Posts Tagged ‘Greg Bear’

Library Addition Signed HB First of Greg Bear’s Sisters

Tuesday, November 19th, 2024

Another bargain purchase:

Bear, Greg. Sisters. Pulphouse, 1992. First edition hardback, #48 of 100 signed, numbered copies, a Fine copy, sans dust jacket, as issued. #26 in the Short Story Hardback series. Chalker/Owings (2003), page 272. Bought off eBay for $16.

Library Additions for 2023

Monday, February 5th, 2024

Here are all the books I added to my library in 2023. Most (but not all) have been covered in previous posts.

  • Adams, Douglas (edited by Kevin Jon Davies). 42: The Wildly Improbable Ideas of Douglas Adams. Unbound, 2023. First edition hardback (number line ending with 1), a Fine copy, sans dust jacket, as issued. A compendium of scripts, drafts, notes, sketches etc. from the archives of this Dr. Who and Hitchhiker’s Guide to the Galaxy writer. I backed this on Kickstarter, and my name can be found on page 315. This book was actually a #1 Sunday Times bestseller. I’m not sure if this Kickstarter edition differs from the trade edition, though I count 320 pages, while Amazon UK says 336 pages, so, maybe? I have a copy of this available through Lame Excuse Books.

  • Aldiss, Brian W. Journey to the Goat Star. Pulphouse, 1991. Issue #22. Tiny bit of rubbing along spine. This is the first of a complete run of 61 Pulphouse Short Story paperbacks I bought for $61. All the subsequent listings for Pulphouse titles for this post are part of the Pulphouse Short Story Paperbacks line, and all are Fine copies, unless otherwise listed.

  • Aldrin, Buzz, and John Barnes. Encounter With Tiber. Warner Books, 1996. First edition hardback, a Fine copy in a Fine dust jacket, inscribed by Aldrin: “To Michael,/Buzz Aldrin.” Pretty sure Barnes did the overwhelming majority of the writing, but it’s pretty cool to own a book signed by a guy who walked on the moon. Bought for $7.99.

  • Anonymous. In the Future. Arno Press, 1974. First edition hardback thus, a reprint of a book originally published in 1867, a Fine- copy with slight bumps at points, sans dust jacket, as issued. Bought for $7.99.

  • Antieau, Kim. Blossoms. Pulphouse, 1991. Issue #5.
  • Aquilone, James, editor. Dead Detectives Society. Monsterous Books, 2023. First edition trade paperback original, a Fine copy, with extras bag including three cardstock illustrations and a Dead Detective’s Society Membership card. Includes stories by Joe and Kasey Lansdale, Nancy Collins, Kevin J. Anderson, etc. Bought off Kickstarter for $32.

  • Aquilone, James, editor. Kolchak: The Night Stalker: 50th Anniversary. Moonstone, 2022. First edition hardback graphic novel, the hardcover variant version (ISBN 978-1-946346-16-2), a Fine- copy with slight bumping to upper points, in decorated boards, sans dust jacket, as issued, with illustration card signed on the back by Aquilone laid in. Collection of stories (some graphic novel style some straight prose) based on the legendary Kolchak: The Night Stalker TV show. According to the Kickstarter page, there were 231 of this version backed.

  • Aquilone, James, editor. Kolchak: The Night Stalker: Satanic Panic ’88 + Two Other Uncanny Tales. Moonstone, 2022. First edition comic book, a Fine copy, signed by Aquilone. Bought from Kickstarter as an add-in to the above.

  • Aquilone, James, editor. Shakespeare Unleashed. Monstrous Books, 2023. First edition hardback, a Fine copy in decorated boards, sans dust jacket, as issued, with Monstrous Books card laid in. Original anthology of Shakespeare-related horror stories, featuring stories from Joe and Kasey Lansdale, Steve Rasnick Tem, etc. Adding up the various hardware bundles, it looks like there were just over 500 copies of this done. My name can be found on page 356. You can buy the book through Amazon, though no guarantee that you’ll get a first printing, or received it unbumped.

    With:

  • Aquilone, James, editor. Shakespeare Unleashed One Shot. Monstrous Books, 2023. First edition graphic novel chapbook containing additional work.

  • “Author, J.Q.” Issue Zero. Pulphouse, 1991. Issue #0, a binding dummy for the entire run of the series, with bank pages. Would never have bought this on it’s own, but since I was buying the entire thing I got this too. This one has a tiny bit of edgewear on rear spine join.
  • Anderson, Poul. Loser’s Night. Pulphouse, 1991. Issue #1.

  • Bacigalupi, Paolo. The Water Knife. Knopf, 2015. First edition hardback, a Fine copy with a bound-in signature page, with a Fine dust jacket with a “SIGNED FIRST EDITION” sticker. Bought for $8. (Note: The Scanner does not like the “poly-chromatic on black” effect so I had to adjust it some to make it legible.)

  • Barry, Dave. Best. State. Ever. A Florida Man Defends His Homeland. Putnam, 2016. First edition hardback, a Fine copy in a Fine dust jacket, signed by Barry. Non-fiction humor book. Bought for $8.

  • Barry, Dave, and Alan Zweibel. Lunatics. Putnum, 2012. First edition hardback, a Fine copy in a Fine dust jacket, signed by Barry. This and the above are my second and third signed Barry firsts. I already had a book signed by Zweibel. Bought for $8.
  • Baxter, Stephen. Xeelee: Endurance. PS Publishing, 2017. First edition hardback, letter D of 26 lettered copies, a Fine copy in a decorated boards and a Fine dust jacket and a Fine decorated slipcase. I collected Baxter for a while until he become too prolific for me to keep up with, but I did like the Xeelee books. Bought from Camelot Books for $50.

  • Beagle, Peter S. The Essential Peter S. Beagle. Tachyon, 2023. First edition hardback, #95 of 474 signed, numbered copies, a Fine copy in silver decorated boards, sans dust jacket, as issued, with Tachyon sticker and business card laid in. Just what it says, a best of collection of stories for this beloved fantasy writer. This combines what are two volumes for the trade edition (which I have on order but haven’t seen yet). I have a small number of these available through Lame Excuse Books.

  • Bear, Greg Killing Titan. Orbit, 2015. First edition hardback, a Fine copy in a Fine dust jacket, signed by Bear. Second book in the military SF trilogy started with War Dogs, which I just read. Bought for $18 from a fellow Biblio dealer.
  • Bear, Greg. Sisters. Pulphouse, 1992. Issue #43.

  • Beaumont, Charles. The Carnival and Other Stories. Subterranean Press, 2022. First edition hardback, #417 of 1,250 numbered copies, a Fine copy in a Fine dust jacket, new and unread. Short story collection.

  • Bell, M. Shayne. Inuit. Pulphouse, 1991. Issue #34.
  • Bernard, Dr. Raymond (pseudonym for Walter Siegmeister). The Hollow Earth. Fieldcrest Publishing, 1964. “New Edition” hardback (I think this amounts to the second printing of the first edition, which was evidently offset, so this might qualify as the first printed edition), a Very Good+ copy in red decorated boards with a few pinhead spots of staining to rear, slight wear at head and heel, slight blunting of points, and slight wear to gold lettering, lacking the dust jacket. Barnard wrote several books promulgating various fringe and pseudoscience beliefs (vegetarianism, parthenogentic reproduction, sexual abstinence, etc.), and this book discusses how UFOs actually come from the hollow earth. He also believed there was a hollow earth opening in Brazil, and tried to start a farming colony somewhere in the general vicinity of the entrance. Kafton-Minkel, Subterranean Worlds, pages 192-216. Standish, Hollow Earth pages 277-278 (“a distillate of virtually every crackpot theory about the hollow earth that had been accumulating for a hundred years or more”). Though this had many later printings, any Fieldcrest printing seems uncommon.

  • Bishop, Michael. The Quickening. Pulphouse, 1991. Issue #12.
  • Blackwood, Algernon (Mark Sieber, editor). A Little Black Book of Bedevilment. Borderlands Press, 2022. First edition hardback, #462 of 500 copies signed by the editor, a Fine copy. Bought from the publisher at the usual discount. I have copies of this available through Lame Excuse Books.

  • Blaylock, James P. Lord Kelvin’s Machine. Arkham House, 1992. First edition hardback, a Fine copy in a Fine Mylar-protected dust jacket, signed by Blaylock. Joshi, Sixty Years of Arkham House 179. Nielsen, Arkham House Books 185. Replaces an unsigned copy.

  • Blaylock, James P. Paper Dragons. Pulphouse, 1992. Issue #57. A few small rubs along spine. Supplements a copy of the Axolotl Press hardback (which precedes).

  • Blaylock, James P. Pennies From Heaven. PS Publishing, 2022. First edition hardback, #167 of 200 signed, numbered copies, a Fine copy in a Fine dust jacket with repricing sticker over UPC, as issued. New novel. The signed edition is the only hardback edition, and the PS edition is the only edition thus far. 200 is a pretty small run for a Blaylock hardback.

  • Blaylock, James P. Winter Tides. Ace, 1997. First edition hardback, a Fine copy in a Fine Mylar-protected dust jacket, inscribed by Blaylock to the previous owner. Replaces an unsigned copy.

  • Bloch, Robert. The Skull of the Marquis de Sade. Pulphouse, 1992. Issue #51.

  • Bloch, Robert. Yours Truly, Jack The Ripper. Pulphouse, 1991. Issue #10. Not to be confused with the short story collection of the same name.
  • (Bloch, Robert) Larson, Russell D. The Complete Robert Bloch: An Illustrated Comprehensive Bibliography. Fandom Unlimited Enterprises, 1986. First edition trade paperback original, a Fine- copy with trace of wear at tips, signed by Bloch. Just what it says, an illustrated bibliography of Bloch’s work. Looks useful, though the type is a bit small for my aging eyes. Justice, Science Fiction, Fantasy and Horror Reference 185. Bought of eBay for $35 plus shipping.

  • Block, Lawrence. The Scoreless Thai. Subterranean Press, 2000. First hardback edition (previously published in a 1970s PBO), a trade edition, a Fine copy in a Fine dust jacket, signed by Block. Novella. Bought for $10, 1/3rd of publication price, and the trade edition wasn’t issued signed by Block.

  • Block, Lawrence. Tanner’s Tiger. Subterranean Press, 2001. First hardback edition (previously published as a 1968 paperback original), a Fine copy in a Fine dust jacket, signed by Block. Tanner novel. Bought for $10, 1/3rd of publication price, and the trade edition wasn’t issued signed by Block.
  • Boston, Bruce. All the Clocks are Melting. Pulphouse, 1991. Issue #4.

  • Bradbury, Ray (text) and Amanda Blanco (photographs). About Norman Corwin. Santa Susana Press, 1979. First edition traycased portfolio, an “artist’s proof” copy of 60 signed, numbered sets, a Fine- copy (there seem to be a couple of drops of moisture staining to the back of the signature page) in a Fine- traycase with a few small spots of staining to the inner right edge (though the case itself has a bit of an odd outward slant to the top and bottom edges). Loose printed cardstock pages, including a multi-page essay celebrating radio essayist Norman Corwin by Bradbury followed by 11 photographs of Corwin by Blanco. An odd, oversized item, and one that doesn’t fit entirely on my scanner, so either the bottom or top is chopped off. Bought for $250 off eBay after a touch of haggling.

  • Bradbury, Ray (Jonathan R. Eller, editor). The Collected Stories of Ray Bradbury: A Critical Edition: Volume 2: 1943-1944. Kent State University Press, 2014. First edition hardback, a Fine copy in a Fine- dust jacket with just a tiny bit of wrinkling at heel. Bought from Half Price Books for $37.49, considerably more than the $15 I paid for the first volume, but this one doesn’t seem to have been nearly as widely remaindered.
  • Bradbury, Ray. A Chapbook for Burnt-Out Priests, Rabbis and Ministers. Cemetery Dance, 2001. First edition trade hardback, a Fine copy in a Fine dust jacket, signed by Bradbury. Bought off eBay for $21.50. Replaces an unsigned copy and supplements a slipcased signed/limited edition copy.

  • Bradbury, Ray. Fahrenheit 451. Ballantine Books, 1953. First edition hardback (Currey (1978) D state/Currey (2002) C state, red boards lettered in yellow, no precedence among hardback states), a Near Fine copy with a few small indentations, very slight glue wrinkling (binding flaw) to bottom of rear cover, slight wear to bottom boards, slight wear at head, heel and points, in a Fine facsimile dust jacket, with a Bradbury signature plate laid in. Currey (1978), page 55, Currey (2002) page 44. Pringle, Science Fiction: The 100 Best Novels 8. Barron, Anatomy of Wonder 4 3-31. Locke, A Spectrum of Fantasy, page 39. Magill, Survey of Science Fiction Literature, pages 749-755. Heritage Rare Books and manuscripts Auction #675, page 87 (“one of the most influential and widely read science fiction tales ever published”). Heritage Americana Auction #658 & 65801, page 32. Heritage The Frank Collection Auctions #7001 and #684, page 58. A key 20th century science fiction novel, and the most difficult of Bradbury’s mainstream publisher hardback firsts by a good measure. Bought for $750 plus tax and shipping from an offer on eBay.

  • Bradbury, Ray. That Son of Richard III: A Birth Announcement. Roy A. Squires, 1974. First edition chapbook original, #332 of 400 numbered copies, a Fine copy in a Fine cloth traycase, inscribed by Bradbury to Lord John Press publisher Herb Yellen: “For Herb -/Good wishes/From/Ray Bradbury/ 9/28/28.” As Yellen later published several Bradbury chapbooks himself, this is an interesting association copy. According to Chalker/Owings, Squires only did 30 traycases, of which 25 were offered to buyers of the “Autograph Edition” (which this is not). Supplements an unsigned copy. Chalker/Owings, page 589. Bought from a PBA Galleries auction for $75 plus shipping and handling.

  • Bradbury, Ray. The Toynbee Convector. Knopf, 1988. First edition hardback, #36 of 350 signed, numbered copies, “printed on special paper and specially bound,” a Fine copy in a Mylar protector and a Fine slipcase, sans dust jacket, as issued. This version is not in the Locus database, but ISFDB says they came out the same month. Most limited editions from mainstream publishers are fairly unimpressive, but this is actually quite a nice production, with patterned boards and an attractive slipcase. Bought for $110.49 off eBay, a considerable discount off the original offering price of $150 (which must have seemed plenty pricey in 1988).

  • (Bradbury, Ray) Eller, Jonathan R. Becoming Ray Bradbury. University of Illinois Press, 2011. First edition hardback, a Fine- copy in a Fine- dust jacket with slight bumping at head, heel and points. Biography of Bradbury that made use of his personal notes and correspondence. Bought for $17.49.

  • Brin, David. Dr. Pak’s Preschoool. Pulphouse, 1992. Issue #45. Supplements a copy of the Cheap Street edition (which precedes).

  • Brin, David. Piecework. Pulphouse, 1991. Issue #23.
  • Brin, David and Stephen W. Potts. Chasing Shadows: Visions of Our Coming Transparent World. Tor, 2017. First edition hardback, a Fine copy in a Fine dust jacket, signed by Brin on a signature page. Collection of essays by science fiction writers like Neal Stephenson, Bruce Sterling, William Gibson, Robert Silverberg, Vernor Vinge, etc. It says “Brin Presents” but Potts appears to be the actual editor. This and Lunatics are signed on this gray box in what assume is a tipped-in page, presumably something this particular bookseller does. It’s a bit odd. Bought for $8.

  • Brunner, John. A Case of Painters Ear. Pulphouse, 1991. Issue #2.
  • Brunner, John. The Traveler in Black. Ace, 1971. First edition paperback original (no statement of printing and 75¢ as per Currey), a Fine- copy with slight wear at points and a drop of discoloration to bottom page block at heel, otherwise a very nice copy. Celebrated fix-up of linked stories. Currey, page 74. De Bolt, The Happening Worlds of John Brunner, page 57.

  • Bryant, Edward. The Cutter. Pulphouse, 1991. Issue #8.
  • Busby, F.M. If This Is Winnetka, You Must be Judy. Pulphouse, 1992. Issue #54.
  • Bush, Barbara. A Memoir. Scribner’s, 1994. First edition hardback, a Fine copy in a Fine- dust jacket with slight bumping at heel and trace of wear at points, inscribed by Bush: “To Chris Hyatt/With best wishes/Barbara Bush/December 1998. Autobiography by First Lady Barbara Bush, wife of 41 and mother of 43, who died in 2018. Not my usual thing, but I stumbled across it checking for signatures in books by 41 and 43. Bought for $14.48 at Half Price Books.

  • Butler, Octavia. The Evening and the Morning and the Night. Pulphouse, 1991. Issue #38. Holy moley, the prices on this online are crazy. The prices for the signed hardback I can at least sort of understand, since Butler died young, but the prices for unsigned copies like this are still crazy. I had no idea.

  • Bryant, Edward. The Thermals of August. Pulphouse, 1992. Issue #56.
  • Cadigan, Pat. My Brother’s Keeper. Pulphouse, 1992. Issue #55.

  • Calvino, Italo. Invisible Cities. Harcourt Brace Jovanovich, 1974. First English language edition, a Near Fine+ copy with small name to front free endpaper, slight bumping at head and heel and uneven fading at top and bottom edges, in a Very Good+ dust jacket with two closed 3/4″ tears at top front cover, shallow chipping at head, crease to front inner flap, slight bumping at points, and traces of wear to reflective silver surfaces along spine board join, front edge-fold and rear cover (slightly exaggerated in the scan). Important slipstream work of European fantasy, or what John Clute would call “Fantastika.” Bought for $45.

  • Campbell, Ramsey. Six Stooges and Counting. PS Publishing, 2023. First edition hardback, #76 of 100 signed, numbered copies, a Fine copy in a Fine dust jacket. Non-fiction overview of the work of The Three Stooges, year by year. (A nit: The title refers to all six of the named stooges, but the cover only depicts Moe, Curly and Larry, with nary a glimpse of Shemp or Joe Besser, and just a tiny image of Curly-Joe DeRita from The Three Stooges Meet Hercules at upper left.) I have one copy available through Lame Excuse Books.

  • Carter, Lin, editor. The Year’s Best Fantasy Stories. DAW, 1975. First edition paperback original, a Fine- copy with slight wear at points and along spine, otherwise apparently new and unread, with SFBC insert still present. Includes stories from Robert E. Howard and Clark Ashton Smith!

  • Caraker, Mary. I Remember, I Remember. Pulphouse, 1991. Issue #24.
  • Card, Orson Scott. Unaccompanied Sonata. Pulphouse, 1992. Issue #49.

  • Chabon, Michael. Summerland. Hyperion, 2002. First edition hardback, a Fine- copy in a Fine- dust jacket with slight bumping at head and heel, signed by Chabon. Bought for $9.99, which, oddly enough, seems to be about market. After he won the Hugo and Nebula for the excellent The Yiddish Policeman’s Union, I though Chabon books were going to head steadily upward in value; the exact opposite seems to have happened. It looks like every single one of Chabon’s novels except The Amazing Adventures of Kavalier & Clay can be found in signed first edition hardbacks at or less than cover price. I can’t figure it out, as all three of the Chabon books I’ve read (The Yiddish Policeman’s Union, The Amazing Adventures of Kavalier & Clay, and Gentlemen of the Road) were excellent.
  • Charnes, Suzy McKee. Listening to Brahms. Pulphouse, 1991. Issue #19.

  • Clarke, Arthur C. A Fall of Moondust. Harcourt, Brace and World, 1961. First edition hardback, an Ex-Library copy with the usual flaws, including stamps, pocket removal, tape to boards, etc, but with a much better than usual dust jacket, with a couple of short closed tears on flap edges, a small sticker ghost on spine, and slight protector discoloration to edges; call it a G/NF Ex-Lib copy. Currey, page 114. Replaces a less attractive Ex-Library copy. Bought for $20.

  • Clemence, Bruce No Way Street. Pulphouse, 1991. Issue #15. Guy had this, and a story in Synergy 3, and that was it…
  • Crowley, John. Great Work of Time. Subterranean, 2023. First edition hardback, #219 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket, new and unread. I have a small number of these available through Lame Excuse Books.

  • Davidson, Avram. AD 100: Volume I and AD 100: Volume II. Or All the
    Sea With Oysters Publishing, 2023. First edition trade paperback
    originals (print on demand), as new. The Avram Davidson Society has set these up as Amazon print on demand originals. Together they include 100
    unpublished or uncollected Avram Davidson stories. If you’re interested in picking them up, click the links above.

  • Davidson, Avram. Naples. The Nutmeg Point District Mail/Temporary Culture, 2022. First edition self-wrappers chapbook original, one of 160 copies, a Fine copy, inside a black envelope with Mylar protective wrappers and with a mounted black and white photograph laid in. Bought for $150 (the subscriber price). Story reprinted from Charles L. Grant’s Shadows anthology.

  • DeChancie, John. A Little Gray Book of Alien Stories. Borderlands Press, 2004. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy. Bought as part of a 15 book lot.

  • Delany, Samuel R. The American Shore. Dragon Press, 1978. First edition hardback, #77 of 100 signed, numbered copies, a Fine copy, sans dust jacket, as issued. Detailed, close-reading non-fiction critical analysis of Thomas Disch’s “Angouleme,” a segment of 334. Weedman, The Starmont Reader’s Guide to Samuel R. Delany, page 22 (“Here Delany exercises himself as the critic’s critic, remaining fairly inaccessible to a general audience.”). Chalker/Owings, page 132. Replaces an unsigned copy.
  • Delany, Samuel R. Babel-17. Ace, 1966. First edition paperback original, a Fine copy, though with slight age darkening to the pages. Nebula Award winner and Hugo nominee. Currey, page 139. Replaces a slightly less attractive copy. Bought for $5 at Recycled Books in Denton.

  • Delany, Samuel R. The Einstein Intersection. Easton Press, 1986 (stated; the Locus database lists this coming out in 1991). First edition thus, a special leatherbound collector’s edition, a Fine copy, sans dust jacket, as issued, inscribed by Delany to the previous owner and with an Ex-Libris plate and “Collector’s Notes” laid in. Nebula winner for Best Novel, Hugo finalist. Magill, Survey of Science Fiction pages 703-707. Supplements a signed copy of the Gollancz first hardback edition. Strictly speaking this is just a “nice to have,” but it is signed, and Easton Press makes attractive books.

  • Delany, Samuel R. The Straits of Messina. Serconia Press, 1989. First edition hardback, a Fine copy in a Fine dust jacket. Delany essays on Delany. Chalker/Owings, page 390 (“these at least are readable”). Replaces a copy with a less attractive dust jacket.

  • Delany, Samuel R. (edited by Kenneth R. James). In Search of Silence: The Journals of Samuel R. Delany Volume 1, 1957-1969. Wesleyan University Press, 2017. First edition hardback (“5 4 3 2 1” numberline), a Fine copy in a Fine dust jacket. Selections from Delany’s journals when he was first making his mark on the SF field. Bought for $9.95. I have copies of this available through Lame Excuse Books.

  • de Lint, Charles. Merlin Dreams in the Mondream Wood. Pulphouse, 1992. Issue #52.
  • de Lint, Charles. Uncle Dobbin’s Parrot Fair. Pulphouse, 1991. Issue #17.

  • Donaldson, Stephen R. The Wounded Land. Del Rey, 1980. First edition hardback (“First Edition: June 1980/1 2 3 4 5 6 7 8 9 10”), a Fine copy in a Near Fine dust jacket with faint crease down spine, small closed tear at top frotn, and wear at heel and points, signed and dated (“4/15/82”) by Donaldson, with bookmark for the trilogy laid in.

  • Donaldson, Stephen R. The One Tree. Del Rey, 1982. First edition hardback (“First Edition: April 1982”), a Fine copy in a Fine dust jacket, signed and dated (“4/15/82”) by Donaldson, with bookmark for the trilogy laid in. Note: While the other two first editions in the trilogy feature numberlines, this one does not. I know that this is not the book club edition (which I also have in hand), there are no pictures of a copyright page with a numberline for this title I can locate, and consensus is that they apparently just left it off.

  • Donaldson, Stephen R. White Gold Wielder. Del Rey, 1983. First edition hardback (“First Edition: April 1983/1 2 3 4 5 6 7 8 9 10”), a Fine copy in a Fine dust jacket, signed and dated (“5/6/89”) by Donaldson, with bookmark for the trilogy laid in.

  • Dozois, Gardner. The Peacemaker. Pulphouse, 1991. Issue #39. Supplements a copy of the Short Story Hardback edition.
  • Duchamp, L. Timmel. A Case of Mistaken Activity. Pulphouse, 1991. Issue #7.
  • Eddy, C.M. and Muriel E. Erased from Exile. Stygian Isle Press, 1976. First edition chapbook original, #234 of 300 copies signed (on stickers) by Muriel E. Eddy and illustrator Gene Day, a Near Fine+ copy with slightly bumped corners and two small black lines near top front outer corner. Stories and poetry by two members of Lovecraft’s circle, with illustrations by Day. Day, who did a lot of work for underground comics and role-playing games, died at the very untimely age of 31.

  • Effinger, George. Schrodinger’s Kitten. Pulphouse, 1992. Issue #42. Supplements the hardback version.
  • Eisenstein, Phyllis. The Crystal Palace. Grafton Books, 1991. First hardback edition, a Fine copy in a Fine dust jacket, signed by Eisenstein. Sequel to Sorceror’s Son. The U.S. paperback precedes, but this was the first hardback. This was part of the last big Zelazny purchase in 2020 and I’ve just now gotten around to cataloging it. As I’ve said before, there are few price points more attractive than “you’ve already paid for it.”

  • Ellison, Harlan. FOE: Friends of Ellison. Edgeworks Abbey, 2019. First edition (stated) trade paperback original (these are Print on Demand books; the POD barcode page states “10 February 2019,” making it possible that these were run off as part of the initial batch run off for the Ellison website sales), a Fine copy. Collection of non-fiction essays, introductions and appreciations of other writers (Jack Vance, Richard Matheson, Philip Jose Farmer, Robert Silverberg, etc.). Bought for $20 (half-off the $40 list price) from the Harlan Ellison Books website.

  • Ellison, Harlan. Why do you call me Ishmael when you know my name is Bernie?. Edgeworks Abbey, 2019. First edition (stated) trade paperback original (these are Print on Demand books; the POD barcode page states “16 June 2019”), a Fine copy. Collection of non-fiction essays on various topics, including one on Lafferty. Bought for $20 (half-off the $40 list price) from the Harlan Ellison Books website. This now shows up as out of print there.

  • Erickson, Steve, Our Ecstatic Days. Simon & Schuster, 2005. First edition hardback, a Fine copy in a Fine, Mylar-protected dust jacket. Bought at Recycled Books in Denton for $6.80.
  • Etchison, Dennis. The Dark Country. Pulphouse, 1991. Issue #21. Not to be confused with the short story collection of the same name.

  • Etchison, Dennis. Red Dreams. Scream/Press, 1984. First edition hardback, #192 of 250 numbered hardbacks signed by Etichson and artist J.K. Potter, a Fine copy in a Fine, Mylar-protected dust jacket and a Fine- slipcase with a trace of haze rubbing, and additionally signed by Etchison. The second short story collection by this acclaimed horror writer. The third publication of Scream/Press. Chalker/Owings, page 335. Supplements a trade copy. Bought for $30.

    (Surface wear is on the dust jacket protector.)

  • Fowler, Karen Joy. Booth. Putnam, 2022. First edition hardback, a Fine copy in a Fine- dust jacket with just a trace of edgewear, the signed publisher’s variant with a “Signed Copy” sticker on the cover and a page signed by Fowler bound in. Novel of the theatrical Booth family (including presidential assassin John Wilkes Booth) in early 19th century America. Bought for $13.99.

  • Fowler, Karen Joy. The War of the Roses. Pulphouse, 1991. Issue #28.

  • Friesner, Esther M. Ecce Hominid. Pulphouse, 1991. Issue #6.

  • Gaiman, Neil. A Little Gold Book of Ghastly Stuff. Borderlands Press, 2011. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy, sans dust jacket, as issued. Mixture of fiction, non-fiction, essays, speeches, poetry, etc. Cool cover illustration by Gahan Wilson. Probably the hardest of the Little Book series to find (followed by the Lansdale, Ligotti and Malerman volumes). Bought as part of the 15 book lot.

  • Gaiman, Neil. Norse Mythology. W. W. Norton, 2017. First edition hardback, a Fine copy in a Fine dust jacket. Bought for $12.99.

  • Gaiman, Neil. Words of Fire. Arte Editions, 2022 (actually 2023). First edition trade paperback original (with self-flaps), #276 of 300 signed, numbered copies, a Fine copy. Poetry collection. There were two different hardback editions (the Portfolio Edition and the Roman edition), both of which were sold out by the time I heard about it. Now out of print from the publisher. I still have one copy left available through Lame Excuse Books.

  • Gardner, Craig Shaw. A Little Purple Book of Peculiar Stories. Borderlands Press, 2004. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy, sans dust jacket, as issued. Bought as part of the 15 book lot.

  • Gibson, William. Agency. Berkley, 2020. First edition hardback, a Fine copy in a Fine dust jacket. Sequel to The Peripheral. Bought for $9.99.
  • Gotthelf, Jeremias (pseudonym for Albert Bitzius). The Black Spider. John Calder (Publishers) Ltd., 1958. First English language edition, a Near Fine+ copy with slight spine lean and former owners name inside front cover under flap, in a Very Good+ dust jacket with 1/4″ chip at head, two pinhead-sized abrasions at heel front join, wear at points, and moderate age darkening to white portion of spine. Nineteenth century allegorical horror story about evil made manifest as a giant black spider. Introduced and translated from the original German by H. M. Waidson. Barron, Horror Literature 2-35. Not in Bleiler’s Guide to Supernatural Fiction. Bought off a fellow Biblio dealer for $21.25.

  • Haldeman, Joe. More Than The Sum of His Parts. Pulphouse, 1991. Issue #14.

  • Haldeman, Joe. Worlds Enough and Time. Morrow, 1992. First edition hardback, a Fine copy in a Fine dust jacket, signed by Haldeman. Third book in the Worlds trilogy.

  • Hand, Elizabeth. Hard Light. Minotaur Books, 2016. First edition hardback, a Fine- copy in a Fine- dust jacket with slight bend at heel, signed by Hand. “A Cass Neary Crime Novel.” Bought for $8.

  • Hample, Stuart. Dread & Superficiality: Woody Allen as Comic Strip. Abrams Comic Arts, 2009. First edition hardback, a Fine copy in a Near Fine dust jacket with slight waviness, slight grubbiness to uncoated stock, and a thin scratch across bottom of spine. Received as a Christmas gift only because, many moons ago, I noted to Dwight my incredulity that this comic strip ever existed at all. Yes, Woody Allen’s neurotic nebbish character was so well known in the 1970s that a comic strip based on it (but written and drawn by someone else) appeared in numerous newspapers from 1976-1964. I am equally incredulous that someone found the strip worth of a prestige retrospective collection. Supplements my copy of Non-Being and Somethingness, which contains selections from the strip.

  • Hample, Stuart. Non-Being and Something-ness: Selections from the Comic Strip Inside Woody Allen. Random House, 1974. First edition trade paperback original (numberline beginning with “2”, Random House’s deeply irritating method of identifying a first edition), a Near Fine copy with chip to top rear corner, crease to bottom front corner, nick to middle front edge, and a bit of wear. Dwight bought this for me based on my stumbling across this comic in a newspaper archive looking for something else and expressing surprise that it ever existed at all.

  • Heinlein, Robert A. Off the Main Sequence: The Other Science Fiction Stories of Robert A. Heinlein. Science Fiction Book Club, 2005. First edition hardback (stated “First SFBC Science Fiction Printing, October 2005”; the SFBC is the only edition), a Fine copy in a Fine dust jacket. Short story collection, including three (“My Object All Sublime,” “Pied Piper,” and “A Tenderfoot in Space”) that were previously uncollected. Bought for $5.95.
  • Hill, Doug and Jeff Weingrad. Saturday Night: A Backstage History of Saturday Night Live. Beech Tree Books, 1986. First edition hardback, a Fine- copy with bumping at head and heel in a Near Fine dust jacket with with one 1/16″ chip at heel, crease to bottom of front flap, slight bumping at head and heel and a bit of pull to top jacket edge. History of Saturday Night Live. Part of a very small collection of books on early SNL. Most people today don’t realize how amazingly funny, daring and groundbreaking the original cast SNL was. Bought for $4.99.

  • Holder, Nancy. The Ghosts of Tivoli. Pulphouse, 1992. Issue #44.
  • Hughes, Matthew. Ghost Dreams. PS Publishing, 2022. First edition hardback, #55 of 100 signed, numbered copies, a Fine copy in a Fine dust jacket.

  • Jeter, K.W. Star Wars: Hard Merchandise. Bantam Spectra, 1999. First edition paperback original, a Fine- copy with just a trace of wear at points. The third book in the Bounty Hunter Wars trilogy, and evidently the hardest one to find. Supplements a signed first of the SFBC Bounty Hunter Wars Trilogy I bought from the Fred Duarte estate sale. I supposed now I need to find a PBO first of Slave Ship, the second in the trilogy, but it seems the easiest to find of the three. Bought from Half Price Books for $4.49.
  • King, Florence. Reflections in a Jaundiced Eye. St. Martin’s Press, 1989. First edition hardback, a Near Fine copy with slight bumping at head and heel and thrift store stamp to insider rear cover, in a Fine- dust jacket with slight bumping at head, in a Mylar dust jacket protector. Collection of essays. Replaces an Ex-Library copy. Bought for $7.99.

  • Jordan, Will. Dark Harvest. Blackstone Publishing, 2022. First edition hardback, a Fine copy in a Fine dust jacket. Science fiction novel/technothriller Mike bought for me. Jordan is generally better known as YouTube movie reviewer The Critical Drinker.
  • Joshi, S. T. Black Wings VII: New Tales of Lovecraftian Horror. PS Publishing, 2023. First edition hardback, one of 200 copies signed by all the contributors, a Fine copy in a Fine dust jacket and a Fine slipcase. Original anthology, including stories from John Shirley, Ramsey Campbell and Steve Rasnick Tem. Bought from the publisher at the usual discount.

  • Keene, Brian. A Little Silver Book of Street Wise Stories. Borderlands Press, 2008. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy, sans dust jacket, as issued. Bought as part of the 15 book lot.

  • King, Stephen. The Long Walk. Centipede Press, 2023. First edition thus and first separate hardback edition (a previous Turtleback library hardback binding appears to be just a rebind of the Signet trade paperback edition), one of 1,400 trade copies, a Fine copy in a Fine dust jacket, still in shrinkwrap. Near future SF dystopia, my favorite of the Bachman books, and one of my favorite of King’s books, period. Instantly out of print from the publisher. I have copies available through Lame Excuse Books.

  • King, Stephen, Richard Chizmar, and Stewart O’Nan. A Face in the Crowd b/w The Longest December. Cemetery Dance, 2023. First hardback edition and first edition thus (with King and O’Nan’s “A Face in the Crowd” previously only available in a eBook edition, and Chizmar’s “The Longest December” stating “Expanded Version,” but ISFDB doesn’t show a previous edition), a Fine copy in a Fine dust jacket. Two novellas. Bought off eBay for $20 plus shipping.
  • Kress, Nancy. The Price of Oranges. Pulphouse, 1992. Issue #53.

  • Kuttner, Henry. The Best of Henry Kuttner. Nelson Doubleday (SFBC), 1975. First edition hardback (code “01 R” on page 335, as per Currey), a Fine- copy with trace of bumping at points in a Fine- dust jacket with slight edgewear and small fold to tip of bottom front flap. Introduction by ray Bradbury. Currey, page 291. Bought for $6 at the Book Cellar in Temple.

  • Lafferty, R. A. Alaric: The Day The World Ended. United Mythologies Press, 1993. First edition hardback, a Fine copy, sans dust jacket, as issued. Reprint of The Fall of Rome, and the last book done by the press. Chalker/Owings (2002), page 931. Think I paid $50 for this.

  • Lafferty, R. A. The Back Door of History. United Mythologies Press, 1988. First edition chapbook original, #126 of 150 (according to Chalker/Owings) signed, numbered copies, a Fine copy, with errata notice laid in and conclusion of “Phoenic” pasted in after page 34. Chalker/Owings (2002), page 928. Supplements a trade edition.

  • Lafferty, R. A. The Collected Short Fiction Volume Seven: Mad Man. Centipede Press, 2023. First edition hardback, #40 of 300 copies signed by introduction author Scott Bradfield, a Fine copy in a Fine dust wrapper, still in shrinkwrap. Yes, I have matching numbers of all the rest. Bought from the publisher at the usual discount.
  • Lafferty, R. A. Cranky Old Man From Tulsa. United Mythologies Press, 1990. First edition chapbook, trade edition, a Fine copy. Three pieces of biographical non-fiction. Chalker/Owings (2002), page 928.

  • Lafferty, R. A. The Elliptical Grave. United Mythologies Press, 1989. First edition trade paperback original, a review copy of 70 signed, numbered copies with an extra story (“The Man Who Lost His Magic”), a Fine- copy with a slight bump at bottom right corner.

  • Lafferty, R. A. The Early Lafferty. United Mythologies Press, 1988. First edition chapbook original, #147 of (according to Chalker/Owings) 150 copies, a Fine copy. The first United Mythologies Press item. Chalker/Owings (2002), page 928. Supplements an unsigned copy.

  • Lafferty, R. A. Funnyfingers & Cabrito. Pendragon Press, 1976. First edition hardback, letter av of 50 signed, lettered copies, a Fine copy, sans dust jacket, as issued. This actually completes my R.A. Lafferty in hardback collection (which is to say that every Lafferty first edition that came out in hardback I have, though not every one is signed, and I don’t necessarily have the signed/limited state of every Lafferty book that was issued in one). Chalker/Owings (1991), page 328. I paid $100 for it.

  • Lafferty, R. A. How Many Miles To Babylon. United Mythologies Press, 1989. First edition chapbook original, #94 of (according to Chalker/Owings) 150 copies. Chalker/Owings (2002), page 928.

  • Lafferty, R. A. Promontory Goats. United Mythologies Press, 1989. First edition chapbook original, #132 of (according to Chalker/Owings) 150 copies, a Fine copy. The second United Mythologies Press book. Supplements an unsigned copy. Chalker/Owings (2002), page 928.

  • Lafferty, R. A. Strange Skies. United Mythologies Press, 1988. First edition chapbook original, #182 of 300 copies, a Fine copy. The third United Mythologies Press book. Chalker/Owings (2002), page 928.

  • Lansdale, Joe R. Cold in July. Mark V. Ziesing, 1989. First hardback edition, #388 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket and a Fine- slipcase with a bump at bottom rear. Isajenko, World Lansdalean A011.b. With Lansdale, Joe R. Savage Season. Mark V. Ziesing, 1989. First edition hardback, #388 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket, in the same slipcase. Isajenko, World Lansdalean A013.a. Supplements a PC set (received as part of typing Cold in July into a computer from galley proofs) and a signed “mock” limited set. Bought from a private collector for $50.
  • Lansdale, Joe R. The Donut Legion. Mulholland Books/Little Brown and Company, 2023. First edition hardback, a Fine copy in a Fine dust jacket, inscribed to me by Lansdale. Bought from Book People at cover price during a signing. It was good to see Joe again.
  • Lansdale, Joe R. The Drive-In (A B-Movie With Blood and Popcorn, Made in Texas). Bantam Spectra, 1988. First edition paperback original, #57 of 100 aftermarket copies from The Overlook Connection with a special limitation page pasted in, a Fine- copy with pinprick of abrasion to bottom rear tip, in a Mylar-bag, in a Fine embossed aftermarket slipcase. Isajenko, World Lansdalean A010.a. With Lansdale, Joe R. The Drive-In 2 (Not Just One Of Them Sequels). Bantam Spectra, 1989. First edition paperback original, #57 of 100 aftermarket copies from The Overlook Connection with a special limitation page pasted in, a Fine copy, in a Mylar-bag, in the same slipcase. Isajenko, World Lansdalean A012.a. Supplements inscribed copies of the ordinary PBOs, plus inscribed hardback firsts of the Kinnell editions, plus The Complete Drive-In from Centipede Press. These Overlook Press aftermarket paperback limiteds were weird things, which is why I didn’t pick these up until I found a set at the right price. Bought from the same private collector for $35.

  • Lansdale, Joe R. The Events Concerning. Subterranean Press, 2022. First edition hardback, #371 of 1,250 signed, numbered copies, a Fine copy in a Fine dust jacket. Short story collection. Bought from the publisher. I’ll have copies of this available in the next

  • Lansdale, Joe R. Edge of Dark Water. PS Publishing, 2012. First edition hardback, letter D of 26 lettered copies, a Fine copy in a Fine dust jacket and a Fine slipcase. Supplements a signed Mullholland Books first and both a signed PS trade edition and a signed, numbered copy. Not really an impressive limited, as it’s identical to a signed, numbered copy, but it was only $75, which is about what the regular numbered edition goes for these days. Isajanko, A044.d.ii (but he doesn’t list this lettered edition).
  • Lansdale, Joe R. (illustrated by Ted DiLucia). Incident On and Off a Mountain Road. Crystal Lake Publishing, 2023. First edition hardback (“10 9 8 7 6 5 4 3 2 1” numberline), a Fine copy in decorated boards, sans dust jacket, as issued. Illustrated version of the dark suspense novelette originally published in Night Visions 8 and later adapted as an episode of the Showtime Masters of Horror TV anthology series. Amazon seems to be the main fulfillment avenue for this book, so I provided an Amazon link above.

  • Lansdale, Joe R. Shooting Star. Pandi Press, 2023. First edition trade paperback original, a Fine copy with signed plate (and two bookmarks) laid in. At 43 pages long, it’s somewhere in the novelette/novella range.

  • Lansdale, Joe R. The Steel Valentine. Pulphouse, 1991. Issue #11. Isajanko, The World Lansdalean C01.a.i. Supplements another copy and a Short Story Hardback version.

  • Lansdale, Joe R. (as Ray Slater). Texas Night Riders. leisure, 1983. First edition paperback original, a Fine- copy with tiny loss at very tip of top rear outer corner and some foxing to inside covers, otherwise tight, square and apparently unread. This is far and away the best copy I’ve ever seen. Supplements a less attractive copy of the PBO inscribed to me, the Chivers Press large print (and first hardback edition) inscribed to me, and both the lettered and numbered editions of the Subterranean signed/limited edition. Isajenko, A003.a. Bought for $40 from Half Price Books.

  • Lansdale, Joe R. Things Get Ugly: The Best Crime Stories of Joe R. Lansdale. Tachyon, 2023. First edition trade paperback original, a Fine copy. Bought from the publisher at the usual discount.

  • Lansdale, Joe R. Tight Little Stitches in a Dead Man’s Back. Pulphouse, 1992. Issue #46. Isajanko, The World Lansdalean C03.a.i. Supplements a copy of the Short Story hardback version.

  • Lansdale, Joe R. and Kasey Lansdale. Dark Kin. Thunderstorm Books, 2023. First edition hardback, #232 of 250 signed, numbered copies, a Fine copy in a Fine dust jacket. Collection of collaborative stories, one of which appears here for the first time. Bought from the publisher at a dealer discount. I have copies of this available through Lame Excuse Books.

  • Lansdale, Joe R. and Kasey Lansdale. Terror is Our Business: The Dana Roberts Casebook of Horrors. Short Scary Tales (SST) Publications, 2023. First edition hardback, #101 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket, with tissue paper closure sticker laid in.

  • Lansdale, Joe R. (edited by Christopher Golden and Brain Keene). The Drive-In: Multiplex. Pandi Press, 2023. First edition trade paperback original, a Fine copy.

  • Lansdale, Joe R. and Keith Lansdale. Prisoner of Violence. Dark Regions Press, 2023. First edition hardback, a Fine copy in decorated boards, sans dust jacket, as issued, into which I’ve laid a signature plate by Joe and Keith Lansdale. Graphic novel that was announced several years ago, but only recently came out. I have copies of this available through Lame Excuse Books.

  • Lansdale, Joe R. (and Andreas Guinaldo). Joe R. Lansdale’s The Drive-In. Avatar, 2005. First edition graphic novel original thus (no additional printings listed, preceded by four individual comic book issues), a Fine copy, signed by Lansdale. Graphic novel adaptation of the novel.

  • (Lansdale, Joe R.) Andrew J. Rausch and Mark Slade, editors. Conversations with Joe R. Lansdale. University Press of Mississippi, 2022. First edition hardback, a Fine copy in decorated boards, sans dust jacket, as issued. Collection of interviews with Lansdale, including the ones Dwight Brown and I did for Nova Express. Bought from the publisher. I’ll have signed copies of this available through Lame Excuse Books catalog.

  • (Lansdale, Joe R.) Andrew J. Rausch and Mark Slade, editors. Conversations with Joe R. Lansdale. University Press of Mississippi, 2022. First edition trade paperback original (simultaneous with the much smaller hardback run), a Fine copy. Sent to me as a contributor’s copy.
  • Lee, Tanith. Into Gold. Pulphouse, 1991. Issue #32.Tiny rub on spine.

  • Le Fanu, Sheridan (edited by Eric J. Guignard). A Little Fuchsia Book of Fears. Borderlands Press, 2023. First edition hardback, #462 of 500 numbered copies signed by the editor, a Fine copy, sans dust jacket, as issued. I will have copies of this available in the next Lame Excuse Books catalog.

  • Le Guin, Ursula K. Nine Lives. Pulphouse, 1992. Issue #50.
  • Ligotti, Thomas. Pictures of Apocalypse. Chiroptera Press, 2023. First edition hardback, a Fine copy in a Fine dust jacket, still in shrinkwrap. Also includes a special 24 page Pictures of Apocalypse: Interviews and Sketches chapbook, including new interviews with the author and artist, “Concept to finish” art documentation, outtakes, a thank you card, and a bookmark. A verse cycle. A fairly elaborate small press production for this stylish horror writer. The book is no longer on the publisher’s website, so I assume it is now out of print. But I still have copies through Lame Excuse Books (including the extras bag).

  • Locke, George. Voyages in Space: A Bibliography of Interplanetary Fiction 1801-1914. Ferret Fantasy, 1975. First edition hardback, #17 of 18 signed, numbered hardback copies (plus an additional 10 copies not for sale), a Fine copy, sans dust jacket, as issued. The definitive bibliography on early space travel fiction. Chalker/Owings, page 527. Tymn/Schlobin/Currey A Research Guide to Science Fiction Studies 47. Barron mentions this in Anatomy of Wonder 4 7-7 (on Currey’s Science Fiction and Fantasy Authors), but does not have a separate listing for it. Not in Justice. Supplements an inscribed copy of the trade paperback.

  • Long, Frank Belknap (S. T. Joshi, editor). Library of Weird Fiction: Frank Belknap Long. Centipede Press, 2022. First edition hardback, a Fine copy in a Fine dust jacket, still in shrinkwrap. Massive 800+ page collection of fiction by this contemporary and correspondent of H. P. Lovecraft. Bought for $40.

  • Lovecraft, H. P. The Dream Quest of Unknown Kadath. Shroud: Publishers, 1955. First edition trade paperback original (Currey A, orange wrapper bound with brown tape) simultaneous with a small hardback run, #1341 of 1,500 copies, a Near Fine copy with former owner’s name on front free endpaper and some evenly-spaced diagonal wrinkles to spine (possibly as issued by Shroud), in a Very Good first state (publisher’s address of 819 Michigan Avenue, Buffalo 3, New York, as per Currey) dust jacket with shallow chipping at head and heel and staining along spine and at top front near edgefold. First edition of this Dunsanean Dreamlands novella, which ties into Lovecraft’s Cthulhu Mythos but is also distinct from it. Shroud was an odd press, and this book displays Shroud’s “amateurish” (to quote Chalker/Ownings) quality. Currey, page 322. Chalker & Owings, The Science Fantasy Publishers, pages 403-404. Joshi, H.P. Lovecraft: A Comprehensive Bibliography I.31. Bleiler, The Guide to Supernatural Fiction 1048 (“repetitious, alternately aiming for childishness and horror, maundering and wandering, it has little to offer except a rather pointless integration of the earlier Dunsanean stories”). Magill, Survey of Modern Fantasy Literature, pages 431-435. Bought from a Potter & Potter auction for $187.50.

  • Lovecraft, H. P. Miskatonic Missives. Helios House, 2022 (actually 2023). First edition hardback, one of 521 Limited Collector’s Edition sets (given the number of kickstarter backers), containing three volumes, plus a fake book that’s actually a traycase to contain the ephemera extras, all Fine copies, sans dust jacket, as issued, in a Fine slipcase.

    Each volume contains a reprint of one of H.P. Lovecraft’s most interesting letters, presented alongside related archival material such as contemporary short stories, art, maps, etc., as well as original art and new scholarship.

    Each volume is also packaged with a set of exclusive extras—replicas of related contemporary materials such as photos, maps, ticket stubs, postcards, news clippings, and diary pages. The Collector’s set packages all of these extras in a custom box which nests in the slipcase alongside the three books. Each Limited Edition Collector’s set is supplied with a Certificate of Ownership signed by editors Andrew Leman and Sean Branney of the H.P. Lovecraft Historical Society, and a collectible enamel pin.

    This is just the loose extras; there are additional extras for each volume, in their individual envelopes in the Ephemera traycase.

    with

  • Lovecraft, H. P. (Sean Branney and Andrew Lman, editors and annotators). The Spirit of Revision: Lovecraft’s Letters to Zeila Brown Reed Bishop. Helios House, 2022. Second Edition hardback (I believe the first edition was trade paperback only), a Fine copy, sans dust jacket, as issued. Bought with the above as an add-in.

  • (Lovecraft, H. P.) Houllebecq, Michel. H. P. Lovecraft: Against the World, Against Life. Cernunnos, 2019. First edition hardback, a Fine copy in a Fine dust jacket. Critical analysis of Lovecraft and his work by the French writer and critic. Introduction by Stephen King. Bought for $9.95.

  • (Lovecraft, H.P.) Day, Gene. Richard Upton Pickman: A Portfolio with Dirk W. Mosig’s H. P. Lovecraft: Psychological Realist. Stellar Z. Publications, 1977. First edition chapbook originals (for each), a Near Fine+ copy of the portfolio, with slight bending at the corners, and a Fine copy of the smaller Mosig critical chapbook. 10 art prints based on Lovecraft’s “Pickman’s Model,” plus a chapbook from a psychologist who has done a lot of essays on Lovecraft. There’s not a lot of Internet hits on either of these, and the few hits on the portfolio don’t appear to have the Mosig chapbook. I’m not sure what the print run on this was. I even reached out to Mosig himself (who’s still alive and teaching at a university) to ask the print run, but he didn’t know.

    (Though they seem the same size here (the blog image default size), the Mosig chapbook is much smaller, which makes sense given it probably shipped inside the portfolio.)

  • (Lovecraft, H.P., Robert E. Howard, Clark Ashton Smith) Jones, Stephen. The Weird Tales Boys. First edition hardback, #92 of 100 signed (by Jones, introduction author Ramsey Campbell, artist Lee Edwards, and facsimile signatures for Lovecraft, Howard and Smith), numbered copies, a Fine copy in a Fine slipcase. A triple biography of H.P. Lovecraft, Robert E. Howard and Clark Ashton Smith as the most important writers for Weird Tales. Now sold out from the publisher. A small number of copies of this will be available in the next Lame Excuse Books catalog.

  • Machen, Arthur (attributed). From the London Evening News. The Arthur Machen Society/Four Ducks Press, 1959. First edition chapbook original, #33 of 50 copies printed, a Fine copy, with a letter enclosed presenting the work from J. H. Stewart, Jr. to Joseph Kelly Vodray (who left an archive of Machen papers to Princeton) describing how the book was designed and printed by Bill Jackson. Three stories covering purportedly supernatural events reprinted from the London Evening News tentatively identified as the work of Arthur Machen. This is a remarkably attractive chapbook, crisply designed and printed in multiple colors inside, and really looks like something printed 20 years later. No online listings, though Worldcat does locate 13 copies in various libraries (including UT’s Harry Ransom Center).

  • (Machen, Arthur) Wesley D. Sweeter and Adrian H. Goldstone. Arthur Machen. Arthur Machen Society, 1960. First edition hardback chapbook, one of 200 copies, a Near Fine copy with sports of rubbing to extremities and cover and the decorative bookplate of Paul Jordan Smith (Literary Editor of The Los Angeles Times for 25 years and noted Machen fan) affixed to insider front cover. Reprints two pieces on Machen from The Aylesford Review: Sweeter’s “Machen: A Biographical Study” and Goldstone’s “Men About Machen,” discussing some of the more notable members of the Society (including Vodray and Smith).

  • Maclay, John. A Little Red Book of Vampire Stories. Borderlands Press, 2003. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy. Bought as part of the 15 book lot.

    .

  • MacLeod, Fiona (pseudonym for William Sharp). The Hills of Ruel and Other Stories. Heinemann, 1921. First edition hardback, a Near Fine+ copy in decorated boards (the design matching the dust jacket) with sight bumping at head, heel and points and slight foxing to inside covers and endpapers in a Very Good- dust jacket with a 7/8″ chip at head, 1/2″ chip at heel, smaller losses at top and bottom edges and wear along outer edges. Beliler Checklist (1978) page 131.

  • MacLeod, Ian R. Ragged Maps. Subterranean Press, 2023. First edition hardback, #171 of 1,000 signed, numbered copies, a Fine copy in a Fine dust jacket and publisher’s plastic bag. Short story collection.

  • Martin, George R. R. The Pear-Shaped Man. Pulphouse, 1991. Issue #37.

  • Martin, George R. R., editor. Wild Cards VI: Ace in the Hole. Bantam Books/SFBC, 1989. First hardback edition, the SFBC book club edition, preceded by the PBO, a Fine- copy with bumping at head, heel and top points, in a Near Fine+ dust jacket with slight bumping at head, heel and top points, a couple of phantom creases across rear cover, and slight edgewear. Bought for $6 at the Book Cellar in Temple.

  • Martin, George R. R. Wild Cards VIII: One-Eyed Jacks. Bantam Spectra, 1991. First edition paperback original, a Near Fine copy with mild spine creasing and a trace of wear at points. This completes my Wild Cards paperback collection. Bought for $2.49.

  • Massie, Elizabeth. A Little Magenta Book of Mean Stories. Borderlands Press, 2003. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy. Bought as part of the 15 book lot.

  • Matheson. Richard. Duel: Terror Stories By Richard Matheson. Tor, 2003. First edition hardback, a Fine- with slight bend at heel copy in a Fine- dust jacket with a slight wrinkle at rear bottom. Supplements a trade paperback edition. Bought for $12.99.
  • McBride, H. W. A Rifleman Went to War. Small-Arms Tactical Publishing Company, 1935. First edition, second printing (according to Dwight’s bibliography of this press), a Near Fine copy with a slight bit of spine wear and previous owner’s bookplate, in a Very Good- dust jacket with 1 1/2″ wide x 1/2″ deep chip at head, small chip at heel, creasing along front flap fold, and general wear, but no loss of lettering anywhere, in a Mylar dust jacket protector. Memoirs of the experiences of an American rifleman who joined the Canadian expeditionary forces during World War I (my second favorite World War). A Christmas gift from Dwight, who collects this press.

  • McCarthy, Cormac. The Crossing. Knopf, 1994. First edition hardback, a Fine copy in a Fine dust jacket, with McCarthy signature plate attached to half-title page. Second book in the Border Trilogy, preceded by his breakthrough bestseller and National Book Award winner All the Pretty Horses. Supplements an unsigned first. Bought for $400 (with discount) from a fellow dealer.

  • Merritt, A (and Hannes Bok). The Black Wheel. New Collector’s Group, 1947. First edition hardback, in a first state (Currey A) binding, #571 of 1,000 copies, a Near Fine- copy with slight bumping at head and heel, abrasions to title on front cover, inner hinge before title page just starting at top, with copyright correction pasted to copyright page. Novel started by Merritt and finished by Bok, who also illustrates the book. Currey, page 364. Chalker/Owings (2002), pages 608-9. Chalker/Owings (1991), page 308. Kemp, The Anthem Series, pages 384-385.

  • Merritt, A (and Hannes Bok). The Black Wheel. New Collector’s Group, 1947. First edition hardback, in a second state (Currey B) binding, a Very Good+ copy with BB-sized indention to front board (extending to front free endpaper), bumping at head, heel and points, large former owner plate for Robert C. Culp affixed to inside front cover, and foxing to interior gutters, and no number on copyright page, in a Near Fine FFF dust jacket (see Chalker/Owings for details, though they note the yellow jacket had “no illustrations,” which is clearly incorrect) with bumping at head, and a faint, dime-sized damp-staining drop and slight creasing to rear panel. Novel started by Merritt and finished by Bok, who also illustrates the book and the post-publication jacket. Currey, page 364. Chalker/Owings (2002), pages 608-9. Chalker/Owings (1991), page 308. Kemp, The Anthem Series, pages 384-385.

  • Mirrlees, Hope. Lud-In-The-Mist. W. Collins & Sons, 1926. First edition hardback, a Fine- copy with a couple of abrasion spots on front cover, slight bend and head and heel, and small bookseller sticker to bottom of rear inside cover, otherwise a nice, sharp copy in an immaculate facsimile dust jacket. Bleiler, Checklist (1978), page 141. Magill, Survey of Modern Fantasy Literature, pages 926-931. Barron, Fantasy Literature 3-250 (“A beautifully written allegory unashamedly celebrating the necessity of enchantment”). Tymn Zahorsky Boyer, Fantasy Literature pages 141-142. Widely considered one of the classic novels of pre-Tolkien fantasy. Bought for $395 plus shipping.

  • Monteleone, Thomas F. A Little Brown Book of Bizarre Stories. Borderlands Press, 2004. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy. Bought as part of the 15 book lot.

  • Moorcock, Michael, editor (John Brunner, Roger Zelazny, J. G. Ballard, etc.). New Worlds March 1966, Vol. 49, No. 160. Compact SF, 1966. First edition magazine in the form of a paperback original, a Near Fine copy with slight glue ridging to spine, slight wear at points, a faint, thin line of abrasion down rear cover near outer edge, and a few touches of general wear. Right in the middle of Moorcock’s acclaimed run as editor of New Worlds when it became the epicenter of the New Wave, with a murder’s row of writers in this issue. The Zelazny is the first appearance of the classic “For a Breath I Tarry” (Levack, Stories 69a), and this came from the last purchase of books from Bob Pylant’s Zelazny collection.
  • Moore, Ward. Caduceus Wild. Pinnacle Books, 1978. First edition paperback original, a Near Fine- copy with one tiny spine crease near front join, bookstore stamp inside, slight rubbing to rear cover, trace of magic marker left over price on front cover (Bestine took care of the rest), and touch of edgewear. Moore’s last novel. Replaces a slightly less attractive copy. Bought for $1.99.

  • Morlan, A.R. The Cat With The Tulip Face. Pulphouse, 1991. Issue #29.
  • Morrell, David. Creepers. CDS Books, 2005. First edition hardback, a Fine copy in a Fine, Mylar-protected dust jacket, signed by Morrell. Bought for $8.
  • Mundy, Talbot. Full Moon. D. Appleton-Century, 1935. First edition hardback (“(1)” on page 312), a very Good copy with slight spotting to top and bottom page block edges (and possibly side, but it’s hard to tell with deckled edges), slight concavity at top of spine, slight bend at head and heel, light foxing to inside covers, and a few penciled notes front and back, in a Very Good dust jacket with shallow chipping at head, heel and points, spine faded, top rear flap corner clipped (but front panel and price intact), wear along front fold edge, slight dust staining to white rear panel, one 1/2″ closed tear to top front and one 1/4″ closed tear to rear bottom, and slight foxing to flaps; not pristine, but nice for the age. Oriental adventure with magic set in India. Grant, Talbot Mundy: Messanger of Deastiny, page 184. Day, Talbot Mundy Biblio, page 5. Bleiler, Checklist (1978), page 145. Bought for $40 at Antiquarian Book Mart in San Antonio.

  • Murphy, Pat. Rachel in Love. Pulphouse, 1992. Issue #48.
  • Murray, Charles. Losing Ground: American Social Policy 1950-1980. Basic Books, 1984. Third printing, a Fine- copy in a Fine- dust jacket, with slighting bumping at head and heel, a trace of wear at points, and a touch of surface wear, inscribed by Murray: “To Dr. Harry Schmitt,/with best wishes/Charles Murray/18 July 1986.” (I wonder if this was inscribed to former astronaut and Republican senator Harrison Schmitt.) This is probably the most important book ever written about the American welfare state, in which Murray showed in meticulously researched detail why the welfare state expansions instituted by Lyndon Baines Johnson’s Great Society inflicted lasting economic and social harm to black families in America. Without Losing Ground, the welfare reform act of 1996 never would have happened. It came out back when some Democrats will still willing to look at research and data rather that automatically calling critics of the welfare state racist. Highly recommended. Supplements an unsigned first printing. (I had a second printing inscribed to me that I foolish lent out and never had returned.) Bought for $5.99.

  • Oates, Joyce Carol. The Bingo Master. Pulphouse, 1992. Issue #41.
  • Page, Gerald W., editor. The Year’s Best Horror Stories VII. DAW, 1979. First edition paperback original, a Fine- copy with tiny crease to very tip of bottom front corner and a trace of edgewear. Includes stories from Stephen King, Jack Vance, Manly Wade Wellman and Lisa Tuttle, among others.
  • Piccirilli, Tom A Little Black Book of Noir Stories. Borderlands Press, 2003. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy. Bought as part of the 15 book lot.

  • Piper, H. Beam. Lord Kalvan of Otherwhen. Garland Publishing, 1975. First hardback edition, a Fine copy, sans dust jacket, as issued. Novel of a modern day state trooper accidentally sucked into an alternate timeline where he uses his knowledge of military tactics and technology (such as the composition of gunpowder) to topple a corrupt theocracy. Part of the Garland Library of Science Fiction, reprinted from slightly blown-up pages from the Ace paperback original. Supplements a PBO first. Bought for £68 plus shipping from a UK seller.

  • Powers, Tim. The Anubis Gates. Mark V. Ziesing, 1989. First edition thus, part of the signed, limited edition of 500, but lacking a number and a slipcase, a Fine- copy in a Fine- Mylar-protected dust jacket with slight bend at head. Berlyne, A4h.2, who notes that Ziesing says many slipcases were destroyed in a flood. Chalker/Owings (2002), page 1000, who says Ziesing had an overrun of slipcases. Supplements an inscribed PBO first, an inscribed Chatto & Windus first hardback, a slightly flawed copy of the Centipede Press limited edition, and the holograph manuscript copy included in the ultralimited edition of the Berlyne bibliography.

  • Powers, Tim. Declare. Morrow, 2001. First trade edition hardback (preceded by the Subterranean Press limited edition), a Fine copy in a Fine Mylar-protected dust jacket, signed by Powers. Berlyne, A11b. Supplements a copy of the Subterranean Press limited.

  • Powers, Tim. Earthquake Weather. Legend, 1997. First edition hardback, a Fine copy (though with the characteristic page darkening for Legend books of this era) in a Fine Mylar-protected dust jacket, signed by Powers. Berlyne, A10a (who notes that reportedly only 800 copies were produced). Replaces an unsigned copy.

  • Powers, Tim. An Epitaph in Rust. Charnel House 2023. First edition hardback thus, #54 of 200 numbered copies, a Fine copy, sans dust jacket, as issued. Bought from the publisher at the usual discount.

  • Resnick, Mike. Kirinyaga. Pulphouse, 1992. Issue #58. Just the novelette. Kelleghan, Mike Resnick: An Annotated Bibliography and Guide to His Work A39.

  • Robinson, Kim Stanley. Black Air. Pulphouse, 1991. Issue #20.
  • Robinson, Kim. New York 2040. Orbit, 2017. First edition hardback, a Fine- copy in a Fine- dust jacket with slight bumping at head and a trace of edgewear. Bought for $9.99.

  • Romero, George A. and Daniel Kraus. The Living Dead. Short Scary Tales (SST) Publications, 2023. First edition hardback, 322 of 400 copies signed by Suzanne Romero, Daniel Kraus, Vincenzo Natali and Francois Vaillancourt, a Fine copy in a Fine dust jacket. Hefty 736 page original novel set in Romero’s Living Dead universe. Now sold out from the publisher, though I do have one copy available through Lame Excuse Books.

  • Russell, Eric Frank. Wasp. Avalon Books, 1957. First edition hardback, a Fine- copy with a tiny bit of bend at head and heel in a Fine- dust jacket with one 1/2″ closed tear are top rear head, and tiny bit of wrinkling on bottom front edge near heel, and just the barest traces of dust soiling to an otherwise bright white dust jacket. Military SF adventure novel of a spy sent to a hostile alien planet to bring down the government through psychological and guerilla warfare, like a wasp crashing a car by attacking the driver. Bought from a notable UK dealer for £200 plus shipping.

  • Sagan, Carl. Contact. Simon and Schuster, 1985. First edition hardback, a Fine- copy with slight bumping at head, slight dust soiling to outer page block, and slight bunting of points, in a Fine- dust jacket with slight bumping at head, slight wear at points, and a trace of staining to blind side. Sagan’s only novel, and the basis of the 1997 film. Bought for $8.49.

  • Saki (H.H. Munro) (edited by Stuart David Schiff). A Little Red Book of Wit & Shudders. Bands Press, 2023. First edition hardback, #462 of 500 copies signed by Schiff, a Fine copy, sans dust jacket, as issued. I have copies available through Lame Excuse Books.

  • Sammons, Brian M. Tales From Arkham Sanitarium. Dark Regions Press, 2022. First edition hardback, a Fine- copy in decorated boards with one tiny bump near bottom front corner, sans dust jacket, as issued. Cthulhu Mythos anthology, featuring a few familiar names (Don Webb, W. H. Pugmire, etc.).

  • Sarrantonio, Al. A Little Yellow Book of Fevered Stories. Borderlands Press, 2004. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy. Bought as part of the 15 book lot.

  • Schow, David J. Sedalia. Pulphouse, 1991. Issue #25.

  • Searight, Richard F. The Sealed Casket. The Strange Company, 1975. First edition prose portfolio (wrappers containing loose pages for the story), one of 100 copies, a Fine- copy with a touch of bumping or creasing at the points. Short story from another Lovecraft circle writer, and Hippocampus Press published a volume of their correspondence (combined with Lovecraft correspondence with E. Hoffman Price), one copy of which I have available for sale through Lame Excuse Books.

  • Selznick, Brian. The Invention of Hugo Cabret. Scholastic Press, 2007. First edition hardback, a Fine copy in a Fine dust jacket. Illustrated young adult novel. Winner of the 2008 Caldecott Medal and basis of the 2011 film Hugo, which I also enjoyed.

  • Shatner, William (with Chris Kresski). Star Trek Memories. HarperCollins, 1993. First edition hardback, limited issue, one of 4,500 signed, numbered copies, a Fine copy in a Fine slipcase, sans dust jacket, as issued, still in shrinkwrap. Non-fiction memoir of his time on the original Star Trek TV series. Bought for $65, less than cover price and less than a fourth of what it lists for these days.

  • Sheckley, Robert. Xolotl. Pulphouse, 1991. Issue #3.

  • Shepard, Lucius. The Ends of the Earth. Arkham House, 1991. First edition hardback, #5 of 100 copies signed and numbered by Shepard, a Fine copy in a Fine dust jacket (with SIGNED sticker on spine). This is a post-first limited that Lucius did himself, much like Greg Bear did his 250 copy limited edition of The Wind From A Burning Woman. Chalker/Owings (2002), page 73 (where he says this edition was sold at $100 a pop). Joshi, Sixty Years of Arkham House 178 (where he doesn’t mention this limited edition). Nielsen, Arkham House Books: A Collector’s Guide 184 (he doesn’t mention this edition either). Supplements an unsigned copy (which I must not have had the last time Lucius came through Austin). Bought for $17.50 plus shipping (which is less than even the original Arkham House cover price).

  • Shiner, Lewis. More Collected Stories. Subterranean Press, 2023. First edition perfect bound chapbook, a Fine copy, in publisher’s plastic bag. Six stories Lew has published since Subterranean’s Collected Stories. Bought from the publisher.

  • Shiner, Lewis. Twilight Time. Pulphouse, 1991. Issue #30.
  • Silverberg, Robert. Monsters and Things. PS Publishing, 2023. First edition hardback, #100 of 100 signed, numbered copies in decorated boards signed by Silverberg, editor Stephen Jones, and illustrator Randy Brocker, a Fine copy in a Fine dust jacket and a Fine slipcase, with erratum sheet laid in noting that one of these stories (many of them written under pseudonyms) actually was from Donald Westlake writing as Richard Stark. Oops! Already sold out from the publisher. I will have a small number of these available in the next Lame Excuse Books catalog.

  • Silva, David B. A Little White Book of Lies. Borderlands Press, 2005. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy. Bought as part of the 15 book lot.

  • (Sime, Sydney H.) Skeeters, Paul W. (introduction by Ray Bradbury). Sidney H. Sime: Master of Fantasy. Ward Ritchie Press, 1978. First edition hardback, #178 of 200 copies signed by Skeeters and Bradbury, a Fine copy, sans dust jacket, as issued. Art book featuring Sime’s illustration work. This was a pleasant surprise, as I thought it was just a trade hardback lacking the dust jacket, but it’s actually the limited edition signed by Ray Bradbury, which alone is worth just shy of what I paid for the entire lot. Chalker/Owings, page 1072 (not a listing for the book, but a description of the post-publication dust jacket for the limited edition that George Locke printed up). Supplements a copy of the unsigned trade paperback edition.

  • Simmons, Dan. Entropy’s Bed at Midnight. Lord John Press, 1990. First edition hardback, #93 of 100 signed, limited copies, a Fine copy, sans dust jacket, as issued, in a Fine slipcase. Reginald, Science Fiction and Fantasy Literature, 1975-1991 33966 (but not this state). Supplements a signed, non-slipcased 1/300 edition.

  • Sloca, Sue Ellen. Candles on the Pond. Pulphouse, 1992. Issue #59. As far as I can tell, this is her only publication anywhere.
  • Smith, Clark Ashton. Seer of the Cycles. CASiana Literary Enterprises (i.e., Roy A. Squires), 1976. First edition chapbook, #223 of 325 copies, a Fine copy in a slightly worn printed envelope that’s starting to split at the top fold. Fifth volume in the Second Series of Fugitive Poems (Xiccarph Edition). Joshi/Schultz/Connors, Clark Ashton Smith: A Comprehensive Bibliography, I.A.38 (for the Fugitive Poems: Second Series as a whole). Not in Currey. I also have Titans in Tartarus from this series. Bought off eBay for $35.

  • Smith, Clark Ashton (Scott Connors and Ron Hilger, editors). The Miscellaneous Writings of Clark Ashton Smith. Night Sahde Books, 2011. First edition hardback, a Fine copy in a Fine dust jacket. I already had the five volume collected fantasies, but somehow never picked this one up, perhaps because Night Shade was so horrible at fulfillment. Bought for $14.99.

  • Somtow, S. P. Fiddling for Waterbuffaloes. Pulphouse, 1992. Issue #47.
  • Stableford, Brian. Slumming in Voodooland. Pulphouse, 1991. Issue #26.

  • Straub, Peter. A Little Blue Book of Rose Stories. Borderlands Press, 2004. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy. Bought as part of the 15 book lot.

  • Swanwick, Michael. The Best of Michael Swanwick Volume Two. Subterranean Press, 2023. First edition hardback, #204 of 1,000 signed, numbered copies, a Fine copy in a Fine dust jacket and publisher’s plastic bag, with a Subterranean bookmark laid in. Supplements the first volume Subterranean did back in 2008. I have copies of this available through Lame Excuse Books.

  • Swanwick, Michael. Brief Essays on Genre. Dragonstairs Press, 2023. First edition chapbook original, #10 of 75 signed, numbered copies, a Fine copy. 25 brief essays on genre fiction. Bought from the publisher at the usual discount. I have copies of this available through Lame Excuse Books.

  • Swanwick, Michael. Red Fox, Blue Moon. Dragonstairs Press, 2023. First edition chapbook original, #64 of 69 signed, numbered copies, a Fine copy. Vignettes about a fox, inspired by a fox that visited Swanwick’s backyard. “This is the story of how she saved the world. Well, her world.” I have copies of this available through Lame Excuse Books.

  • Swanwick, Michael. Transits of Venus. Dragonstairs Press, 2023. First edition chapbook original, #28 of 36 signed, numbered copies, a Fine copy with interlocking geometric pattern cover (there were also floral pattern versions). I have one copy this available through Lame Excuse Books.

  • Swanwick, Michael. The Vinter’s Guide to Remarkable Wines. Dragonstairs Press, 2023. First edition chapbook original, #36 of 55 signed, numbered copies, a Fine copy. Collection of vignettes around wine themes. I have copies of this available through Lame Excuse Books.

  • Swanwick, Michael. Winter Songs. Dragonstairs Press, 2022 (not offered for sale until 2023). First edition chapbook original, #37 of 115 copies, a Fine copy. I will have copies of this available in the next Lame Excuse Books catalog.

  • Tiptree, James Jr. (Alice Sheldon). The Voice That Murmurs in the Darkness. Subterranean Press, 2023. First edition hardback, #389 of 1,000 numbered copies, a Fine copy in a Fine dust jacket and publisher’s plastic bag. Includes out of print and previously uncollected work, including the essay “How to Have An Absolutely Hilarious Heart Attack” and the story “Beam Us Home.”

  • Thorburn, Wayne. Red State: An Insiders Story of How the GOP Came to Dominate Texas Politics. University of Texas Press, 2014. First edition hardback, a Fine copy in a Fine-dust jacket with just a touch of wear, signed by Thorburn. This is an interesting book that describes (among other things) how leftists deliberately drove conservatives and moderates out of the Texas Democratic Party so they could control it. Of course, they expected voters would simply keep voting for Democrats, but that didn’t happen. Recommended. Bought for $7. Replaces an unsigned copy.

  • Vance, Jack. The Languages of Pao and The Dragon Masters. The Vance Integral Edition, 2002. First edition hardback, a Fine copy, sans dust jacket, as issued. The first edition restoring Vance’s original texts. This was bought from a collector as part of a small Jack Vance lot. I think I could have bought this for $32 at the time, but having paid for the VIE itself (a considerable chunk of change), I didn’t want to spend more for work that would later be included in the complete VIE anyway. Chalker/Owings (2002), page 946, which states there were 500 copies of this volume produced, but it seems a bit rarer than that. Also, I finally had a chance to add the proof dust jacket I bought back in 2020.

  • Vance, Jack. Night Lamp. Tor, 1996. First edition hardback (precedes the Underwood Books edition), a Fine copy in a Fine dust jacket, signed by Vance. Cunningham, 61a. Supplements the Underwood Books limited edition.

  • Vance, Jack. The Space Pirate. Toby Press, 1953. First edition trade paperback original (no statement of printing, as per Currey), a Fine- copy with a bare trace of dust soiling/age darkening to rear cover, plus the usual age darkening to pages; all but perfect, and far and away the nicest copy I’ve seen. Vance’s second novel. Hewett, A2. Cunningham, B.75.a. Currey, page 500. Supplements a signed but less attractive copy. Bought for $12 from Recycled Books in Denton.

  • (Vance, Jack) Hewitt, Jerry, and Daryl F. Mallett. The Work of Jack Vance: An Annotated Bibliography & Guide. Borgo Press/Underwood -Miller, 1994. First edition hardback, #121 of 200 numbered copies signed by Vance, introduction author Robert Silverberg, Hewett and Mallett, a Fine copy, sans dust jacket, as issued, in a Fine- slipcase with a bump to the top rear that I probably inflicted myself. The definitive Vance bibliography. Supplements a trade copy. Hewitt, M166 (yes, a reference to the book in the book itself). Cunningham E.2. Jerry tells me that Mallett was actually the editor rather than co-compiler, and on my trade copy he’s crossed out “Borgo” and written in “Bozo” on the title page. I sense some tension there…

  • (Vance, Jack) Temianka, Dan. The Jack Vance Lexicon: From Ahuloh to Zipahgote. Underwood-Miller, 1992. First edition hardback, #87 of 200 numbered copies signed by Vance and Temianka, a Fine- copy with a slight bit of bend at heel, sans dust jacket, as issued, in a Fine slipcase. Just what it says, a Lexicon of Vancian vocabulary. Supplements a trade copy. Hewitt, M163. Cunningham I.3.
  • (Vance, Jack) Levack, Daniel J. H. and Tim Underwood. Fantasms: A Bibliography of the Literature of Jack Vance. Underwood-Miller, 1978. First edition trade paperback original (simultaneous with a much smaller hardback run), one of 900 copies, a Fine- copy with slight bumping to points, signed by Jack Vance. The first serious, professional bibliography of Vance’s work. Hewett, M47. Cunningham, E1. Stephensen-Payne/Benson, M3.

  • (Vance, Jack) Stephensen-Payne, Phil and Gordon Benson, Jr. Jack Vance: A Fantasmic Imagination (2nd Revised Edition) A Working Bibliography. Galactic Central, no date (but 1990). First edition of one-sided brad-bound sheets, either Fine- (for the condition of the sheets), with a two penciled notes at bottom of front page, or Very Good+ is you count the wrinkled condition of the Duotang thin cardstock brad binder, but it is unreasonable to expect such to last decades in pristine condition. Back before the rise of Internet bibliographies, a number of projects were started to make comprehensive science fiction bibliographies. (Willie Siros was involved in one, until he said he hit the undocumented limit of many-to-many links in the Macintosh 4D database software.) Galactic Central was one project working on an author-by-author basis, this being the 28th in a series that eventually reached 58 before petering out. Hewitt, M152. (He states that Borgo Press even did a hardback of this! I’ve never seen one.) Not in Cunningham.

    (Vance, Jack). Rawlins, Jack. Demon Prince: The Dissonant Worlds of Jack Vance. Borgo Press, 1986. First edition hardback (plasticized boards), a Fine copy with “KATER-BOUND” sticker to rear cover (presumably as issued). Critical companion to the works of Jack Vance. Depending on the title, Borgo either did plasticized boards with the trade paperback encased, or cloth with the cover of the trade paperback pasted to the front; this is one of the former. I can’t recall ever seeing any copy of this title before, much less the hardback variant. Hewett, M.126. Cunningham, F.2.

  • (Vance, Jack) Jean Luc Esteban. Jack Vance: Works published in PULPS magazines 1945-1975. LuLu, 2023. First edition (POD) hardback, a Fine copy in decorated boards, sans dust jacket, as issued. An odd reference work, showing the full-color cover illustrations, title pages, first few story pages, and interior black and white illustrations, for every story Jack Vance published in pulp magazines for the covered period. (Never mind that by the 1970s, the magazines publishing Jack Vance weren’t pulps and hadn’t been for some time.) Sort of an strange work, with high production values (all the page are slick stock, not just the ones for the color illustrations) and odd editorial choices (the Table of Contents is at the rear, and there are a lot of pages left unnecessarily blank). Also, there is no magazine or illustrator index. But buying this is a whole lot less expensive than tracking down every single issue covered. If this is the sort of reference work you think you need, then you need it, and if you don’t, you don’t. Note also that there are four slightly variant titles this could be known under: the spine says Jack Vance in Pulps 1945-1975, the front cover says Jack Vance in Pulps First issues 1945-1975, the half-title page says Jack Vance Pulps Editions 1945-1975, and the title page says Jack Vance: Works published in PULPS magazines 1945-1975. Yeah, the book could have used an editor…

  • (Vance, Jack) Parmentier, Gregg. The Vance Phile issues 1 through 6. First edition center-stapled fanzine originals, each #5 of 30 copies, signed by Parmentier (and sometimes other contributors), each a Fine copy. Fanzines full of interesting articles from Vance fans, from reprints of rare Vance works to a lot of bibliographic updates (include some from Jerry Hewett to his Vance bibliography). Strangely, I’ve been on a private Vance collector’s list with Gregg for decades now, but I believe I started getting those only after his period of publishing these, so I never heard about it. There was evidently an Issue 7 I’m still trying to track down a print copy of.

  • (Vance, Jack) George L. Mina, editor. Cosmopolis: a nexus for the admirers of of the works of Jack Vance. George L. Mina, 1988. First edition comb-bound with clear plastic covers fanzine original, a Fine copy, with letters from Mina and L.W. Currey laid in. Fanzine miscellanea related to Vance, including Vance’s essay “The Symbol,” which according to Hewett (D20) is its only appearance. Hewett, M140 (which notes a total of 75 copies: 12 copies with hand-colored illustrations for contributors and 63 copies with uncolored illustrations (this edition) for subscribers). Not to be confused with the later newsletter of the same name published by the Vance Integral Edition project.

  • (Vance, Jack) Offut, Robert Jr. The Many World of Jack Vance Vol. 1 No. 1 Spring 1977. First edition fanzine original, #185 of 300 numbered copies, a Near Fine+ copy with a touch of staining along staple fold edge, signed by Vance. Includes an appreciation by Poul Anderson, a lengthy interview by Tim Underwood, and some bibliographic material. Hewett, M31a.

  • (Vance, Jack) Robert Offutt Jr., editor. The Many Worlds of Jack Vance & The Horns of Elfland. Robert Offutt Jr., 1978. First edition illustrated fanzine, a Fine- copy with a couple of small spots of dust staining to rear, signed by Vance. Features Vance’s “The Secret,” the first chapter of an illustrated adaptation of The Eyes of the Overworld, etc. Second (and last) volume of an illustrated, semiprozine quality publication dedicated to Vance’s work (though the cover illustration, “Boromir’s Fall,” is obviously from The Lord of the Rings). Chock-full of illustrations from Rod Whigham, who later did a great deal of comic book work. Hewett, M31b, who notes there were 1,000 copies of this printed. Replaces an unsigned and less attractive copy.

  • (Vance, Jack) V-Con [7] Program Book. V-Con 7, 1979. First edition program chapbook original (10 3/4″ tall by 8 1/4″ wide), a Fine- copy with just a tiny bit of fading to the stapled spine edge, signed by Vance. Program books for a 1979 convention in Vancouver, British Columbia, where Jack Vance was Guest of Honor (and Frank Herbert Toastmaster).

  • (Vance, Jack) (Tim Underwood and Chuck Miller, unlisted editorsThe Book of the Sixth World Fantasy Convention. Underwood/Miller, 1980. First edition hardback, one of 1000 copies, a Fine- copy, with slight bumping at head and heel, sans dust jacket, as issued, with pocket program and card for the convention laid in. World Fantasy Convention where Jack Vance was Guest of Honor. Hewett, M88.

  • (Vance, Jack) Laws, Robin D. The Kaain Player’s Guide: A Supplement for the Dying Earth RPG. Pelgrane Press, 2002. First edition (“First printing June 2002”) trade paperback original, a Fine copy. Supplement for the Dying Earth RPG. My role-playing game days are long behind me, and I haven’t really made a point of picking up RPG stuff for authors I collect, but this was cheap, and I have some books from the Amber Diceless RPG I haven’t cataloged yet from the last Bob Pylant purchase. Now I just need to find a place to put them…

  • Wagner, Karl Edward. Where the Summer Ends. Pulphouse, 1991. Issue #31.

  • Wagner, Karl Edward, and David Drake. Killer. Baen Books, 1985. First edition paperback original, a Near Fine- copy with slight spine creasing, edgewear, and foxing to insider covers. Hunting an alien killer in ancient Rome. Bought for $1.49.

  • Waldrop, Howard (George R. R. Martin and Bradley Denton, editors). H’ard Starts. Subterranean Press, 2023. First edition hardback, #414 of 750 numbered copies signed by Waldrop, Martin and Denton. Collection of early, rare Waldrop stories from a wide variety sources, including a 25 copy self-published story from 1966! (I have a copy and provided George with the text.) Available through Lame Excuse Books. My memorial to Howard can be found here.

  • Wallace, Edgar (Stephen Jones, editor). Kong: An Original Screenplay. PS Publishing/Electric Dreamhouse, 2023. First edition hardback, a Fine copy in a Fine dust jacket. The original screenplay for King Kong, which evidently differs considerably from the final film. Slightly oversized (10 1/2″ high) and profusely illustrated, with a good 90 pages of notes from Jones, who worked from “Wallace’s personal copy of his original draft script with his own corrections and interpolations” plus “a boys’ story-paper adaptation of the film, preliminary production stills and art-work, and a colour portfolio of King Kong posters from around the world.” A couple of production sketches are from the lost spider pit scene.

  • Wells, H. G. The Country of the Blind and Other Stories. Thomas Nelson and Sons, no date (but 1911). First edition hardback (as per Currey), a Very Good copy with a dime-sized, light black dot to center of front cover, slight wear to bottom boards, slight wear at tips, head and heel and small “Fiction ● 1855” written in two different colors of ink (black and blue) at the top of the inside front cover and check-marks and red underlining on table of contents, five lines of penciled bookseller notes on the back of the color frontispiece page, and a few other touches of wear, lacking the rare dust jacket. Short story collection, including five previously uncollected stories. Scheck and Cox, H. G. Wells: A Reference Guide, page XXV, which lists the five stories first published in book form here as “A Vision of Judgment,” “The Empire of the Ants,” “The Door in the Wall,” “The Beautiful Suit,” and “The Country of the Blind.” H. G. Wells: A Comprehensive Bibliography 42. Currey, page 517. Bleiler (1978), page 205. Oddly enough, Locke’s A Spectrum of Fantasy page 225 lists five different editions of The Country of the Blind, but not this true first.

  • Wells, H. G. The First Men in the Moon. George Newnes, Limited, 1901. First UK hardback edition (and first edition with complete text), second state binding (white rather than black endpapers, as per Currey), a Very Good copy with a 1 1/2″ x 3/4″ slight abrasion/rub to front cover, wear at head, heel and points and along spine, with small W.H. Smith blindstamp and inscription “M. G. Walkin-Graves/from K.M.K, J.H.A.H/Jan. 25. 1904” and price and “BL 1705” on front free endpaper, along with a large rectangle of light foxing there and a similar rectangle on rear free endpaper. His novel (possibly the first) of man landing on the moon, plus the Selenite civilization they find there. Filmed at least three times, most famously in 1964. H. G. Wells: A Comprehensive Bibliography 18. Scheck and Cox, H. G. Wells: A Reference Guide, page xxiv. Williamson, H. G. Wells: Critic of Progress, pages 111-119. Currey, page 518. Locke, A Spectrum of Fantasy, page 226. Locke, Science Fiction First Editions, page 56. Locke, Voyages in Space 208.Bleiler, Checklist of Science Fiction & Supernatural Fiction (1978), page 205. 333, page 68. Anatomy of Wonder 4 1-98. Magill, Survey of Science Fiction, pages 782-785.

  • Wells, H. G. The Food of the Gods and How It Came to Earth. Macmillan and Co., Limited, 1904. First edition hardback, first state (Currey A) binding (green cloth with cover lettered in gold, top edge in gilt) in first issue (Currey (1) state (16 page catalog at rear dated 20.7.04)), a Very Good+ copy with wear along bottom boards, at head, heel and points, and just a trace of foxing to insider covers, with PRESENTATION COPY blindstamp on title page and inscribed and initialed by Wells: “Henry Newbolt/ 26 [August? Sept?] 1904/[line]/from H.G.W.” The signature matches examples online of Wells’ signing with just initials. Newbolt was a writer and poet contemporary of Wells, with one fantasy novel, Aladore, to his name. On page 761 of Experiment in Autobiography, Wells stated that Newbolt was a member of his club the “Coefficients,” a Fabien Socialist dining club.

    The exact same copy previously sold in an earlier Heritage Auction for $1,625, coming from the John McLaughlin/Book Sail Collection. They obviously did not check carefully enough to see that it had come back to them in this lot, as there was no indication that any of the books in that lot were signed. And the earlier listing didn’t mention the “Coefficients” connection.

    H. G. Wells: A Comprehensive Bibliography 24. Scheck and Cox, H. G. Wells: A Reference Guide, page xxiv. Williamson, H. G. Wells: Critic of Progress, pages 39-43. Parrinder, H.G. Wells: The Critical Heritage, pages 103-109. Currey, page 519. Locke, A Spectrum of Fantasy, page 226. Locke, Science Fiction First Editions, page 56. Bleiler, Checklist of Science Fiction & Supernatural Fiction (1978), page 205. 333, page 68. Anatomy of Wonder 4 1-99. Magill, Survey of Science Fiction, pages 807-812. Heritage Rare Book Auction ##6094 catalog, page 115 (this copy).

  • Wells, H. G. In the Days of the Comet. Macmillan and Company Limited, 1906. First edition hardback, (Currey B) state, with “PRINTED BY/WILLIAM CLOWES AND SONS, LIMITED/LONDON AND BECCLES” and publisher’s catalog dated “20.8.06” at rear, which was the first issued edition (only one copy of Currey (A) known to exist, that being the British Library deposit copy, which Locke (see below) believes to be a bound proof rather than a true first printing), a Very Good copy with slight abrasion above title on front cover, slight bumping at head, heel and points, slight wear along bottom boards and along top front spine join and near outer board edges on point, slight foxing to inside covers, and bookseller pencil notices to FFE and inside front cover, with a letter from Bertram Rota, London bookseller, to a Lawrence Davern Esq. of Washington, D.C., discussing the first edition points of the title. Locke, Science Fiction First Editions, pages 56-57 and pages 94-96 (and this is the reference Currey cites). Currey, pages 519-520. H. G. Wells: A Comprehensive Bibliography 27. Scheck and Cox, H. G. Wells: A Reference Guide, page xxiv. Parrinder, H.G. Wells: The Critical Heritage, pages 133-145. Locke, A Spectrum of Fantasy, page 226. Bleiler, Checklist of Science Fiction & Supernatural Fiction (1978), page 205.

  • Wells, H. G. The Island of Dr. Moreau. William Heinemann, 1896. First edition hardback (Currey A binding, publisher’s monogram stamped in blind on rear cover, with Currey (2) (no priority) catalog state (32 page catalog starting with The Manxman and ending with Out of Due Season)), a Very Good copy with soiling along the spine, top and outer edges and head, and rounded points. Currey, 520. H. G. Wells: A Comprehensive Bibliography 8. Williamson, H.G. Wells: Critic of Progress, pages 74-82. Scheck and Cox, H. G. Wells: A Reference Guide, page xxiii. Parrinder, H.G. Wells: The Critical Heritage, pages 43-62. Locke, A Spectrum of Fantasy, page 226. Bleiler, Checklist of Science Fiction & Supernatural Fiction (1978), page 205. Barron, Anatomy of Wonder 4 1-100. Magill, Survey of Science Fiction Literature, pages 1079-1083.

  • Wells, H. G. The Plattner Story and Other Stories. Methuem & Co., 1897. First edition hardback (no statement of printing on copyright page, and 40 page catalog (in this case with most of the leaves unopened) dated March 1897 inserted at rear, as per Currey), a Very Good copy with spine significantly darkened, a bit of bumping to tips, and slight spots of dark staining to front boards, with previous owner having written “Ellis Parker/1905” on the front free endpaper (there was a famous American detective by that name, but I can’t find any examples of his signature online to compare), with a sales slip from Nigel Williams Rare Books to Gary Munson laid in (he paid $540 after discount). Wells’ second short story collection. Currey, 522. H. G. Wells: A Comprehensive Bibliography 10. Scheck and Cox, H. G. Wells: A Reference Guide, page xxiii. Parrinder, H.G. Wells: The Critical Heritage, pages 43-62. Locke, A Spectrum of Fantasy, page 226. Bleiler, Checklist of Science Fiction & Supernatural Fiction (1978), page 205.

  • Wells, H.G. The Sea Lady: A Tissue of Moonshine. Methuen & Co., 1902. First edition hardback (red cloth stamped in gold and 40 page catalog dated JULY 1902, as per Currey), a Near Fine- copy with spine slightly darkened and corners slightly bumped, but all gilt lettering present, with 4 1/2″ x 1″ catalog listing slip rectangle from 1979 pasted in just at the very top of the inside front cover, rear gutter starting, tiny bit of separation to front gutter, foxing to second front free endpaper, and trace of foxing to front free endpaper gutter, otherwise a very nice, attractive copy. Novel about a mermaid who comes ashore in England with a desire to join high society. One of Wells’ less reprinted novels. Currey, page 522. H. G. Wells: A Comprehensive Bibliography 10. Scheck and Cox, H. G. Wells: A Reference Guide, page xxiii. Bleiler, Checklist of Science Fiction & Supernatural Fiction (1978), page 205.

  • Wells, H. G. The Stolen Bacillus and Other Incidents. Methuen and Co., 1895. First edition hardback (no statement of printing and publisher’s catalog at rear dated SEPTEMBER 1895, as per Currey), a Very Good copy with bumps to top and bottom boards (most slight, one with a dime-sized bumped area to front boards), bumping and creasing to head and heel, points slightly bumped, and partial cracking to front and rear hinges, with picture postcard of H. G. Wells laid in. His first book of short stories. Wells’ sixth published book and first short story collection. Currey, 523. H. G. Wells: A Comprehensive Bibliography 6. Scheck and Cox, H. G. Wells: A Reference Guide, page xxiii. P Locke, A Spectrum of Fantasy, page 225 (not a listing, but a mention that he had traded away the only acceptable and affordable copy he had run across). Bleiler, Checklist of Science Fiction & Supernatural Fiction (1978), page 205. Bleiler, The Guide to Supernatural Fiction 1674 for “The Temptation of Harringay” and “The Moth.”

  • Wells, H. G. The War in the Air, and Particularly How Mr. Bert Smallways Fared While It lasted. George Bell and Sons, 1908. First edition hardback, first issue binding (Currey A, with lettering on front cover in and spine in gilt, GEORGE BELL & SONS at base of spine), a Very Good copy with slight spine creasing, a split at heel, three small splits at head, slight wear to bottom boards, wear along spine edges, trace of wear at points, light foxing blocks to front and rear free endpapers, and frontispiece tissue guard present, with sales slip to Gary Munson laid in. Novel that anticipated aerial warfare. Currey, page 526. Locke, Science Fiction First Editions, page 58 and pages 93-94. H. G. Wells: A Comprehensive Bibliography 36 (“two pages of ads,” check). Scheck and Cox, H. G. Wells: A Reference Guide, page xxiv. Clarke, Voices Prophesying War (new edition), pages 88-89. Locke, A Spectrum of Fantasy, page 227-228. Bleiler, Checklist of Science Fiction & Supernatural Fiction (1978), page 205. Barron, Anatomy of Wonder 4 1-104. Magill, Survey of Science Fiction Literature, pages 2407-2410.

  • Wentworth, Jim. Giants in the Earth: Ray Palmer, Oahspe and the Shaver Mystery. Palmer Publications, 1973. First edition? (no additional printings mentioned) trade paperback original, a Near Fine- copy with one tackhead-sized chip at the end of a crease to top front corner and slight wear at points, otherwise a fairly nice copy. Mishmash of Shaver Mystery, spiritualism, UFOs, Shaver’s “rock books,” and a dozen other fringe ideas, mostly taken from Palmer’s publications. Not in Kafton-Minkel or Standish.

  • White, Edward Lucas. A Little Green Book of Grue. Borderlands Press, 2023. First edition hardback, #462 of 500 signed, numbered copies, a Fine copy. A shame they didn’t make it a little white book of some sort…

  • Whitehead, Henry S. (Thomas Tessier, editor). A Little Orange Book of Voodoo Tales. Borderlands Press, 2023. First edition hardback, #462 of 500 numbered copies signed by the editor, a Fine copy, sans dust jacket, as issued. Five stories, two of which (“Jumbee” and “West India Lights”) were the title stories of his two Arkham House collections. Weirdly, this book has about 130 pages of text, then another 30 numbered but blank pages at the back. I have copies of this available through Lame Excuse Books.

  • Wilhelm, Kate The Girl Who Fell Into the Sky. Pulphouse, 1991. Issue #9.

  • Williams, Walter Jon. Dinosaurs. Pulphouse, 1991. Issue #18.
  • Williamson, Chet. A Little Blue Book of Bibliomancy. Borderlands Press, 2016. First edition hardback, #456 of 500 signed, numbered copies, a Fine copy. Bought off eBay for $14.06.

  • Willis, Connie. Daisy, in the Sun. Pulphouse, 1991. Issue #33. Tiny rub on spine.
  • Wilson, F. Paul. The Peabody-Ozymandias Traveling Circus & Oddity Emporium. Necessary Evil Press, 2007. First edition hardback, a Fine copy in a Fine- dust jacket with a 3/4″ closed tear to bottom front near spine. Bought for $30 from a Half Price Books location in the Metroplex.

  • Wilson, F. Paul. A Little Beige Book of Nondescript Stories. Borderlands Press, 2004. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy. Bought as part of the 15 book lot.

  • Wilson, F. Paul. The Shade of Lo Man Gong. Pulphouse, 1991. Issue #35.

  • Wilson, F. Paul. Buckets. Pulphouse, 1991. Issue #36.
  • Wolfe, Gene. The Dead Man and Other Horror Stories. Subterranean Press, 2023. First edition hardback, #870 of 1,000 numbered copies, a Fine copy in a Fine dust jacket and publisher’s plastic bag. Now out of print from the publisher.

  • Wolfe, Gene. The Hero as Werewolf. Pulphouse, 1991. Issue #40. This is one I did actually need, and I still need the hardback version.

  • Wong, David (pseudonym of Jason Pargin). Futuristic Violence and Fancy Suits. St. Martin’s, 2015. First edition hardback, a Fine copy in a Fine- dust jacket with one tiny wrinkle at heel and a trace of wear at top points. Bought for $13.49.

  • Wu, William F. Shaunessy Fong. Pulphouse, 1992. Issue #60. Has some slight rubbing along front near spine. Last in the Short Story Paperbacks series.

  • Yarbro, Chelsea Quinn. The Spider Glass. Pulphouse, 1991. Issue #16.
  • Yolan, Jane. The Sword and the Stone. Pulphouse, 1991. Issue #27.
  • Zelazny, Roger. The Doors of His Face, The Lamps of His Mouth. Pulphouse, 1991. Issue #13. Not to be confused with the short story collection of the same name. I needed this for my Zelazny collection.

  • Library Additions: Complete Run of Pulphouse Short Story Paperbacks

    Thursday, December 14th, 2023

    When Pulphouse first unveiled the short story paperback, I remember thinking “That’s stupid.” For all they bragged about “buying a single story for $1.95,” you could buy an entire issue of Asimov’s (with 5-10 times as much content) for $2.50. And, indeed, they were not swift sellers. Though a few of these (the Wolfe, the Lansdales, etc.) became slightly collectable over the years. (And a few of the companion Short Story hardbacks even more so.)

    But I bough these from that same collector culling his collection for $1 each.

    Almost all of these are paperback originals thus (though some of these have previously shown up as the title stories in collections, like Bloch’s Yours Truly, Jack the Rapper or Zelazny’s The Doors of His Face, The Lamps of His Mouth), though exceptions (like Blaylock’s Paper Dragons) are noted. Some of the early ones (“Loser’s Night,” “Xolotl”) are the first publication anywhere, but most of the stories have appeared somewhere previously. Unlike most Library Addition entries, these will be listed by series order rather than alphabetical by author.

    All of these are Fine copies unless otherwise noted.

  • “Author, J.Q.” Issue Zero. Pulphouse, 1991. Issue #0, a binding dummy for the entire run of the series, with bank pages. Would never have bought this on it’s own, but since I was buying the entire thing I got this too. This one has a tiny bit of edgewear on rear spine join.
  • Anderson, Poul. Loser’s Night. Pulphouse, 1991. Issue #1.

  • Brunner, John. A Case of Painters Ear. Pulphouse, 1991. Issue #2.
  • Sheckley, Robert. Xolotl. Pulphouse, 1991. Issue #3.

  • Boston, Bruce. All the Clocks are Melting. Pulphouse, 1991. Issue #4.
  • Antieau, Kim. Blossoms. Pulphouse, 1991. Issue #5.

  • Friesner, Esther M. Ecce Hominid. Pulphouse, 1991. Issue #6.
  • Duchamp, L. Timmel. A Case of Mistaken Activity. Pulphouse, 1991. Issue #7.

  • Bryant, Edward. The Cutter. Pulphouse, 1991. Issue #8.
  • Wilhelm, Kate The Girl Who Fell Into the Sky. Pulphouse, 1991. Issue #9.

  • Bloch, Robert. Yours Truly, Jack The Ripper. Pulphouse, 1991. Issue #10. Not to be confused with the short story collection of the same name.
  • Lansdale, Joe R. The Steel Valentine. Pulphouse, 1991. Issue #11. Isajanko, The World Lansdalean C01.a.i. Supplements another copy and a Short Story Hardback version.

  • Bishop, Michael. The Quickening. Pulphouse, 1991. Issue #12.
  • Zelazny, Roger. The Doors of His Face, The Lamps of His Mouth. Pulphouse, 1991. Issue #13. Not to be confused with the short story collection of the same name. I needed this for my Zelazny collection.

  • Haldeman, Joe. More Than The Sum of His Parts. Pulphouse, 1991. Issue #14.
  • Clemence, Bruce No Way Street. Pulphouse, 1991. Issue #15. Guy had this, and a story in Synergy 3, and that was it…

  • Yarbro, Chelsea Quinn. The Spider Glass. Pulphouse, 1991. Issue #16.
  • de Lint, Charles. Uncle Dobbin’s Parrot Fair. Pulphouse, 1991. Issue #17. One of the harder titles to find.

  • Williams, Walter Jon. Dinosaurs. Pulphouse, 1991. Issue #18.
  • Charnes, Suzy McKee. Listening to Brahms. Pulphouse, 1991. Issue #19.

  • Robinson, Kim Stanley. Black Air. Pulphouse, 1991. Issue #20.
  • Etchison, Dennis. The Dark Country. Pulphouse, 1991. Issue #21. Not to be confused with the short story collection of the same name.

  • Aldiss, Brian W. Journey to the Goat Star. Pulphouse, 1991. Issue #22. Tiny bit of rubbing along spine.
  • Brin, David. Piecework. Pulphouse, 1991. Issue #23.

  • Caraker, Mary. I Remember, I Remember. Pulphouse, 1991. Issue #24.
  • Schow, David J. Sedalia. Pulphouse, 1991. Issue #25.

  • Stableford, Brian. Slumming in Voodooland. Pulphouse, 1991. Issue #26.
  • Yolan, Jane. The Sword and the Stone. Pulphouse, 1991. Issue #27.

  • Fowler, Karen Joy. The War of the Roses. Pulphouse, 1991. Issue #28.
  • Morlan, A.R. The Cat With The Tulip Face. Pulphouse, 1991. Issue #29.

  • Shiner, Lewis. Twilight Time. Pulphouse, 1991. Issue #30.
  • Wagner, Karl Edward. Where the Summer Ends. Pulphouse, 1991. Issue #31.

  • Lee, Tanith. Into Gold. Pulphouse, 1991. Issue #32.Tiny rub on spine.
  • Willis, Connie. Daisy, in the Sun. Pulphouse, 1991. Issue #33. Tiny rub on spine.

  • Bell, M. Shayne. Inuit. Pulphouse, 1991. Issue #34.
  • Wilson, F. Paul. The Shade of Lo Man Gong. Pulphouse, 1991. Issue #35.

  • Wilson, F. Paul. Buckets. Pulphouse, 1991. Issue #36.
  • Martin, George R. R. The Pear-Shaped Man. Pulphouse, 1991. Issue #37.

  • Butler, Octavia. The Evening and the Morning and the Night. Pulphouse, 1991. Issue #38. Holy moley, the prices on this online are crazy. The prices for the signed hardback I can at least sort of understand, since Butler died young, but the prices for unsigned copies like this are still crazy. I had no idea.
  • Dozois, Gardner. The Peacemaker. Pulphouse, 1991. Issue #39. Supplements a copy of the Short Story Hardback edition.

  • Wolfe, Gene. The Hero as Werewolf. Pulphouse, 1991. Issue #40. This is one I did actually need, and I still need the hardback version. Also, this is the last one from 1991. Pulphouse put out 40 of these in 1991. This is called “channel stuffing.” I wasn’t dealing books at the time, but I’m pretty sure SF/F/H dealers were not thrilled at this tsunami of small press books of dubious sales-worthiness.
  • Oates, Joyce Carol. The Bingo Master. Pulphouse, 1992. Issue #41.

  • Effinger, George. Schrodinger’s Kitten. Pulphouse, 1992. Issue #42. Supplements the hardback version.
  • Bear, Greg. Sisters. Pulphouse, 1992. Issue #43.

  • Holder, Nancy. The Ghosts of Tivoli. Pulphouse, 1992. Issue #44.
  • Brin, David. Dr. Pak’s Preschoool. Pulphouse, 1992. Issue #45. Supplements a copy of the Cheap Street edition (which precedes).

  • Lansdale, Joe R. Tight Little Stitches in a Dead Man’s Back. Pulphouse, 1992. Issue #46. Isajanko, The World Lansdalean C03.a.i. Supplements a copy of the Short Story hardback version.
  • Somtow, S. P. Fiddling for Waterbuffaloes. Pulphouse, 1992. Issue #47.

  • Murphy, Pat. Rachel in Love. Pulphouse, 1992. Issue #48.
  • Card, Orson Scott. Unaccompanied Sonata. Pulphouse, 1992. Issue #49.

  • Le Guin, Ursula K. Nine Lives. Pulphouse, 1992. Issue #50.
  • Bloch, Robert. The Skull of the Marquis de Sade. Pulphouse, 1992. Issue #51.

  • de Lint, Charles. Merlin Dreams in the Mondream Wood. Pulphouse, 1992. Issue #52.
  • Kress, Nancy. The Price of Oranges. Pulphouse, 1992. Issue #53.

  • Busby, F.M. If This Is Winnetka, You Must be Judy. Pulphouse, 1992. Issue #54.
  • Cadigan, Pat. My Brother’s Keeper. Pulphouse, 1992. Issue #55.

  • Bryant, Edward. The Thermals of August. Pulphouse, 1992. Issue #56.
  • Blaylock, James P. Paper Dragons. Pulphouse, 1992. Issue #57. A few small rubs along spine. Supplements a copy of the Axolotl Press hardback (which precedes).

  • Resnick, Mike. Kirinyaga. Pulphouse, 1992. Issue #58. Kelleghan, Mike Resnick: An Annotated Bibliography and Guide to His Work A39.
  • Sloca, Sue Ellen. Candles on the Pond. Pulphouse, 1992. Issue #59. As far as I can tell, this is her only publication anywhere.

  • Wu, William F. Shaunessy Fong. Pulphouse, 1992. Issue #60. Has some slight rubbing along front near spine. Last in the Short Story Paperbacks series.

  • Reference: Jack Chalker and Mark Owings, The Science-Fantasy Publishers: A Critical and Bibliographic History, 2002, page 719 (numbers 1 through 10), page 721 (numbers 11-20), pages 722 (numbers 21-30). This is what Chalker had to say about the Short Story paperback line:

    In January, 1991, Pulphouse continued its expansion with the Short Story Paperbacks and the selected Short Story Hardbacks, although we’re still only half- convinced that these are in any sense legitimate books. What they were, though, was what seemed to be a quick way to make money, and if people bought them, fine. They brought the whole operation as of the start of 1991 at a whopping 80+ titles a year. It should be noted that the paperbacks series was supposed to be originals and reprints, but became, after the initial ones, primarily reprints, a move that, while understandable, seemed to us to take away the one good reason why most people might buy them.

    Money held by SF/F/H collectors is a finite commodity, and Pulphouse in the early 1990s seemed to treat it as a limitless resource. If you’re publishing books by Lansdale, Zelazny, Wagner, De Lint, etc., that’s a license to print a little money. But Antieau, Clemence, Caraker? Not so much. Why they thought collectors were going to shell out money for such items is a mystery.

    The entire set bought for $61.

    Library Addition: Signed First of Greg Bear’s Killing Titan

    Wednesday, March 1st, 2023

    I mostly have a complete Bear collection, but I lacked a few of the recent titles:

    Bear, Greg Killing Titan. Orbit, 2015. First edition hardback, a Fine copy in a Fine dust jacket, signed by Bear. Second book in the military SF trilogy started with War Dogs, which I just read. Bought for $18 from a fellow Biblio dealer.

    Library Addition: Signed First Of Greg Bear’s The Unfinished Land

    Thursday, December 15th, 2022

    The most recent (last?) book by the late, great Greg Bear:

    Bear, Greg. The Unfinished Land. Houghton Mifflin Harcourt, 2021. First edition hardback, a Fine copy in a Fine dust jacket, signed by Bear, with a thank you note and several laminated bookmarks from the seller laid in. Bought for $49.95 from an eBay seller.

    I was unaware that Houghton Mifflin and Harcourt had merged.

    My obituary for Bear can be found here.

    Greg Bear, RIP

    Sunday, November 20th, 2022

    According to numerous sources on Facebook, science fiction writer Greg Bear, after a sudden onset of multiple medical maladies, suffered a series of strokes that left him unconscious with severe brain damage. Following his stated wishes, his wife Astrid had him taken off life support, and he died yesterday (November 19, 2022).

    Bear was one of the giants in the field, probably the best hard science fiction writer of the 1980s, claimed by both the Analog crowd and the cyberpunks. Blood Music (in both novella and novel forms) and Eon are awe-inspiring, sense of wonder science fiction at their best, and would be considered among the greatest works of just about any SF writer. And there was another tier of exceptional works (The Forge of God, Moving Mars, etc.) after that.

    Greg and I were on friendly terms, and I ran into him at various SF conventions over the years. He was a smart and genial presence. I have something approaching a complete Greg Bear collection (including a Cheap Street Sleepside Story), minus some recent titles and a few odds and ends like some of the media tie-in books. He was going to be a Nova Express interview subject Back In The Day, but that never happened for various uninteresting reasons.

    He was one of the greats, and he will be missed.

    Library Additions: Three Greg Bear Easton Press Books

    Sunday, February 13th, 2022

    As part of that same purchase that included some signed Harlan Ellison firsts, I picked up several Easton Press books. I didn’t catalog them until now because I knew wouldn’t be able to file them until I finished staining and gloss coating my new bookshelf. I’m about halfway through that process, but these are pretty much the only library additions left over from 2021 that I haven’t cataloged here yet, so I’m going to do that so I can close out the year.

  • Bear, Greg. Mariposa. Easton Press, 2009. First edition thus, #412 of 900 signed copies, a Fine copy in embossed leather boards, with certificate of authenticity (also signed by Bear), an unused personalization plate, and an insert card “a note about MARIPOSA and the author GREG BEAR” laid in, sans dust jacket, as issued. Sequel to Quantico (see below).
  • Bear, Greg. Quantico. Easton Press, 2005. First edition thus, #339 of 900 signed copies, a Fine copy in embossed leather boards, with certificate of authenticity (also signed by Bear), an unused personalization plate, and an insert card “a note about QUANTICO and the author GREG BEAR” laid in, sans dust jacket, as issued.
  • Bear, Greg. Vitals. Easton Press, 2002. First edition thus, #341 of 1,150 signed copies, a Fine copy in embossed leather boards, with certificate of authenticity (also signed by Bear), an unused personalization plate, an insert card “a note about VITALS and the author GREG BEAR” and a foldout brochure for the Signed First Editions of Science Fiction line laid in, sans dust jacket, as issued. Supplements a hardback first and a proof copy.

    Though none of these are true firsts, they are attractive and well-made books, and you don’t usually see them with all the ephemera inserted.

    More Easton Press additions from the same book buy to follow…

  • Library Additions: Eight Books, Five Signed

    Monday, July 30th, 2018

    All of these books were bought at Half Price Books, and the majority of them came from the Karen Meshcke/Fred Duarte collection(s).

  • Baker, Kage. Black Projects, White Knights. Golden Gryphon, 2002. First edition hardback, a Fine copy in a Fine- dust jacket with just a trace of edgewear at head, heel and points. Inscribed by Baker: “For Fred/Kage Baker.” Short story collection. Baker died at age 57 of an aggressive form of cancer in 2010. Supplements an unsigned copy. Bought for $5.

  • Bear, Greg. W3: Women in Deep Time. iBooks, 2002. First edition paperback original, a Fine copy. Bought for $3.49.
  • Effinger, George Alec. Maureen Birnbaum, Barbarian Swordsperson. SWAN Press, 1993. First edition trade paperback original, a Fine copy. Inscribed by Effinger: “To Fred & Karen,/Con Mucho Loved!/George Alec Effinger (Yer Pal)”. Signed by introduction author Mike Resnick. Inscribed by artist Peggy Ransom: “To Fred & Meschke,/Come see us often!/And we’ll Frankie & Johnny again,/best,/Peggy Ransom.” Effinger was co-Guest of Honor at Armadillocon 4 in 1982, and a frequent Armadillocon attendee. George died in 2002 at age 55. Replaces a signed copy in my library. Bought for $4.99.

  • Oliver, Chad. Unearthly Neighbors. Crown SF Classics, 1984. First hardback edition (reprinting a Ballantine paperback from 1960), a Near Fine copy with red remainder mark at head in a Fine- dust jacket with a few touches of wear. Inscribed by Oliver: “10/7/88/To Meschke/All best/Chad Oliver.” Chad was the dean of Austin science fiction writers and the former chairman of UT’s Department of anthropology. The date indicates he signed this during Armadillocon 10, where Duarte and Meschke were co-chairs. Chad died in 1993. Supplements a Fine/Fine unsigned copy. Bought for $4.99.

  • Sladek, John. Bugs. Macmillian (UK), 1989. First edition hardback, a Fine- copy in a Fine-dust jacket with some wear at heel. Signed by Sladek. Bought for $5.

  • Stableford, Brian. Swan Songs. Big Engine, 2003 (but see below). First hardback edition, a Fine copy in a Fine dust jacket. Omnibus edition containing six Hooded Swan novels (Halcyon Drift, Rhapsody in Black, Promised Land, The Paradise Game, The Fenris Device, and Swan Song), the last two of which were previously published only as paperback originals. ISFDB says that SFBC produced this edition, which I can believe, given the trim size and the fact Big Engine (a short-lived UK small press SF publisher) only did trade paperbacks. The mystery is that the book seems much higher quality than the usual SFBC fair, with tight bindings and bright page blocks. Maybe they subcontracted with a different printer for this one.

  • Young, Jim. Armed Memory. Tor, 1995. First edition hardback, a Fine copy in a Fine dust jacket. Inscribed by Young: “For Karen Meschke/ & Family/Jim Young/L.A./April 24, 2009.” Young died in 2012. Supplements an unsigned copy. Bought for $9.99.

  • Zahn, Timothy. Cascade Point. Bluejay Books, 1986. First edition hardback, a Fine copy in a Fine dust jacket. Bought for $8.48.
  • Other signed books I bought there will be available in the next Lame Excuse Books catalog.

    Library Additions: January 1—June 30, 2018

    Monday, July 23rd, 2018

    Here’s the roundup of all the books I bought for the first half of 2018. Most books here I’ve included in other Library Addition posts, but not all! Bonus: Three completely different books with “Bradbury” and “Chronicles” in the title.

    All of these are Fine first edition hardbacks in Fine dust jackets, unless otherwise stated.

  • “Archer, Sterling.” How to Archer: The Ultimate Guide to Espionage and Style and Women and Also Cocktails Ever Written. HarperCollins, 2011. Trade paperback reprint. A gift.
  • Asimov, Isaac. The Heavenly Host. Walker, 1975. First edition hardback, a Fine- copy with a trace of wear to boards, in a Near Fine dust jacket with a couple of 1/4″ closed tears at top edge, a few traces of dust soiling, and slight sun-yellowing around the perimeter (greatly exaggerated in the scan). Young adult novel set on another planet. Currey (1979), page 17. Bought from an online dealer for $20 plus shipping.

  • (Ballard, J.G.) McGrath, Rick, editor. The JG Ballard Book. The Terminal Press, 2013. First edition, first printing hardback (stated, though actually a POD book), a Fine copy in decorated boards, sans dust jacket, as issued. Oversized hardback (about the size and thickness of a high school yearbook) chock full of various Ballard tidbits.
  • (Ballard, J.G.) McGrath, Rick, editor. Deep Ends The JG Ballard Anthology 2014. The Terminal Press, 2014. First edition, first printing hardback (stated, though actually a POD book), a Fine copy in decorated boards, sans dust jacket, as issued. Oversized hardback chock full of various Ballard tidbits, including a previously unpublished Ballard work (“Crystal of the Sea”).
  • (Ballard, J.G.) McGrath, Rick, editor. Deep Ends The JG Ballard Anthology 2015. The Terminal Press, 2015. First edition, first printing hardback (stated, though actually a POD book), a Fine copy in decorated boards, sans dust jacket, as issued. Oversized hardback full of even more Ballard tidbits.
  • (Ballard, J.G.) McGrath, Rick, editor. Deep Ends The JG Ballard Anthology 2016. The Terminal Press, 2016. First edition, first printing hardback (stated, though actually a POD book), a Fine copy in decorated boards, sans dust jacket, as issued. Oversized hardback full of still more Ballard tidbits.
  • Barker, Clive. The Body Book. Dark Regions Press, 2016 (stated, though evidently a production glitch meant some copies weren’t shipped until well into 2017). First edition hardback, a PC copy of 500 signed/numbered hardbacks, a Fine copy in a Fine dust jacket. Includes two stories from The Books of Blood, “The Body Politic” and “In the Flesh,” as well as screenplays for each of them, storyboards, and interviews with Barker and others who worked on them. Bought for $29.99 off eBay. (List price is $80.)
  • Barker, Clive. Tonight, Again. Subterranean Press, 2015. Erotic stories and poems. Bought for $10 from a Subterranean Press sale.
  • Bear, Greg. War Dogs. Orbit, 2014. Bought from Half Price Books for $3.
  • Bradbury, Ray (text). The Art of Playboy. Alfred van der Marck Editions, 1985. First edition hardback, a Fine- copy in a Fine- dust jacket with slight blunting to points and slight wear along bottom boards. Signed by Bradbury. Collection of art that appeared in Playboy magazine, something of who’s who of modern magazine illustration, including all the tasteful female nudes you’d expect, and the expected Vargas, Nagel, Olivia, etc., but also Frank Frazetta, Salvador Dali, Kinuko Craft, and a multitude of others. Bought off eBay for $38.77 plus shipping.

  • Bradbury, Ray. Christmas Greetings (AKA Scanning the Universe. Self-published, no date (but 1984). First edition broadsheet original, one sheet of paper, a Near Fine copy, folded for mailing. Inscribed: “Stephen! Ray Bradbury.” Yet another Bradbury poem referencing George Bernard Shaw. Credited to Ray and Marguerite Bradbury. Not sure if this has been reprinted anywhere. Bought off eBay for $35 plus shipping.

  • Bradbury, Ray. A Christmas Wish 1994 (AKA Go Not With Ruins In Your Mind). Self published, 1994. First edition broadsheet original, one sheet of paper, a Near Fine copy with a paper clip indention at top left. Inscribed by Bradbury: “Dear/Holly!/[line]/Happy New Year!/[line]/Ray Bradbury/ 1/3/95”. Credited to Maggie and Ray Bradbury. Bought off eBay for $34.89 plus shipping.

  • Bradbury, Ray (etc.). The Ray Bradbury Chronicles Volume 7. NMB/Byron Priess, 1993. First edition hardback, #304 of 100 numbered copies signed by Bradbury and several illustrators, etc., a Fine copy in a Fine dust jacket. Graphic novel adaptation of several Bradbury short stories. Bought off eBay for $31.50 plus shipping.

  • (Bradbury, Ray) Slusser, George. The Bradbury Chronicles. Borgo Press, 1977. First edition chapbook original (“First printed——-April 1977,” as per Currey), a Near Fine copy with some bunching near the spine on the rear cover and a bit of general wear. Signed by Bradbury. The Milford Writers of Today series Volume Four. Bought off eBay for $20 plus shipping. First book I bought in 2018. Currey (1979), page 49.
  • (Bradbury, Ray) Weller, Sam. The Bradbury Chronicles: The Life of Ray Bradbury. William Morrow, 2005. First edition hardback, a Fine copy in a Fine dust jacket. Signed by Bradbury. Biography and in-depth look at his work. Bpught off eBay for $25.

  • Brown, Eric. The Martian Simulacra. NewCon Press, 2018. First edition hardback, copy YY of 52 lettered copies, a Fine copy in a Fine dust jacket, new and unread. With:
  • Fenn, Jaine. The Martian Job. NewCon Press, 2017. First edition hardback, copy YY of 52 lettered copies, a Fine copy in a Fine dust jacket, new and unread. With:
  • McCormack, Una. The Greatest Story Ever Told. NewCon Press, 2018. First edition hardback, copy YY of 52 lettered copies, a Fine copy in a Fine dust jacket, new and unread. With:
  • Williams, Liz. Phosphorus: A Winterstrike Story. NewCon Press, 2018. First edition hardback, copy YY of 52 lettered copies, a Fine copy in a Fine dust jacket, new and unread. As a set, all in the same slipcase.

  • Brown, Mack and Bill Little. One Heartbeat: A Philosophy of Teamwork, Life, and Leadership. Bright Sky Press, 2001. First edition hardback, a Fine copy in a Fine- dust jacket with slight sun fading to spin and an ADVANCE READING COPY label on the front cover, as issued. Inscribed by Brown: “Harry,/Thanks for all/of your support!/Hook’Em,/Mack Brown.” Non-fiction book by the head football coach of the University of Texas Longhorns. Brown’s Longhorns would later go on to win a National Championship in 2005. Bought at auction for $5.
  • Brunner, John. The Crutch of Memory. Barrie and Rockcliff, 1964. First edition hardback (“First published 1964,” as per Currey), a Near Fine- copy with dust soiling to page block edges, slight bumping at head and heel and extremely slight blunting of points, in a Very Good dust jacket with shallow chipping at head and heel, some dust soiling around the edge of the white rear cover, foxing to blind side of dj spine and edges, and general wear. With Brunner’s own ownership bookplate affixed to front flap. Brunner’s first mainstream novel. Currey, 1979, page 70. De Bolt, The Happening World of John Brunner, page 205. Bought for £9.50 plus shipping off eBay.

  • Constantine, Storm. Splinters of Truth. NewCon Press, 2016. First edition hardback, #57 of 100 signed, numbered copies, a fine copy in a fine dust jacket, new and unread.
  • Dick, Philip K. In Milton Lumkey Territory. Dragon Press, 1985. First edition hardback, one of 50 copies bound in quarter-leather with Philip K. Dick’s signature (cut from a cancelled check) pasted to the front free endpaper, a Fine copy, sans dust jacket, as issued. One of the Dick mainstream novels unpublished at the time of his death. Chalker/Owings (1991), page 132. Wintz/Hyde, Precious Artifacts, MS4.1. Supplements a copy of the simultaneous trade first hardback.

  • Dick, Philip K. Mary and the Giant. Ultramarine Press/Arbor House, 1987. First edition hardback, one of 125 copies bound in quarter-leather with Philip K. Dick’s signature (cut from a cancelled check) pasted to the front free endpaper, a Near Fine copy with 1/4″ of what appear to be sun-fading to the leather along spine and at top, sans dust jacket, as issued. Like all Ultramarine Press books, this is just the rebound Arbor House sheets with Dick’s signature added. Chalker/Owings (1991), page 611, calls for a limitation page, but I’m not seeing one. Wintz/Hyde, Precious Artifacts, MS5.1. Oddly enough, I never picked up the Arbor House first, so this supplements a UK first.

  • Dick, Philip K. Ubik: A Screenplay. Corroboee Press, 1985. First edition hardback, one of 50 copies bound in full leather with Dick’s signature mounted on the half title page, and signed by the introduction authors (Tim Powers and Paul Williams) and the artists (Val Lakey-Lindhan and Rob Lindhan, and Doug Rice), a Near Fine copy with apparent sun-fading to leather spine, sans dust jacket, as issued, in a Fine patterned cardboard slipcase. Chalker/Owings (1991), page 114. Wintz/Hyde, Precious Artifacts, SF34.2.

  • (Dick, Philip K.) Arnold, Kyle. The Divine Madness of Philip K. Dick. Oxford University Press, 2016. An analysis of Dick’s 1974 “pink light” incident. Bought from Half-Price Books for $5.99.
  • Fielding, Henry. The History of Tom Jones, A Foundling. The Franklin Library, 1980. Prestige hardback reprint, leatherbound with gilt edges, a Fine- copy with a few nicks to the gilt. A rather handsome and hefty volume. Bought from Half Price Books for $2.

  • Effinger, George Alec. Relatives. Harper & Row, 1973. First edition hardback, a Fine copy in a Near Fine- dust jacket with one 1/4″ closed tear on bottom front and very slight dust soiling to rear. Inscribed by Effinger: “For Dan Monte—/This is pretty scarce title. I/think the Center for Disease Control/developed a vaccine against this novel/shortly after publication. Well, it/was only my second book and I/was still learning—/George Alec Effinger.” I knew George (he came to the second Turkey City Writer’s Workshop I ever threw) and he signed most of his books for me, but I don’t think I picked this one up before he died. This and the Lovegrove title below were exchanged for credit.

  • Egan, Greg. Phoresis. Subterranean Press, 2018.
  • Ellison, Harlan. Can and Can’tankerous. Edgeworks Abbey/Subterranean Press, 2015. First edition hardback, a PC copy of 324 signed, numbered copies, a Fine copy in a Fine dust jacket and slipcase. Short story collection. This limited edition contains four stories not in the trade edition. Bought for $100.

  • Ellison, Harlan. An Edge in My Voice. Donning, 1985. First edition hardback, one of 1,200 copies signed by Ellison, a Fine copy, sans dust jacket, as issued, in a Fine slipcase. Collection of non-fiction essays. Supplements a trade hardback and Edgeworks 1. Bought for $30 plus shipping off eBay.

  • Ellison, Harlan. Rumble. Pyramid Books, 1958. First edition paperback original (“Pyramid Books edition 1958” on copyright page and 35¢ price, as per Currey), a Near Fine copy with slight wear along spine, faint crease on top front corner, slight characteristic age-darkening of pages, and a few other touches of wear, otherwise a bright, tight, square copy of a book usually found in much worse shape. Inscribed by Ellison: “Best of/luck to Perry/and to Sue, undisguised/lust and an all-expense paid/trip to anywhere with me/Harlan Ellison/22 JAN 73”. Mainstream novel of juvenile delinquency. Currey (1979), page 179. Slusser, Harlan Ellison: Unrepentant Harlequin, page 62, 1. Segaloff, A Lit Fuse, page 75. Bought for $66 off eBay.

  • Ellison, Harlan. Top of the Volcano. Edgeworks Abbey/Subterranean Press, 2014. First edition hardback, a PC copy of 250 signed, numbered copies, a Fine copy in a Fine dust jacket and slipcase. Collection of Ellison’s award-winning short stories. Bought for $125.
  • Ellison, Harlan. Troublemakers. Edgeworks Abbey/iBooks, 2001. First edition hardback, #20 of 500 signed, numbered copies (via a signature plate tipped in on the FFE), a Fine copy, sans dust jacket, as issued. Short story collection. Evidently both trade paperback and hardback were issued in October of 2001, so no precedence that I can determine, and the hardback state isn’t in the Locus database. Bought off eBay for $57.50.

  • Farmer, Philip Jose. Gods of Riverworld. Phantasia Press, 1983. First edition hardback, #503 of 650 signed, numbered copies, a Fine copy in a Fine dust jacket and fine slipcase. Chalker/Owings (1991), page 341. Bought off eBay for $25.
  • Gaiman, Neil. Doctor Who: Nothing O’Clock. Borderlands Press/Gauntlet, 2018. First edition hardback, #109 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket, still in publisher’s shrinkwrap. Bought from the publishers at the usual dealer discount.
  • Farmer, Philip Jose. The Other in the Mirror. Subterranean Press, 2009. First edition hardback, a PC copy of 26 lettered copies, a Fine copy in a Fine dust jacket and a Fine traycase. Omnibus edition of Fire and the Night, Jesus on Mars, and Night of Light, and the first hardback editions of the first two. Supplements both a trade edition and a copy of the limited edition I got very cheap. Bought for $150 (half cover price for the lettered edition).

  • Godwin, Parke, and Marvin Kaye. The Masters of Solitude. Doubleday, 1978. First edition hardback, a Near Fine copy with purple remainder speckling at heel in a Near Fine dust jacket with moderate soiling to white back cover. Inscribed by both authors: “[In Kaye’s hand]Worldcon 1986″/[In Godwin’s hand] For Fred/Parke Godwin/[In Kaye’s hand] For Fred/with best wishes/Marvin/Kaye.” I did not previously have examples of either author’s signatiure. Bought for $12. (Note: Kaye’s name comes first on the cover, but I have more of Godwin’s books so I’ll be filing it there.)

  • Hodgson, William Hope (Sam Moscowitz, editor). The Haunted “Pampero”. Donald M. Grant, 1991. First edition hardback, #185 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket. “Uncollected Fantasies and Mysteries,” for which Moskowitz provides copious notes. This is the second book I have signed by Moscowitz, after Olaf Stapledon’s Far Future Calling. Bought off eBay for $25.

  • Holkins, Jerry and Mike Krahulik. Lexcalibur: Useful Poetry for Adventurers Above And Below The World. Penny Arcade, 2017 (actually 2018). First edition hardback (“First Printing. November 2017. Printed in China.”), a Fine copy in a Fine dust jacket, new and unread, with additional “Table of Malcontents” poem on bookmark laid in. Fantasy-gaming themed humorous poetry. Not actually offered for sale until May 2018.

  • (Howard, Robert E.) Warfield, Wayne (editor). The Ultimate Guide to Howardia 1925-1975. Hall Publications, 1976. First edition chapbook first edition (and perfect-bound, which is unusual for a chapbook of a mere 32 pages), a Fine copy. Early bibliography of Robert E. Howard, including much (then) unpublished work, but missing a few things (like the Herbert Jenkins A Gent From Bear Creek, which, to be fair, precious few Howard collectors had laid eyes on in 1975). Currey, page 254. Bought of eBay for $15.

  • Hunter, Stephen. Pale Horse Coming. Simon & Schuster, 2001. First edition hardback, a Fine copy in a Fine dust jacket. Signed by Hunter. Bought for $5.

  • Jackson, Shirley. Let Me Tell You. Random House, 2015. Previously unpublished and uncollected stories, essays, etc.
  • Jeter, K.W. Star Trek: Deep Space Nine: Warped. Pocket Books, 1995. First edition hardback, a Fine copy in a Fine dust jacket. Inscribed by Jeter: “For Karen + Fred—/See you in/San Antonio!/Best,/K. W. Jeter.” Karen Meschke was con chair for the 1997 San Antonio Worldcon. Bought for $5 after discount.

  • Kay, Guy Gavriel. Tigana. Roc, 1990. First edition hardback, a Fine copy in a Fine dust jacket. Inscribed by Kay: “For Fred,/All best,/Guy Kay.” Bought for $15 after discount.

  • Lansdale, Joe R. and Jussi Piironen. Hap and Leonard: Savage Season. SST, 2017. First hardback and first limited edition, number 105 of 270 signed, numbered copies, a Fine copy in a Fine dust jacket, new and unread. Graphic novel adaptation of the first Hap and Leonard novel. The IDW trade paperback edition precedes.
  • Lee, Harper. Go Set A Watchman. HarperCollins, 2015. Bought from Half-Price Books for $3.
  • Lovegrove, James. Provender Gleed. Gollancz, 2005. First edition hardback, a Fine copy in a Fine dust jacket. Signed and dated by Lovegrove. I should really read some of the Lovegrove I already have…

  • Matheson, Richard. Hunted Past Reason. Tor, 2002. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. Signed by Matheson, with certificate of authenticity laid in. Supplements an unsigned copy. Bought for $18.
  • Mieville, China. Railsea. Subterranean Press, 2012. First limited edition hardback (the Del Rey hardback is the true first), PC copy of 26 signed lettered copies, a Fine copy in a Fine dust jacket and a Fine traycase (even by the standards of lettered editions, this is a very nice leather traycase with suede baffle surfaces on the inside of the front and back). Bought for $150.

  • Mieville, China, and Zak Smith. The Worst Breakfast. Black Sheep/Akashic Books, 2016. First edition hardback, a Fine copy in decorated boards. Illustrated children’s book.
  • Moorcock, Michael. Pegging the President. PS Publishing, 2018. First edition hardback, a Fine copy in a Fine dust jacket, new and unread. A new Jerry Cornelius novella. This trade edition precedes the limited.
  • Moore, Ward with Robert Bradford. Caduceus Wild. First edition paperback original, a Very Good+ copy with spine creasing and slight yellowing of the pages.
  • Moore, Ward, and Geoff St. Reynard. RX Jupiter Save Us and Beware, The Usurpers! Armchair Fiction, 2011. First edition trade paperback original (a POD production, like all Armchair Fiction books), a Fine copy, new and unread.
  • Moore, Ward and George O. Smith. Transient and The World-Mover. Armchair Fiction, 2013. First edition trade paperback original (a POD production, like all Armchair Fiction books), a Fine copy, new and unread.
  • Niven, Larry and Jerry Pournelle. Escape From Hell. Tor, 2009. First edition hardback, a Fine copy in a Fine dust jacket, signed by both Niven and Pournelle. Sequel to Inferno. Supplants an unsigned copy. Bought for $10 plus buyers fee and shipping at auction.

  • Powers, Tim. The Drawing of the Dark. Subterranean Press, 2014. First edition thus, preceded by the Del Rey paperback original and the Hypatia hardback, both of which I already have. Bought for $10 from a Subterranean Press sale.
  • Pratt, Fletcher, editor. Civil War in Pictures. Holt, 1955. First edition (thus? no statement of printing, and there was a Garden City Books edition in 1955 as well, but what online references I’ve found (such as this from Henry Wessells) mention this Holt edition), a Near Fine copy with slight bumping at tips, a non-authorial bookplate on inside front cover (mostly obscured by the dj flap), and very faint yellowing to pages, in a Very Good dust jacket, with very shallow loss and head and heel, a 1″ semi-closed tear at bottom rear cover, same bumping at tips, and slight foxing to blind side spine. Signed by Pratt for members of the Civil War Book Club. $10 would have been very pricey indeed for 1955 (though it’s possible that was just for show and the club members received it for a substantial discount). Pratt died in 1956. Bought for $37.50 on eBay.

  • Reynolds, Alastair. The Iron Tactician. Newcon Press, 2016. First edition hardback, #197 of 250 signed, numbered copies, a Fine copy in a Fine dust jacket. Bought for $57.60 from a fellow Biblio dealer.

  • Shaver, Richard S. The Shaver Mystery Book Five. Armchair Fiction, 2014. First edition trade paperback original (a POD production, like all Armchair Fiction books), a Fine copy, new and unread.
  • Shaver, Richard S. The Shaver Mystery Book Six. Armchair Fiction, 2015. First edition trade paperback original (a POD production, like all Armchair Fiction books), a Fine copy, new and unread.
  • Shaver, Richard S. The Shaver Mystery Book Seven. Armchair Fiction, 2016. First edition trade paperback original (a POD production, like all Armchair Fiction books), a Fine copy, new and unread.
  • Silverberg, Robert. Beyond the Safe Zone. Donald I. Fine, 1986. First edition hardback, a Fine copy in a Fine dust jacket. Inscribed by Silverberg: “For Joe—/L.A./ 10/25/86 / Robert Silverberg.” Short story collection. Bought for $10 plus buyers fee and shipping at auction.

  • Silverberg, Robert. Masters of Science Fiction Vol. 11: Robert Silverberg: The Ace Years, Part One (Chalice of Death AKA Earth Shall Live Again! AKA Vengeance of the Space Armadas AKA Lest We Forget Thee Earth, Starhaven and Shadow on the Stars). Armchair Fiction, 2017. First edition trade paperback original (a POD production, like all Armchair Fiction books), a Fine copy, new and unread.
  • Silverberg, Robert. Masters of Science Fiction Vol. 12: Robert Silverberg: The Ace Years, Part Two (The Planet Killers, The Plot Against Earth, One of Our Asteroids is Missing). Armchair Fiction, 2017. First edition trade paperback original (a POD production, like all Armchair Fiction books), a Fine copy, new and unread.
  • Smith, Clark Ashton (edited by Steve Behrands, with Donald Sydney-Fryer and Rah Hoffman). Strange Shadows: The Uncollected Fiction and Essays of Clark Ashton Smith. Greenwood Press, 1989. First edition hardback, a Fine copy, sans dust jacket, as issued. Fragments, lists, variants, etc. Clute and Grant, The Encyclopedia of Fantasy, page 880. Reginald, Science Fiction and Fantasy Literature, 1975—1991, 34170, page 909. Bought from a well-known online bookseller for $50.

  • Smith, E. E. “Doc”. Skylark of Valeron. Fantasy Press, 1949. First hardback edition (and first limited edition), trade state (Currey B), a Fine- copy with small bookplate pastedown remnant on RFE, in a Fine- dust jacket with just the barest trace of dust soiling to white rear cover. Inscribed by Smith: “To Rocco Mays/In appreciation of your appreciation/of my stuff —/Edward E. Smith, PhD. Currey, page 457. Chalker/Owings, page 159. Locke, Spectrum of Fantasy (One), page 201. Kemp, The Anthem Series, page 26. Bought from National Book Auctions for $100. (Surface wear in the scan below is on the dust jacket protector.)

  • Sterling, Bruce. Gothic High-Tech. Subterranean Press, 2011. First edition hardback, #34 of 200 signed, numbered copies, a Fine copy in a Fine dust jacket. Supplements the trade edition, which I already have.
  • Swanwick, Michael. Blue Moon. Dragonstairs Press, 2018. First edition chapbook original, #18 of 69 printed copies, a Fine copy (there’s some slight phantom creasing to the cover, because the chapbook was mailed in a flat envelope, which meant the sewn bead on the outside pressed against the book in transit, and all copies seen so affected), new and unread. Bought for $10 direct from the publisher. “Five ‘flash’ stories, all with a lunar setting. Published in an edition of 69, released for sale on the second “blue moon” of 2018. 67 copies available for sale (publisher’s and author’s copies withheld) on March 31, 2018, for 24 hours only. All copies not sold by midnight, March 31, 2018 will be burned.” In fact, all copies sold out in a matter of hours, so none were burned.

  • Swanwick, Michael. The Proceedings of the American Martini Institute: Report of the American Martini Laboratory: The Evolution of the Martini. Dragonstairs Press, 2018. First edition chapbook original, one of 60 signed numbered copies, a Fine copy, new and unread. Like a title says: A history of the development of the Martini cocktail.

  • Tem, Steve Rasnic. Twember. NewCon Press, 2013. First edition hardback, #89 of 125 signed, numbered copies, a Fine copy in a Fine dust jacket, new and unread.
  • (Tenn, William) Klass, Philip. The Evolution of William Tenn, or Myself When Young. The Pretentious Press, 1995. First edition chapbook original (at 11″ x 6″, and unusualy tall chapbook), one of 85 copies, a Fine copy, signed by Klass, with a photo of the author tipped in on the back of the title page. Includes several short pieces published by the The Apprentice, published by NYU when Klass was a 19-year old student in 1939.

  • Tenn, William (writing name for Philip J. Klass). Immodest Proposals. NESFA Press, 2001. First edition hardback, a Very Good- copy with a large coffee-colored stain at head (and a smaller one at heel) in a Very Good+ dust jacket, with wrinkling to spine and front cover and spots of staining to blind side of the dust jacket. Signed by Tenn: “P. Klass/W Tenn”. Not a great copy, but bought for $5.99 at Half Price Books. Supplements a Fine/Fine (but unsigned) copy.

  • Tuttle, Lisa. Twember. NewCon Press, 2012. First edition hardback, #104 of 125 signed, numbered copies, a Fine copy in a Fine dust jacket, new and unread.
  • Vance, Jack. Desperate Days. Subterranean Press, 2012. First edition hardback, a PC copy of the 26 copy lettered edition, a Fine copy in a Fine dustjacket and a Fine- traycase (there’s a small flaw to the cork-lined interior front lid), signed by Vance. Contains “The Genessee Slough Murders: Outline for a Novel” not in the trade edition (though reprinted from Jerry Hewett’s bibliography). Contains three Vance mysteries: The Fox Valley Murders, The Pleasant Grove Murders and The Dark Ocean. Note that there was no regular numbered edition of this, so the lettered edition was the only one signed by Vance. Bought from the Subterranean PC sale for $250 plus shipping. Supplements a trade edition.

  • Vance, Jack. The Houses of Izam. Underwood-Miller, 1983. First edition hardback, #104 of 200 signed, numbered copies, a Fine copy in a Fine dust jacket. Hewett, A12h. Chalker/Owings, page 435. Supplements a trade edition. Bought from National Book Auctions for $55.

  • Watson, Ian. The 1000 Year Reich. NewCon Press, 2016. First edition hardback, #22 of 100 signed, numbered copies, a fine copy in a fine dust jacket, new and unread.
  • Webb, Don. Deep Dendo and Other Poems. Dunham’s Manor Press, 2018. First edition hardback, one of only 25 hardback copies, a Fine copy, new and unread. Don’s latest poetry collection.

  • Weiner, Ellis. National Lampoon’s Doon. Pocket Books, 1984. First edition paperback original, a Near Fine- copy with slight spine creasing and touches of wear. Parody of Frank Herbert’s Dune.
  • Wellman, Manly Wade. The Rebel Songster: Songs the Confederates Sang. Heritage House, 1959. First edition hardback, a Fine- copy with slight wear at points and slightly uneven glue binding along front cover joint, in a Very Good+ dust jacket with age darkening 2 1/2″ along front bottom and 1″ near spine, and small touches of dust soiling everywhere. A book of songs Confederate soldiers sung during the Civil War, with music, some familiar (“The Yellow Rose of Texas”), but most not. Bought for $35 on eBay, a good deal since I intermittently searched for this for several years when there were no copies to be found online at all.

  • Wellman, Manly Wade. The Story of Moore County. Moore County Historical Society, 1974. First edition hardback, a Fine- copy with slight wear at head and heel in a Fine- dust jacket with one 1/8″ closed tear at head (now under Mylar), slight wrinkling to top front jacket, and a few touches of general wear; a very nice copy. Non-fiction history of the North Carolina County. Bought off eBay for $10.

  • Wellman, Manly Wade. West Point 3000 A.D and The Invading Asteroid. Fiction House, 2012. Trade paperback original thus (a POD edition), a Fine copy, new and unread. The ISFDB says this was the first book publication of West Point 3000 A.D..
  • Wellman, Manly Wade, and Stanton Coblentz. Warrior of Two Worlds and Enchantress of Lemuria. Armchair Fiction, 2017. First edition trade paperback original (a POD production, like all Armchair Fiction books), a Fine copy, new and unread.
  • Wellman, Manly Wade, and Ralph Milne Farley and Al P. Nelson. West Point 3000 A.D. and Holy City of Mars. Armchair Fiction, 2016. First edition trade paperback original (a POD production, like all Armchair Fiction books), a Fine copy, new and unread.
  • Williams, Liz and Trevor Jones. Diary of a Witchcraft Shop 2. NewCon Press, 2012. First edition hardback, #79 of 100 signed, numbered copies, a fine copy in a fine dust jacket, new and unread. Non-fiction.
  • Zelazny, Roger, editor. The Williamson Effect. Tor, 1996. First edition hardback, a Fine- copy with slight bumping at head and heel and a few pinprick spots of foxing to FFE (maybe something with acidic paper was laid in there) in a Fine dust jacket. Tribute anthology for Jack Williamson, published after Zelazny’s. Signed by Williamson and contributors Ben Bova, Mike Resnick and David Weber. Won off eBay for $24.07. Replaces an unsigned copy.

  • Note that some of the new books above are available through Lame Excuse Books.

    Library Additions: January 1—June 30, 2014

    Monday, July 7th, 2014

    Here’s all the books I added to my professional science fiction library over the first half of the year. All these are Fine first edition hardbacks in Fine dust jackets unless otherwise noted.

  • Allston, Aaron. Doc Sidhe. Baen, 1995. First edition paperback original, Very Good with multiple spine creases and spine lean. Signed and dated 5/25/01 by Allston. His Doc Savage homage. Found at a Half Price Book for half cover price a couple of months after he died.
  • (Anderson, Poul) Gardner Dozois and Greg Bear, editors. Multiverse: Exploring Poul Anderson’s Worlds. Subterranean Press, 2014. First edition hardback, one of 250 signed, numbered copies, a Fine copy in a Fine dust jacket and Fine slipcase, new and unread. Poul Anderson tribute anthology, including stories using his characters and settings.
  • (Anderson, Poul) Gardner Dozois and Greg Bear, editors. Multiverse: Exploring Poul Anderson’s Worlds. Subterranean Press, 2014. One of 1,500 copies trade copies.
  • (Ballard, J. G.) Baxter, John. The Inner Man: The Life of J. G. Ballard. Weidenfield & Nicolson, 2011. First edition hardback, a Fine copy in a Fine dust jacket. Critical biography.
  • (Bester, Alfred) Wendell, Carolyn. Alfred Bester: Starmont Reader Guide 6. Starmont House, 1982. First edition hardback, a Fine copy- copy with slight rubbing, sans dust jacket, as issued. Signed by Wendell.
  • Bloch, Robert. American Gothic. Simon and Schuster, 1974. First edition hardback, a Near Fine copy with a couple of large, faint light brownish stains on front free endpaper and one much smaller one on the rear free endpaper, in a Fine dust jacket. Inscribed by Bloch, who actually mentions the stain: “Clean up this page/immediately! ——->/ Robert Bloch” (with the arrow pointing toward one of the stains). Replaces an unsigned ex-library copy in my collection. Price paid: $30.00.

    Bloch Inscription

  • Borst, Ronald V. Graven Images. Grove Press, 1992. First edition hardback, a Fine copy in a Fine dust jacket. Oversized art book reprinting science fiction, fantasy and horror movie posters, production art, etc., from Borst’s own extensive collection. Signed by Ray Bradbury, who provided the introduction to the chapter on the 1930s. Amount paid: $26.24. This is actually not hard to find signed by Bradbury, but it usually goes for about twice that.
  • Bradbury, Ray. Bradbury Speaks: Too Soon from the Cave, Too Far From the Stars. William Morrow, 2005. First edition hardback, a Fine copy in a Fine- dust jacket with a tiny bit of spine-join haze rubbing. Signed by Bradbury: “MARK!/Ray/Bradbury”. Collection of essays.
  • (Bradbury, Ray). Nolan, William F. and Martin H. Greenberg, editors. The Bradbury Chronicles: Stores in Honor of Ray Bradbury. Roc, 1991. First edition hardback, a Fine copy in a Fine- dust jacket with a tiny bit of wrinkling at head. Signed by Bradbury. Anthology.
  • Burroughs, William S. Interzone. Viking, 1989. First edition hardback, a Fine- copy in a Fine- dust jacket with traces of wear and slight dust soiling along spine join. Shoaf, Collecting William S. Burroughs in Print, 60.
  • Card, Orson Scott. The Folk of the Fringe. Phantasia Press, 1988. First edition hardback, #140 of 400 signed numbered copies, a Fine copy in a Fine dust jacket and Fine slipcase, new and unread. Supplements a trade copy. Bought for $10. (Original list price was $75.)
  • De Camp, L. Sprague and Fletcher Pratt. Wall of Serpents. Avalon, 1960. First edition hardback, a Near Fine copy with some bending at head and heel in a Very Good+ dust jacket, with crimping and rubbing at head and heel and slight dust staining to back cover. Signed by De Camp. Currey (1979), page 135. Supplements an unsigned copy. Bought for $17.50
  • (Clement, Hal) Hassler, Donald M. Hal Clement: Starmont Reader Guide 11. Starmont House, 1982. First edition hardback, a Fine copy- copy with slight rubbing, sans dust jacket, as issued. Signed by Hassler.
  • Coover, Robert. A Child Again. McSweeney’s, 2005. First edition hardback, a Fine copy in decorated boards, sans dust jacket (as issued), still in shrinkwrap with cards attached. Bought at Half Price Books for $6.99.
  • (Delany, Samuel R.) Weedman, Jane Branham. Samuel R. Delany: Starmont Reader Guide 10. Starmont House, 1982. First edition hardback, a Fine copy- copy with slight rubbing, sans dust jacket, as issued. Signed by Delany: “Samuel R. Delany/Madison/2006”.
  • Del Rey, Lester. The World of Science Fiction, 1926-1976: The History of a Subculture. Garland, 1980. First edition hardback, a Fine- copy with slight crimping at head and heel, sans dust jacket, as issued. A history of science fiction fandom by someone who witnessed it.

    Del Rey World of SF

  • Denton, Brad. Sergeant Chip and Other Novellas. Subterranean Press, 2014. First edition hardback, one of 750 signed, numbered copies, a Fine copy in a Fine dust jacket, new and unread.
  • Diaz, Junot. The Brief Wonderful Life of Oscar Wao. Inscribed by the author: “To Lance/Oscar Wao.”
  • Ellison, Harlan. Flintlock. Charnel House, 2013 (actually 2014). First edition hardback, #55 of 274 signed and numbered copies, a Fine copy in decorated boards, sans dust jacket, as issued. Unproduced screenplay for James Coburn’s Derek Flint character.

    Flintlock

  • Farmer, Philip Jose. The Dark Heart of Time: A Tarzan Novel. Del Rey, 1999. First edition paperback original, a Fine copy, new and unread. Evidently this is pretty hard to find…
  • Farmer, Philip Jose. River of Eternity. Phantasia Press, 1983. First edition hardback, #81 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket and slipcase, new and unread.
  • (Farmer, Philip Jose) Brizzi, Mary T. Philip Jose Farmer: Starmont Reader Guide 3. Starmont House, 1980. First edition hardback, a Fine copy- copy with slight rubbing, sans dust jacket, as issued.
  • Gaiman, Neil (illustrated by Eddie Campbell). The Truth is a Cave in the Black Mountains. Morrow, 2014. First edition hardback, a Fine copy in decorated boards, sans dust jacket, as issued. Illustrated story.
  • (Gilliam, Terry) McCabe, Bob. Terry Gilliam, The Brothers Grimm, and other cautionary tales of Hollywood. First edition hardback, a Fine- copy with what appears to be “delamination” of otherwise shiny area at base of the spine, in decorated boards, sans dust jacket, as issued. Book on the making of the Terry Gilliam film The Brothers Grimm.
  • (Haldeman, Joe) Gordon, Joan. Joe Haldeman: Starmont Reader Guide 4. Starmont House, 1980. First edition hardback, a Fine copy- copy with slight rubbing, sans dust jacket, as issued. Signed by Haldeman (and also an unreadable signature that I take to be either Gordon’s or the cover artist).
  • Howard, Robert E. and Richard A. Lupoff. The Return of Skull Face Fax Collector’s Editions, 1977. Lupoff’s expansion of an unfinished Howard manuscript.
  • Griffith, Nicola. Hild. Farrar, Straus & Giroux, 2013.
  • (Heinlein, Robert A.) Thorner, J. Lincoln. A Guide Through the Worlds of Robert A. Heinlein. Gryphon Books, 1989. First edition trade paperback chapbook original, a Fine- copy with touches of wear along the spine. 48 pages critical guide, including a small bibliography of reference works in the back.

    Worlds of Heinlein

  • Lafferty, R. A. The Man Who Made Models: The Collected Short Fiction Volume 1 Centipede Press, 2014. First edition hardback, one of 300 copies signed by Michael Swanwick, John Pelan, and cover artist Jacob McMurray, a Fine copy in a Fine dust jacket.
  • Lansdale, Joe R. The Ape Man’s Brother. Subterranean Press, 2014.
  • Lansdale, Joe R. The Drive-In: The Bus Tour. Subterranean Press, 2005. First edition hardback, #223 of 350 signed, numbered copies, a Fine copy in a Fine dust jacket and slipcase, new and unread. Supplements a signed trade edition.
  • Lansdale, Joe R. Hot in December. Dark Regions Press, 2013 (though I don’t believe it was released until 2014). First edition hardback, one of 300 signed, numbered copies, a Fine copy in a Fine dust jacket, new and unread.
  • Le Guin, Ursula K. Four Different Poems. Longhouse, 2007. First edition chapbook original, a 3″x5″ card with an accordion foldout attached and a title band signed by Le Guin wrapped around, one of only 24 signed copies, a Fine copy. An odd item with a very small limitation. Bought for $20 off the Internet.

    Le Guin 4

  • Leiber, Fritz. Gummitch and Friends. Donald M. Grant, 1992. First edition hardback, #237 of 1000 signed, numbered copies (though not signed by Leiber, who died before the book was finished), a Fine copy in a Fine dust jacket and slipcase, new and unread. Contains both Leiber’s cat stories, as well as memorial appreciations of Leiber by Stephen King, Robert Bloch, etc. bound at the front of the volume. Also, for some reason, an unsigned limitation number plate for the Grant edition of Stephen King and Peter Straub’s The Black House is also laid in.
  • Leiber, Fritz. Our Lady of Darkness. Berkley Putnam, 1977. First edition hardback (no statement of printing on copyright page, as per Currey), a Near Fine copy with slight dust staining and wear to bottom boards and small white abrasion to bottom rear boards, in a Near Fine, price-clipped dust jacket. Inscribed by Leiber in purple ink: “For my Dear Friend/Doris Cornejo with/my very best/wishes. Enjoy!/Fritz Leiber/March 4, 1977”. At the bottom of the name Grace Cornejo has been written in red ink, possibly by a different hand. Supplements an unsigned copy (also, alas, with an imperfect dust jacket) in my library. Price paid: $33.74.

    Leiber Inscription

  • Ligotti, Thomas. The Spectral Link. Subterranean Press, 2014. First edition hardback, #333 of 400 signed, numbered copies, a Fine copy in a Fine dust jacket, new and unread.
  • Ligotti, Thomas. The Spectral Link. Subterranean Press, 2014. Trade edition.
  • Lovecraft, H.P. (S.T. Joshi and David E. Schultz, editors. O Fortunate Floridian: H.P. Lovecraft’s Letters to R. H. Barlow. University of Tampa Press, 2007. First edition hardback (stated), a Fine copy in a Fine dust jacket, new and unread.
  • Lovecraft, H. P. Envelope Addressed to Robert Barlow, with Lovecraft’s return address on the back, in Lovecraft’s own handwriting. Postmarked December 4, 1931. Bought for $328 off eBay. More details here.

    Lovecraft Envelope Front

    Lovecraft Envelope Back

  • MacDonald, John D. The Girl, The Gold Watch, & Everything. Robert Hale, 1974. First hardback edition, a near Fine+ copy with a ex-ownership plate inside the front cover, in a Fine dust jacket. Pringle, Modern Fantasy 100 26. Locke, A Spectrum of Fantasy, page 146.

    Girl Gold Watch

  • Matheson, Richard. Matheson on Matheson: A Conversation With Dennis Etchison. Bad Moon Books, 2013 (actually 2014). First edition hardback, #22 of 100 copies signed by Etchison and Richard Christian Matheson, a Fine copy in decorated boards, sans dust jacket, as issued.
  • Matheson, Richard. 7 Steps To Midnight. Tor Forge, 1993.
  • Moskowitz, Sam. The Immortal Storm. The Atlanta Science Fiction Organization Press, 1954. First hardback edition, a very good+ copy with slight rubbing to spine ends, slight bump at top rear board, and slight crimping at head and heel, in very good dust jacket with shallow chipping at head, heel and top front, and slight age-darkening to white areas. His acclaimed book on the early history of science fiction fandom. This is the first hardback edition, having been preceded by a mimeographed edition. Currey (1979), page 380. Chalker/Ownings (1991), page 51. Interestingly, Currey and Chalker/Ownings disagree on the print run, with Currey citing 1000 copies printed, but Chalker/Owings saying only 500. Bought for $36 off a major SF book dealer.

    Immortal Storm

  • (Moskowitz, Sam) The Sam Moskowitz Collection of Science Fiction b/w Comic Books and Comic Art. Southbys, 1999. First edition oversized trade paperback original, Fine. Auction catalog for the Sam Moskowitz’s science fiction collection held June 29, 1999 (plus a collection of rare comics sold the next day).
  • Pohl, Frederik. The Early Pohl. Doubleday, 1976. First edition hardback, a Near Fine copy with remainder speckling at heel in a Fine dust jacket. Inscribed by Pohl: “To Fred—/Cordially/Fred Pohl/(No relative!)/Fred Pohl/198-” Bought for $10.
  • (Pohl, Frederik) Clareson, Thomas D. Frederik Pohl: Starmont Reader Guide 39. Starmont House, 1987. First edition hardback, a Fine copy- copy with slight rubbing, sans dust jacket, as issued. Signed by Pohl.
  • Powers, Tim. The Anubis Gates. Centipede Press, 2014. First edition hardback thus, a Fine copy save two flaws (the slipcase keyhole cutout is about 1/4″ misaligned between the two halves, and it lacks the signature page) bound in decorated red and black velvet with a lenticular image embedded in the front cover, in a Fine slipcase. The thing is ginormous, resting in a 2-half red velvet slipcase which houses the book and an accordion portfolio of the color art plates in the book, and includes an appendix of deleted scenes from the original manuscript and a fold-out map of 1810 London.

    Anubis Case

    P1000144

    P1000146

  • Radner, Gilda and Alan Zweibel. Roseanne Roseannadanna’s Hey, Get Back to Work! Book. Long Shadow Books, 1983. First edition trade paperback original, a Near Fine copy with a few small sports to page block edges. Inscribed by Radner and Zweibel: “Thanks/a lot to/Tim/Gilda Radner” and “”To Tim-/You just brought back/a million great/memories when you/handed me this book./Al”

    Roseanne Roseannadanna's

    Radner Sig

  • Bought in a lot with:

  • (Radner, Gilda) Zweibel, Alan. Bunny Bunny: Gilda Radner: A Sort of Love Story. Villard Books, 1994. First edition hardback, a Near Fine copy with a clipped price. Early Saturday Night Live writer’s memoir of working with Radner. Bought for $40.49 for the pair.
  • Resnick, Mike. Adventures. Signet, 1985. First edition paperback original (PBO), Near Fine with interior stamps.
  • Reynolds, Mack. Looking Backward From the Year 2000. Elmsfield Press, 1973. First edition hardback, a Fine copy in a Fine dust jacket. Pringle, SF 100 70. Currey (1979), page 417.
  • Roberts, Keith. The Passing of the Dragons. Signet, 1977. First edition paperback original (PBO), Near Fine with light yellow line at head and traces of wear. Short story collection. Currey (1979), page 419. Short story collection. Bought from Half Price Books for 49¢.
  • Shea, Michael. The Mines of Behemoth. Baen Books, 1997. First edition paperback original, a Fine copy, new and unread. Signed by Shea. Price paid: $4.49.
    DAW

  • Shepard, Lucius. The Jaguar Hunter. Kerosina, 1988. First edition hardback thus (contents differ from the Arkham House edition), #128 of 250 signed numbered copies, a Fine copy in a Fine dust jacket and Fine slipcase, new and unread. Supplements a signed copy of the Arkham House first edition. Bought for $22.50. (Originally issued at £40.00.)
  • Shepard, Lucius. Life During Wartime. Bantam Books, 1987. Uncorrected proof, trade paperback format, of the trade paperback original, a Fine- copy with the title and author written on the spine in ballpoint pen, with a proof of the cover laid in. Signed by Shepard. I have the UK first hardback edition, but I never picked up the TPO when it came out because I had already read most of the stories that make it up in Asimov’s
  • Shepard, Lucius. The Scalehunter’s Beautiful Daughter. Mark V. Ziesing, 1988. First edition hardback, a #104 of 300 signed numbered copies, a Fine copy in a Fine dust jacket, new and unread. Supplements a signed trade copy. Bought for $10.
  • Shirley, John. Demons. Del Rey, 2002. Novel-length expansion of the earlier novella (which I also have). Bought for $7 at the Austin book show.
  • Silverberg, Robert. Thebes of the Hundred Gates. Axolotl Press/Pulphouse, 1991. First edition hardback, a #78 of 300 signed numbered hardbacks, a Fine copy in a Fine dust jacket, new and unread. Supplements a signed trade copy. Bought for $10. Pulphouse wildly overpriced a number of titles, including this one, but $10 (down from the initial list price of $35) seems about right…
  • (Silverberg, Robert) Gardner Dozois and William Schafer, editors. The Book of Silverberg: Stories in Honor of Robert Silverberg. Subterranean Press, 2014. First edition hardback, #165 of 250 signed, numbered copies, signed by all contributors except the late Kage Baker, a Fine copy in a Fine dust jacket, new and unread. Tribute anthology.
  • (Silverberg, Robert) Gardner Dozois and William Schafer, editors. The Book of Silverberg: Stories in Honor of Robert Silverberg. Subterranean Press, 2014. trade edition.
  • (Silverberg, Robert) Clareson, Thomas D. Robert Silverberg: Starmont Reader Guide 18. Starmont House, 1983. Second Printing hardback, a Fine copy- copy with slight rubbing, sans dust jacket, as issued. Signed by Silverberg.
  • Simmons, Dan. Prayers to Broken Stones. Dark Harvest, 1990. First edition hardback, #329 of 500 signed numbered copies, a Fine copy in a Fine dust jacket and Fine slipcase, new and unread. Supplements a signed trade copy. Bought for $37.50. (Originally issued at $75.)
  • Smith, Edward E., PhD. The Skylark of Space. Buffalo Book Company, 1946. First edition hardback, a VG+ copy with slight bumping at head, heel and corners and faint dust staining at heel, in a VG- dust jacket missing a small 1/4″ triangular chip from center of dj spine, plus about 1/4″ of chipping loss at head and heel, and slight overall rubbing, otherwise intact with $3.00 price on flap. The very first of Doc Smith’s famous space operas. Currey (1979), page 457. Chalker/Owings (1991), page 78. One of two books done by the Buffalo Book Company (the other of which, John Taine’s The Time Stream, I picked up in December). Bought for $237 from Heritage Auctions.

    Smith Skylark

  • Stephenson, Neal. In the Beginning was the Command Line. Avon Books, 1999. First edition trade paperback original, a Fine copy. Long essay on the history of computing, the Internet, and cyber culture.
  • Straub, Peter. Mrs. God. Donald M. Grant, 1990. First edition hardback, #179 of 600 signed, numbered copies, a Fine copy, sans dust jacket (as issued) in a Fine slipcase, new and unread.
  • (Tiptree, Jr., James) Siegel, Mark. James Tiptree, Jr.: Starmont Reader Guide 22. Starmont House, 1986. First edition hardback, a Fine copy- copy with slight rubbing, sans dust jacket, as issued.
  • Vance Jack. Araminta Station. Tor, 1988. First U.S. trade hardback, a Fine- copy with pinhole cracks to front gutter in a Fine- dust jacket with slight dust soiling to rear cover. First book in the Caldwell Chronicles. Signed by Vance. Hewett, A79c.
  • Vance Jack. Ecce and Old Earth Tor, 1991. First trade hardback, a Fine copy in a Near Fine dust jacket with crinkling and wrinkles along extremities. Second book in the Caldwell Chronicles. Signed by Vance. Hewett, A84b.
  • Vance Jack. Throy. Tor, 1992. First trade hardback, a Fine copy in a Fine dust jacket. Third book in the Caldwell Chronicles. Signed by Vance. Hewett, A85b. Price for all three Caldwell volumes: $52.49.
  • Vance Jack. The Five Gold Bands. Underwood/Miller, 1993. First hardback edition and first edition thus, originally published in pulp paperback as The Space Pirate, a Near Fine copy with small orangeish spots to all three page block edges, in a Fine dust jacket. Signed by Vance. Hewett, A2k. Price: $37.49.
  • Vane, Jack. Galactic Effectuator. Underwood/Miller, 1980. First edition hardback, one of 800 trade copies, a Fine- copy with slight spotting at head in a Fine dust jacket. Signed by Vance. Hewett, A63. Chalker/Owings (1991), page 432. Price: $26.24.
  • Vance, Jack, and Tony Russell Wayman. The Last Castle b/w World of the Sleeper. Ace Books, 1967. First edition paperback original (H-21 and 60¢ on cover, as per Currey and Hewett), a Very Good+ copy with long faint crease on the Russell side and slight overall wear. Signed by Vance. Hewett, A30. Currey (1979), page 499. Price: $8.99.
  • Vance, Jack (edited by Miguel Lugo). The Wit and Wisdom of Jack Vance. AuthorHouse, 2011. First edition trade paperback (POD) original, a Fine copy. Selection of excerpts from Vance’s works. Signed by Vance (though the signature (see below) is very shaky, as Vance was pretty much completely blind by the time this book came out). I was unaware of this before I saw the listing for it, and I can’t imagine that Vance signed terribly many. Price: $29.99.

    Wit Wisdom Vance

    IMG_0146

  • Vance, Jack. Minding the Stars: The Early Jack Vance Volume Four. Subterranean Press, 2014. First edition hardback, a Fine copy in a Fine dust jacket, new and unread.
  • Vance, Jack. Son of the Tree. Underwood/Miller, 1983. First hardback edition, #183 of 200 signed, numbered copies, a Fine copy in a Fine- dust jacket with just a tiny bit of wrinkling at head and heel. Hewett, A13g.

    Son of the Tree

  • Vance Jack. Vandals of the Void. John C. Winston, 1953. First edition hardback, Very Good- with a two inch split to outer back spine join and dust soiling to page edges, lacking the dust jacket. Signed by Vance. Hewett, A3. Currey (1979), page 501. Price: $29.99.
  • (Wolfe, Gene) Borski, Robert. Solar Labyrinth: Exploring Gene Wolfe’s BOOK OF THE NEW SUN. iUniverse, 2004. First edition hardback (no additional printings listed, though I believe iUniverse is a POD outfit), a Fine copy in a Fine dust jacket. Critical guide to Wolfe’s Book of the New Sun. Supplements a trade paperback edition in my library. Bought for $20 off an Internet bookseller.
  • Wolheim, Elizabeth (Betsy), and Sheila Gilbert, editors. DAW 30th Anniversary Box Set (including 30th Anniversary DAW Science Fiction and 30th Anniversary DAW Fantasy). DAW, 2002. First edition hardbacks, Fine leatherbound copies with gilt endpapers, #312 of 350 sets so produced, in a Fine slipcase, sans dust jackets, as issued. (I have not been able to determine if the leather binding state is simultaneous with the trade editions or not.) Signed by editor Sheila E. Gilbert and contributors Michael Shea, Tad Williams, C.S. Friedman, Melanie Rawn, Mercedes Lackey, Larry Dixon, Kate Elliott, and Irene Radford. This set was originally offered at $125 (though copies can now be found on Amazon for considerably less). The sets were not, as far as I can tell, offered in a signed state; these were signed independently by the contributors. Price paid: $59.99.
  • Zelazny, Roger. A Rose for Ecclesiastes. Rupert Hart-Davis, 1969. First edition thus and first hardback edition, a Fine copy in a Fine- dust jacket with very slight spine fading. First hardback edition of Four For Tomorrow. Levack, 17b. Kovacs, V11c/V20. Zelazny’s first short story collection.

    Rose for Ecclesiastes