library copy, some of the usual flaws (see Ex-Library Note), including stamps on all three edges, interior stamps and dj protector remnants inside front and rear covers, a slight bit of spine lean, and a slight bit of wear at heel; however, the dust jacket is in Near Fine shape, with moderate, slightly uneven (from a successful sticker removal that left no other signs) sunfading to spine, but otherwise complete and very attractive. Spine out, there is no sign this is an Ex-Library copy. The true first hardback edition of Attanasio’s first book (and a Nebula Finalist), and very uncommon thus (reportedly only 1000 hardbacks were done). $100.

    LP1874. Bacagalupi, Paolo. The Alchemist. Subterranean Press, 2011. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. Novella set in the same fantasy universe as Tobias Buckell’s simultaneously published The Executioness. $18.

    LP1875. Buckell, Tobias. The Executioness. Subterranean Press, 2011. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. Novella set in the same fantasy universe as Paolo Bacagalupi’s simultaneously published The Alchemist. $18

    PBTBCombo1: Pick up both The Executioness and The Alchemist for $35.

    LP1519. Bradbury, Ray. Moby Dick: A Screenplay. Subterranean Press, 2008. First edition hardback, a Fine copy in a Fine dj, new and unread, still in publisher’s shrinkwrap. The basis of the John Huston movie. $29.

    LP1456. Brite, Poppy Z. Antediluvian Tales. Subterranean Press, 2007. First edition hardback, one of 400 numbered copies signed by Brite in a better binding with marbled endpapers, a Fine copy in a Fine dj, new and unread. Collection of short stories all written before her home town of New Orleans was flooded. $35.

    LP1253. Bujold, Lois McMaster. Falling Free. Easton Press, 2001. First edition hardback thus (“Collectors Edition”), and first non- book club hardback edition, a Fine- leatherbound copy, new and unread (though with a slight “scratch” to top edge gilt finish), sans dj, as issued. Winner of the Nebula Award for Best Novel. This edition contains a new introduction by James Gunn, as well as original artwork. Easton Press “Collector’s Notes” laid in. Precedes the NESFA edition by several years. $49.

    LP1838. Butler, Octavia. Patternmaster. Doubleday, 1976. First edition hardback, a Near Fine copy with previous owner’s signature on inside front cover and slight spine lean (but NO remainder spray) in a Near Fine dust jacket with a few tiny scratches and abrasions, tiny bit of foxing on interior flap edges, and foxing to blind side of dust jacket spine. Still a very attractive and presentable first edition of Butler’s first book. $60.

    LP1053. Campbell, Ramsey. The Overnight. PS Publishing, 2004. First edition hardback, a Fine copy in a Fine dj, one of 500 limited copies signed by Campbell (plus an additional 200 slipcased), new and unread. Full length horror novel set in a bookshop. What self-respecting book junkie can resist that? Only have one. $30.

    LP889. Campbell, Ramsey (Poppy Z. Brite). Told By the Dead. PS Publishing, 2003. First edition hardback, one of 500 numbered “trade” hardbacks signed by Campbell and Introduction author Poppy Z. Brite, Fine in a Fine dj, new and unread. Full length short-story collection. Had an extra around a while I forgot to list. $35.

    LP1385. Card, Orson Scott. Ender’s Game. Tor, 1985. First edition hardback, an externally clean Ex-Library copy, with dj flaps formerly attached to book, pocket removal on FFE, and discard stamp on title page, otherwise VG with slight spine lean and slight wear at heel, in a Fine Mylar-protected dust jacket. Formerly my own personal copy. Far and away the most difficult domestic Hugo and Nebula winner of the last quarter century; you’d have to go back to Lord of Light in 1968 to find a domestic Hugo & Nebula winner that goes for more. $495

    LP1628. Carey, Jacqueline. Kushiel’s Dart. Tor, 2001. First edition hardback, a Fine- copy with slight dust staining to head in a Fine- dj with just a tiny trace of wear at the top outer tips. First in the Kushiel series. Supposedly very good, very popular, and very kinky. $35.

    LP48. Carter, Raphael. The Fortunate Fall. Tor, 1996. First edition hardback, Fine/Fine-, unread, with trace of wear to matte black cover. One of the best first novels of the 1990s. Recommended. $10.

    LP655. Cherryh, C. J. Cyteen. Warner Books, 1988. First edition hardback, an Ex-Library copy, with all the usual flaws, otherwise G+/NF+ with spine lean, significant wear to bottom boards, long black marker line on heel, spine leaned and slightly concave. Well-worn, but an attractive dj for an Ex-Lib, and a true first of a Hugo winner. $8.

    LP1386. Clarke, Arthur C. Earthlight. Ballantine Books, 1955. First edition hardback (no statement of printing on copyright page, as per Currey), an Ex-Library Copy, with two lines of black marker on half title page, small stamp and writing on copyright page, “Salvage” stamp on FFE, pocket and stamps on RFE, and tape ghosts to boards, otherwise VG- with moderate dust soiling to top page block and wear to bottom boards in a VG+ dust jacket with 1″ x 2″ yellowed repair tape to head to repair what appears to be two 1/2 x 1/8″ sections of dj loss along front and rear join folds; save for that, this is a very attractive dust jacket in a Mylar protector that shows no signs of being from an Ex-Lib copy, and save the tape, the rear white panel appears to be free of the usual soiling. All and all, better than a shelf-filing copy of one of Clarke’s better novels, depicting a military conflict centered around a moon colony and near-Earth orbit. The Ballantine Books hardbacks of this era had very small runs compared to the simultaneous paperback editions; while this is not quite as hard to find as Childhood’s End, it’s hard enough. $225.

    LP1119. De Camp, L. Sprague. Time & Chance. Donald M. Grant, 1996. First edition hardback, a Fine copy in a Fine dj, new and unread. De Camp’s massive, Hugo-award winning autobiography. $24.

    LP1878. Dick, Philip K. The Complete Stories of Philip K. Dick Volume 1: The King of the Elves. Subterranean Press, 2011. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. If you don’t have the Underwood/Miller Collected PKD set, then you need this. If you do, you should know that is expanded from the edition, incorporating new story notes, and two added tales, one previously unpublished, and one uncollected. So if you’re a serious Dick fan, you probably need this as well… $37.

    LP1395. Dick, Philip K. Voices from the Street. Tor, 2007. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. Dick’s last previously unpublished novel (or at least the last for which a manuscript is known to exist). David Hartwell tells me that it’s actually much better than it’s reputation. $12.

    LP1260. Disch. Thomas M. The Prisoner. Dennis Dobson, 1979. First hardback edition, an Ex-Library copy, with faint signs of pocket removal from FFE, and stamps to copyright page, in an otherwise VG copy with spine lean, slight wear at heel, and a half a dime-sized stain to RFE, in a VG+ dj with no visible Ex-Lib signs, some slight 1/8″ or less chipping at head and heel spine joins, and a touch of darkening along top and bottom dj edges. Quite a presentable copy, actually. Based on the cult TV show starring Patrick McGoohan. $25.

    LP658. Dozois, Gardner. Strange Days: Fabulous Journeys with Gardner Dozois. NESFA Press, 2001. First edition hardback, Fine in Fine dj, new and unread. A short story collection, not completely overlapping with Slow Dancing Through Time and Geodesic Dreams. This also includes his 1995 travel diary, his novel Strangers, and introductions to the works by people like Michael Swanwick, George R. R. Martin, Ian MacLeod (whose name is misspelled on the back cover), Kim Stanley Robinson, Robert Silverberg, etc. Gardner is such an excellent and influential editor that it’s easy to forget what a fine writer he was before taking over Asimov’s. You need it. Signed by introduction author Connie Willis. $24.

    LP1334. Dozois, Gardner, editor (with Bruce Sterling, Howard Waldrop, Lucius Shepard, Michael Swanwick, William Gibson, Frederik Pohl, Bruce Sterling, John Crowley, Orson Scott Card, Karen Joy Fowler, Robert Silverberg, James Patrick Kelley, Avram Davidson, Nancy Kress, Joe Haldeman, Walter John Williams, James Tiptree, Jr., George R. R. Martin, Lucius Shepard, R. A. Lafferty, Pat Cadigan, James P. Blaylock, Lewis Shiner, Kim Stanley Robinson). The Year’s Best Science Fiction: Third Annual Collection. Bluejay, 1986. First edition hardback, a Fine copy in a Fine- dj with one 1/2″ closed tear at top front (right through the dj protector). Signed by Haldeman, Sterling and Waldrop. Man, look at that list of names above! If you want to know why Dozois won more Best Editor Hugos than anyone else, here’s a good place to start. With the exception of S. C. Sykes, every single person in this collection was or is a major writer in the field, even though many were just starting out when he picked these stories. This is one of the strongest of all the Year’s Bests he’s done. All the Bluejay Year’s Best volumes are hard to find now in any state or condition, and hardbacks firsts are nearly impossible. Highly recommended. $115.

    LP1527. Egan, Greg. Incandescence. Gollancz, 2008. First edition hardback, a Fine copy in a Fine- dj with a tiny bit of crimping at head, new and unread. Far future SF novel, and the first in several years for Egan. Precedes the Night Shade edition. Gollancz seems to have cut back drastically on their hardback print runs; this came out May 15, and was already OP in hardback on June 1, and I had to scramble around to find some in the UK. $49.

    LP1836. Egan, Greg. Zendegi. Night Shade Press, 2010. First U.S. edition hardback, a Fine copy in a Fine dust jacket, new and unread. Egan’s latest novel, set in a post-theocracy Iran and a popular virtual reality game. $15.

    LP1688. Farmer, Philip Jose. The Other in the Mirror. Subterranean Press, 2009. First hardback edition (and first thus), a Fine copy in a Fine dust jacket, new and unread. Collects three novels (Fire and the Nigh, Jesus on Mar, and Night of Light), previously published as paperback originals. Only have one. $35.

    LP487. Fuentes, Carlos. The Good Conscience. Ivan Oblensky, Inc., 1961. First edition hardback (“First Printing” stated), an Ex-Library copy will all the usual flaws, otherwise G+/NF- with wear to head and heel as well as a thin line staining at top and bottom boards (almost certainly from an old style library dust jacket protector), front hinge starting to crack and shallow chipping at dj head. His second novel. $15.

    LP1879. Garton, Ray. Darklings. Bloodletting Press, 2004. First hardback edition, one of only 300 signed, numbered copies, a Fine copy in a Fine dust jacket, new and unread. $30.

    LP1461. Gaiman, Neil (Gahan Wilson). M is for Magic. Subterranean Press, 2007. First Limited Edition, one of 1000 copies signed by Gaiman and illustrator Gahan Wilson, a Fine copy in a Fine dj, new and unread. New collection of stories, theoretically of the children-friendly variety, but I’m sure all Neil’s fans will want a copy, especially given the usual wonderful Gahan Wilson illustrations. List price is $60. Your price: $45.

    LP1785. Gentle, Mary. Ash: A Secret History. Gollancz, 2000. First edition hardback (the American edition was broken up into four paperback volumes, the first volume of which preceded this), a Fine- copy with a few pinhead sized spots of black ink to the front free endpaper (transfer from a former magic marker over the price on the dust jacket that wiped right off, leaving no sign on the dust jacket itself) and one page with the very tip slightly dog-eared, in a Fine- dust jacket with one tiny wrinkle at head, and one very faint brownish spot, smaller than a half dime, at the top of the inner flap; just short of a perfect copy, as these are all extremely minor flaws. Huge (1,110+ page), ambitious fantasy (with science fiction elements) about a female mercenary captain in a middle ages very different from our own (a world where a Visigothic Carthage not only never fell, but which lives under the Penitence, a sort of supernatural perpetual twilight), framed by a scholar reading the manuscript of same, only to find elements of this divergent reality leaking into our own. Recommended. $65.

    LP1058. Glass, Julia. Three Junes. Pantheon, 2002. First edition hardback (numberline goes down to I, “First Edition” statement present) in a first state dj (no mention of Good Morning America), a Fine-/Fine- copy with just the barest trace of bumping at head and heel, and a phantom wrinkle to top front cover just above title. National Book Award winner. $10.

    LP1880. Hamilton, Edmund. The Complete Edmund Hamilton, Volume One: The Metal Giants and Others. Haffner Press, 2010. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. First volume of the collected stories of this early science fiction giant, whose career started before and continued into the Golden Age. I’ve picked up a few Haffner Press titles to see how they sale, and like all of them this is a big fat, square book. Only have one. $5 off cover price. $35.

    LP1404. Hand, Elizabeth. Illyria. PS Publishing, 2006. First edition hardback, one of less than 400 signed copies (limited to Postscripts subscribers, plus 200 unnumbered copies, of which this is one), Fine in decorated boards, sans dj, as issued. This year’s Postscripts Christmas special. Only have one. $30.

    LP1690. Harris, Charlaine. The Julius House. Scribner, 1995. First edition hardback, a Near Fine+ copy with small previous owner’s name in blue ink on FFE and slight spine lean, in a Near Fine+ dj with a slight crimping at head and heel and some slight, non-breking creasing to back top and back fold, otherwise fairly nice. Part of the Aurora Teagarden mystery series by the author of the enormously popular Sookie Stackhouse vampire books. $34.

    LP1534. Heinlein, Robert A. Project Moonbase and Others. Subterranean Press, 2008. First edition hardback, one of only 750 copies signed by introducer John Scalzi and illustrator Bob Eggleton, a Fine copy in a Fine dj, new and unread. A huge, 546 page volume containing the screenplay for the SF film of the same name, plus eleven finished teleplays and two story outlines for a projected television show. This, and a forthcoming companion volume, are the last unpublished Heinlein material existent, and 750 is a pretty puny print run considering the huge number of Heinlein fans. No unsigned edition. $60.

    LP1637. Hodgson, William, Hope. The Collected Fiction of William Hope Hodgson Volume 5: The Dream of X and Other Fantastic Visions. Night Shade Press, 2009. First edition hardback, a Fine copy in decorated boards, sans dj, as issued. Fifth and final volume of the collected Hodgson. The first printings of all the rest are out of print. $28.

    LP1881. Kuttner, Henry. Terror in the House: The Early Kuttner, Volume One. Haffner Press, 2010. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. Kuttner was one of the greats, did his best work in short fiction, and is an under-appreciated writer today, so I’m glad to see Haffner collecting all his stories. Only have one. $5 off cover price. $35.

    LP1882. Kuttner, Henry, and C. L. Moore. Detour to Otherness. Haffner Press, 2010. Haffner Press, 2010. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. Moore was another great writer who did her best work in short fiction, and the two of them together were usually pretty damn good. Only have one. $5 off cover price. $35.

    LP1640. King, Stephen. Stephen King Goes to the Movies. Subterranean Press, 2009. First edition hardback, one of 2000 copies (and the only hardback edition), a Fine copy in a Fine dust jacket, new and unread. Includes five stories by King that were made into movies (“1408,” “The Mangler,” “Low Men in Yellow Coats” (made into Hearts in Atlantis), “Rita Hayworth and the Shawshank Redemption,” “The Mist” and “Children of the Corn,” each with new introductions by King about how the moves were made and what he thought of them. Illustrations by Vincent Chong. With two color printing and heavier than usual paper, this is a lavish production beyond even the usual high Subterranean Press standards. I haven’t read all the stories in here, but the ones I have are among King’s best. Recommended. $65.

    LP1884. Lansdale, Joe R. Christmas With the Dead. PS Publishing, 2010. First edition hardback, a Fine copy in decorated boards, sans dj, as issued. Zombie story. According to Joe, this has been fast-tracked to be turned into a film. $14.

    LP18840. Lansdale, Joe R. Christmas With the Dead. PS Publishing, 2010. First edition hardback, one of 300 signed, numbered copies, a Fine copy in a Fine dust jacket, new and unread. Now out of print from the publisher. $35.

    LP1277. Lovecraft, H. P. (edited by S. T. Joshi). Collected Essays Volume 3: Science. Hippocampus Press, 2006. First edition hardback, a Fine copy in a Fine dj, new and unread, still in publisher’s shrinkwrap. I haven’t seen a print run listed for this, but according to the publisher, the print run for the hardbacks for the first two volumes was only 250 copies (and I’ve sold all my copies of those). $34.

    LP1346. Lovecraft, H. P. Collected Essays Volume 4: Travel. Hippocampus Press, 2006. First edition hardback, a Fine copy in a Fine dj, new and unread, still in publisher’s shrinkwrap. I know that there were only 250 copies of the hardback printed for some of the earlier volumes, and of the five copies I ordered, I only have one left. $34.

    LP1414. Lovecraft, H. P. Collected Essays Volume 5: Philosophy, Autobiography & Miscellany. Hippocampus Press, 2007. First edition hardback, one of only 250 hardback copies, a Fine copy in a Fine dj, new and unread, still in publisher’s shrinkwrap. The final volume of Lovecraft Essays. $34.

    LP1885. Martin, George R. R. A Feast for Crows. Voyager, 2005. One of 1,000 signed, numbered copies, a Fine copy, sans dust jacket, in slipcase, as issued, new and unread, still in publisher’s shrinkwrap. List price is $100. My price? $65.

    LP1018. McAuley, Paul [J.]. Whole Wide World. HarperCollins/Voyager (UK), 2001. First edition hardback, a Fine copy in a Fine- dj with a tiny bit of crimping at head and the barest trace of edgewear, otherwise new and apparently unread. They evidently took the J. out of his name in hopes of fooling the computers and making this his breakthrough mainstream technothriller. Actually looks like an SF murder mystery. This UK edition precedes the Tor edition by a year. $10.

    LP1886. Morris, Mark, editor (Joe R. Lansdale, Lucius Shepard, Alastair Reynolds, etc.). Cinema Futura. PS Publishing, 2010. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. Companion volume to Cinema Macabre, with the likes of Joe R. Lansdale, Alastair Reynolds, Mike Resnick, etc. providing commentary on important SF movies from Metropolis to Avatar. If you’re a serious movie buff you probably want a copy, and I only have one. $42.

    LP1284. Pohl, Frederik. Gateway. St. Martins, 1977. First edition hardback (no statement of printing on copyright page, as per Currey), an Ex-Library copy with all the usual flaws, otherwise VG- with moderate wear at heel, slight bumping to head and heel, and sticker ghosts on covers, in a NF- dj with slight crinkling at head, library sticker on spine, and three tack-head sized spots of wear that may or may not be on the dj itself rather than the protector, not clipped, with price of $8.95 intact. Signed by Pohl. Hugo and Nebula winner. Perhaps the hardest domestic SF novel of the 1970s to find. $95.

    LP1887. Stephenson, Neal. Zodiac: The Eco Thriller. Subterranean Press, 2011. First hardback edition, one of 500 copies signed by Stephenson, a Fine copy in a Fine dust jacket, new and unread, in slipcase. First hardback of Stephenson’s second novel, and the usual quality Subterranean Press production. Let’s list this at $10 off the publisher’s price. $140.

    LP1888. Stross, Charles. Scratch Monkey. NESFA, 2011. First edition hardback, one of only 800 numbered trade copies, a Fine copy in a Fine dust jacket, new and unread. Previously unpublished novel of far-future, galaxy-spanning SF. 800 copies (plus 200 signed, slipcased copies) is ridiculously low for a Stross book, and the copies I got have numbers in the 790s, so you might ant to pick one up sooner rather than later. $24.

    LP523. Turtledove, Harry. Agent of Byzantium. First edition hardback, Fine/Fine-, with barest trace of edgewear to rear cover. Part of the “Asimov’s Presents” line edited by Gardner Dozois. $13.

    LP1889. Vance, Jack. Book of Dreams. Underwood/Miller, 1981. First hardback edition. On the exterior, this is a Fine copy; unfortunately, someone has annotated this volume with highlighting and several different colors of pen, including notes on the title, quarter title, and half-title page, so call it Very Good-. The fifth and final Demon Prince novel, and the hardest of the five to find by a good measure. $49.

    LP1890. Watts, Peter. Starfish. Tor, 1999. First edition hardback, a Fine copy in a Fine- dust jacket, with just the barest touches of wear hear and there, otherwise new and unread. His first novel, and increasingly hard to find since Blindsight was a Hugo finalist. $49.

    LP696. Warren, Bill. Keep Watching the Skies! American Science Fiction Movies of the Fifties: Volume II: 1958-1962. McFarland, 1986. First edition hardback, VG+ with slight scuffing to covers (mainly the back) and three tackhead to quarter sized stains to top edge, slightly affecting FFE at top, in yellow decorated boards, sans dj, as issued. The second volume of Bill Warren’s excellent and engaging set documenting and reviewing the science films of the 1950s, and is roughly twice the size of its predecessor (and includes a few films left out of that volume). Covers everything from The Time Machine and Village of the Damned to Plan 9 From Outer Space. Also includes cast and crew listings for the films covered. Truly a must for anyone with an interest in SF films of the era, and has earned the Howard Waldrop seal of approval. Recommended. $35.

    LP1192. Wells, Martha. The Element of Fire. Tor, 1992. First edition hardback, a Fine copy in a Fine- dj with just a trace of edgewear at extremities, otherwise immaculate. Difficult to find in any edition, nearly impossible for the hardback, and doubly so for a signed copy. $49.

    LP207. Williams, Walter Jon. Aristoi. Tor, 1992. First edition hardback, Fine in a Fine DJ. His best SF novel, IMHO. Recommended. $15.

    LP1069. Williams, Walter Jon. The Rift. Harper Prism, 1999. First edition hardback, a Fine- copy in a Fine- dj with traces of bumping at head and heel; extremely minor for a book this large. His disaster novel, where the real life New Madrid fault along the Mississippi River gives way. $10.

    LP1103. Willis, Connie. To Say Nothing of the Dog. Bantam, 1998. First Edition hardback, a Fine- copy in a Fine- dj, with very faint bumps at head and heel (including a very slight wrinkle at heel), and the barest trace of haze rubbing to the rear cover. Otherwise this is a beautiful copy of a Hugo winning first that’s recently gotten quite pricey. Signed by Willis. $70.

    LP1552. Willis, Connie, with Cynthia Felice. Light Raid . Ace, 1989. First edition hardback, an Ex-Library copy with all the usual flaws, otherwise Near Fine/Fine copy with a trace of spine lean. Signed by Willis and Felice. $10.

    LP1432. Wilson, Robert Charles. Julian: A Christmas Story. PS Publishing, . First edition hardback, one of 300 numbered copies signed by Wilson and introduction author Robert J. Sawyer, a Fine copy in a Fine dj, new and unread. For those who care about such things, the numbers on the ones I got were all between 10 and 20. Out of print from the publisher. $28.

    LP1705. Zelazny, Roger (Neil Gaiman). The Collected Stories of Roger Zelazny Volume Three: This Mortal Mountain. NESFA Press, 2009. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. The third in a six volume series of all Zelazny’s short fiction. Neil Gaiman and David Hartwell each provide an introduction. This volume also includes a deleted sex scene from The Guns of Avalon. Another cool thing about this series is a uniform illustration position on the dust jacket so that the spines form a unified picture. I’ll be getting the rest in as they’re published. Highly recommended. $4 off the cover price. $25.

    LP1706. Zelazny, Roger (Joe Haldeman, Steven Brust). The Collected Stories of Roger Zelazny Volume Four: Last Exit to Babylon. NESFA Press, 2009. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. The fourth in a six volume series of all Zelazny’s short fiction. Joe Haldeman and Steven Brust each provide an introduction. Again, $4 off the cover price. $25.

    LP1752. Zelazny, Roger. The Collected Stories of Roger Zelazny Volume Five: Nine Black Doves. NESFA Press, 2009. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. $25.

    LP17520. Zelazny, Roger. The Collected Stories of Roger Zelazny Volume Six: The Road to Amber. NESFA Press, 2009. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. $25.

    LP1891. Zelazny, Roger. Eye of Cat. Underwood/Miller, 1982. First limited Edition, #207 of 300 numbered copies signed by Zelazny, a Fine copy in decorated boards, sans dust jacket, as issued. A novel of a man of American Indian decent stalked by a fearsome alien he captured many years before. $80.

    LP1815. Zelazny, Roger. Nine Princes in Amber. Doubleday, 1970. First edition hardback (Currey, p. 571, Levack 28a) with First Printing stated and date code L16 on page 188 , an Ex-Library copy with all the usual flaws, including pocket remains to rear, numerous date stamps and paper attachments to FFE, book taped to dust jacket with non-archival tapes, the remains of which have now discolored, with spine lean, worn bottom boards, in a a largely intact but worn dust jacket, with sun-faded spine and stamp at spine heel, numerous white-line creases along spine and at top front of book, a few shallow chips (1/16″) on front dj bottom, small spots of abrasion near the line creasing next to (but not on) the “N” in “Nine” on the front cover, moderate discoloration to white back cover, and general wear; call it a Good/Good Ex-library copy, since the book is very well read, but still structurally sound. The first book in the Amber series. The story is that Doubleday’s warehouse was mistakenly ordered to pulp all Zelazny’s books the same day this one arrived from the printer, which means that only pre-orders and library sales escaped the pulping, and why the vast majority of the very few copies that come up for sale are Ex-Library copies. Normally a book in this condition would only be a space filler copy, but this is so rare that it may have to suffice unless you’re willing to drop a couple of grand for a non Ex-Lib. Highly recommended. $350.

    LP1754. Zelazny, Roger. The Sign of the Unicorn. Doubleday, 1975. First edition hardback (Currey, p. 571, Levack 33a), a Near Fine copy with a bookplate and previous owner’s signature on the FFE in a Near Fine- dust jacket, with a 1/2″ semi-closed tear on rear bottom spine join, a 1/2″ closed tear on front bottom spine join, tiny flecks of white rubbing along rear spine join, a 1/4″ closed tear on bottom rear, and some slight dust staining to white rear dust jacket, but otherwise a very presentable copy. The third Amber novel, and getting harder to find. Highly recommended, as are all five of the original Amber novels. $49.

    Trade Paperbacks

    LP1892. Bennett, Robert Jackson. Mr. Shivers. Orbit, 2010. Advanced Reading Copy (ARC), trade paperback format, of the first edition, a Fine copy, new and unread. First novel. As you can tell from this review, I’m think it’s pretty good: http://www.sfsignal.com/archives/2011/02/review-mr-shivers-by-robert-jackson-bennett/ . $10.

    LP1893. Leicht, Stina. Of Blood and Honey. Night Shade Press, 2011. First edition trade paperback original, a Fine copy, new and unread. Stina is a friend and long-time member of the Turkey City Writer’s Workshop, so it’s good to see her first novel make it out into the world. This is a fantasy set against the Troubles of Northern Ireland in the 1970s. Signed by Leicht. $14.

    LP1894. (Zelazny, Roger) Kovacs, Christopher C., compiler. The Ides of Octember: A Pictorial Bibliography of Roger Zelazny. NESFA Press, 2010. First edition trade paperback original (no hardback edition), a Fine copy, new and unread, still in publisher’s shrinkwrap. Same size and with a cover that extends the matching Whelan spine cover from the six-column Collected Zelazny set. Only have one… $23.

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    Most Significant Book Acquisitions in 2010

    Wednesday, February 2nd, 2011

    You may have noticed that I bought a lot of books last year. Since I’m getting ready to do another “this is what I bought recently” post, I thought I would do a recap of my most significant acquisitions in 2010. These may be significant for being important, valuable, cool, beautiful, hard to find, or some combination therefore. As usual, all of these are Fine/Fine copies unless otherwise listed. Ala George Locke’s Spectrum of Fantasy volumes, I’m listing where I got them and how much I paid, plus occasional notes on the books (with links if I’ve already described them before).

    1. Bear, Greg. Sleepside Story. Cheap Street, 1988. One of 52 signed and numbered, traycased “publisher’s edition” copies, a fine copy in tray case, sans dust jacket. For full details see here. Bought for $175 from a notable SF book dealer having a 50% off sale.

    2. Bradbury, Ray. Dark Carnival. Arkham House, 1946. First edition hardback, good only, with lettering on spine almost completely worn away, spine lean, general wear, and lacking the dust jacket. Bought from someone selling their late father’s collection (mostly, alas, book club editions) for $20.
    3. Brunner, John. Stand on Zanzibar. Doubleday, 1968. First edition hardback, a Fine copy in a Fine- dust jacket with just the tiniest bit of wear. Replaces an ex-library copy. (I bought this online back in June for $199.99 and forgot to list it last time around.) Brunner’s undisputed masterpiece.

    4. Dick, Philip K. Eye in the Sky. Gregg Press, 1979. First hardback edition. Fine-, with a tiny bit of crimping at head, sans dust jacket, as issued. Bought from a notable SF dealer having 50% off sale. Replaced an Ex-library copy in my collection.
    5. Dick, Philip K. Vulcan’s Hammer. Gregg Press, 1979. First hardback edition. Fine, sans dust jacket, as issued. Replaced an Ex-library copy in my collection.

    6. Hill, Joe. Horns. PS Publishing, 2010. First UK and first limited edition hardback, one of 200 copies signed by both the author and artist Vincent Chong in traycase with three extra chapters not in the trade edition, extra art not in any other edition, etc. a Fine copy in a Fine dust jacket and traycase. Notably thicker than the slipcased edition. Bought at a pre-publication dealer discount from the publisher.

    7. Huxley, Aldous. Brave New World. Chatto & Windus, 1932. VG- only, lacking the dust jacket. Bought for $35 from a notable SF book dealer having a 50% off sale. I don’t usually buy books without dust jackets, but the price was right for this space-filling copy of this famous dystopia.
    8. Lafferty, R. A. The Devil is Dead. Gregg Press, 1977. First hardback edition, a Fine copy, sans dust jacket, as issued. Found at Recycled Books in Denton for $36. Replaces a more worn copy in my library. For a while this wasn’t too hard to find, but recently copies have become scarce. In fact, it seems like a lot of the rarer Lafferty books have gotten scarce as of late. Looks like years of just about every SF writer talking up Lafferty have finally paid off…
    9. Lovecraft, H.P. Collected Poems. Arkham House, 1963. VG/VG, with top inch of boards discolored and sun-fading to dj spine. Bought at auction for $75.

    10. Oliver, Chad. The Wolf is My Brother. Herbert Jenkins, 1968. First UK and first hardback edition, a Near Fine copy in a Good+ only dust jacket, missing an irregular 3/4″ x 1/2″ chip at head, and shallow chipping and edgewear. I didn’t even know there was a hardback until I chanced across this copy (though it is in Currey). No other copy online as of this writing. Bought for $50 during a Half Price Books coupon sale.

    11. Orwell, George. Nineteen Eighty-Four. Secker & Warburg, 1949. See here for full details. Arguably the most important novel of the 20th century. Bought from a notable SF book dealer for $500.

    12. Powers, Tim. Deliver Us From Evil. Charnel House, 2010. One of 100 signed, numbered copies in slipcase with accompanying manuscript page. See here for full details. Bought at a pre-publication dealer discount from the publisher.

    13. (Powers, Tim) Berlyne, John, editor. Powers: Secret Histories: A Bibliography. PS Publishing, 2009. One of 26 signed, lettered Deluxe copies in slipcase with two companion volumes, The Waters Deep, Deep, Deep and bound, photographic reproduction of the original hand-written manuscript for The Anubis Gates, not included with the trade or Slipcased editions. Slipcase and Anubis Gates volume very slightly bumped, otherwise Fine/Fine.

    14. Temple, William F. 88 Gray’s Inn Road. Sansato Press (AKA Ferret Fantasy), 2000. Roman-a-clef that features a thinly-disguised Arthur C. Clarke (who provides the introduction) as a character, with Clarke’s signature plate affixed to the FFE, reportedly one of only 50 such copies. Found at Recycled Books in Denton, priced the same as the non-signed edition (I paid $32 for it). Replaced a non-signed copy in my collection.

    15. Vance, Jack. Bird Isle/Take My Face. Underwood/Miller, 1988. One of 500 signed, numbered sets in slipcase. Found at Recycled Books in Denton for $160 for the set.

    16. Vance, Jack. The Dark Side of the Moon. Underwood/Miller, 1986. One of 200 signed/numbered copies. One of the rarest Underwood/Miller Vance books. (Are they being snapped up by Pink Floyd fans?) Found at Recycled Books in Denton for $160. Replaced a trade copy in my library.

    17. Wells, H. G. The World of William Clissold. Published by Ernest Benn (UK) 1926 in three volumes, one of 198 copies signed by Wells on the title page. For full details see here. Bought at the main Austin Half Price Books for $175, marked down from $350, during their coupon sale. Scott Cupp told me this copy formerly belonged to him, and that he obtained it at one of UT’s library sales.

      H. G. Wells: The World of Williams Cissold, three volume set of the first edition, signed by Wells

      The limitation page, with H. G. Wells' signature

    18. Zelazny, Roger. Bridge of Ashes. Gregg Press, 1979. (Replaces my Ex-Library copy.) Found at Recycled Books in Denton for $40.

    19. Zelazny, Roger. Hymn to the Sun: An Imitation. NA Publications, 1996. Poetry chapbook, a Near Fine- copy with some rubbing to price code on rear cover, spot on front cover, and black dot at heel. I missed this when it came out, and it’s been devilishly hard to find. Bought it off a dealer on Amazon, of all places, for abut $25. (99 times out of 100, Amazon is going to be higher than buying directly from a dealer on Bookfinder for collectible books.)

    20. Zelazny, Roger. Nine Princes in Amber. Doubleday, 1970. An Ex-Library copy, but cleaner than the Ex-Library copy previously in my collection. Reportedly Doubleday ordered their warehouse to pulp all Zelazny’s books the same day this came in from the printer, so only review copies, pre-orders, and library copies escaped the pulper, which is why non-Ex-Library copies are exceedingly rare. The first Amber novel, and one of Zelazny’s best. Found at Recycled Books in Denton for $160.

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    Library Additions: November 15, 2010-January 14, 2011

    Tuesday, January 18th, 2011

    Here are all the books I’ve added to my professional library over the past two months. Every time I start to think I’m slowing down I buy a bunch more stuff…

  • Baker, Kage. The Hotel Under the Sand. Tachyon, 2009. Trade paperback original, Fine.
  • Beagle, Peter S. The Line Between. Tachyon, 2006. One of 250 signed, numbered copies, Fine, sans dust jacket, as issued.
  • Beagle, Peter S. The Unicorn Sonata. Turner Publishing, 1996.
  • Beagle, Peter S. Your Friendly Neighborhood Magician. Tachyon, 2006. Chapbook, one of 100 signed copies, Fine.
  • Bear, Greg. Foundation and Chaos. Harper Prism, 1998.
  • Bear, Greg. Sleepside Story. Cheap Street, 1988. One of 52 signed and numbered, traycased “publisher’s edition” copies, a fine copy in tray case, sans dust jacket. See here for details.
  • Brunner, John. Stand on Zanzibar. Doubleday, 1968. First edition hardback, a Fine copy in a Fine- dust jacket with just the tiniest bit of wear. Replaces an ex-library copy. (I bought this back in June and forgot to list it last time around.)
  • Carriger, Gail (pen name for Tofa Borregaard). Soulless. Orbit, 2009. Paperback original, Fine- with slight spine creasing. Thought I’d pick this up since we swanned about together at Worldcon before she hit the big time…
  • Chabon, Michael. Manhood for Amateurs. Harper, 2009. Non-fiction.
  • Cherryh, C. J. Cuckoo’s Egg. Phantasia Press, 1985. First edition hardback, one of 350 signed, numbered copies, in slipcase.
  • Clark, Alan M., Randy Fox and K. J. Peterson. The Pain Doctor’s of Suture Self General. Arts Nova Press, 1995. First edition hardback, one of 550 signed, numbered copies. Art book.
  • Clavell, James. Shogun. Atheneum, 1975. VG with spine worn, slight separation between page block and backing at head, and stains to page block edges, in VG, price-clipped dust jacket.
  • Dick, Philip K. Eye in the Sky. Gregg Press, 1979. First hardback edition. Fine, sans dust jacket, as issued. Replaced an Ex-library copy in my collection.
  • Dick, Philip K. Selected Stories of Philip K. Dick. Pantheon, 2002.
  • Dick, Philip K. Vulcan’s Hammer. Gregg Press, 1979. First hardback edition. Fine, sans dust jacket, as issued. Replaced an Ex-library copy in my collection.
  • (Dick, Philip K.) Dick, Anne. The Search for Philip K. Dick. Tachyon, 2010. Trade paperback original. Expanded, revised, and corrected edition. Non-fiction.
  • Disch, Thomas M. The Wall of America. Tachyon, 2008. Trade paperback original, Fine.
  • Disch, Thomas M. The Word of God. Tachyon, 2008. Trade paperback original, Fine.
  • Fforde, Jasper. Shades of Grey Hodder & Stoughton, 2010. First UK edition (curiously, the American precedes, which is very unusual for Fforde), a Fine copy, one of 1000 numbered copies signed by Fforde to be sold through the Waterstone’s bookstore chain, a Fine copy in decorated boards, sans dj, in decorated slipcase, as issued.
  • King, Stephen. The Bachman Books. NAL, 1985. First hardback edition and first omnibus edition, all four included books (Rage, The Long Walk, Roadwork and The Running Man) having previously been published as paperback originals. F/NF- copy, with rubbing to edgewear to dust jacket.
  • King, Stephen. Pet Semetary. Viking, 1983. Fine/Near Fine, with slight wear at dust jacket head and heel.
  • Lansdale, Joe R. By Bizarre Hands Rides Again. Morning Star Press, 2010. Expanded edition with new stories and story notes, one of 300 copies signed by Lansdale.
  • Lansdale, Joe R. Deadman’s Road. Subterranean Press, 2010.
  • Lansdale, Joe R. Flaming Zeppelins. Tachyon, 2010. Trade paperback original thus (omnibus edition), Fine.
  • Lansdale, Joe R. and Pat LoBrutto, editors. Razored Saddles. Dark Harvest, 1989. Octavo, cloth. First edition hardback, one of 600 numbered copies signed by all the contributors, in slipcase. I had the trade, but not the limited.
  • (Lovecraft, H. P.) Joshi, S. T. I Am Providence: The Life and Times of H. P. Lovecraft. Hippocampus Press, 2010. First edition hardback, two volume set. Non-fiction.
  • Marquis, Don. archy and mehitabel. Dolphin Books, no date (probably about 1969). Paperback reprint.
  • Martin, George R. R. A Feast for Crows. Voyager, 2005. One of 1,000 signed, numbered copies, Fine, sans dust jacket, in slipcase, as issued.
  • Michaels, Barbara (AKA Barbara Mertz, AKA Elizabeth Peters). Ammie, Come Home. Meredith Press, 1968. First edition hardback, Fine- with a trace of spine lean in a Fine- dj with slight wear at head and heel.
  • Moorcock, Michael. The Best of Michael Moorcock. Tachyon, 2009. First edition trade paperback original, Fine.
  • Morrow, James. The Cat’s Pajamas. Tachyon, 2004.
  • Niven, Larry. The Best of Larry Niven. Subterranean Press, 2010. One of 250 signed, numbered, leatherbound copies
  • Niven, Larry. The Best of Larry Niven. Subterranean Press, 2010. Trade edition.
  • Orwell, George. Nineteen Eighty-Four Secker and Warburg, 1949. See this post for details.
  • Powers, Richard. Galatea 2.2. Farrar Straus Giroux, 1995.
  • Power, Tim. Deliver Us From Evil. Charnel House, 2010. One of 100 signed, numbered copies in slipcase, sans dj, as issued, accompanied by an original manuscript page. See here for full details.
  • Powers, Tim. Night Moves. Axolotl Press, 1986. First edition hardback, one of 100 signed, numbered copies.
  • Schroeder, Karl. Pirate Sun. Tor, 2008.
  • Shea, Michael. I, Said the Fly. Silver Salamander Press, 1993. First edition hardback, one of 300 signed hardback copies.
  • Simmons, Dan. Drood. Little, Brown, 2009.
  • Vance, Jack. Lurulu Tor, 2004.
  • Watts, Peter. Maelstrom. Tor, 2001.
  • Williamson, Jack (John Stewart Williamson). Wolves of Darkness: The Collected Stories of Jack Williamson Volume 2. Haffner Press, 1999.

    • There. I thought I’d document this bunch since I have another bunch coming in…

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    Greg Bear: Project Gutenberg Screwed Up

    Tuesday, November 30th, 2010

    You may remember this post on how a lot of science fiction was showing up in the public domain at Project Gutenberg (which was picked up by SF Signal, Io9, etc.).

    Well, Greg Bear and Astrid Anderson Bear, his wife and daughter of Poul Anderson (whose works were among those put up by Project Gutenberg), are saying that Project Gutenberg screwed up:

    After conducting legal research on the LEXIS database of legal cases, decisions, and precedents, we have demonstrated conclusively that PG was making incorrect determinations regarding public domain status in many, many works that originally appeared in magazine form. The Poul Anderson estate has been able to get one work, “The Escape”, that PG had firmly declared to be public domain, removed from their site. PG’s original reasoning was that since the magazine it appeared in had never actually filed for copyright, the work was unprotected. “The Escape”, printed in 1953, was the first half of Anderson’s well-known novel BRAINWAVE, which was published and properly copyrighted the following year.

    However, even if ‘The Escape” had not been published as a novel, it would have remained under copyright protection until 1981 (28 years) and been eligible for copyright renewal. Authors of that era, and Anderson in particular, were very aware of the need to renew copyrights, and typically meticulously kept their copyright protections up to date. Copyright law for works created more recently is much easier: life plus 70 years. (Sonny Bono Copyright Term Extension Act, 1998).

    (snip)

    In general, Project Gutenberg is doing a tremendous service by making available texts that have truly long since fallen out of copyright, but they are clearly overstepping their original mandate. They are not merely exploiting orphan works, but practicing a wholesale kidnapping of works that are under copyright protection. Authors and estates need to aggressively take back what belongs to them.

    I would imagine that Project Gutenberg may very well be hearing not only from the estates of Philip K. Dick and Leigh Brackett, but from lawyers for the still-very-much alive Frederik Pohl, Norman Spinrad and Jack Vance…

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