Posts Tagged ‘R. A. Lafferty’

Library Addition: Signed First of R.A. Lafferty’s Slippery

Tuesday, May 7th, 2024

The theme this week seems to be “firsts I already had, but signed.”

Lafferty, R. A. Slippery and other stories. Chris Drumm, 1985. First edition chapbook original, #115 of 176 signed, numbered copies, a Near Fine copy with a quarter-sized sticker remnant at spinefold near the heel that has discolored the paper. (You know those colored circular stickers you can buy at grocery stores to price things for garage sales? Don’t use those for books.) Supplements an unsigned copy. If I had been collecting Lafferty in the 80s (hell, into the 90s), all the Drumm signed Laffertys could be bought for $5 a pop. Woulda coulda shoulda. This was bought off eBay for $40.

Library Additions for 2023

Monday, February 5th, 2024

Here are all the books I added to my library in 2023. Most (but not all) have been covered in previous posts.

  • Adams, Douglas (edited by Kevin Jon Davies). 42: The Wildly Improbable Ideas of Douglas Adams. Unbound, 2023. First edition hardback (number line ending with 1), a Fine copy, sans dust jacket, as issued. A compendium of scripts, drafts, notes, sketches etc. from the archives of this Dr. Who and Hitchhiker’s Guide to the Galaxy writer. I backed this on Kickstarter, and my name can be found on page 315. This book was actually a #1 Sunday Times bestseller. I’m not sure if this Kickstarter edition differs from the trade edition, though I count 320 pages, while Amazon UK says 336 pages, so, maybe? I have a copy of this available through Lame Excuse Books.

  • Aldiss, Brian W. Journey to the Goat Star. Pulphouse, 1991. Issue #22. Tiny bit of rubbing along spine. This is the first of a complete run of 61 Pulphouse Short Story paperbacks I bought for $61. All the subsequent listings for Pulphouse titles for this post are part of the Pulphouse Short Story Paperbacks line, and all are Fine copies, unless otherwise listed.

  • Aldrin, Buzz, and John Barnes. Encounter With Tiber. Warner Books, 1996. First edition hardback, a Fine copy in a Fine dust jacket, inscribed by Aldrin: “To Michael,/Buzz Aldrin.” Pretty sure Barnes did the overwhelming majority of the writing, but it’s pretty cool to own a book signed by a guy who walked on the moon. Bought for $7.99.

  • Anonymous. In the Future. Arno Press, 1974. First edition hardback thus, a reprint of a book originally published in 1867, a Fine- copy with slight bumps at points, sans dust jacket, as issued. Bought for $7.99.

  • Antieau, Kim. Blossoms. Pulphouse, 1991. Issue #5.
  • Aquilone, James, editor. Dead Detectives Society. Monsterous Books, 2023. First edition trade paperback original, a Fine copy, with extras bag including three cardstock illustrations and a Dead Detective’s Society Membership card. Includes stories by Joe and Kasey Lansdale, Nancy Collins, Kevin J. Anderson, etc. Bought off Kickstarter for $32.

  • Aquilone, James, editor. Kolchak: The Night Stalker: 50th Anniversary. Moonstone, 2022. First edition hardback graphic novel, the hardcover variant version (ISBN 978-1-946346-16-2), a Fine- copy with slight bumping to upper points, in decorated boards, sans dust jacket, as issued, with illustration card signed on the back by Aquilone laid in. Collection of stories (some graphic novel style some straight prose) based on the legendary Kolchak: The Night Stalker TV show. According to the Kickstarter page, there were 231 of this version backed.

  • Aquilone, James, editor. Kolchak: The Night Stalker: Satanic Panic ’88 + Two Other Uncanny Tales. Moonstone, 2022. First edition comic book, a Fine copy, signed by Aquilone. Bought from Kickstarter as an add-in to the above.

  • Aquilone, James, editor. Shakespeare Unleashed. Monstrous Books, 2023. First edition hardback, a Fine copy in decorated boards, sans dust jacket, as issued, with Monstrous Books card laid in. Original anthology of Shakespeare-related horror stories, featuring stories from Joe and Kasey Lansdale, Steve Rasnick Tem, etc. Adding up the various hardware bundles, it looks like there were just over 500 copies of this done. My name can be found on page 356. You can buy the book through Amazon, though no guarantee that you’ll get a first printing, or received it unbumped.

    With:

  • Aquilone, James, editor. Shakespeare Unleashed One Shot. Monstrous Books, 2023. First edition graphic novel chapbook containing additional work.

  • “Author, J.Q.” Issue Zero. Pulphouse, 1991. Issue #0, a binding dummy for the entire run of the series, with bank pages. Would never have bought this on it’s own, but since I was buying the entire thing I got this too. This one has a tiny bit of edgewear on rear spine join.
  • Anderson, Poul. Loser’s Night. Pulphouse, 1991. Issue #1.

  • Bacigalupi, Paolo. The Water Knife. Knopf, 2015. First edition hardback, a Fine copy with a bound-in signature page, with a Fine dust jacket with a “SIGNED FIRST EDITION” sticker. Bought for $8. (Note: The Scanner does not like the “poly-chromatic on black” effect so I had to adjust it some to make it legible.)

  • Barry, Dave. Best. State. Ever. A Florida Man Defends His Homeland. Putnam, 2016. First edition hardback, a Fine copy in a Fine dust jacket, signed by Barry. Non-fiction humor book. Bought for $8.

  • Barry, Dave, and Alan Zweibel. Lunatics. Putnum, 2012. First edition hardback, a Fine copy in a Fine dust jacket, signed by Barry. This and the above are my second and third signed Barry firsts. I already had a book signed by Zweibel. Bought for $8.
  • Baxter, Stephen. Xeelee: Endurance. PS Publishing, 2017. First edition hardback, letter D of 26 lettered copies, a Fine copy in a decorated boards and a Fine dust jacket and a Fine decorated slipcase. I collected Baxter for a while until he become too prolific for me to keep up with, but I did like the Xeelee books. Bought from Camelot Books for $50.

  • Beagle, Peter S. The Essential Peter S. Beagle. Tachyon, 2023. First edition hardback, #95 of 474 signed, numbered copies, a Fine copy in silver decorated boards, sans dust jacket, as issued, with Tachyon sticker and business card laid in. Just what it says, a best of collection of stories for this beloved fantasy writer. This combines what are two volumes for the trade edition (which I have on order but haven’t seen yet). I have a small number of these available through Lame Excuse Books.

  • Bear, Greg Killing Titan. Orbit, 2015. First edition hardback, a Fine copy in a Fine dust jacket, signed by Bear. Second book in the military SF trilogy started with War Dogs, which I just read. Bought for $18 from a fellow Biblio dealer.
  • Bear, Greg. Sisters. Pulphouse, 1992. Issue #43.

  • Beaumont, Charles. The Carnival and Other Stories. Subterranean Press, 2022. First edition hardback, #417 of 1,250 numbered copies, a Fine copy in a Fine dust jacket, new and unread. Short story collection.

  • Bell, M. Shayne. Inuit. Pulphouse, 1991. Issue #34.
  • Bernard, Dr. Raymond (pseudonym for Walter Siegmeister). The Hollow Earth. Fieldcrest Publishing, 1964. “New Edition” hardback (I think this amounts to the second printing of the first edition, which was evidently offset, so this might qualify as the first printed edition), a Very Good+ copy in red decorated boards with a few pinhead spots of staining to rear, slight wear at head and heel, slight blunting of points, and slight wear to gold lettering, lacking the dust jacket. Barnard wrote several books promulgating various fringe and pseudoscience beliefs (vegetarianism, parthenogentic reproduction, sexual abstinence, etc.), and this book discusses how UFOs actually come from the hollow earth. He also believed there was a hollow earth opening in Brazil, and tried to start a farming colony somewhere in the general vicinity of the entrance. Kafton-Minkel, Subterranean Worlds, pages 192-216. Standish, Hollow Earth pages 277-278 (“a distillate of virtually every crackpot theory about the hollow earth that had been accumulating for a hundred years or more”). Though this had many later printings, any Fieldcrest printing seems uncommon.

  • Bishop, Michael. The Quickening. Pulphouse, 1991. Issue #12.
  • Blackwood, Algernon (Mark Sieber, editor). A Little Black Book of Bedevilment. Borderlands Press, 2022. First edition hardback, #462 of 500 copies signed by the editor, a Fine copy. Bought from the publisher at the usual discount. I have copies of this available through Lame Excuse Books.

  • Blaylock, James P. Lord Kelvin’s Machine. Arkham House, 1992. First edition hardback, a Fine copy in a Fine Mylar-protected dust jacket, signed by Blaylock. Joshi, Sixty Years of Arkham House 179. Nielsen, Arkham House Books 185. Replaces an unsigned copy.

  • Blaylock, James P. Paper Dragons. Pulphouse, 1992. Issue #57. A few small rubs along spine. Supplements a copy of the Axolotl Press hardback (which precedes).

  • Blaylock, James P. Pennies From Heaven. PS Publishing, 2022. First edition hardback, #167 of 200 signed, numbered copies, a Fine copy in a Fine dust jacket with repricing sticker over UPC, as issued. New novel. The signed edition is the only hardback edition, and the PS edition is the only edition thus far. 200 is a pretty small run for a Blaylock hardback.

  • Blaylock, James P. Winter Tides. Ace, 1997. First edition hardback, a Fine copy in a Fine Mylar-protected dust jacket, inscribed by Blaylock to the previous owner. Replaces an unsigned copy.

  • Bloch, Robert. The Skull of the Marquis de Sade. Pulphouse, 1992. Issue #51.

  • Bloch, Robert. Yours Truly, Jack The Ripper. Pulphouse, 1991. Issue #10. Not to be confused with the short story collection of the same name.
  • (Bloch, Robert) Larson, Russell D. The Complete Robert Bloch: An Illustrated Comprehensive Bibliography. Fandom Unlimited Enterprises, 1986. First edition trade paperback original, a Fine- copy with trace of wear at tips, signed by Bloch. Just what it says, an illustrated bibliography of Bloch’s work. Looks useful, though the type is a bit small for my aging eyes. Justice, Science Fiction, Fantasy and Horror Reference 185. Bought of eBay for $35 plus shipping.

  • Block, Lawrence. The Scoreless Thai. Subterranean Press, 2000. First hardback edition (previously published in a 1970s PBO), a trade edition, a Fine copy in a Fine dust jacket, signed by Block. Novella. Bought for $10, 1/3rd of publication price, and the trade edition wasn’t issued signed by Block.

  • Block, Lawrence. Tanner’s Tiger. Subterranean Press, 2001. First hardback edition (previously published as a 1968 paperback original), a Fine copy in a Fine dust jacket, signed by Block. Tanner novel. Bought for $10, 1/3rd of publication price, and the trade edition wasn’t issued signed by Block.
  • Boston, Bruce. All the Clocks are Melting. Pulphouse, 1991. Issue #4.

  • Bradbury, Ray (text) and Amanda Blanco (photographs). About Norman Corwin. Santa Susana Press, 1979. First edition traycased portfolio, an “artist’s proof” copy of 60 signed, numbered sets, a Fine- copy (there seem to be a couple of drops of moisture staining to the back of the signature page) in a Fine- traycase with a few small spots of staining to the inner right edge (though the case itself has a bit of an odd outward slant to the top and bottom edges). Loose printed cardstock pages, including a multi-page essay celebrating radio essayist Norman Corwin by Bradbury followed by 11 photographs of Corwin by Blanco. An odd, oversized item, and one that doesn’t fit entirely on my scanner, so either the bottom or top is chopped off. Bought for $250 off eBay after a touch of haggling.

  • Bradbury, Ray (Jonathan R. Eller, editor). The Collected Stories of Ray Bradbury: A Critical Edition: Volume 2: 1943-1944. Kent State University Press, 2014. First edition hardback, a Fine copy in a Fine- dust jacket with just a tiny bit of wrinkling at heel. Bought from Half Price Books for $37.49, considerably more than the $15 I paid for the first volume, but this one doesn’t seem to have been nearly as widely remaindered.
  • Bradbury, Ray. A Chapbook for Burnt-Out Priests, Rabbis and Ministers. Cemetery Dance, 2001. First edition trade hardback, a Fine copy in a Fine dust jacket, signed by Bradbury. Bought off eBay for $21.50. Replaces an unsigned copy and supplements a slipcased signed/limited edition copy.

  • Bradbury, Ray. Fahrenheit 451. Ballantine Books, 1953. First edition hardback (Currey (1978) D state/Currey (2002) C state, red boards lettered in yellow, no precedence among hardback states), a Near Fine copy with a few small indentations, very slight glue wrinkling (binding flaw) to bottom of rear cover, slight wear to bottom boards, slight wear at head, heel and points, in a Fine facsimile dust jacket, with a Bradbury signature plate laid in. Currey (1978), page 55, Currey (2002) page 44. Pringle, Science Fiction: The 100 Best Novels 8. Barron, Anatomy of Wonder 4 3-31. Locke, A Spectrum of Fantasy, page 39. Magill, Survey of Science Fiction Literature, pages 749-755. Heritage Rare Books and manuscripts Auction #675, page 87 (“one of the most influential and widely read science fiction tales ever published”). Heritage Americana Auction #658 & 65801, page 32. Heritage The Frank Collection Auctions #7001 and #684, page 58. A key 20th century science fiction novel, and the most difficult of Bradbury’s mainstream publisher hardback firsts by a good measure. Bought for $750 plus tax and shipping from an offer on eBay.

  • Bradbury, Ray. That Son of Richard III: A Birth Announcement. Roy A. Squires, 1974. First edition chapbook original, #332 of 400 numbered copies, a Fine copy in a Fine cloth traycase, inscribed by Bradbury to Lord John Press publisher Herb Yellen: “For Herb -/Good wishes/From/Ray Bradbury/ 9/28/28.” As Yellen later published several Bradbury chapbooks himself, this is an interesting association copy. According to Chalker/Owings, Squires only did 30 traycases, of which 25 were offered to buyers of the “Autograph Edition” (which this is not). Supplements an unsigned copy. Chalker/Owings, page 589. Bought from a PBA Galleries auction for $75 plus shipping and handling.

  • Bradbury, Ray. The Toynbee Convector. Knopf, 1988. First edition hardback, #36 of 350 signed, numbered copies, “printed on special paper and specially bound,” a Fine copy in a Mylar protector and a Fine slipcase, sans dust jacket, as issued. This version is not in the Locus database, but ISFDB says they came out the same month. Most limited editions from mainstream publishers are fairly unimpressive, but this is actually quite a nice production, with patterned boards and an attractive slipcase. Bought for $110.49 off eBay, a considerable discount off the original offering price of $150 (which must have seemed plenty pricey in 1988).

  • (Bradbury, Ray) Eller, Jonathan R. Becoming Ray Bradbury. University of Illinois Press, 2011. First edition hardback, a Fine- copy in a Fine- dust jacket with slight bumping at head, heel and points. Biography of Bradbury that made use of his personal notes and correspondence. Bought for $17.49.

  • Brin, David. Dr. Pak’s Preschoool. Pulphouse, 1992. Issue #45. Supplements a copy of the Cheap Street edition (which precedes).

  • Brin, David. Piecework. Pulphouse, 1991. Issue #23.
  • Brin, David and Stephen W. Potts. Chasing Shadows: Visions of Our Coming Transparent World. Tor, 2017. First edition hardback, a Fine copy in a Fine dust jacket, signed by Brin on a signature page. Collection of essays by science fiction writers like Neal Stephenson, Bruce Sterling, William Gibson, Robert Silverberg, Vernor Vinge, etc. It says “Brin Presents” but Potts appears to be the actual editor. This and Lunatics are signed on this gray box in what assume is a tipped-in page, presumably something this particular bookseller does. It’s a bit odd. Bought for $8.

  • Brunner, John. A Case of Painters Ear. Pulphouse, 1991. Issue #2.
  • Brunner, John. The Traveler in Black. Ace, 1971. First edition paperback original (no statement of printing and 75¢ as per Currey), a Fine- copy with slight wear at points and a drop of discoloration to bottom page block at heel, otherwise a very nice copy. Celebrated fix-up of linked stories. Currey, page 74. De Bolt, The Happening Worlds of John Brunner, page 57.

  • Bryant, Edward. The Cutter. Pulphouse, 1991. Issue #8.
  • Busby, F.M. If This Is Winnetka, You Must be Judy. Pulphouse, 1992. Issue #54.
  • Bush, Barbara. A Memoir. Scribner’s, 1994. First edition hardback, a Fine copy in a Fine- dust jacket with slight bumping at heel and trace of wear at points, inscribed by Bush: “To Chris Hyatt/With best wishes/Barbara Bush/December 1998. Autobiography by First Lady Barbara Bush, wife of 41 and mother of 43, who died in 2018. Not my usual thing, but I stumbled across it checking for signatures in books by 41 and 43. Bought for $14.48 at Half Price Books.

  • Butler, Octavia. The Evening and the Morning and the Night. Pulphouse, 1991. Issue #38. Holy moley, the prices on this online are crazy. The prices for the signed hardback I can at least sort of understand, since Butler died young, but the prices for unsigned copies like this are still crazy. I had no idea.

  • Bryant, Edward. The Thermals of August. Pulphouse, 1992. Issue #56.
  • Cadigan, Pat. My Brother’s Keeper. Pulphouse, 1992. Issue #55.

  • Calvino, Italo. Invisible Cities. Harcourt Brace Jovanovich, 1974. First English language edition, a Near Fine+ copy with small name to front free endpaper, slight bumping at head and heel and uneven fading at top and bottom edges, in a Very Good+ dust jacket with two closed 3/4″ tears at top front cover, shallow chipping at head, crease to front inner flap, slight bumping at points, and traces of wear to reflective silver surfaces along spine board join, front edge-fold and rear cover (slightly exaggerated in the scan). Important slipstream work of European fantasy, or what John Clute would call “Fantastika.” Bought for $45.

  • Campbell, Ramsey. Six Stooges and Counting. PS Publishing, 2023. First edition hardback, #76 of 100 signed, numbered copies, a Fine copy in a Fine dust jacket. Non-fiction overview of the work of The Three Stooges, year by year. (A nit: The title refers to all six of the named stooges, but the cover only depicts Moe, Curly and Larry, with nary a glimpse of Shemp or Joe Besser, and just a tiny image of Curly-Joe DeRita from The Three Stooges Meet Hercules at upper left.) I have one copy available through Lame Excuse Books.

  • Carter, Lin, editor. The Year’s Best Fantasy Stories. DAW, 1975. First edition paperback original, a Fine- copy with slight wear at points and along spine, otherwise apparently new and unread, with SFBC insert still present. Includes stories from Robert E. Howard and Clark Ashton Smith!

  • Caraker, Mary. I Remember, I Remember. Pulphouse, 1991. Issue #24.
  • Card, Orson Scott. Unaccompanied Sonata. Pulphouse, 1992. Issue #49.

  • Chabon, Michael. Summerland. Hyperion, 2002. First edition hardback, a Fine- copy in a Fine- dust jacket with slight bumping at head and heel, signed by Chabon. Bought for $9.99, which, oddly enough, seems to be about market. After he won the Hugo and Nebula for the excellent The Yiddish Policeman’s Union, I though Chabon books were going to head steadily upward in value; the exact opposite seems to have happened. It looks like every single one of Chabon’s novels except The Amazing Adventures of Kavalier & Clay can be found in signed first edition hardbacks at or less than cover price. I can’t figure it out, as all three of the Chabon books I’ve read (The Yiddish Policeman’s Union, The Amazing Adventures of Kavalier & Clay, and Gentlemen of the Road) were excellent.
  • Charnes, Suzy McKee. Listening to Brahms. Pulphouse, 1991. Issue #19.

  • Clarke, Arthur C. A Fall of Moondust. Harcourt, Brace and World, 1961. First edition hardback, an Ex-Library copy with the usual flaws, including stamps, pocket removal, tape to boards, etc, but with a much better than usual dust jacket, with a couple of short closed tears on flap edges, a small sticker ghost on spine, and slight protector discoloration to edges; call it a G/NF Ex-Lib copy. Currey, page 114. Replaces a less attractive Ex-Library copy. Bought for $20.

  • Clemence, Bruce No Way Street. Pulphouse, 1991. Issue #15. Guy had this, and a story in Synergy 3, and that was it…
  • Crowley, John. Great Work of Time. Subterranean, 2023. First edition hardback, #219 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket, new and unread. I have a small number of these available through Lame Excuse Books.

  • Davidson, Avram. AD 100: Volume I and AD 100: Volume II. Or All the
    Sea With Oysters Publishing, 2023. First edition trade paperback
    originals (print on demand), as new. The Avram Davidson Society has set these up as Amazon print on demand originals. Together they include 100
    unpublished or uncollected Avram Davidson stories. If you’re interested in picking them up, click the links above.

  • Davidson, Avram. Naples. The Nutmeg Point District Mail/Temporary Culture, 2022. First edition self-wrappers chapbook original, one of 160 copies, a Fine copy, inside a black envelope with Mylar protective wrappers and with a mounted black and white photograph laid in. Bought for $150 (the subscriber price). Story reprinted from Charles L. Grant’s Shadows anthology.

  • DeChancie, John. A Little Gray Book of Alien Stories. Borderlands Press, 2004. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy. Bought as part of a 15 book lot.

  • Delany, Samuel R. The American Shore. Dragon Press, 1978. First edition hardback, #77 of 100 signed, numbered copies, a Fine copy, sans dust jacket, as issued. Detailed, close-reading non-fiction critical analysis of Thomas Disch’s “Angouleme,” a segment of 334. Weedman, The Starmont Reader’s Guide to Samuel R. Delany, page 22 (“Here Delany exercises himself as the critic’s critic, remaining fairly inaccessible to a general audience.”). Chalker/Owings, page 132. Replaces an unsigned copy.
  • Delany, Samuel R. Babel-17. Ace, 1966. First edition paperback original, a Fine copy, though with slight age darkening to the pages. Nebula Award winner and Hugo nominee. Currey, page 139. Replaces a slightly less attractive copy. Bought for $5 at Recycled Books in Denton.

  • Delany, Samuel R. The Einstein Intersection. Easton Press, 1986 (stated; the Locus database lists this coming out in 1991). First edition thus, a special leatherbound collector’s edition, a Fine copy, sans dust jacket, as issued, inscribed by Delany to the previous owner and with an Ex-Libris plate and “Collector’s Notes” laid in. Nebula winner for Best Novel, Hugo finalist. Magill, Survey of Science Fiction pages 703-707. Supplements a signed copy of the Gollancz first hardback edition. Strictly speaking this is just a “nice to have,” but it is signed, and Easton Press makes attractive books.

  • Delany, Samuel R. The Straits of Messina. Serconia Press, 1989. First edition hardback, a Fine copy in a Fine dust jacket. Delany essays on Delany. Chalker/Owings, page 390 (“these at least are readable”). Replaces a copy with a less attractive dust jacket.

  • Delany, Samuel R. (edited by Kenneth R. James). In Search of Silence: The Journals of Samuel R. Delany Volume 1, 1957-1969. Wesleyan University Press, 2017. First edition hardback (“5 4 3 2 1” numberline), a Fine copy in a Fine dust jacket. Selections from Delany’s journals when he was first making his mark on the SF field. Bought for $9.95. I have copies of this available through Lame Excuse Books.

  • de Lint, Charles. Merlin Dreams in the Mondream Wood. Pulphouse, 1992. Issue #52.
  • de Lint, Charles. Uncle Dobbin’s Parrot Fair. Pulphouse, 1991. Issue #17.

  • Donaldson, Stephen R. The Wounded Land. Del Rey, 1980. First edition hardback (“First Edition: June 1980/1 2 3 4 5 6 7 8 9 10”), a Fine copy in a Near Fine dust jacket with faint crease down spine, small closed tear at top frotn, and wear at heel and points, signed and dated (“4/15/82”) by Donaldson, with bookmark for the trilogy laid in.

  • Donaldson, Stephen R. The One Tree. Del Rey, 1982. First edition hardback (“First Edition: April 1982”), a Fine copy in a Fine dust jacket, signed and dated (“4/15/82”) by Donaldson, with bookmark for the trilogy laid in. Note: While the other two first editions in the trilogy feature numberlines, this one does not. I know that this is not the book club edition (which I also have in hand), there are no pictures of a copyright page with a numberline for this title I can locate, and consensus is that they apparently just left it off.

  • Donaldson, Stephen R. White Gold Wielder. Del Rey, 1983. First edition hardback (“First Edition: April 1983/1 2 3 4 5 6 7 8 9 10”), a Fine copy in a Fine dust jacket, signed and dated (“5/6/89”) by Donaldson, with bookmark for the trilogy laid in.

  • Dozois, Gardner. The Peacemaker. Pulphouse, 1991. Issue #39. Supplements a copy of the Short Story Hardback edition.
  • Duchamp, L. Timmel. A Case of Mistaken Activity. Pulphouse, 1991. Issue #7.
  • Eddy, C.M. and Muriel E. Erased from Exile. Stygian Isle Press, 1976. First edition chapbook original, #234 of 300 copies signed (on stickers) by Muriel E. Eddy and illustrator Gene Day, a Near Fine+ copy with slightly bumped corners and two small black lines near top front outer corner. Stories and poetry by two members of Lovecraft’s circle, with illustrations by Day. Day, who did a lot of work for underground comics and role-playing games, died at the very untimely age of 31.

  • Effinger, George. Schrodinger’s Kitten. Pulphouse, 1992. Issue #42. Supplements the hardback version.
  • Eisenstein, Phyllis. The Crystal Palace. Grafton Books, 1991. First hardback edition, a Fine copy in a Fine dust jacket, signed by Eisenstein. Sequel to Sorceror’s Son. The U.S. paperback precedes, but this was the first hardback. This was part of the last big Zelazny purchase in 2020 and I’ve just now gotten around to cataloging it. As I’ve said before, there are few price points more attractive than “you’ve already paid for it.”

  • Ellison, Harlan. FOE: Friends of Ellison. Edgeworks Abbey, 2019. First edition (stated) trade paperback original (these are Print on Demand books; the POD barcode page states “10 February 2019,” making it possible that these were run off as part of the initial batch run off for the Ellison website sales), a Fine copy. Collection of non-fiction essays, introductions and appreciations of other writers (Jack Vance, Richard Matheson, Philip Jose Farmer, Robert Silverberg, etc.). Bought for $20 (half-off the $40 list price) from the Harlan Ellison Books website.

  • Ellison, Harlan. Why do you call me Ishmael when you know my name is Bernie?. Edgeworks Abbey, 2019. First edition (stated) trade paperback original (these are Print on Demand books; the POD barcode page states “16 June 2019”), a Fine copy. Collection of non-fiction essays on various topics, including one on Lafferty. Bought for $20 (half-off the $40 list price) from the Harlan Ellison Books website. This now shows up as out of print there.

  • Erickson, Steve, Our Ecstatic Days. Simon & Schuster, 2005. First edition hardback, a Fine copy in a Fine, Mylar-protected dust jacket. Bought at Recycled Books in Denton for $6.80.
  • Etchison, Dennis. The Dark Country. Pulphouse, 1991. Issue #21. Not to be confused with the short story collection of the same name.

  • Etchison, Dennis. Red Dreams. Scream/Press, 1984. First edition hardback, #192 of 250 numbered hardbacks signed by Etichson and artist J.K. Potter, a Fine copy in a Fine, Mylar-protected dust jacket and a Fine- slipcase with a trace of haze rubbing, and additionally signed by Etchison. The second short story collection by this acclaimed horror writer. The third publication of Scream/Press. Chalker/Owings, page 335. Supplements a trade copy. Bought for $30.

    (Surface wear is on the dust jacket protector.)

  • Fowler, Karen Joy. Booth. Putnam, 2022. First edition hardback, a Fine copy in a Fine- dust jacket with just a trace of edgewear, the signed publisher’s variant with a “Signed Copy” sticker on the cover and a page signed by Fowler bound in. Novel of the theatrical Booth family (including presidential assassin John Wilkes Booth) in early 19th century America. Bought for $13.99.

  • Fowler, Karen Joy. The War of the Roses. Pulphouse, 1991. Issue #28.

  • Friesner, Esther M. Ecce Hominid. Pulphouse, 1991. Issue #6.

  • Gaiman, Neil. A Little Gold Book of Ghastly Stuff. Borderlands Press, 2011. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy, sans dust jacket, as issued. Mixture of fiction, non-fiction, essays, speeches, poetry, etc. Cool cover illustration by Gahan Wilson. Probably the hardest of the Little Book series to find (followed by the Lansdale, Ligotti and Malerman volumes). Bought as part of the 15 book lot.

  • Gaiman, Neil. Norse Mythology. W. W. Norton, 2017. First edition hardback, a Fine copy in a Fine dust jacket. Bought for $12.99.

  • Gaiman, Neil. Words of Fire. Arte Editions, 2022 (actually 2023). First edition trade paperback original (with self-flaps), #276 of 300 signed, numbered copies, a Fine copy. Poetry collection. There were two different hardback editions (the Portfolio Edition and the Roman edition), both of which were sold out by the time I heard about it. Now out of print from the publisher. I still have one copy left available through Lame Excuse Books.

  • Gardner, Craig Shaw. A Little Purple Book of Peculiar Stories. Borderlands Press, 2004. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy, sans dust jacket, as issued. Bought as part of the 15 book lot.

  • Gibson, William. Agency. Berkley, 2020. First edition hardback, a Fine copy in a Fine dust jacket. Sequel to The Peripheral. Bought for $9.99.
  • Gotthelf, Jeremias (pseudonym for Albert Bitzius). The Black Spider. John Calder (Publishers) Ltd., 1958. First English language edition, a Near Fine+ copy with slight spine lean and former owners name inside front cover under flap, in a Very Good+ dust jacket with 1/4″ chip at head, two pinhead-sized abrasions at heel front join, wear at points, and moderate age darkening to white portion of spine. Nineteenth century allegorical horror story about evil made manifest as a giant black spider. Introduced and translated from the original German by H. M. Waidson. Barron, Horror Literature 2-35. Not in Bleiler’s Guide to Supernatural Fiction. Bought off a fellow Biblio dealer for $21.25.

  • Haldeman, Joe. More Than The Sum of His Parts. Pulphouse, 1991. Issue #14.

  • Haldeman, Joe. Worlds Enough and Time. Morrow, 1992. First edition hardback, a Fine copy in a Fine dust jacket, signed by Haldeman. Third book in the Worlds trilogy.

  • Hand, Elizabeth. Hard Light. Minotaur Books, 2016. First edition hardback, a Fine- copy in a Fine- dust jacket with slight bend at heel, signed by Hand. “A Cass Neary Crime Novel.” Bought for $8.

  • Hample, Stuart. Dread & Superficiality: Woody Allen as Comic Strip. Abrams Comic Arts, 2009. First edition hardback, a Fine copy in a Near Fine dust jacket with slight waviness, slight grubbiness to uncoated stock, and a thin scratch across bottom of spine. Received as a Christmas gift only because, many moons ago, I noted to Dwight my incredulity that this comic strip ever existed at all. Yes, Woody Allen’s neurotic nebbish character was so well known in the 1970s that a comic strip based on it (but written and drawn by someone else) appeared in numerous newspapers from 1976-1964. I am equally incredulous that someone found the strip worth of a prestige retrospective collection. Supplements my copy of Non-Being and Somethingness, which contains selections from the strip.

  • Hample, Stuart. Non-Being and Something-ness: Selections from the Comic Strip Inside Woody Allen. Random House, 1974. First edition trade paperback original (numberline beginning with “2”, Random House’s deeply irritating method of identifying a first edition), a Near Fine copy with chip to top rear corner, crease to bottom front corner, nick to middle front edge, and a bit of wear. Dwight bought this for me based on my stumbling across this comic in a newspaper archive looking for something else and expressing surprise that it ever existed at all.

  • Heinlein, Robert A. Off the Main Sequence: The Other Science Fiction Stories of Robert A. Heinlein. Science Fiction Book Club, 2005. First edition hardback (stated “First SFBC Science Fiction Printing, October 2005”; the SFBC is the only edition), a Fine copy in a Fine dust jacket. Short story collection, including three (“My Object All Sublime,” “Pied Piper,” and “A Tenderfoot in Space”) that were previously uncollected. Bought for $5.95.
  • Hill, Doug and Jeff Weingrad. Saturday Night: A Backstage History of Saturday Night Live. Beech Tree Books, 1986. First edition hardback, a Fine- copy with bumping at head and heel in a Near Fine dust jacket with with one 1/16″ chip at heel, crease to bottom of front flap, slight bumping at head and heel and a bit of pull to top jacket edge. History of Saturday Night Live. Part of a very small collection of books on early SNL. Most people today don’t realize how amazingly funny, daring and groundbreaking the original cast SNL was. Bought for $4.99.

  • Holder, Nancy. The Ghosts of Tivoli. Pulphouse, 1992. Issue #44.
  • Hughes, Matthew. Ghost Dreams. PS Publishing, 2022. First edition hardback, #55 of 100 signed, numbered copies, a Fine copy in a Fine dust jacket.

  • Jeter, K.W. Star Wars: Hard Merchandise. Bantam Spectra, 1999. First edition paperback original, a Fine- copy with just a trace of wear at points. The third book in the Bounty Hunter Wars trilogy, and evidently the hardest one to find. Supplements a signed first of the SFBC Bounty Hunter Wars Trilogy I bought from the Fred Duarte estate sale. I supposed now I need to find a PBO first of Slave Ship, the second in the trilogy, but it seems the easiest to find of the three. Bought from Half Price Books for $4.49.
  • King, Florence. Reflections in a Jaundiced Eye. St. Martin’s Press, 1989. First edition hardback, a Near Fine copy with slight bumping at head and heel and thrift store stamp to insider rear cover, in a Fine- dust jacket with slight bumping at head, in a Mylar dust jacket protector. Collection of essays. Replaces an Ex-Library copy. Bought for $7.99.

  • Jordan, Will. Dark Harvest. Blackstone Publishing, 2022. First edition hardback, a Fine copy in a Fine dust jacket. Science fiction novel/technothriller Mike bought for me. Jordan is generally better known as YouTube movie reviewer The Critical Drinker.
  • Joshi, S. T. Black Wings VII: New Tales of Lovecraftian Horror. PS Publishing, 2023. First edition hardback, one of 200 copies signed by all the contributors, a Fine copy in a Fine dust jacket and a Fine slipcase. Original anthology, including stories from John Shirley, Ramsey Campbell and Steve Rasnick Tem. Bought from the publisher at the usual discount.

  • Keene, Brian. A Little Silver Book of Street Wise Stories. Borderlands Press, 2008. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy, sans dust jacket, as issued. Bought as part of the 15 book lot.

  • King, Stephen. The Long Walk. Centipede Press, 2023. First edition thus and first separate hardback edition (a previous Turtleback library hardback binding appears to be just a rebind of the Signet trade paperback edition), one of 1,400 trade copies, a Fine copy in a Fine dust jacket, still in shrinkwrap. Near future SF dystopia, my favorite of the Bachman books, and one of my favorite of King’s books, period. Instantly out of print from the publisher. I have copies available through Lame Excuse Books.

  • King, Stephen, Richard Chizmar, and Stewart O’Nan. A Face in the Crowd b/w The Longest December. Cemetery Dance, 2023. First hardback edition and first edition thus (with King and O’Nan’s “A Face in the Crowd” previously only available in a eBook edition, and Chizmar’s “The Longest December” stating “Expanded Version,” but ISFDB doesn’t show a previous edition), a Fine copy in a Fine dust jacket. Two novellas. Bought off eBay for $20 plus shipping.
  • Kress, Nancy. The Price of Oranges. Pulphouse, 1992. Issue #53.

  • Kuttner, Henry. The Best of Henry Kuttner. Nelson Doubleday (SFBC), 1975. First edition hardback (code “01 R” on page 335, as per Currey), a Fine- copy with trace of bumping at points in a Fine- dust jacket with slight edgewear and small fold to tip of bottom front flap. Introduction by ray Bradbury. Currey, page 291. Bought for $6 at the Book Cellar in Temple.

  • Lafferty, R. A. Alaric: The Day The World Ended. United Mythologies Press, 1993. First edition hardback, a Fine copy, sans dust jacket, as issued. Reprint of The Fall of Rome, and the last book done by the press. Chalker/Owings (2002), page 931. Think I paid $50 for this.

  • Lafferty, R. A. The Back Door of History. United Mythologies Press, 1988. First edition chapbook original, #126 of 150 (according to Chalker/Owings) signed, numbered copies, a Fine copy, with errata notice laid in and conclusion of “Phoenic” pasted in after page 34. Chalker/Owings (2002), page 928. Supplements a trade edition.

  • Lafferty, R. A. The Collected Short Fiction Volume Seven: Mad Man. Centipede Press, 2023. First edition hardback, #40 of 300 copies signed by introduction author Scott Bradfield, a Fine copy in a Fine dust wrapper, still in shrinkwrap. Yes, I have matching numbers of all the rest. Bought from the publisher at the usual discount.
  • Lafferty, R. A. Cranky Old Man From Tulsa. United Mythologies Press, 1990. First edition chapbook, trade edition, a Fine copy. Three pieces of biographical non-fiction. Chalker/Owings (2002), page 928.

  • Lafferty, R. A. The Elliptical Grave. United Mythologies Press, 1989. First edition trade paperback original, a review copy of 70 signed, numbered copies with an extra story (“The Man Who Lost His Magic”), a Fine- copy with a slight bump at bottom right corner.

  • Lafferty, R. A. The Early Lafferty. United Mythologies Press, 1988. First edition chapbook original, #147 of (according to Chalker/Owings) 150 copies, a Fine copy. The first United Mythologies Press item. Chalker/Owings (2002), page 928. Supplements an unsigned copy.

  • Lafferty, R. A. Funnyfingers & Cabrito. Pendragon Press, 1976. First edition hardback, letter av of 50 signed, lettered copies, a Fine copy, sans dust jacket, as issued. This actually completes my R.A. Lafferty in hardback collection (which is to say that every Lafferty first edition that came out in hardback I have, though not every one is signed, and I don’t necessarily have the signed/limited state of every Lafferty book that was issued in one). Chalker/Owings (1991), page 328. I paid $100 for it.

  • Lafferty, R. A. How Many Miles To Babylon. United Mythologies Press, 1989. First edition chapbook original, #94 of (according to Chalker/Owings) 150 copies. Chalker/Owings (2002), page 928.

  • Lafferty, R. A. Promontory Goats. United Mythologies Press, 1989. First edition chapbook original, #132 of (according to Chalker/Owings) 150 copies, a Fine copy. The second United Mythologies Press book. Supplements an unsigned copy. Chalker/Owings (2002), page 928.

  • Lafferty, R. A. Strange Skies. United Mythologies Press, 1988. First edition chapbook original, #182 of 300 copies, a Fine copy. The third United Mythologies Press book. Chalker/Owings (2002), page 928.

  • Lansdale, Joe R. Cold in July. Mark V. Ziesing, 1989. First hardback edition, #388 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket and a Fine- slipcase with a bump at bottom rear. Isajenko, World Lansdalean A011.b. With Lansdale, Joe R. Savage Season. Mark V. Ziesing, 1989. First edition hardback, #388 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket, in the same slipcase. Isajenko, World Lansdalean A013.a. Supplements a PC set (received as part of typing Cold in July into a computer from galley proofs) and a signed “mock” limited set. Bought from a private collector for $50.
  • Lansdale, Joe R. The Donut Legion. Mulholland Books/Little Brown and Company, 2023. First edition hardback, a Fine copy in a Fine dust jacket, inscribed to me by Lansdale. Bought from Book People at cover price during a signing. It was good to see Joe again.
  • Lansdale, Joe R. The Drive-In (A B-Movie With Blood and Popcorn, Made in Texas). Bantam Spectra, 1988. First edition paperback original, #57 of 100 aftermarket copies from The Overlook Connection with a special limitation page pasted in, a Fine- copy with pinprick of abrasion to bottom rear tip, in a Mylar-bag, in a Fine embossed aftermarket slipcase. Isajenko, World Lansdalean A010.a. With Lansdale, Joe R. The Drive-In 2 (Not Just One Of Them Sequels). Bantam Spectra, 1989. First edition paperback original, #57 of 100 aftermarket copies from The Overlook Connection with a special limitation page pasted in, a Fine copy, in a Mylar-bag, in the same slipcase. Isajenko, World Lansdalean A012.a. Supplements inscribed copies of the ordinary PBOs, plus inscribed hardback firsts of the Kinnell editions, plus The Complete Drive-In from Centipede Press. These Overlook Press aftermarket paperback limiteds were weird things, which is why I didn’t pick these up until I found a set at the right price. Bought from the same private collector for $35.

  • Lansdale, Joe R. The Events Concerning. Subterranean Press, 2022. First edition hardback, #371 of 1,250 signed, numbered copies, a Fine copy in a Fine dust jacket. Short story collection. Bought from the publisher. I’ll have copies of this available in the next

  • Lansdale, Joe R. Edge of Dark Water. PS Publishing, 2012. First edition hardback, letter D of 26 lettered copies, a Fine copy in a Fine dust jacket and a Fine slipcase. Supplements a signed Mullholland Books first and both a signed PS trade edition and a signed, numbered copy. Not really an impressive limited, as it’s identical to a signed, numbered copy, but it was only $75, which is about what the regular numbered edition goes for these days. Isajanko, A044.d.ii (but he doesn’t list this lettered edition).
  • Lansdale, Joe R. (illustrated by Ted DiLucia). Incident On and Off a Mountain Road. Crystal Lake Publishing, 2023. First edition hardback (“10 9 8 7 6 5 4 3 2 1” numberline), a Fine copy in decorated boards, sans dust jacket, as issued. Illustrated version of the dark suspense novelette originally published in Night Visions 8 and later adapted as an episode of the Showtime Masters of Horror TV anthology series. Amazon seems to be the main fulfillment avenue for this book, so I provided an Amazon link above.

  • Lansdale, Joe R. Shooting Star. Pandi Press, 2023. First edition trade paperback original, a Fine copy with signed plate (and two bookmarks) laid in. At 43 pages long, it’s somewhere in the novelette/novella range.

  • Lansdale, Joe R. The Steel Valentine. Pulphouse, 1991. Issue #11. Isajanko, The World Lansdalean C01.a.i. Supplements another copy and a Short Story Hardback version.

  • Lansdale, Joe R. (as Ray Slater). Texas Night Riders. leisure, 1983. First edition paperback original, a Fine- copy with tiny loss at very tip of top rear outer corner and some foxing to inside covers, otherwise tight, square and apparently unread. This is far and away the best copy I’ve ever seen. Supplements a less attractive copy of the PBO inscribed to me, the Chivers Press large print (and first hardback edition) inscribed to me, and both the lettered and numbered editions of the Subterranean signed/limited edition. Isajenko, A003.a. Bought for $40 from Half Price Books.

  • Lansdale, Joe R. Things Get Ugly: The Best Crime Stories of Joe R. Lansdale. Tachyon, 2023. First edition trade paperback original, a Fine copy. Bought from the publisher at the usual discount.

  • Lansdale, Joe R. Tight Little Stitches in a Dead Man’s Back. Pulphouse, 1992. Issue #46. Isajanko, The World Lansdalean C03.a.i. Supplements a copy of the Short Story hardback version.

  • Lansdale, Joe R. and Kasey Lansdale. Dark Kin. Thunderstorm Books, 2023. First edition hardback, #232 of 250 signed, numbered copies, a Fine copy in a Fine dust jacket. Collection of collaborative stories, one of which appears here for the first time. Bought from the publisher at a dealer discount. I have copies of this available through Lame Excuse Books.

  • Lansdale, Joe R. and Kasey Lansdale. Terror is Our Business: The Dana Roberts Casebook of Horrors. Short Scary Tales (SST) Publications, 2023. First edition hardback, #101 of 500 signed, numbered copies, a Fine copy in a Fine dust jacket, with tissue paper closure sticker laid in.

  • Lansdale, Joe R. (edited by Christopher Golden and Brain Keene). The Drive-In: Multiplex. Pandi Press, 2023. First edition trade paperback original, a Fine copy.

  • Lansdale, Joe R. and Keith Lansdale. Prisoner of Violence. Dark Regions Press, 2023. First edition hardback, a Fine copy in decorated boards, sans dust jacket, as issued, into which I’ve laid a signature plate by Joe and Keith Lansdale. Graphic novel that was announced several years ago, but only recently came out. I have copies of this available through Lame Excuse Books.

  • Lansdale, Joe R. (and Andreas Guinaldo). Joe R. Lansdale’s The Drive-In. Avatar, 2005. First edition graphic novel original thus (no additional printings listed, preceded by four individual comic book issues), a Fine copy, signed by Lansdale. Graphic novel adaptation of the novel.

  • (Lansdale, Joe R.) Andrew J. Rausch and Mark Slade, editors. Conversations with Joe R. Lansdale. University Press of Mississippi, 2022. First edition hardback, a Fine copy in decorated boards, sans dust jacket, as issued. Collection of interviews with Lansdale, including the ones Dwight Brown and I did for Nova Express. Bought from the publisher. I’ll have signed copies of this available through Lame Excuse Books catalog.

  • (Lansdale, Joe R.) Andrew J. Rausch and Mark Slade, editors. Conversations with Joe R. Lansdale. University Press of Mississippi, 2022. First edition trade paperback original (simultaneous with the much smaller hardback run), a Fine copy. Sent to me as a contributor’s copy.
  • Lee, Tanith. Into Gold. Pulphouse, 1991. Issue #32.Tiny rub on spine.

  • Le Fanu, Sheridan (edited by Eric J. Guignard). A Little Fuchsia Book of Fears. Borderlands Press, 2023. First edition hardback, #462 of 500 numbered copies signed by the editor, a Fine copy, sans dust jacket, as issued. I will have copies of this available in the next Lame Excuse Books catalog.

  • Le Guin, Ursula K. Nine Lives. Pulphouse, 1992. Issue #50.
  • Ligotti, Thomas. Pictures of Apocalypse. Chiroptera Press, 2023. First edition hardback, a Fine copy in a Fine dust jacket, still in shrinkwrap. Also includes a special 24 page Pictures of Apocalypse: Interviews and Sketches chapbook, including new interviews with the author and artist, “Concept to finish” art documentation, outtakes, a thank you card, and a bookmark. A verse cycle. A fairly elaborate small press production for this stylish horror writer. The book is no longer on the publisher’s website, so I assume it is now out of print. But I still have copies through Lame Excuse Books (including the extras bag).

  • Locke, George. Voyages in Space: A Bibliography of Interplanetary Fiction 1801-1914. Ferret Fantasy, 1975. First edition hardback, #17 of 18 signed, numbered hardback copies (plus an additional 10 copies not for sale), a Fine copy, sans dust jacket, as issued. The definitive bibliography on early space travel fiction. Chalker/Owings, page 527. Tymn/Schlobin/Currey A Research Guide to Science Fiction Studies 47. Barron mentions this in Anatomy of Wonder 4 7-7 (on Currey’s Science Fiction and Fantasy Authors), but does not have a separate listing for it. Not in Justice. Supplements an inscribed copy of the trade paperback.

  • Long, Frank Belknap (S. T. Joshi, editor). Library of Weird Fiction: Frank Belknap Long. Centipede Press, 2022. First edition hardback, a Fine copy in a Fine dust jacket, still in shrinkwrap. Massive 800+ page collection of fiction by this contemporary and correspondent of H. P. Lovecraft. Bought for $40.

  • Lovecraft, H. P. The Dream Quest of Unknown Kadath. Shroud: Publishers, 1955. First edition trade paperback original (Currey A, orange wrapper bound with brown tape) simultaneous with a small hardback run, #1341 of 1,500 copies, a Near Fine copy with former owner’s name on front free endpaper and some evenly-spaced diagonal wrinkles to spine (possibly as issued by Shroud), in a Very Good first state (publisher’s address of 819 Michigan Avenue, Buffalo 3, New York, as per Currey) dust jacket with shallow chipping at head and heel and staining along spine and at top front near edgefold. First edition of this Dunsanean Dreamlands novella, which ties into Lovecraft’s Cthulhu Mythos but is also distinct from it. Shroud was an odd press, and this book displays Shroud’s “amateurish” (to quote Chalker/Ownings) quality. Currey, page 322. Chalker & Owings, The Science Fantasy Publishers, pages 403-404. Joshi, H.P. Lovecraft: A Comprehensive Bibliography I.31. Bleiler, The Guide to Supernatural Fiction 1048 (“repetitious, alternately aiming for childishness and horror, maundering and wandering, it has little to offer except a rather pointless integration of the earlier Dunsanean stories”). Magill, Survey of Modern Fantasy Literature, pages 431-435. Bought from a Potter & Potter auction for $187.50.

  • Lovecraft, H. P. Miskatonic Missives. Helios House, 2022 (actually 2023). First edition hardback, one of 521 Limited Collector’s Edition sets (given the number of kickstarter backers), containing three volumes, plus a fake book that’s actually a traycase to contain the ephemera extras, all Fine copies, sans dust jacket, as issued, in a Fine slipcase.

    Each volume contains a reprint of one of H.P. Lovecraft’s most interesting letters, presented alongside related archival material such as contemporary short stories, art, maps, etc., as well as original art and new scholarship.

    Each volume is also packaged with a set of exclusive extras—replicas of related contemporary materials such as photos, maps, ticket stubs, postcards, news clippings, and diary pages. The Collector’s set packages all of these extras in a custom box which nests in the slipcase alongside the three books. Each Limited Edition Collector’s set is supplied with a Certificate of Ownership signed by editors Andrew Leman and Sean Branney of the H.P. Lovecraft Historical Society, and a collectible enamel pin.

    This is just the loose extras; there are additional extras for each volume, in their individual envelopes in the Ephemera traycase.

    with

  • Lovecraft, H. P. (Sean Branney and Andrew Lman, editors and annotators). The Spirit of Revision: Lovecraft’s Letters to Zeila Brown Reed Bishop. Helios House, 2022. Second Edition hardback (I believe the first edition was trade paperback only), a Fine copy, sans dust jacket, as issued. Bought with the above as an add-in.

  • (Lovecraft, H. P.) Houllebecq, Michel. H. P. Lovecraft: Against the World, Against Life. Cernunnos, 2019. First edition hardback, a Fine copy in a Fine dust jacket. Critical analysis of Lovecraft and his work by the French writer and critic. Introduction by Stephen King. Bought for $9.95.

  • (Lovecraft, H.P.) Day, Gene. Richard Upton Pickman: A Portfolio with Dirk W. Mosig’s H. P. Lovecraft: Psychological Realist. Stellar Z. Publications, 1977. First edition chapbook originals (for each), a Near Fine+ copy of the portfolio, with slight bending at the corners, and a Fine copy of the smaller Mosig critical chapbook. 10 art prints based on Lovecraft’s “Pickman’s Model,” plus a chapbook from a psychologist who has done a lot of essays on Lovecraft. There’s not a lot of Internet hits on either of these, and the few hits on the portfolio don’t appear to have the Mosig chapbook. I’m not sure what the print run on this was. I even reached out to Mosig himself (who’s still alive and teaching at a university) to ask the print run, but he didn’t know.

    (Though they seem the same size here (the blog image default size), the Mosig chapbook is much smaller, which makes sense given it probably shipped inside the portfolio.)

  • (Lovecraft, H.P., Robert E. Howard, Clark Ashton Smith) Jones, Stephen. The Weird Tales Boys. First edition hardback, #92 of 100 signed (by Jones, introduction author Ramsey Campbell, artist Lee Edwards, and facsimile signatures for Lovecraft, Howard and Smith), numbered copies, a Fine copy in a Fine slipcase. A triple biography of H.P. Lovecraft, Robert E. Howard and Clark Ashton Smith as the most important writers for Weird Tales. Now sold out from the publisher. A small number of copies of this will be available in the next Lame Excuse Books catalog.

  • Machen, Arthur (attributed). From the London Evening News. The Arthur Machen Society/Four Ducks Press, 1959. First edition chapbook original, #33 of 50 copies printed, a Fine copy, with a letter enclosed presenting the work from J. H. Stewart, Jr. to Joseph Kelly Vodray (who left an archive of Machen papers to Princeton) describing how the book was designed and printed by Bill Jackson. Three stories covering purportedly supernatural events reprinted from the London Evening News tentatively identified as the work of Arthur Machen. This is a remarkably attractive chapbook, crisply designed and printed in multiple colors inside, and really looks like something printed 20 years later. No online listings, though Worldcat does locate 13 copies in various libraries (including UT’s Harry Ransom Center).

  • (Machen, Arthur) Wesley D. Sweeter and Adrian H. Goldstone. Arthur Machen. Arthur Machen Society, 1960. First edition hardback chapbook, one of 200 copies, a Near Fine copy with sports of rubbing to extremities and cover and the decorative bookplate of Paul Jordan Smith (Literary Editor of The Los Angeles Times for 25 years and noted Machen fan) affixed to insider front cover. Reprints two pieces on Machen from The Aylesford Review: Sweeter’s “Machen: A Biographical Study” and Goldstone’s “Men About Machen,” discussing some of the more notable members of the Society (including Vodray and Smith).

  • Maclay, John. A Little Red Book of Vampire Stories. Borderlands Press, 2003. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy. Bought as part of the 15 book lot.

    .

  • MacLeod, Fiona (pseudonym for William Sharp). The Hills of Ruel and Other Stories. Heinemann, 1921. First edition hardback, a Near Fine+ copy in decorated boards (the design matching the dust jacket) with sight bumping at head, heel and points and slight foxing to inside covers and endpapers in a Very Good- dust jacket with a 7/8″ chip at head, 1/2″ chip at heel, smaller losses at top and bottom edges and wear along outer edges. Beliler Checklist (1978) page 131.

  • MacLeod, Ian R. Ragged Maps. Subterranean Press, 2023. First edition hardback, #171 of 1,000 signed, numbered copies, a Fine copy in a Fine dust jacket and publisher’s plastic bag. Short story collection.

  • Martin, George R. R. The Pear-Shaped Man. Pulphouse, 1991. Issue #37.

  • Martin, George R. R., editor. Wild Cards VI: Ace in the Hole. Bantam Books/SFBC, 1989. First hardback edition, the SFBC book club edition, preceded by the PBO, a Fine- copy with bumping at head, heel and top points, in a Near Fine+ dust jacket with slight bumping at head, heel and top points, a couple of phantom creases across rear cover, and slight edgewear. Bought for $6 at the Book Cellar in Temple.

  • Martin, George R. R. Wild Cards VIII: One-Eyed Jacks. Bantam Spectra, 1991. First edition paperback original, a Near Fine copy with mild spine creasing and a trace of wear at points. This completes my Wild Cards paperback collection. Bought for $2.49.

  • Massie, Elizabeth. A Little Magenta Book of Mean Stories. Borderlands Press, 2003. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy. Bought as part of the 15 book lot.

  • Matheson. Richard. Duel: Terror Stories By Richard Matheson. Tor, 2003. First edition hardback, a Fine- with slight bend at heel copy in a Fine- dust jacket with a slight wrinkle at rear bottom. Supplements a trade paperback edition. Bought for $12.99.
  • McBride, H. W. A Rifleman Went to War. Small-Arms Tactical Publishing Company, 1935. First edition, second printing (according to Dwight’s bibliography of this press), a Near Fine copy with a slight bit of spine wear and previous owner’s bookplate, in a Very Good- dust jacket with 1 1/2″ wide x 1/2″ deep chip at head, small chip at heel, creasing along front flap fold, and general wear, but no loss of lettering anywhere, in a Mylar dust jacket protector. Memoirs of the experiences of an American rifleman who joined the Canadian expeditionary forces during World War I (my second favorite World War). A Christmas gift from Dwight, who collects this press.

  • McCarthy, Cormac. The Crossing. Knopf, 1994. First edition hardback, a Fine copy in a Fine dust jacket, with McCarthy signature plate attached to half-title page. Second book in the Border Trilogy, preceded by his breakthrough bestseller and National Book Award winner All the Pretty Horses. Supplements an unsigned first. Bought for $400 (with discount) from a fellow dealer.

  • Merritt, A (and Hannes Bok). The Black Wheel. New Collector’s Group, 1947. First edition hardback, in a first state (Currey A) binding, #571 of 1,000 copies, a Near Fine- copy with slight bumping at head and heel, abrasions to title on front cover, inner hinge before title page just starting at top, with copyright correction pasted to copyright page. Novel started by Merritt and finished by Bok, who also illustrates the book. Currey, page 364. Chalker/Owings (2002), pages 608-9. Chalker/Owings (1991), page 308. Kemp, The Anthem Series, pages 384-385.

  • Merritt, A (and Hannes Bok). The Black Wheel. New Collector’s Group, 1947. First edition hardback, in a second state (Currey B) binding, a Very Good+ copy with BB-sized indention to front board (extending to front free endpaper), bumping at head, heel and points, large former owner plate for Robert C. Culp affixed to inside front cover, and foxing to interior gutters, and no number on copyright page, in a Near Fine FFF dust jacket (see Chalker/Owings for details, though they note the yellow jacket had “no illustrations,” which is clearly incorrect) with bumping at head, and a faint, dime-sized damp-staining drop and slight creasing to rear panel. Novel started by Merritt and finished by Bok, who also illustrates the book and the post-publication jacket. Currey, page 364. Chalker/Owings (2002), pages 608-9. Chalker/Owings (1991), page 308. Kemp, The Anthem Series, pages 384-385.

  • Mirrlees, Hope. Lud-In-The-Mist. W. Collins & Sons, 1926. First edition hardback, a Fine- copy with a couple of abrasion spots on front cover, slight bend and head and heel, and small bookseller sticker to bottom of rear inside cover, otherwise a nice, sharp copy in an immaculate facsimile dust jacket. Bleiler, Checklist (1978), page 141. Magill, Survey of Modern Fantasy Literature, pages 926-931. Barron, Fantasy Literature 3-250 (“A beautifully written allegory unashamedly celebrating the necessity of enchantment”). Tymn Zahorsky Boyer, Fantasy Literature pages 141-142. Widely considered one of the classic novels of pre-Tolkien fantasy. Bought for $395 plus shipping.

  • Monteleone, Thomas F. A Little Brown Book of Bizarre Stories. Borderlands Press, 2004. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy. Bought as part of the 15 book lot.

  • Moorcock, Michael, editor (John Brunner, Roger Zelazny, J. G. Ballard, etc.). New Worlds March 1966, Vol. 49, No. 160. Compact SF, 1966. First edition magazine in the form of a paperback original, a Near Fine copy with slight glue ridging to spine, slight wear at points, a faint, thin line of abrasion down rear cover near outer edge, and a few touches of general wear. Right in the middle of Moorcock’s acclaimed run as editor of New Worlds when it became the epicenter of the New Wave, with a murder’s row of writers in this issue. The Zelazny is the first appearance of the classic “For a Breath I Tarry” (Levack, Stories 69a), and this came from the last purchase of books from Bob Pylant’s Zelazny collection.
  • Moore, Ward. Caduceus Wild. Pinnacle Books, 1978. First edition paperback original, a Near Fine- copy with one tiny spine crease near front join, bookstore stamp inside, slight rubbing to rear cover, trace of magic marker left over price on front cover (Bestine took care of the rest), and touch of edgewear. Moore’s last novel. Replaces a slightly less attractive copy. Bought for $1.99.

  • Morlan, A.R. The Cat With The Tulip Face. Pulphouse, 1991. Issue #29.
  • Morrell, David. Creepers. CDS Books, 2005. First edition hardback, a Fine copy in a Fine, Mylar-protected dust jacket, signed by Morrell. Bought for $8.
  • Mundy, Talbot. Full Moon. D. Appleton-Century, 1935. First edition hardback (“(1)” on page 312), a very Good copy with slight spotting to top and bottom page block edges (and possibly side, but it’s hard to tell with deckled edges), slight concavity at top of spine, slight bend at head and heel, light foxing to inside covers, and a few penciled notes front and back, in a Very Good dust jacket with shallow chipping at head, heel and points, spine faded, top rear flap corner clipped (but front panel and price intact), wear along front fold edge, slight dust staining to white rear panel, one 1/2″ closed tear to top front and one 1/4″ closed tear to rear bottom, and slight foxing to flaps; not pristine, but nice for the age. Oriental adventure with magic set in India. Grant, Talbot Mundy: Messanger of Deastiny, page 184. Day, Talbot Mundy Biblio, page 5. Bleiler, Checklist (1978), page 145. Bought for $40 at Antiquarian Book Mart in San Antonio.

  • Murphy, Pat. Rachel in Love. Pulphouse, 1992. Issue #48.
  • Murray, Charles. Losing Ground: American Social Policy 1950-1980. Basic Books, 1984. Third printing, a Fine- copy in a Fine- dust jacket, with slighting bumping at head and heel, a trace of wear at points, and a touch of surface wear, inscribed by Murray: “To Dr. Harry Schmitt,/with best wishes/Charles Murray/18 July 1986.” (I wonder if this was inscribed to former astronaut and Republican senator Harrison Schmitt.) This is probably the most important book ever written about the American welfare state, in which Murray showed in meticulously researched detail why the welfare state expansions instituted by Lyndon Baines Johnson’s Great Society inflicted lasting economic and social harm to black families in America. Without Losing Ground, the welfare reform act of 1996 never would have happened. It came out back when some Democrats will still willing to look at research and data rather that automatically calling critics of the welfare state racist. Highly recommended. Supplements an unsigned first printing. (I had a second printing inscribed to me that I foolish lent out and never had returned.) Bought for $5.99.

  • Oates, Joyce Carol. The Bingo Master. Pulphouse, 1992. Issue #41.
  • Page, Gerald W., editor. The Year’s Best Horror Stories VII. DAW, 1979. First edition paperback original, a Fine- copy with tiny crease to very tip of bottom front corner and a trace of edgewear. Includes stories from Stephen King, Jack Vance, Manly Wade Wellman and Lisa Tuttle, among others.
  • Piccirilli, Tom A Little Black Book of Noir Stories. Borderlands Press, 2003. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy. Bought as part of the 15 book lot.

  • Piper, H. Beam. Lord Kalvan of Otherwhen. Garland Publishing, 1975. First hardback edition, a Fine copy, sans dust jacket, as issued. Novel of a modern day state trooper accidentally sucked into an alternate timeline where he uses his knowledge of military tactics and technology (such as the composition of gunpowder) to topple a corrupt theocracy. Part of the Garland Library of Science Fiction, reprinted from slightly blown-up pages from the Ace paperback original. Supplements a PBO first. Bought for £68 plus shipping from a UK seller.

  • Powers, Tim. The Anubis Gates. Mark V. Ziesing, 1989. First edition thus, part of the signed, limited edition of 500, but lacking a number and a slipcase, a Fine- copy in a Fine- Mylar-protected dust jacket with slight bend at head. Berlyne, A4h.2, who notes that Ziesing says many slipcases were destroyed in a flood. Chalker/Owings (2002), page 1000, who says Ziesing had an overrun of slipcases. Supplements an inscribed PBO first, an inscribed Chatto & Windus first hardback, a slightly flawed copy of the Centipede Press limited edition, and the holograph manuscript copy included in the ultralimited edition of the Berlyne bibliography.

  • Powers, Tim. Declare. Morrow, 2001. First trade edition hardback (preceded by the Subterranean Press limited edition), a Fine copy in a Fine Mylar-protected dust jacket, signed by Powers. Berlyne, A11b. Supplements a copy of the Subterranean Press limited.

  • Powers, Tim. Earthquake Weather. Legend, 1997. First edition hardback, a Fine copy (though with the characteristic page darkening for Legend books of this era) in a Fine Mylar-protected dust jacket, signed by Powers. Berlyne, A10a (who notes that reportedly only 800 copies were produced). Replaces an unsigned copy.

  • Powers, Tim. An Epitaph in Rust. Charnel House 2023. First edition hardback thus, #54 of 200 numbered copies, a Fine copy, sans dust jacket, as issued. Bought from the publisher at the usual discount.

  • Resnick, Mike. Kirinyaga. Pulphouse, 1992. Issue #58. Just the novelette. Kelleghan, Mike Resnick: An Annotated Bibliography and Guide to His Work A39.

  • Robinson, Kim Stanley. Black Air. Pulphouse, 1991. Issue #20.
  • Robinson, Kim. New York 2040. Orbit, 2017. First edition hardback, a Fine- copy in a Fine- dust jacket with slight bumping at head and a trace of edgewear. Bought for $9.99.

  • Romero, George A. and Daniel Kraus. The Living Dead. Short Scary Tales (SST) Publications, 2023. First edition hardback, 322 of 400 copies signed by Suzanne Romero, Daniel Kraus, Vincenzo Natali and Francois Vaillancourt, a Fine copy in a Fine dust jacket. Hefty 736 page original novel set in Romero’s Living Dead universe. Now sold out from the publisher, though I do have one copy available through Lame Excuse Books.

  • Russell, Eric Frank. Wasp. Avalon Books, 1957. First edition hardback, a Fine- copy with a tiny bit of bend at head and heel in a Fine- dust jacket with one 1/2″ closed tear are top rear head, and tiny bit of wrinkling on bottom front edge near heel, and just the barest traces of dust soiling to an otherwise bright white dust jacket. Military SF adventure novel of a spy sent to a hostile alien planet to bring down the government through psychological and guerilla warfare, like a wasp crashing a car by attacking the driver. Bought from a notable UK dealer for £200 plus shipping.

  • Sagan, Carl. Contact. Simon and Schuster, 1985. First edition hardback, a Fine- copy with slight bumping at head, slight dust soiling to outer page block, and slight bunting of points, in a Fine- dust jacket with slight bumping at head, slight wear at points, and a trace of staining to blind side. Sagan’s only novel, and the basis of the 1997 film. Bought for $8.49.

  • Saki (H.H. Munro) (edited by Stuart David Schiff). A Little Red Book of Wit & Shudders. Bands Press, 2023. First edition hardback, #462 of 500 copies signed by Schiff, a Fine copy, sans dust jacket, as issued. I have copies available through Lame Excuse Books.

  • Sammons, Brian M. Tales From Arkham Sanitarium. Dark Regions Press, 2022. First edition hardback, a Fine- copy in decorated boards with one tiny bump near bottom front corner, sans dust jacket, as issued. Cthulhu Mythos anthology, featuring a few familiar names (Don Webb, W. H. Pugmire, etc.).

  • Sarrantonio, Al. A Little Yellow Book of Fevered Stories. Borderlands Press, 2004. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy. Bought as part of the 15 book lot.

  • Schow, David J. Sedalia. Pulphouse, 1991. Issue #25.

  • Searight, Richard F. The Sealed Casket. The Strange Company, 1975. First edition prose portfolio (wrappers containing loose pages for the story), one of 100 copies, a Fine- copy with a touch of bumping or creasing at the points. Short story from another Lovecraft circle writer, and Hippocampus Press published a volume of their correspondence (combined with Lovecraft correspondence with E. Hoffman Price), one copy of which I have available for sale through Lame Excuse Books.

  • Selznick, Brian. The Invention of Hugo Cabret. Scholastic Press, 2007. First edition hardback, a Fine copy in a Fine dust jacket. Illustrated young adult novel. Winner of the 2008 Caldecott Medal and basis of the 2011 film Hugo, which I also enjoyed.

  • Shatner, William (with Chris Kresski). Star Trek Memories. HarperCollins, 1993. First edition hardback, limited issue, one of 4,500 signed, numbered copies, a Fine copy in a Fine slipcase, sans dust jacket, as issued, still in shrinkwrap. Non-fiction memoir of his time on the original Star Trek TV series. Bought for $65, less than cover price and less than a fourth of what it lists for these days.

  • Sheckley, Robert. Xolotl. Pulphouse, 1991. Issue #3.

  • Shepard, Lucius. The Ends of the Earth. Arkham House, 1991. First edition hardback, #5 of 100 copies signed and numbered by Shepard, a Fine copy in a Fine dust jacket (with SIGNED sticker on spine). This is a post-first limited that Lucius did himself, much like Greg Bear did his 250 copy limited edition of The Wind From A Burning Woman. Chalker/Owings (2002), page 73 (where he says this edition was sold at $100 a pop). Joshi, Sixty Years of Arkham House 178 (where he doesn’t mention this limited edition). Nielsen, Arkham House Books: A Collector’s Guide 184 (he doesn’t mention this edition either). Supplements an unsigned copy (which I must not have had the last time Lucius came through Austin). Bought for $17.50 plus shipping (which is less than even the original Arkham House cover price).

  • Shiner, Lewis. More Collected Stories. Subterranean Press, 2023. First edition perfect bound chapbook, a Fine copy, in publisher’s plastic bag. Six stories Lew has published since Subterranean’s Collected Stories. Bought from the publisher.

  • Shiner, Lewis. Twilight Time. Pulphouse, 1991. Issue #30.
  • Silverberg, Robert. Monsters and Things. PS Publishing, 2023. First edition hardback, #100 of 100 signed, numbered copies in decorated boards signed by Silverberg, editor Stephen Jones, and illustrator Randy Brocker, a Fine copy in a Fine dust jacket and a Fine slipcase, with erratum sheet laid in noting that one of these stories (many of them written under pseudonyms) actually was from Donald Westlake writing as Richard Stark. Oops! Already sold out from the publisher. I will have a small number of these available in the next Lame Excuse Books catalog.

  • Silva, David B. A Little White Book of Lies. Borderlands Press, 2005. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy. Bought as part of the 15 book lot.

  • (Sime, Sydney H.) Skeeters, Paul W. (introduction by Ray Bradbury). Sidney H. Sime: Master of Fantasy. Ward Ritchie Press, 1978. First edition hardback, #178 of 200 copies signed by Skeeters and Bradbury, a Fine copy, sans dust jacket, as issued. Art book featuring Sime’s illustration work. This was a pleasant surprise, as I thought it was just a trade hardback lacking the dust jacket, but it’s actually the limited edition signed by Ray Bradbury, which alone is worth just shy of what I paid for the entire lot. Chalker/Owings, page 1072 (not a listing for the book, but a description of the post-publication dust jacket for the limited edition that George Locke printed up). Supplements a copy of the unsigned trade paperback edition.

  • Simmons, Dan. Entropy’s Bed at Midnight. Lord John Press, 1990. First edition hardback, #93 of 100 signed, limited copies, a Fine copy, sans dust jacket, as issued, in a Fine slipcase. Reginald, Science Fiction and Fantasy Literature, 1975-1991 33966 (but not this state). Supplements a signed, non-slipcased 1/300 edition.

  • Sloca, Sue Ellen. Candles on the Pond. Pulphouse, 1992. Issue #59. As far as I can tell, this is her only publication anywhere.
  • Smith, Clark Ashton. Seer of the Cycles. CASiana Literary Enterprises (i.e., Roy A. Squires), 1976. First edition chapbook, #223 of 325 copies, a Fine copy in a slightly worn printed envelope that’s starting to split at the top fold. Fifth volume in the Second Series of Fugitive Poems (Xiccarph Edition). Joshi/Schultz/Connors, Clark Ashton Smith: A Comprehensive Bibliography, I.A.38 (for the Fugitive Poems: Second Series as a whole). Not in Currey. I also have Titans in Tartarus from this series. Bought off eBay for $35.

  • Smith, Clark Ashton (Scott Connors and Ron Hilger, editors). The Miscellaneous Writings of Clark Ashton Smith. Night Sahde Books, 2011. First edition hardback, a Fine copy in a Fine dust jacket. I already had the five volume collected fantasies, but somehow never picked this one up, perhaps because Night Shade was so horrible at fulfillment. Bought for $14.99.

  • Somtow, S. P. Fiddling for Waterbuffaloes. Pulphouse, 1992. Issue #47.
  • Stableford, Brian. Slumming in Voodooland. Pulphouse, 1991. Issue #26.

  • Straub, Peter. A Little Blue Book of Rose Stories. Borderlands Press, 2004. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy. Bought as part of the 15 book lot.

  • Swanwick, Michael. The Best of Michael Swanwick Volume Two. Subterranean Press, 2023. First edition hardback, #204 of 1,000 signed, numbered copies, a Fine copy in a Fine dust jacket and publisher’s plastic bag, with a Subterranean bookmark laid in. Supplements the first volume Subterranean did back in 2008. I have copies of this available through Lame Excuse Books.

  • Swanwick, Michael. Brief Essays on Genre. Dragonstairs Press, 2023. First edition chapbook original, #10 of 75 signed, numbered copies, a Fine copy. 25 brief essays on genre fiction. Bought from the publisher at the usual discount. I have copies of this available through Lame Excuse Books.

  • Swanwick, Michael. Red Fox, Blue Moon. Dragonstairs Press, 2023. First edition chapbook original, #64 of 69 signed, numbered copies, a Fine copy. Vignettes about a fox, inspired by a fox that visited Swanwick’s backyard. “This is the story of how she saved the world. Well, her world.” I have copies of this available through Lame Excuse Books.

  • Swanwick, Michael. Transits of Venus. Dragonstairs Press, 2023. First edition chapbook original, #28 of 36 signed, numbered copies, a Fine copy with interlocking geometric pattern cover (there were also floral pattern versions). I have one copy this available through Lame Excuse Books.

  • Swanwick, Michael. The Vinter’s Guide to Remarkable Wines. Dragonstairs Press, 2023. First edition chapbook original, #36 of 55 signed, numbered copies, a Fine copy. Collection of vignettes around wine themes. I have copies of this available through Lame Excuse Books.

  • Swanwick, Michael. Winter Songs. Dragonstairs Press, 2022 (not offered for sale until 2023). First edition chapbook original, #37 of 115 copies, a Fine copy. I will have copies of this available in the next Lame Excuse Books catalog.

  • Tiptree, James Jr. (Alice Sheldon). The Voice That Murmurs in the Darkness. Subterranean Press, 2023. First edition hardback, #389 of 1,000 numbered copies, a Fine copy in a Fine dust jacket and publisher’s plastic bag. Includes out of print and previously uncollected work, including the essay “How to Have An Absolutely Hilarious Heart Attack” and the story “Beam Us Home.”

  • Thorburn, Wayne. Red State: An Insiders Story of How the GOP Came to Dominate Texas Politics. University of Texas Press, 2014. First edition hardback, a Fine copy in a Fine-dust jacket with just a touch of wear, signed by Thorburn. This is an interesting book that describes (among other things) how leftists deliberately drove conservatives and moderates out of the Texas Democratic Party so they could control it. Of course, they expected voters would simply keep voting for Democrats, but that didn’t happen. Recommended. Bought for $7. Replaces an unsigned copy.

  • Vance, Jack. The Languages of Pao and The Dragon Masters. The Vance Integral Edition, 2002. First edition hardback, a Fine copy, sans dust jacket, as issued. The first edition restoring Vance’s original texts. This was bought from a collector as part of a small Jack Vance lot. I think I could have bought this for $32 at the time, but having paid for the VIE itself (a considerable chunk of change), I didn’t want to spend more for work that would later be included in the complete VIE anyway. Chalker/Owings (2002), page 946, which states there were 500 copies of this volume produced, but it seems a bit rarer than that. Also, I finally had a chance to add the proof dust jacket I bought back in 2020.

  • Vance, Jack. Night Lamp. Tor, 1996. First edition hardback (precedes the Underwood Books edition), a Fine copy in a Fine dust jacket, signed by Vance. Cunningham, 61a. Supplements the Underwood Books limited edition.

  • Vance, Jack. The Space Pirate. Toby Press, 1953. First edition trade paperback original (no statement of printing, as per Currey), a Fine- copy with a bare trace of dust soiling/age darkening to rear cover, plus the usual age darkening to pages; all but perfect, and far and away the nicest copy I’ve seen. Vance’s second novel. Hewett, A2. Cunningham, B.75.a. Currey, page 500. Supplements a signed but less attractive copy. Bought for $12 from Recycled Books in Denton.

  • (Vance, Jack) Hewitt, Jerry, and Daryl F. Mallett. The Work of Jack Vance: An Annotated Bibliography & Guide. Borgo Press/Underwood -Miller, 1994. First edition hardback, #121 of 200 numbered copies signed by Vance, introduction author Robert Silverberg, Hewett and Mallett, a Fine copy, sans dust jacket, as issued, in a Fine- slipcase with a bump to the top rear that I probably inflicted myself. The definitive Vance bibliography. Supplements a trade copy. Hewitt, M166 (yes, a reference to the book in the book itself). Cunningham E.2. Jerry tells me that Mallett was actually the editor rather than co-compiler, and on my trade copy he’s crossed out “Borgo” and written in “Bozo” on the title page. I sense some tension there…

  • (Vance, Jack) Temianka, Dan. The Jack Vance Lexicon: From Ahuloh to Zipahgote. Underwood-Miller, 1992. First edition hardback, #87 of 200 numbered copies signed by Vance and Temianka, a Fine- copy with a slight bit of bend at heel, sans dust jacket, as issued, in a Fine slipcase. Just what it says, a Lexicon of Vancian vocabulary. Supplements a trade copy. Hewitt, M163. Cunningham I.3.
  • (Vance, Jack) Levack, Daniel J. H. and Tim Underwood. Fantasms: A Bibliography of the Literature of Jack Vance. Underwood-Miller, 1978. First edition trade paperback original (simultaneous with a much smaller hardback run), one of 900 copies, a Fine- copy with slight bumping to points, signed by Jack Vance. The first serious, professional bibliography of Vance’s work. Hewett, M47. Cunningham, E1. Stephensen-Payne/Benson, M3.

  • (Vance, Jack) Stephensen-Payne, Phil and Gordon Benson, Jr. Jack Vance: A Fantasmic Imagination (2nd Revised Edition) A Working Bibliography. Galactic Central, no date (but 1990). First edition of one-sided brad-bound sheets, either Fine- (for the condition of the sheets), with a two penciled notes at bottom of front page, or Very Good+ is you count the wrinkled condition of the Duotang thin cardstock brad binder, but it is unreasonable to expect such to last decades in pristine condition. Back before the rise of Internet bibliographies, a number of projects were started to make comprehensive science fiction bibliographies. (Willie Siros was involved in one, until he said he hit the undocumented limit of many-to-many links in the Macintosh 4D database software.) Galactic Central was one project working on an author-by-author basis, this being the 28th in a series that eventually reached 58 before petering out. Hewitt, M152. (He states that Borgo Press even did a hardback of this! I’ve never seen one.) Not in Cunningham.

    (Vance, Jack). Rawlins, Jack. Demon Prince: The Dissonant Worlds of Jack Vance. Borgo Press, 1986. First edition hardback (plasticized boards), a Fine copy with “KATER-BOUND” sticker to rear cover (presumably as issued). Critical companion to the works of Jack Vance. Depending on the title, Borgo either did plasticized boards with the trade paperback encased, or cloth with the cover of the trade paperback pasted to the front; this is one of the former. I can’t recall ever seeing any copy of this title before, much less the hardback variant. Hewett, M.126. Cunningham, F.2.

  • (Vance, Jack) Jean Luc Esteban. Jack Vance: Works published in PULPS magazines 1945-1975. LuLu, 2023. First edition (POD) hardback, a Fine copy in decorated boards, sans dust jacket, as issued. An odd reference work, showing the full-color cover illustrations, title pages, first few story pages, and interior black and white illustrations, for every story Jack Vance published in pulp magazines for the covered period. (Never mind that by the 1970s, the magazines publishing Jack Vance weren’t pulps and hadn’t been for some time.) Sort of an strange work, with high production values (all the page are slick stock, not just the ones for the color illustrations) and odd editorial choices (the Table of Contents is at the rear, and there are a lot of pages left unnecessarily blank). Also, there is no magazine or illustrator index. But buying this is a whole lot less expensive than tracking down every single issue covered. If this is the sort of reference work you think you need, then you need it, and if you don’t, you don’t. Note also that there are four slightly variant titles this could be known under: the spine says Jack Vance in Pulps 1945-1975, the front cover says Jack Vance in Pulps First issues 1945-1975, the half-title page says Jack Vance Pulps Editions 1945-1975, and the title page says Jack Vance: Works published in PULPS magazines 1945-1975. Yeah, the book could have used an editor…

  • (Vance, Jack) Parmentier, Gregg. The Vance Phile issues 1 through 6. First edition center-stapled fanzine originals, each #5 of 30 copies, signed by Parmentier (and sometimes other contributors), each a Fine copy. Fanzines full of interesting articles from Vance fans, from reprints of rare Vance works to a lot of bibliographic updates (include some from Jerry Hewett to his Vance bibliography). Strangely, I’ve been on a private Vance collector’s list with Gregg for decades now, but I believe I started getting those only after his period of publishing these, so I never heard about it. There was evidently an Issue 7 I’m still trying to track down a print copy of.

  • (Vance, Jack) George L. Mina, editor. Cosmopolis: a nexus for the admirers of of the works of Jack Vance. George L. Mina, 1988. First edition comb-bound with clear plastic covers fanzine original, a Fine copy, with letters from Mina and L.W. Currey laid in. Fanzine miscellanea related to Vance, including Vance’s essay “The Symbol,” which according to Hewett (D20) is its only appearance. Hewett, M140 (which notes a total of 75 copies: 12 copies with hand-colored illustrations for contributors and 63 copies with uncolored illustrations (this edition) for subscribers). Not to be confused with the later newsletter of the same name published by the Vance Integral Edition project.

  • (Vance, Jack) Offut, Robert Jr. The Many World of Jack Vance Vol. 1 No. 1 Spring 1977. First edition fanzine original, #185 of 300 numbered copies, a Near Fine+ copy with a touch of staining along staple fold edge, signed by Vance. Includes an appreciation by Poul Anderson, a lengthy interview by Tim Underwood, and some bibliographic material. Hewett, M31a.

  • (Vance, Jack) Robert Offutt Jr., editor. The Many Worlds of Jack Vance & The Horns of Elfland. Robert Offutt Jr., 1978. First edition illustrated fanzine, a Fine- copy with a couple of small spots of dust staining to rear, signed by Vance. Features Vance’s “The Secret,” the first chapter of an illustrated adaptation of The Eyes of the Overworld, etc. Second (and last) volume of an illustrated, semiprozine quality publication dedicated to Vance’s work (though the cover illustration, “Boromir’s Fall,” is obviously from The Lord of the Rings). Chock-full of illustrations from Rod Whigham, who later did a great deal of comic book work. Hewett, M31b, who notes there were 1,000 copies of this printed. Replaces an unsigned and less attractive copy.

  • (Vance, Jack) V-Con [7] Program Book. V-Con 7, 1979. First edition program chapbook original (10 3/4″ tall by 8 1/4″ wide), a Fine- copy with just a tiny bit of fading to the stapled spine edge, signed by Vance. Program books for a 1979 convention in Vancouver, British Columbia, where Jack Vance was Guest of Honor (and Frank Herbert Toastmaster).

  • (Vance, Jack) (Tim Underwood and Chuck Miller, unlisted editorsThe Book of the Sixth World Fantasy Convention. Underwood/Miller, 1980. First edition hardback, one of 1000 copies, a Fine- copy, with slight bumping at head and heel, sans dust jacket, as issued, with pocket program and card for the convention laid in. World Fantasy Convention where Jack Vance was Guest of Honor. Hewett, M88.

  • (Vance, Jack) Laws, Robin D. The Kaain Player’s Guide: A Supplement for the Dying Earth RPG. Pelgrane Press, 2002. First edition (“First printing June 2002”) trade paperback original, a Fine copy. Supplement for the Dying Earth RPG. My role-playing game days are long behind me, and I haven’t really made a point of picking up RPG stuff for authors I collect, but this was cheap, and I have some books from the Amber Diceless RPG I haven’t cataloged yet from the last Bob Pylant purchase. Now I just need to find a place to put them…

  • Wagner, Karl Edward. Where the Summer Ends. Pulphouse, 1991. Issue #31.

  • Wagner, Karl Edward, and David Drake. Killer. Baen Books, 1985. First edition paperback original, a Near Fine- copy with slight spine creasing, edgewear, and foxing to insider covers. Hunting an alien killer in ancient Rome. Bought for $1.49.

  • Waldrop, Howard (George R. R. Martin and Bradley Denton, editors). H’ard Starts. Subterranean Press, 2023. First edition hardback, #414 of 750 numbered copies signed by Waldrop, Martin and Denton. Collection of early, rare Waldrop stories from a wide variety sources, including a 25 copy self-published story from 1966! (I have a copy and provided George with the text.) Available through Lame Excuse Books. My memorial to Howard can be found here.

  • Wallace, Edgar (Stephen Jones, editor). Kong: An Original Screenplay. PS Publishing/Electric Dreamhouse, 2023. First edition hardback, a Fine copy in a Fine dust jacket. The original screenplay for King Kong, which evidently differs considerably from the final film. Slightly oversized (10 1/2″ high) and profusely illustrated, with a good 90 pages of notes from Jones, who worked from “Wallace’s personal copy of his original draft script with his own corrections and interpolations” plus “a boys’ story-paper adaptation of the film, preliminary production stills and art-work, and a colour portfolio of King Kong posters from around the world.” A couple of production sketches are from the lost spider pit scene.

  • Wells, H. G. The Country of the Blind and Other Stories. Thomas Nelson and Sons, no date (but 1911). First edition hardback (as per Currey), a Very Good copy with a dime-sized, light black dot to center of front cover, slight wear to bottom boards, slight wear at tips, head and heel and small “Fiction ● 1855” written in two different colors of ink (black and blue) at the top of the inside front cover and check-marks and red underlining on table of contents, five lines of penciled bookseller notes on the back of the color frontispiece page, and a few other touches of wear, lacking the rare dust jacket. Short story collection, including five previously uncollected stories. Scheck and Cox, H. G. Wells: A Reference Guide, page XXV, which lists the five stories first published in book form here as “A Vision of Judgment,” “The Empire of the Ants,” “The Door in the Wall,” “The Beautiful Suit,” and “The Country of the Blind.” H. G. Wells: A Comprehensive Bibliography 42. Currey, page 517. Bleiler (1978), page 205. Oddly enough, Locke’s A Spectrum of Fantasy page 225 lists five different editions of The Country of the Blind, but not this true first.

  • Wells, H. G. The First Men in the Moon. George Newnes, Limited, 1901. First UK hardback edition (and first edition with complete text), second state binding (white rather than black endpapers, as per Currey), a Very Good copy with a 1 1/2″ x 3/4″ slight abrasion/rub to front cover, wear at head, heel and points and along spine, with small W.H. Smith blindstamp and inscription “M. G. Walkin-Graves/from K.M.K, J.H.A.H/Jan. 25. 1904” and price and “BL 1705” on front free endpaper, along with a large rectangle of light foxing there and a similar rectangle on rear free endpaper. His novel (possibly the first) of man landing on the moon, plus the Selenite civilization they find there. Filmed at least three times, most famously in 1964. H. G. Wells: A Comprehensive Bibliography 18. Scheck and Cox, H. G. Wells: A Reference Guide, page xxiv. Williamson, H. G. Wells: Critic of Progress, pages 111-119. Currey, page 518. Locke, A Spectrum of Fantasy, page 226. Locke, Science Fiction First Editions, page 56. Locke, Voyages in Space 208.Bleiler, Checklist of Science Fiction & Supernatural Fiction (1978), page 205. 333, page 68. Anatomy of Wonder 4 1-98. Magill, Survey of Science Fiction, pages 782-785.

  • Wells, H. G. The Food of the Gods and How It Came to Earth. Macmillan and Co., Limited, 1904. First edition hardback, first state (Currey A) binding (green cloth with cover lettered in gold, top edge in gilt) in first issue (Currey (1) state (16 page catalog at rear dated 20.7.04)), a Very Good+ copy with wear along bottom boards, at head, heel and points, and just a trace of foxing to insider covers, with PRESENTATION COPY blindstamp on title page and inscribed and initialed by Wells: “Henry Newbolt/ 26 [August? Sept?] 1904/[line]/from H.G.W.” The signature matches examples online of Wells’ signing with just initials. Newbolt was a writer and poet contemporary of Wells, with one fantasy novel, Aladore, to his name. On page 761 of Experiment in Autobiography, Wells stated that Newbolt was a member of his club the “Coefficients,” a Fabien Socialist dining club.

    The exact same copy previously sold in an earlier Heritage Auction for $1,625, coming from the John McLaughlin/Book Sail Collection. They obviously did not check carefully enough to see that it had come back to them in this lot, as there was no indication that any of the books in that lot were signed. And the earlier listing didn’t mention the “Coefficients” connection.

    H. G. Wells: A Comprehensive Bibliography 24. Scheck and Cox, H. G. Wells: A Reference Guide, page xxiv. Williamson, H. G. Wells: Critic of Progress, pages 39-43. Parrinder, H.G. Wells: The Critical Heritage, pages 103-109. Currey, page 519. Locke, A Spectrum of Fantasy, page 226. Locke, Science Fiction First Editions, page 56. Bleiler, Checklist of Science Fiction & Supernatural Fiction (1978), page 205. 333, page 68. Anatomy of Wonder 4 1-99. Magill, Survey of Science Fiction, pages 807-812. Heritage Rare Book Auction ##6094 catalog, page 115 (this copy).

  • Wells, H. G. In the Days of the Comet. Macmillan and Company Limited, 1906. First edition hardback, (Currey B) state, with “PRINTED BY/WILLIAM CLOWES AND SONS, LIMITED/LONDON AND BECCLES” and publisher’s catalog dated “20.8.06” at rear, which was the first issued edition (only one copy of Currey (A) known to exist, that being the British Library deposit copy, which Locke (see below) believes to be a bound proof rather than a true first printing), a Very Good copy with slight abrasion above title on front cover, slight bumping at head, heel and points, slight wear along bottom boards and along top front spine join and near outer board edges on point, slight foxing to inside covers, and bookseller pencil notices to FFE and inside front cover, with a letter from Bertram Rota, London bookseller, to a Lawrence Davern Esq. of Washington, D.C., discussing the first edition points of the title. Locke, Science Fiction First Editions, pages 56-57 and pages 94-96 (and this is the reference Currey cites). Currey, pages 519-520. H. G. Wells: A Comprehensive Bibliography 27. Scheck and Cox, H. G. Wells: A Reference Guide, page xxiv. Parrinder, H.G. Wells: The Critical Heritage, pages 133-145. Locke, A Spectrum of Fantasy, page 226. Bleiler, Checklist of Science Fiction & Supernatural Fiction (1978), page 205.

  • Wells, H. G. The Island of Dr. Moreau. William Heinemann, 1896. First edition hardback (Currey A binding, publisher’s monogram stamped in blind on rear cover, with Currey (2) (no priority) catalog state (32 page catalog starting with The Manxman and ending with Out of Due Season)), a Very Good copy with soiling along the spine, top and outer edges and head, and rounded points. Currey, 520. H. G. Wells: A Comprehensive Bibliography 8. Williamson, H.G. Wells: Critic of Progress, pages 74-82. Scheck and Cox, H. G. Wells: A Reference Guide, page xxiii. Parrinder, H.G. Wells: The Critical Heritage, pages 43-62. Locke, A Spectrum of Fantasy, page 226. Bleiler, Checklist of Science Fiction & Supernatural Fiction (1978), page 205. Barron, Anatomy of Wonder 4 1-100. Magill, Survey of Science Fiction Literature, pages 1079-1083.

  • Wells, H. G. The Plattner Story and Other Stories. Methuem & Co., 1897. First edition hardback (no statement of printing on copyright page, and 40 page catalog (in this case with most of the leaves unopened) dated March 1897 inserted at rear, as per Currey), a Very Good copy with spine significantly darkened, a bit of bumping to tips, and slight spots of dark staining to front boards, with previous owner having written “Ellis Parker/1905” on the front free endpaper (there was a famous American detective by that name, but I can’t find any examples of his signature online to compare), with a sales slip from Nigel Williams Rare Books to Gary Munson laid in (he paid $540 after discount). Wells’ second short story collection. Currey, 522. H. G. Wells: A Comprehensive Bibliography 10. Scheck and Cox, H. G. Wells: A Reference Guide, page xxiii. Parrinder, H.G. Wells: The Critical Heritage, pages 43-62. Locke, A Spectrum of Fantasy, page 226. Bleiler, Checklist of Science Fiction & Supernatural Fiction (1978), page 205.

  • Wells, H.G. The Sea Lady: A Tissue of Moonshine. Methuen & Co., 1902. First edition hardback (red cloth stamped in gold and 40 page catalog dated JULY 1902, as per Currey), a Near Fine- copy with spine slightly darkened and corners slightly bumped, but all gilt lettering present, with 4 1/2″ x 1″ catalog listing slip rectangle from 1979 pasted in just at the very top of the inside front cover, rear gutter starting, tiny bit of separation to front gutter, foxing to second front free endpaper, and trace of foxing to front free endpaper gutter, otherwise a very nice, attractive copy. Novel about a mermaid who comes ashore in England with a desire to join high society. One of Wells’ less reprinted novels. Currey, page 522. H. G. Wells: A Comprehensive Bibliography 10. Scheck and Cox, H. G. Wells: A Reference Guide, page xxiii. Bleiler, Checklist of Science Fiction & Supernatural Fiction (1978), page 205.

  • Wells, H. G. The Stolen Bacillus and Other Incidents. Methuen and Co., 1895. First edition hardback (no statement of printing and publisher’s catalog at rear dated SEPTEMBER 1895, as per Currey), a Very Good copy with bumps to top and bottom boards (most slight, one with a dime-sized bumped area to front boards), bumping and creasing to head and heel, points slightly bumped, and partial cracking to front and rear hinges, with picture postcard of H. G. Wells laid in. His first book of short stories. Wells’ sixth published book and first short story collection. Currey, 523. H. G. Wells: A Comprehensive Bibliography 6. Scheck and Cox, H. G. Wells: A Reference Guide, page xxiii. P Locke, A Spectrum of Fantasy, page 225 (not a listing, but a mention that he had traded away the only acceptable and affordable copy he had run across). Bleiler, Checklist of Science Fiction & Supernatural Fiction (1978), page 205. Bleiler, The Guide to Supernatural Fiction 1674 for “The Temptation of Harringay” and “The Moth.”

  • Wells, H. G. The War in the Air, and Particularly How Mr. Bert Smallways Fared While It lasted. George Bell and Sons, 1908. First edition hardback, first issue binding (Currey A, with lettering on front cover in and spine in gilt, GEORGE BELL & SONS at base of spine), a Very Good copy with slight spine creasing, a split at heel, three small splits at head, slight wear to bottom boards, wear along spine edges, trace of wear at points, light foxing blocks to front and rear free endpapers, and frontispiece tissue guard present, with sales slip to Gary Munson laid in. Novel that anticipated aerial warfare. Currey, page 526. Locke, Science Fiction First Editions, page 58 and pages 93-94. H. G. Wells: A Comprehensive Bibliography 36 (“two pages of ads,” check). Scheck and Cox, H. G. Wells: A Reference Guide, page xxiv. Clarke, Voices Prophesying War (new edition), pages 88-89. Locke, A Spectrum of Fantasy, page 227-228. Bleiler, Checklist of Science Fiction & Supernatural Fiction (1978), page 205. Barron, Anatomy of Wonder 4 1-104. Magill, Survey of Science Fiction Literature, pages 2407-2410.

  • Wentworth, Jim. Giants in the Earth: Ray Palmer, Oahspe and the Shaver Mystery. Palmer Publications, 1973. First edition? (no additional printings mentioned) trade paperback original, a Near Fine- copy with one tackhead-sized chip at the end of a crease to top front corner and slight wear at points, otherwise a fairly nice copy. Mishmash of Shaver Mystery, spiritualism, UFOs, Shaver’s “rock books,” and a dozen other fringe ideas, mostly taken from Palmer’s publications. Not in Kafton-Minkel or Standish.

  • White, Edward Lucas. A Little Green Book of Grue. Borderlands Press, 2023. First edition hardback, #462 of 500 signed, numbered copies, a Fine copy. A shame they didn’t make it a little white book of some sort…

  • Whitehead, Henry S. (Thomas Tessier, editor). A Little Orange Book of Voodoo Tales. Borderlands Press, 2023. First edition hardback, #462 of 500 numbered copies signed by the editor, a Fine copy, sans dust jacket, as issued. Five stories, two of which (“Jumbee” and “West India Lights”) were the title stories of his two Arkham House collections. Weirdly, this book has about 130 pages of text, then another 30 numbered but blank pages at the back. I have copies of this available through Lame Excuse Books.

  • Wilhelm, Kate The Girl Who Fell Into the Sky. Pulphouse, 1991. Issue #9.

  • Williams, Walter Jon. Dinosaurs. Pulphouse, 1991. Issue #18.
  • Williamson, Chet. A Little Blue Book of Bibliomancy. Borderlands Press, 2016. First edition hardback, #456 of 500 signed, numbered copies, a Fine copy. Bought off eBay for $14.06.

  • Willis, Connie. Daisy, in the Sun. Pulphouse, 1991. Issue #33. Tiny rub on spine.
  • Wilson, F. Paul. The Peabody-Ozymandias Traveling Circus & Oddity Emporium. Necessary Evil Press, 2007. First edition hardback, a Fine copy in a Fine- dust jacket with a 3/4″ closed tear to bottom front near spine. Bought for $30 from a Half Price Books location in the Metroplex.

  • Wilson, F. Paul. A Little Beige Book of Nondescript Stories. Borderlands Press, 2004. First edition hardback, #168 of 500 signed, numbered copies, a Fine copy. Bought as part of the 15 book lot.

  • Wilson, F. Paul. The Shade of Lo Man Gong. Pulphouse, 1991. Issue #35.

  • Wilson, F. Paul. Buckets. Pulphouse, 1991. Issue #36.
  • Wolfe, Gene. The Dead Man and Other Horror Stories. Subterranean Press, 2023. First edition hardback, #870 of 1,000 numbered copies, a Fine copy in a Fine dust jacket and publisher’s plastic bag. Now out of print from the publisher.

  • Wolfe, Gene. The Hero as Werewolf. Pulphouse, 1991. Issue #40. This is one I did actually need, and I still need the hardback version.

  • Wong, David (pseudonym of Jason Pargin). Futuristic Violence and Fancy Suits. St. Martin’s, 2015. First edition hardback, a Fine copy in a Fine- dust jacket with one tiny wrinkle at heel and a trace of wear at top points. Bought for $13.49.

  • Wu, William F. Shaunessy Fong. Pulphouse, 1992. Issue #60. Has some slight rubbing along front near spine. Last in the Short Story Paperbacks series.

  • Yarbro, Chelsea Quinn. The Spider Glass. Pulphouse, 1991. Issue #16.
  • Yolan, Jane. The Sword and the Stone. Pulphouse, 1991. Issue #27.
  • Zelazny, Roger. The Doors of His Face, The Lamps of His Mouth. Pulphouse, 1991. Issue #13. Not to be confused with the short story collection of the same name. I needed this for my Zelazny collection.

  • Library Additions: Two Harlan Ellison TPO Firsts

    Tuesday, May 23rd, 2023

    Two collections of Harlan Ellison essays bought directly from the Ellison website.

  • Ellison, Harlan. FOE: Friends of Ellison. Edgeworks Abbey, 2019. First edition (stated) trade paperback original (these are Print on Demand books; the POD barcode page states “10 February 2019,” making it possible that these were run off as part of the initial batch run off for the Ellison website sales), a Fine copy. Collection of non-fiction essays, introductions and appreciations of other writers (Jack Vance, Richard Matheson, Philip Jose Farmer, Robert Silverberg, etc.). Bought for $20 (half-off the $40 list price) from the Harlan Ellison Books website.

  • Ellison, Harlan. Why do you call me Ishmael when you know my name is Bernie?. Edgeworks Abbey, 2019. First edition (stated) trade paperback original (these are Print on Demand books; the POD barcode page states “16 June 2019”), a Fine copy. Collection of non-fiction essays on various topics, including one on Lafferty. Bought for $20 (half-off the $40 list price) from the Harlan Ellison Books website. This now shows up as out of print there.

  • Library Additions: R. A. Lafferty First Editions (2 of 2)

    Monday, May 22nd, 2023

    Here’s the second part of cataloging those two Lafferty bulk orders.

  • Lafferty, R. A. The Early Lafferty. United Mythologies Press, 1988. First edition chapbook original, #147 of (according to Chalker/Owings) 150 copies, a Fine copy. The first United Mythologies Press item. Chalker/Owings (2002), page 928. Supplements an unsigned copy.

  • Lafferty, R. A. Funnyfingers & Cabrito. Pendragon Press, 1976. First edition hardback, letter av of 50 signed, lettered copies, a Fine copy, sans dust jacket, as issued. This actually completes my R.A. Lafferty in hardback collection (which is to say that every Lafferty first edition that came out in hardback I have, though not every one is signed, and I don’t necessarily have the signed/limited state of every Lafferty book that was issued in one). Chalker/Owings (1991), page 328. I paid $100 for it.

  • Lafferty, R. A. How Many Miles To Babylon. United Mythologies Press, 1989. First edition chapbook original, #94 of (according to Chalker/Owings) 150 copies. Chalker/Owings (2002), page 928.

  • Lafferty, R. A. Promontory Goats. United Mythologies Press, 1989. First edition chapbook original, #132 of (according to Chalker/Owings) 150 copies, a Fine copy. The second United Mythologies Press book. Supplements an unsigned copy. Chalker/Owings (2002), page 928.

  • Lafferty, R. A. Strange Skies. United Mythologies Press, 1988. First edition chapbook original, #182 of 300 copies, a Fine copy. The third United Mythologies Press book. Chalker/Owings (2002), page 928.

  • Library Additions: R. A. Lafferty First Editions (1 of 2)

    Thursday, May 18th, 2023

    I’ve picked up a number of R. A. Lafferty first editions in the last few months, on two purchases: A UK resident selling off her husband’s private collection, and United Mythologies publisher Dan Knight resurfacing to sell off some of his stock. Both of these were part of collective purchases not tracked in email, so I’m not exactly sure what the price was for each, but I think the UM books were $30-50 signed and $15 unsigned. Plus the latest Centipede Press collected Lafferty volume.

  • Lafferty, R. A. Alaric: The Day The World Ended. United Mythologies Press, 1993. First edition hardback, a Fine copy, sans dust jacket, as issued. Reprint of The Fall of Rome, and the last book done by the press. Chalker/Owings (2002), page 931. Think I paid $50 for this.

  • Lafferty, R. A. The Back Door of History. United Mythologies Press, 1988. First edition chapbook original, #126 of 150 (according to Chalker/Owings) signed, numbered copies, a Fine copy, with errata notice laid in and conclusion of “Phoenic” pasted in after page 34. Chalker/Owings (2002), page 928. Supplements a trade edition.

  • Lafferty, R. A. The Collected Short Fiction Volume Seven: Mad Man. Centipede Press, 2023. First edition hardback, #40 of 300 copies signed by introduction author Scott Bradfield, a Fine copy in a Fine dust wrapper, still in shrinkwrap. Yes, I have matching numbers of all the rest. Bought from the publisher at the usual discount.
  • Lafferty, R. A. Cranky Old Man From Tulsa. United Mythologies Press, 1990. First edition chapbook, trade edition, a Fine copy. Three pieces of biographical non-fiction. Chalker/Owings (2002), page 928.

  • Lafferty, R. A. The Elliptical Grave. United Mythologies Press, 1989. First edition trade paperback original, a review copy of 70 signed, numbered copies with an extra story (“The Man Who Lost His Magic”), a Fine- copy with a slight bump at bottom right corner.

  • Library Additions: Three R. A. Lafferty Firsts, Two Signed

    Thursday, June 10th, 2021

    Three new R. A. Lafferty firsts, two signed (one by Lafferty).

  • Lafferty, R. A. The Collected Short Fiction Volume Six: The Man Who Never Was. Centipede Press, 2021. First edition hardback, #40 of 300 numbered copies signed by Neil Gaiman, John Pelan, and Jacob McMurray, a Fine copy in a Fine dust jacket. Presumably the last volume edited by John Pelan, who died April 12. Bought from the publisher at the usual discount. Normally I would have copies available, but all the copies I’ve been allocated have sold to people who bought previous volumes with matching numbers.
  • Lafferty, R. A. The Early Lafferty II. United Mythologies Press, 1990. First edition chapbook original, #57 of 100 signed, numbered copies, a Near Fine copy with some phantom creasing on the top left front cover. Bought for $49.99 off eBay. The signed copy of this chapbook original sold for $7, and the unsigned for $4, and both editions are now scarce and pricey.

  • (Lafferty, R. A.) Cheek, Kevin, editor. Feast of Laughter Volume 5. Kistic Press, 2020. First edition trade paperback original (POD publication), a Fine copy. Ongoing anthology series of Lafferty interest, including fiction, essays, etc. Includes three Lafferty works (“The Hands of the Potter: An Idyll” (which seems to be fiction, and not in the ISFDB), “Astérix et Cléopâtra” (a review of the French comic) and “Riddle Writers of the Ithmus,” a short essay. Plus contributions from Michael Swanwick, Howard Waldrop, etc. Bought from Amazon at full price, since they do fulfillment (and hence the link on the title).
  • Unpublished Lafferty Novels Redux

    Thursday, April 22nd, 2021

    Some nine years ago, I published this post on Andrew Ferguson’s NYRSF piece on unpublished R. A. Lafferty works. These included:

  • Loup Garou, a werewolf mystery
  • Civil Blood, an anti-communist novel
  • Antonio Vescovo, a very early novel described as “a cross between Rabelais and The Lives of the Saints
  • Dark Shine, about gifted children and an evil protagonist, and
  • When All the World Was Young, a plague novel in which everyone over the age of 10 is killed.
  • I also knew about the unpublished “In a Green Tree” novels:

  • Grasshoppers and Wild Honey 1928-1942 (first two chapters published, the rest unpublished)
  • Deep Scars of the Thunder 1942-1960
  • Incidents of Travel in Flatland 1960-1978
  • (A project fifth volume, In the Akrokeraunian Mountains 1978-1990, was evidently started but never completed.)

    I was also aware of the third and fourth volumes in the Coscuin Chronicles series:

  • Sardinian Summer
  • First and Last Island
  • However, this wiki (evidently created by Ferguson) includes still more novels I haven’t heard about before:

  • Esteban, “a historical novel tracking the life and travels of the African slave who was the first ‘white’ (i.e., non-Native) man to enter much of what would become the southwestern United States”
  • Fair Hills of Ocean, Oh!, “About a dolphin who is a quadruple-agent spy and the invasion of dry land by the king of the oceans.”
  • Iron Tongue of Midnight (I know nothing about, except it shares the same title as a 1988 Lafferty poem)
  • Mantis (evidently a mystery novel)
  • Not listed there, and only listed on a couple of dubious webpages, so I have my doubts as to whether it actually exists, is The Giant Ratchet of Sumatra (with Sharon Scott). There is a reference to a first chapter manuscript in the University of Tulsa archives, but I see no sign that it had ever been completed.

    Excluding the dubious and unfinished, by my count that’s fourteen unpublished Lafferty novels

    Library Addition: R. A. Lafferty’s The Man Who Walked Through Cracks

    Wednesday, May 8th, 2019

    The latest volume of the Centipede Press Collected Lafferty series came in:

    Lafferty, R. A. The Man Who Walked Through the Cracks: The Collected Short Fiction Volume Five. Centipede Press, 2019. First edition hardback, #40 of 300 signed, numbered copies, new and unread, still in publisher’s polybag. I have matching numbers of all five books in the series.

    I will have precisely one copy of this (along with a matching copy of Volume 4) in the forthcoming Lame Excuse Books catalog.

    Library Addition: Signed R.A. Lafferty Chapbook

    Monday, October 22nd, 2018

    I picked up a signed R.A. Lafferty chapbook, one of the Drumm chapbooks I already had, but in unsigned form:

    Lafferty, R.A. It’s Down the Slippery Cellar Stairs. Chris Drumm, 1984. First edition chapbook original, #76 of 100 signed, numbered copies, a Fine copy. Drumm Booklet No. 14. Non-fiction collection. Bought off eBay for $23.95. Obviously I should have bought all these signed Lafferty chapbooks from Drumm back when they were $5 each, but I wasn’t collecting him then…

    Overview of Lawrence Person’s Library: 2017 Edition

    Thursday, August 31st, 2017

    I decided updated pictures of my library were long overdue, so I took pictures of all my personal library bookshelves (as opposed to Lame Excuse Books stock) with my iPhone, which seems to do a better job than my old digital camera anyway.

    I tried to make the pics close and large enough that you could read the titles (which is, I think, one of the main points of photographing your library), though that’s not always the case. (Click to embiggen any of these.)

    I’ve listed very brief high points, but at some point I want to do several more comprehensive posts, probably broken up by letter (A, B, etc.) which will go into more detail and show individual books. But if I did that here I’d probably break your browser!

    As usual, all of these are Fine first edition hardbacks in Fine dust jackets unless otherwise stated.

    Where you see a dust jacket sitting on top of other books, I was reading that book when I took these pictures.

    This is just the fiction. I’ll get to the non-fiction, graphic novels, art books, science fiction reference books, etc. at a later date.

    Not all the pictures are perfect, and I may swap them out for better ones as time permits.

    Oversized Fiction

    These are all the hardback fiction books that were simply too big to fit anywhere else.

    IMG_1241

    Highlights:

  • The traycase edition of Greg Bear’s Sleepside Story.
  • Several signed oversized Ray Bradbury books.
  • A copy of Lord John Ten inscribed to Neal Barrett, Jr. by Ray Bradbury.
  • Several signed Harlan Ellison limiteds.
  • Three signed Stephen King books (Desperation, Insomnia, The Black House).
  • The lettered traycase edition of George R. R. Martin’s GRRM.
  • Several signed Richard Matheson books.
  • Two Charnel House books (Ellison’s Coffin Nails and Tim Powers’ Deliver Me From Evil).
  • Three Centipede Press books (the Ambrose Bierce, Tim Powers’ The Anubis Gates Michael Shea’s The Autopsy and Other Tales.)
  • Lucius Shepard’s The Last Time.
  • A binder full of hand-written Roger Zelazny manuscripts.
  • A—Ba

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    Highlights:

  • A signed Douglas Adams Mostly Harmless.
  • Some signed Brian Aldiss (RIP).
  • The three Gnome Press Foundation books, plus the signed Whispers Press Foundation’s Edge, plus several other signed Asimovs.
  • A first edition of Attanasio’s Radix.
  • Signed firsts of Paolo Bacigalupi’s The Windup Girl and the signed limited edition of Pump Six And Other Stories.
  • Bal—Bax

    IMG_1239

  • Several Ballard firsts (including The Drought and Empire of the Sun), some signed (such as The Atrocity Exhibition).
  • A nearly complete Iain Banks collection (missing one or two of the last ones), including all the early ones, including The Wasp Factory and Use of Weapons, some signed.
  • Nearly complete Clive Barker up to about ten years ago, many signed, including the limited edition UK Weaveworld and all six of the Wiedenfield & Nicholson Books of Blood.
  • A complete collection of Neal Barrett, Jr. fiction hardbacks, all signed or inscribed.
  • Some Stephen Baxter (mostly early books), including Raft and The Time Ships, some signed.
  • Bax—Bi

    IMG_1251

  • More Stephen Baxter
  • Some Peter S. Beagle books, including The Last Unicorn and A Fine and Private Place, most signed.
  • A complete Greg Bear collection (save a few recent ones), most signed or inscribed to me.
  • Some Gregory Benford, including the Cheap Street Of Space/Time and the River and Timescape.
  • An incomplete Alfred Bester collection, including a pristine The Demolished Man with Bester’s business card laid in, and an imperfect Who He? inscribed.
  • A nearly-complete Michael Bishop collection (a new one may be out), including No Enemy But Time, most inscribed to me.
  • Bi—Br

    IMG_1255

  • Nearly complete James P. Blaylock in hardback, several early ones inscribed to me.
  • Decent Robert Bloch collection, including an imperfect Psycho and several signed books.
  • Very incomplete Leigh Bracket collection, but including the very difficult first hardback of The Sword of Rhiannon.
  • A not-even-remotely-complete Ray Bradbury collection, but including some 30 signed firsts, including The Silver Locusts.

    Br—Bu

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  • Small Ernest Bramah collection, including The Moon of Much Gladness in dust jacket.
  • Early David Brin collection, including Startide Rising, The Uplift War, and his Cheap Street book, Dr. Pak’s Preschoool.
  • Some John Brunner, including a signed The Sheep Look Up and a Fine/Fine Stand On Zanzibar.
  • Signed/limited edition (only hardback) of Steven Brust’s To Reign in Hell.
  • Some signed William F. Buckley, Jr..
  • Several signed Lois McMaster Bujold Hugo and Nebula winners, including the Easton signed/limited (and first hardback editions) of Barrayar and The Vor Game.
  • William S. Burroughs’ The Place of Dead Roads inscribed to his agent.

    Bu—Ch

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  • Complete Octavia Butler collection, including Survivor, some inscribed to me.
  • A rebound first of Samuel Butler’s Erewhon from 1872.
  • A complete Pat Cadigan collection (save some media tie-in work), several inscribed to me.
  • Some Ramsey Campbell.
  • A complete Jonathan Carroll collection, including The Land of Laughs, most signed.
  • A complete Orson Scott Card collection up to the point I stopped reading him (which was Xenocide), including an inscribed Ender’s Game.
  • Some Angela Carter, including The Infernal Desire Machines of Dr. Hoffman (from Carter’s own copies) and The Passion of New Eve.
  • Most of Michael Chabon, including The Amazing Adventures of Kavalier and Clay and The Yiddish Policeman’s Union, many inscribed to me.
  • The true first edition of Robert W. Chamber’s The King in Yellow; not really visible in this picture since the trim size is so small.
  • Ch—Cr

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  • Some Arthur C. Clarke, including firsts of Against the Fall of Night and Earthlight, an imperfect copy of Childhood’s End (with a Clarke signature plate and photo laid in) and his Hugo winners Rendezvous With Rama and The Fountains of Paradise.
  • Most of Hal Clement, including a nice Iceworld, a signed, imperfect Mission of Gravity, and the three volume NESFA set are all signed as well.
  • A signed copy of Suzy McKee Charnes’ The Vampire Tapestry.
  • Most of the early Storm Constantine.
  • All the early John Crowley, including signed copies of The Deep, Engine Summer and (in the next pic) the Gollancz Little, Big.

    Cr-De

    IMG_1710

    IMG_1715

  • Signed hardback editions of the first 17 issues of Postscripts, plus #24/25. (I’m in three of these.)
  • Most of the Datlow/Windling Year’s Best Fantasy and Horror series (I think I lack a few latter ones).
  • Complete Avram Davidson in hardback (save one hardback chapbook), including the hardback edition of El Vilvoy de las Islas.
  • Some L. Sprague de Camp, some signed.
  • Most of the early Samuel R. Delany, including Babel-17 and The Einstein Intersection, all signed by Delany.
  • Di

    IMG_1725

    IMG_1264

  • I’m about four difficult books away from a complete Philip K. Dick in hardback collection. Highlights of what I have include imperfect copies of Do Androids Dream of Electric Sheep, The Man in the High Castle, The Three Stigmata of Palmer Eldritch, Counter Clock World, Time Out of Joint, Ubik, A Handful of Darkness and World of Chance, firsts HBs of The Penultimate Truth, The Simulacra, The Man Who Japed, The Game Players of Titan, and Confessions of a Crap Artist, a really nice copy of A Scanner Darkly, both the Underwood/Miller and Subterranean Collected Stories of Philip K. Dick, and the signed edition of the Levack PKD bibliography, the only Dick signature in my collection.
  • A reasonably complete Thomas M. Disch science fiction collection (I’m missing some of his poetry volumes), including The Genocides, Camp Concentration, 334, and his Cheap Street volume Torturing Mr. Amberwell.
  • Nearly complete Paul Di Filippo collection, many inscribed, including a PC copy of the 1/100 hardback copy edition of Spondulix.
  • Di-El

    IMG_1267

  • I have a complete collection of Gardner Dozois’ authored books, and hardback first of all the Year’s Best Science Fiction up through the 14th volume (and just a few missing after that), many inscribed to me by Gardner, and many signed by several story contributors.
  • A nearly complete George Alec Effinger collection, many inscribed to me.
  • Complete (save a couple of very recent books) Greg Egan collection, including An Unusual Angle, Quarantine, Permutation City, and an association copy of Axiomatic inscribed to his editor David Pringle. (Inscribed Egan books are genuinely rare, much less association copies.)
  • El-Fo

    IMG_1269

  • Nearly complete collection of Harlan Ellison in hardback (at least up through when he started issuing his own books), many signed.
  • A good ways toward a complete Philip Jose Farmer collection in hardback, including Too Your Scattered Bodies Go, many signed, including Doc Savage: His Apocalyptic Life, Lord Tyger and Love Song.
  • The first English-language edition of Camille Flammarion’s Urania and the first U.S. edition of Lumen.
  • Fo-Gi

    IMG_1270

  • Complete Neil Gaiman prose collection up to a few years ago, including the signed/limited BCC Books (true first) edition of Neverwhere, Murder Mysteries: A Play For Voices, Snow Glass Apples: A Play For Voices, and the Lettered editions of the Subterranean M is for Magic. (The hardbound Gaiman graphic novels are shelved elsewhere.)
  • Nearly complete John Gardner collection, including Grendel.
  • Several Ray Garton books, including Crucifax Autumn and Live Girls.
  • Almost complete Jane Gaskell collection.
  • Complete Mary Gentle collection up to a few years ago.
  • A complete William Gibson collection (excepting Agrippa, which wasn’t a book), including the Gollancz Neuromancer inscribed to me.

    Gi-Ho

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  • William Goldman’s The Princess Bride.
  • True first of Alasdair Gray’s Lanark.
  • A number of Joe Haldeman books, including an imperfect Forever War.
  • Several Peter F. Hamilton books, including The Reality Dysfunction.
  • Several Harry Harrison books, some signed.
  • Several Robert A. Heinlein firsts, including imperfect copies of Starship Troopers, The Moon is a Harsh Mistress, Stranger in a Strange Land and Double Star, as well as nice copies of Sixth Column, Assignment in Eternity, The Star Beast, The Puppet Masters and Podkayne of Mars, as well as a signed book club edition of Time for the Stars (my only Heinlein signature).
  • A very imperfect true first of Frank Herbert’s Dune.
  • Several Joe Hill books, including two states of 20th Century Ghosts and the traycase edition of Horns.
  • William Hope Hodgson’s House on the Borderland and Deep Waters.
  • All six of Robert E. Howard’s Gnome Press Conan books.
  • Ho-Kr

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  • Barry Hughart’s Bridge of Birds, The Story of the Stone, and Eight Skilled Gentlemen, plus the signed Subterranean press omnibus.
  • A nearly complete Shirley Jackson collection, including nice copies of The Road Through the Wall and The Haunting of Hill House.
  • Daniel Keyes’ Flowers for Algernon.
  • A good bit of Stephen King, including both the slipcase and traycase editions of the Colorado Kid, the signed/limited edition of Under the Dome, The Dark Tower: The Gunslinger, and an imperfect first of The Shining. The Talisman is the Grant “trade” edition, which in this case has been signed by Peter Straub.
  • A complete Russel Kirk fiction collection, most signed.
  • Some Nancy Kress.
  • Kr-La

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  • Some Henry Kuttner, including Robots Have No Tails.
  • A complete R.A. Lafferty in hardback collection (save one chapbook), some signed, including 1/50 signed copies of Tales of Chicago and Tales of Midnight.
  • Some Jay lake, most inscribed to me.
  • A complete Joe R. Lansdale collection, including the rare Chivers Texas Night Riders, The Magic Wagon, the lettered traycase editions of A Fistfull of Stories and For a few Stories More, 1/26 hardback copies of My Dead Dog Bobby, 1/100 hardback copies of Lansdale and Shiner’s Private Eye Action As You Like It, and many others, all signed or inscribed to me.
  • La-Lo

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  • The rest of the hardback Lansdale.
  • Both the true HB first (a large print edition) and the Subterranean limited of Ann Leckie’s Ancillary Justice.
  • Some Tanith Lee, several signed.
  • A goodly amount of Ursula K. Le Guin, including imperfect firsts of The Left Hand of Darkness, The Dispossessed and A Wizard of Earthsea, two Cheap Street hardback chapbooks, and the signed/limited edition true first hardback of Always Coming Home (with the included cassette tape), which is supposedly quite dreadful.
  • Closing in on a complete Fritz Leiber collection, including a signed Our Lady of Darkness and Nights Black Agents, plus several Gregg Press firsts, including The Big Time, The Sinful Ones, and the six volume Farhard and Gray Mouser set.
  • The first English-language edition of Stanislaw Lem’s Solaris.
  • A pretty good Thomas Ligotti collection, including the hardback of The Agonizing Resurrection of Victor Frankenstein & Other Gothic Tales.
  • The start of the H.P. Lovecraft collection, including some of the latter Arkhams and the Variorum Edition of his complete work, as well as an envelop hand-addressed by Lovecraft.
  • Lo-Ma

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  • The rest of the Lovecraft, as well as Cthulhu Mythos anthologies by various editors. I’ll probably file these by editor the next time I add a bookshelf.
  • Some Brian Lumley.
  • All Ken MacLeod’s novels up to a few years ago.
  • Something approaching a complete collection of George R. R. Martin’s fiction, though I’m missing a couple of the recent Game of Thrones books and a lot of his anthologies. Includes U.S. first of A Game of Thrones inscribed to me, the signed/limited Armageddon Rag, the true first signed/limited edition of Songs the Dead Men Sing (the very first Dark Harvest book), and the leatherbound signed/limited “slipcrate” edition of Portraits of His Children.
  • Ma-Mc

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  • Closing in on a complete Richard Matheson collection, including Born of Man and Woman, imperfect firsts of Hell House, The Shrinking Man and I Am Legend, and several of the signed Gauntlet, etc. books.
  • A lot of Paul J. McAuley.
  • A lot of Robert R. McCammon.
  • Some Jack McDevitt.
  • Complete Ian McDonald collection, all but one or two inscribed to me, including the true UK first of River of Gods.
  • Mc-Ni

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  • Larry McMurtry’s Lonesome Dove
  • Nearly complete China Mieville collection, including Perdido Street Station and The Tain.
  • An imperfect first of Walter M. Miller’s A Canticle for Leibowitz
  • Quite a bit of Michael Moorcock, including Behold the Man, Stormbringer and Gloriana, all signed or inscribed.
  • Some C.L. Moore, including Judgment Night, Shambleau, and signed firsts of Mutant and Black God’s Shadow.
  • A couple of books away from a complete Ward Moore collection, including Cloud By Day.
  • All Richard Morgan’s early books, including Altered Carbon.
  • Some David Morrell, including First Blood.
  • Some signed Haruki Murakami.
  • Some Pat Murphy, including The Falling Woman.
  • John Myers Myers’ Silverlock.
  • Most of Kim Newman’s early books (at least those under his own name), including Anno Dracula.
  • A complete set of the Night Visions series, some (Barker, Lansdale, Martin) signed or inscribed.
  • A good bit of Larry Niven, including an imperfect but very clean copy of the Gollancz Ringworld.
  • Ni-Po

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  • Complete Chad Oliver collection, including the Ballantine hardback of Shadows in the Sun, The Mists of Dawn and the Jenkins The Wolf is My Brother.
  • The true Secker & Warburg first edition of George Orwell’s Nineteen Eighty-Four (green state dust jacket, no priority).
  • Alexi Panshin’s Rite of Passage.
  • A good bit of Frederik Pohl, most signed, including Gateway, Man Plus and The Space Merchants, and most of the collaborations with Jack Williamson here are also signed by both Pohl and Williamson.
  • A complete Tim Powers collection, most signed or inscribed, including the Chatto & Windus Anubis Gates, several Charnel House limiteds, and the ultra-limited edition of the John Berlyne’s Powers bibliography, which includes a bound holographic copy of The Anubis Gates.
  • Po-Ri

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  • Some Christopher Priest, including Inverted World and The Prestige.
  • Complete run of Pulphouse: The Hardback Magazine, plus the signed/limited edition of Issue Eight, which is signed by Greg Egan.
  • Thomas Pynchon’s The Crying of Lot 49.
  • Ayn Rand’s Atlas Shrugged.
  • A complete Alastair Reynolds collection (save a few recent books), most signed, including Revelation Space.
  • A good bit of early Anne Rice, including Interview With the Vampire and The Claiming of Sleeping Beauty.
  • Ri-Sc

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  • Most of the early Kim Stanley Robinson, including the Mars trilogy and his Cheap Street book, The Blind Geometer.
  • A good bit of Rudy Rucker, including one of 350 signed, numbered copies of Transreal!
  • Sarban’s The Sound of His Horn.
  • Sc-Si

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  • Garrett P. Serviss’ Edison’s Invasion of Mars.
  • Some Bob Shaw, including a signed copy of The Palace of Eternity.
  • A complete Michael Shea collection, including the hardback edition of Nifft the Lean.
  • Some Robert Sheckley, including the five volume Collected Stories.
  • A complete Lucius Shepard collection, most signed.
  • A complete Lew Shiner collection, many inscribed to me.
  • A complete John Shiirley hardback collection (up to a few years ago, anyway), most signed, including one of only 50 hardback copies of Black Glass and one of only 100 signed, numbered hardback copies of Really, Really, Really, Really Weird Stories.
  • Si-Sm

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  • A lot of Robert Silverberg.
  • Clifford Simak’s City.
  • A complete Dan Simmons collection, several signed, including Hyperion, Song of Kali, and Entropy’s Bed at Midnight.
  • A lot of John Sladek, some signed.
  • A pretty good Clark Ashton Smith collection, including Out of Space and Time, Lost Worlds and Other Dimensions.
  • Sm-St

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  • A complete Cordwainer Smith collection, including three novels he did under his other pseudonyms, Ria, Corelia and Atomsk.
  • A few E. E.”Doc” Smith novels, including the true first of The Skylark of Space, and the signed editions of Second Stage Lensman and Skylark Three.
  • A complete William Browning Spencer collection, all signed or inscribed to me.
  • Some Brian Stableford.
  • Some Olaf Stapledon, including jacketless firsts of Last and First Men and Odd Job.
  • A good bit of Neal Stephenson, including inscribed firsts of Snow Crash and The Diamond Age.
  • A Complete Bruce Sterling collection, most inscribed to me, including a Mirrorshades signed or inscribed by most of the contributors.
  • Complete Charles Stross up to a few years ago.
  • St-Va

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  • Some Theodore Sturgeon, including the completed Collected Stories.
  • A complete Michael Swanwick collection, including Stations of the Tide, one of only 30 signed hardbacks of Puck Aleshire’s Abecedary, and several short-run Dragon Stairs Press books.
  • Some Tolkien, including most of the U.S. History of Middle Earth firsts.
  • A nice copy of Steven Utley and Geo W. Proctor’s Lone Star Universe signed by most of the contributors.
  • The start of the Jack Vance section. I’m closing in on a complete Vance hardback collection, but I’m not quite there yet. This case includes the Underwood/Miller signed/limited editions of Ariminta Station, Throy, Bird Isle/Take My Face, The Dark Side of the Moon, the Subterranean Press lettered/traycase edition of Dangerous Ways, The Deadly Isles, and a signed Dragon Masters.
  • Va-Wa

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  • The rest of the Vance hardbacks, including one of 200 signed sets of the 44 volume Vance Integral Edition, a signed Ballantine Books hardback state of To Live Forever, the beautiful Underwood Books signed/limited edition of Night Lamp, the Underwood Books limited Ports of Call, #2 of 200 signed/numbered copies of Light From a Lone Star, one of 111 signed hardback copies of The Seventeen Virgins/The Bagful of Dreams, and the Gollancz Four Men Called John, among many, many others.
  • A complete Vernor Vinge collection, most signed, including A Fire Upon the Deep and A Deepness in the Sky.
  • Richard Vollmann’s You Bright and Risen Angels and Rainbow Stories.
  • A pretty complete Karl Edward Wagner collection, some signed.
  • Wa-We

    Starting about here the pictures got more difficult to take, because this bookshelf is right behind a heavy futon I don’t feel like moving on my own.

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  • A complete Howard Waldrop collection, including his two Cheap Street books, all signed or inscribed.
  • Complete Peter Watts collection.
  • A few Stanley G. Weinbaum volumes, including one of 250 copies of the 1936 Dawn of Flame.
  • Closing in on a complete Manly Wade Wellman collection, including Who Fears the Devil?, Lonely Vigils, a first of Worse Things Waiting inscribed to horror writer Dennis Etchison, and a copy of Third String Center inscribed to his brother, western writer Paul I. Wellman.
  • Some H. G. Wells, including some later firsts in dust jacket and the signed, numbered three volume first edition of The World of William Clissold.
  • We-Wo

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  • Some Jack Williamson.
  • Nearly complete Connie Willis, almost all signed, including Doomsday Book.
  • A nearly complete Gene Wolfe collection, including all the The Book of the New Sun, The Book of the Long Sun, and Book of the Short Sun volumes (plus The Castle of the Otter, all inscribed or signed, his two Cheap Street hardbacks (Empires of Flowers and Foliage and Biblioman), and one of 100 hardback copies of The Young Wolfe. (The hardback edition of Letters Home is in the non-fiction reference library).
  • Wo-Z

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    I have a fairly ridiculous amount of signed Roger Zelazny first editions, manuscripts, etc., thanks in no small part to two very extensive purchases of Zelazny material. Though I would like to trade up my imperfect Nine Princes in Amber and my signed, imperfect Lord of Light, all my other Zelazny hardbacks are Fine/Fine copies, and most signed, including Creatures of Light and Darkness, The Dream Master, one of 200 signed, hardback copies of For a Breath I Tarry (which, since it has a number of blank pages in the back, I’ve had signed by some 60-70 other science fiction writers, etc.), one of 35 signed hardback copies of The Last Defender of Camelot, one of only 21 lettered, hardback copies of Kovacs’ The Ides of Octember: A Pictorial Bibliography of Roger Zelazny with a Zelazny signature sheet bound in, etc. Those binders you see contain original Zelazny manuscripts, some proof copies, some typescripts, and some hand-written, including The Changing Land, “The Last Defender of Camelot”, “Unicorn Variations”, Dilvish the Damned, Knight of Shadows, etc. (Upstairs, in the non-fiction section, I have Roger Zelazny’s professional correspondence archive in two large binders.)

    Trade Paperbacks

    This includes proofs, chapbooks, etc.

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    Notable items:

  • Isaac Asimov’s Little Brothers, one of 126 signed copies.
  • One of 100 signed copies of J. G. Ballard’s News from the Sun.
  • Signed copy of David Brin’s The Tides of Kithrup (the proof of Startide Rising)
  • An issue of Chacal signed by Tom Reamy.
  • A copy of Young Author’s Club: The Wartime Adolescent Writings of Philip K. Dick, one of 100 copies.
  • Some signed Thomas Disch poetry collections.
  • Both blue and green variant covers of Neil Gaiman and Gene Wolfe’s A Walking Tour of the Shambles, inscribed to me by both.
  • A proof of the never-published random house edition of Sherry Jones’ The Jewel of Medina.
  • A complete collection of R. A. Lafferty chapbooks, some signed.
  • Numerous Joe R. Lansdale trade paperbacks and proofs.
  • The proof of George R. R. Martin’s never published John W. Campbell Awards Volume 6
  • A signed copy of Michael Moorcocks’s tabloid-form Sex Pistols novel, The Great Rock-and-Roll Swindle.
  • James Morrow’s The Adventures of Smoke Baily, a novella only included as part of the packaging for a video game.
  • The proof (actually true first edition, since it was for sale) of Richard Matheson’s Collected Stories.
  • Proof of Chad Oliver’s The Cannibal Owl.
  • A signed, hand-corrected copy of Clark Ashton Smith’s The Double Shadow.
  • Jack Vance’s The Space Pirates and The Avatar’s Apprentice, one of only 30 copies.
  • Lew Shiner’s Modern Stories Number One signed by most of the contributors, including William Gibson and Howard Waldrop.
  • Dan Simmons’ Banished Dreams.
  • Inscribed copies of Neal Stephenson’s The Big U and Zodiac, as well as signed proofs of Interface and The Cobweb.
  • One of only 25 copies of Howard Waldrop’s self-published The Soul-Taker from 1966.
  • Manly Wade Wellman’s The Invading Asteroid and Devil’s Planet.
  • Lots of Gene Wolfe proofs, plus Talk of Mandrakes and four Cheap Street chapbooks.
  • Loads and load of signed Roger Zelazny proofs, plus Poems and A Rhapsody in Amber.
  • Mass Market Paperbacks

    Since I started concentrating on hardbacks very early it, I actually have fewer paperbacks than hardback.

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    Notable items (all paperback originals unless otherwise noted):

  • Several signed Aaron Allston books.
  • All six true first edition/first printing/first state of Clive Barker’s Books of Blood, all signed.
  • Some signed Neal Barrett, Jr.
  • A copy of John Brunner’s pseudonymously published porn novel The Incestuous Lovers.
  • Some signed Pat Cadigan, including a paperback proof of Synners.
  • A lot of Philip K. Dick.
  • A lot of Harlan Ellison.
  • Some Philip Jose Farmer, including Love Song and an association copy of Down in the Black Gang inscribed to Bruce Sterling.
  • Some Ray Garton.
  • An inscribed William Gibson Neuromancer.
  • Some signed Harry Harrison.
  • Some signed K.W. Jeter, including Seeklight and The Dreamfields.
  • All R.A. Lafferty’s PBOs, including Ringing Changes.
  • Several signed Joe Lansdale PBOs, including his three MIA Hunter books and the very rare Molly’s Sexual Follies, the last also co-signed by co-author Brad Foster.
  • Some Tanith Lee.
  • Some George R.R. Martin, including most of the Wild Cards books, the early ones signed by George and several other contributors.
  • Some signed Larry Niven and Jerry Pournelle reprints.
  • All Tim Powers PBOs, signed.
  • Spider Robinson’s Antimony.
  • All Rudy Rucker’s PBOs, including White Light, The Sex Sphere, Spacetime Donuts, and The 57th Franz Kafka.
  • All Michael Shea’s PBOs, some signed.
  • Several John Shirley PBOs, most signed, including The Brigade, Cellars and City Come A’Walkin.
  • All John Skipp & Craig Spector’s PBOs, several signed.
  • A good bit of Brian Stableford.
  • Inscribed true (Canadian) first of Sean Stewart’s Passion Play.
  • Bruce Sterling’s Involution Ocean and A Good Old Fashioned Future, inscribed.
  • Some Theodore Sturgeon, several PBOs, one reprint signed.
  • A lot of Jack Vance, some signed.
  • Some Manly Wade Wellman PBOs, including the rare movie novelization A Double Life.
  • A whole lot of Zelazny, almost all of it signed.
  • Finally, note that while none of these books are for sale, I do have many science fiction, fantasy and horror first editions (many signed) available through the Lame Excuse Books web page.